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Joan Martinez.P65
NMML OCCASIONAL PAPER PERSPECTIVES IN INDIAN DEVELOPMENT New Series 32 Social Metabolism and Environmental Conflicts in India Joan Martinez-Alier Leah Temper Federico Demaria ICTA, Universitat Autonoma de Barcelona, Spain Nehru Memorial Museum and Library 2014 NMML Occasional Paper © Joan Martinez-Alier, Leah Temper and Federico Demeria, 2014 All rights reserved. No portion of the contents may be reproduced in any form without the written permission of the author. The findings, interpretations, and conclusions expressed herein are those of the author and do not reflect the opinion of the Nehru Memorial Museum and Library Society, in whole or part thereof. Published by Nehru Memorial Museum and Library Teen Murti House New Delhi-110011 e-mail : [email protected] ISBN : 978-93-83650-34-7 Price Rs. 100/-; US $ 10 Page setting & Printed by : A.D. Print Studio, 1749 B/6, Govind Puri Extn. Kalkaji, New Delhi - 110019. E-mail : [email protected] NMML Occasional Paper Social Metabolism and Environmental Conflicts in India* Joan Martinez-Alier, Leah Temper and Federico Demaria Abstract This paper explains the methods for counting the energy and material flows in the economy, and gives the main results of the Material Flows for the economy of India between 1961 and 2008 as researched by Simron Singh et al. (2012). Drawing on work done in the Environmental Justice Organisations, Liabities and Trade (EJOLT) project, some illustrations are given of the links between the changing social metabolism and ecological distribution conflicts. These cover responses to bauxite mining in Odisha, conflicts on sand mining, disputes on waste management options in Delhi and ship dismantling in Alang, Gujarat. -
ARUN IYER Chairman & Chief Creative Officer Lowe Lintas
January 1-15, 2018 Volume 6, Issue 14 `100 6 INTERVIEW ARUN IYER Chairman & Chief Creative Officer Lowe Lintas KEROVIT A Different Take Will Anushka Sharma’s 20 histrionics do the trick? 10 VIJAY SALES Taking Them On How is this retail store handling online rivals? 22 VOOT Subs riber o yf not or resale Changing the Game How to get eyeballs without spending much. “I SEE EVERYBODY ZEE MEDIA Another Addition 8 BLACK SWAN AS COMPETITION” On a Roll 8 A breezy chat with one of the brightest creative MTV INDIA Star-studded Teams 18 minds in Indian advertising. MUSIC ON DEMAND Music vs Music 23 eol This fortnight... Volume 6, Issue 14 got my appointment for this interview with Arun Iyer in 30 seconds. He heard me EDITOR Sreekant Khandekar I out over a call and said, ‘Let’s do it.’ No ‘Let me check my schedule’, no ‘Send PUBLISHER January 1-15, 2018 Volume 6, Issue 14 `100 me a mail first’, no ‘Depends on what you’re going to ask me’, no ‘Talk to my PR Sreekant Khandekar 6 INTERVIEW team’, or any of the things journalists typically hear from a lot of senior folks who EXECUTIVE EDITOR ARUN IYER Chairman & Chief Creative Officer Ashwini Gangal Lowe Lintas work for large, globally networked corporates. Sure, I may have caught him on a good KEROVIT A Different Take day, but this exchange reflects how simple Arun likes to keep things. ASSOCIATE EDITOR Will Anushka Sharma’s 20 histrionics do the trick? Sunit Roy 10 PRODUCTION EXECUTIVE I’ve been writing about Indian advertising for almost eight years and am surprised Andrias Kisku VIJAY SALES Taking Them On to discover that this is the first time I’ve interviewed Arun, at length; (I have a How is this retail store ADVERTISING ENQUIRIES handling online rivals? feeling this is the real reason I pitched this idea to my boss, shhh). -
Outcome-AGM-2016.Pdf
Spine to be adjusted by printer C-13, Balaji House, Dalia Industrial Estate, Opposite Laxmi Industrial Estate, New Link Road, Andheri (West) Mumbai - 400 053. www.balajitelefilms.com world.com dickenson www. dickenson Spine to be adjusted by printer Spine to be adjusted by printer Spine to be adjusted by printer We are content innovators, creators and producers of unmatched credentials and long-standing success. We operate as a vertically integrated studio model, which allows us to create, distribute and monetise content, not only in ways that are best aligned with viewer preferences, but in ways in which we can capture the maximum value stream. With a focus on chasing quality growth, we continue to create gripping content – content that is relevant to As global viewership diverse sets of audiences and accessible across multiple platforms. continues to evolve, we have With geographical boundaries disappearing in the seamless world of the anticipated future trends and internet, we aim to make our content seamlessly available. Improvement in created new entertainment mobile broadband infrastructure, gradual reduction in cost of internet and paradigms. Today, we increase in smartphone screen sizes is driving consumer preferences. straddle across all the three The Subscription Video on Demand (SVOD) market in India is on the cusp distinct platforms through of a meteoric take-off. As Over The Top (OTT) video consumption continues which people consume to grow tremendously, we are leveraging our capabilities to create content entertainment – across platforms. Our motive is vertical integration across the value chain by Television, offering our own OTT services. We are making our delivery channels more closely aligned to the emerging needs and creating entertainment-on-the-go Movies and for our dynamic audiences. -
Understanding Precarity in the Context of the Political and Criminal Economy in India
Buried in Sand: Understanding Precarity in the Context of the Political and Criminal Economy in India Jordann Hass 6340612 Final Research Paper submitted to Dr. Melissa Marschke Final Version Abstract: As the world population grows and countries become more urbanized, the demand for sand is more prominent than ever. However, this seemingly infinite resource is being exhausted beyond its natural rate of renewal; we are running out of sand. The limited supply of sand has resulted in illicit sand trading globally, spawning gangs and mafias in a lethal black market. Through the nexus of politics, business and crime, India has demonstrated to be the most extreme manifestation of the global sand crisis. This paper will offer insight into the under-researched area of precarity surrounding the sand trade in the context of political criminality in India. By adopting an integrative approach to precarity, the analysis will review the direct and indirect impacts on livelihoods and local communities. The findings highlight how the collusive relations between the sand mafia and state authorities perpetuate a cycle of precarious labour and social-ecological conditions. To conclude, I will explore recommendations on how to address the implications of sand mining as a global community. 1.0 Introduction Sand is a fundamental component in modern society. Minuscule, and in some instances almost invisible, sand is one of the most important solid substances on earth (Beiser, 2018a). Historically, it was used as a form of verbal art that incorporated language, culture and expression through drawings. Eventually, the use of sand evolved into a material that was ‘malleable and durable, strong and fireproof,’ (Mars, 2019). -
MARCH CURRENT AFFAIR NATIONAL AFFAIRS Shah, Minister of State (Mos) for Home Affairs - G
1 MARCH CURRENT AFFAIR NATIONAL AFFAIRS Shah, Minister of State (Mos) for Home Affairs - G. Kishan Reddy & Nityanand Rai. 1. Name the Campaign which was launched by Lok Sabha speaker Om Birla in Kota, 3. ‘Chowk’ the Historic city of Jammu & Rajasthan to provide nutritional support Kashmir(J&K) has been renamed as to pregnant women and adolescent girls ‘Bharat mata chowk’. Who is the present (Feb 2020). governor of J&K? 1) Poshan Abhiyan 1) Radha Krishna Mathur 2) Eat right movement 2) Droupadi Murmu 3) Poshan Maa 3) Jagdish Mukhi 4) Suposhit Maa Abhiyan 4) Girish Chandra Murmu 5) Fit India 5) Biswa Bhusan Harichandan 1. Answer – 4) Suposhit Maa Abhiyan 3. Answer – 4) Girish Chandra Murmu Lok Sabha Speaker Om Birla has launched The Jammu & Kashmir’s historic City Chowk, ‘Suposhit Maa Abhiyan’ in his constituency Kota, which was a commercial center in Old Jammu, has Rajasthan, to provide nutritional support to been renamed as ‘Bharat Mata Chowk’. The Capital pregnant women and adolescent girls. Smriti Irani, of the J&K - Srinagar (May–October) Jammu Ministry of Women & Child Development & (Nov–April) & Governor - Girish Chandra Murmu Ministry of Textiles, also presided over the function. 4. Name the Indian state which prohibits the About Suposhit Maa Abhiyan: In the first phase online supply of food from Food Business of the campaign, 1,000 kits of 17 kg balanced diet Operators (FBOs) who don’t possess each was provided to 1,000 pregnant women. hygiene rating. 2. Union Home ministry has appointed S N 1) Punjab Shrivastava as additional charge of Delhi 2) Haryana Police Commissioner (Feb 2020). -
Lt Governor Lays Foundation for Rs 24.4 Cr Durga Bhawan at Shri Mata
! " ! ! ! JAMMU, THURSDAY, AUGUST 19 , 2021 VOL. 37 | NO.227 | REGD. NO. : JM/JK 118/15 /17 | E-mail : [email protected] |www.glimpsesoffuture.com | Price : Rs. 2.00 Lt Governor lays foundation for Rs 24.4 cr Durga J&K DGP orders action against cop involved in thrashing journos Bhawan at Shri Mata Vaishno Devi Shrine during Muharram procession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
264 Comm-Report-2015 Science & Technology.Pmd
REPORT NO. 264 PARLIAMENT OF INDIA RAJYA SABHA DEPARTMENT-RELATED PARLIAMENTARY STANDING COMMITTEE ON SCIENCE AND TECHNOLOGY, ENVIRONMENT AND FORESTS TWO HUNDRED SIXTY FOURTH REPORT Environmental Issues in Mumbai and Visakhapatnam (Presented to the Rajya Sabha on the 21st July, 2015) (Laid on the Table of Lok Sabha on the 22nd July, 2015) Rajya Sabha Secretariat, New Delhi July, 2015/Ashadha, 1937 (Saka) Hindi version of this publication is also available PARLIAMENT OF INDIA RAJYA SABHA DEPARTMENT-RELATED PARLIAMENTARY STANDING COMMITTEE ON SCIENCE AND TECHNOLOGY, ENVIRONMENT AND FORESTS TWO HUNDRED SIXTY FOURTH REPORT Environmental Issues in Mumbai and Vishakhapatanam (Presented to the Rajya Sabha on 21st July, 2015) (Laid on the Table of the Lok Sabha on 22nd July, 2015) Rajya Sabha Secretariat, New Delhi July, 2015/Ashadha, 1937 (Saka) Website: http://rajyasabha.nic.in E-mail: [email protected] C O N T E N T S PAGES 1. COMPOSITION OF THE COMMITTEE .......................................................... (i) 2. INTRODUCTION ........................................................................................ (iii) 3. ACRONYMS ....................................................................................... (v) 4. REPORT OF THE COMMITTEE ...................................................................... 1–13 5. RECOMMENDATIONS/OBSERVATIONS – AT A GLANCE.......................................... 14–16 6. MINUTES ................................................................................................ 17–22 7. -
Mining Conflicts Around the World - September 2012
Mining conflicts around the world - September 2012 ejolt report no. 7 September, 2012 Mining conflicts around the world Common grounds from an Environmental Justice perspective Begüm Özkaynak and Beatriz Rodríguez-Labajos (coord.) with contributions by Gloria Chicaiza, Marta Conde, Bertchen Kohrs, Dragomira Raeva, Ivonne Yánez, Mariana Walter EJOLT Report No. 07 Mining conflicts around the world - September 2012 September - 2012 EJOLT Report No.: 07 Report coordinated by: Begüm Özkaynak (BU), Beatriz Rodríguez-Labajos (UAB) with chapter contributions by: Gloria Chicaiza (Acción Ecológica), Marta Conde (UAB), Mining Bertchen Kohrs (Earth Life Namibia), Dragomira Raeva (Za Zemiata), Ivonne Yánez (Acción Ecologica), Mariana Walter (UAB) and factsheets by: conflicts Murat Arsel (ISS), Duygu Avcı (ISS), María Helena Carbonell (OCMAL), Bruno Chareyron (CRIIRAD), Federico Demaria (UAB), Renan Finamore (FIOCRUZ), Venni V. Krishna (JNU), Mirinchonme Mahongnao (JNU), Akoijam Amitkumar Singh (JNU), Todor Slavov (ZZ), around Tomislav Tkalec (FOCUS), Lidija Živčič (FOCUS) Design: Jacques bureau for graphic design, NL Layout: the world Cem İskender Aydın Series editor: Beatriz Rodríguez-Labajos The contents of this report may be reproduced in whole or in part for educational or non-profit services without special Common grounds permission from the authors, provided acknowledgement of the source is made. This publication was developed as a part of the project from an Environmental Justice Organisations, Liabilities and Trade (EJOLT) (FP7-Science in Society-2010-1). EJOLT aims to improve policy responses to and support collaborative research and action on environmental Environmental conflicts through capacity building of environmental justice groups around the world. Visit our free resource library and database at Justice perspective www.ejolt.org or follow tweets (@EnvJustice) to stay current on latest news and events. -
Business Profile
Zeal Z Entertainment Services Pvt. Ltd. - PROFILE Zeal Z Entertainment Services Pvt. Ltd. (ZZE) is a leading Film, Television & Entertainment (FTVE) solution outfit based in Bhopal covering Madhya Pradesh, Gujarat and other parts of Central India, in operation since July 2008. We Have line produced over 150+ Feature Films, TV shows, Commercials, Documentaries, etc. to date, Like PRAKASH JHA’s RAAJNEETI, AARAKSHAN, CHAKARVYUH, SATYAGRAHA, JAI GANGAAJAL, LIPSTICK UNDER MY BURKHA, ANIL SHARMA’s SINGH SAHAB THE GREAT, ASHUTOSH GOVARIKAR’s MOHANJO-DARO, NEERAJ PANDEY’s TOILET-Ek Prem Katha, RAJKUMAR HIRANI’s SANJU, DINESH VIJAN’s STREE, and most recently ZEE STUDIO’s MANIKARNIKA – THE QUEEN OF JHASI, KARAN JOHAR’S KALANK, FOX STAR STAR STUDIO’S PANGA AND ANURAG BASU’s LUDO. Film & Television Line Production Services is the heart and soul of Zeal Z Entertainment services Pvt. Ltd., we handle a range of production from multi-million projects to small single camera interviews. We know where the incentives are and how to manage them in various states giving the maximum value for any filmmaker. Our database of the locations allows us to instantly offer our clients choices that best suit their needs. We have the skill to put together the right crew for the job and our professionalism ensures that the film makers are able to complete their project within the budget, on time, hassle free. COMPANY EXECUTIVES ZULFIQAR ALI, Ace Ghazal Singer & Music Director Zulfiquar Ali is the Executive Director of Zeal Z Entertainment services Pvt. Ltd. He was trained under Ustad Zia fariduddin Dagar sahab and has been performing as a Ghazal Artist since 1973. -
Sujata Gurung Department of Sociology School of Social Sciences
Hindi Television Serials at the Periphery: A Socio-Cultural Study of Woman Viewers in Sikkim A Dissertation Submitted To Sikkim University In Partial Fulfilment of the Requirement for the Degree of Master of Philosophy By Sujata Gurung Department of Sociology School of Social Sciences February, 2019 ACKNOWLEDGEMENT At the very outset, I would like to thank the Almighty, who has always been my great support. I would like to express my sincere and heartfelt gratitude to my supervisor Dr. Khangembam Indira, for her continuous support, patience, kindness, motivation, enthusiasm and of course her immense knowledge. Without her guidance, time and help this dissertation would not have been possible. I would also like to express my gratitude towards all my teachers namely, Ms. Sandhya Thapa, Mrs. Swati Akshay Sachdeva, Mrs. Sona Rai, Mr. Shanker Narayan Bagh and Mr. Binod Bhattarai from Sociology Department for always being supportive and giving their feedbacks and insights to the study. I would like to thank Sikkim University Library and its staff for helping me in accessing the books and articles needed for the study. My heartfelt gratitude towards Panchayats, government officials who helped me in accessing the data I needed for the study. I would like to thank all the respondents for their precious time, sharing their ideas and information so generously to all my queries. Without them and their support this work would have not been impossible. I would like to express my heartfelt gratitude towards my loving mother Mrs. Pem Choden Bhutia and my father Mr. G.B. Gurung for their constant prayer, emotional and financial support. -
HM 12 MARCH Page 10.Qxd
www.himalayanmail.com 10 JAMMU ☯ FRIDAY ☯ MARCH 12, 2021 ENTERTAINMENT The Himalayan Mail Role in 'Mann Ki Awaaz Pratigya 2' Mouni Roy to scorch your screens with most challenging: Shivani Gosain Shivani Gosain believes her role in “Mann Ki T-Series' new track 'Patli Kamariya'! Awaaz Pratigya 2” is the most challenging role of This doe-eyed actress, who has burnt her career. Shivani, who was last seen in “Naagin the dance floor and mesmerized audi- 5”, has joined Rajan Shahi's produced show, which ences with her performances before, is headlined by Pooja Gor and Arhaan Behll. Talk- will now scorch your screens with her ing about her role in the show, Shivani says, “I am moves. The stunning Mouni Roy will playing Sushma Tyagi wife of a Bahubali. I never played such role before. This is real challenging now feature in Bhushan Kumar’s new one. It’s completely different from the other charac- hottest song – Patli Kamariya. A perfect ters that I have played till now. After a very long amalgamation of Indian and western time this one is a performance-oriented role for me beats, the dance track is composed and where I have to give my 100% to get into the skin of penned by Tanishk Bagchi whose tunes my character.” Pearl Grey is the writer and and fun lyrics will redefine the Hindi showrunner of the show. EDM music genre. Without revealing much about the characteristics Sporting an edgy, sexy look in the of her role, Shivani says she can’t relate to Sushma song, Mouni Roy turns heart stealer in Tyagi and that's the real challenge. -
It's an Honour More Properties Prabha Prabhu
February 16-28, 2014 Volume 2, Issue 18 `100 24 30 DEFINING MOMENTS Prabha Prabhu She is the quintessential ad person. 39 TELEVISION It’s an Honour Why Hindi GECs find selfies so rewarding. 36 CHANNEL V BTL - DIGITAL More Properties The music channel is gung ho after India Fest. VIRAL NOW Belated Caution 10 CONTENT MARKETING SUMMIT Brands are creating a big noise with digital Relevance is the Key 12 media to involve more people in their ZEE 24 TAAS on-ground activation. A New Dawn 32 INTERVIEW Ambi Parameswaran 34 EDITORIAL This fortnight... Volume 2, Issue 18 EDITOR have had an old grudge against people in the brand activation business – and I Sreekant Khandekar mean not just the agencies but the clients whose business they serve. Every now I PUBLISHER February 16-28, 2014 Volume 2, Issue 18 `100 and then I’d see a really intriguing piece of work at a mall or on the street – and Prasanna Singh 30 24 before long, there would be a press release touting the brilliance of the creators and the DEPUTY EDITOR client. If the work was so great, I’d ask myself, how come it has not been replicated Ashwini Gangal DEFINING MOMENTS SENIOR LAYOUT ARTIST Prabha Prabhu in a hundred other places for a million people to see? She is the quintessential ad person. Vinay Dominic 39 I figured that both marketer and agency were overcome by their cleverness. Their PRODUCTION EXECUTIVE appetite was sated with a single activation. To be fair, the argument for not scaling up Andrias Kisku TELEVISION It’s an Honour ADVERTISING ENQUIRIES Why Hindi GECs find a successful innovation a decade ago was cost and the ability to replicate, in that order.