Jennifer Zahlit Resume (To Edit)

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Jennifer Zahlit 805-390-5067 // [email protected] www.jenniferzahlit.com SAG-eligible THEATRE Droning On Violinist Common Man Musicals Silver Water Avenue Book Club Lead Common Man Musicals Eurydice Violinst Columbia MFA Directing The Adventures of Ellery Queen Featured/Violinist Gotham Radio Thtr. (Lib. at Lincoln Center) Trey Parker’s Cannibal! The Musical! Lead/Violinist Couerage Theatre Company Rituals: A Bacchanalia Lead The Vagrancy Company The Adventures of Tom Sawyer Ensemble Violinist Sierra Madre Playhouse Sweeney Todd Ensemble USC Musical Theatre Repertory James Joyce’s The Dead Featured/Violinist USC, Dir. Stephanie Shroyer One Act Festival Lead Atwater Playhouse The Stars in Illinois Lead USC Brand New Theatre Little Women Jo Regent Productions FILM Vista Indie Dir: Leon Ramdeholl Bach QED Indie Dir: Matt DeCoster Club Conundrum Indie Dir: John Byford Undergrad Web Series Dir: Evan Iwata TRAINING University of Southern California Theatre, B.A. (School of Dramatic Arts) Violin and Viola Training Mario Gotoh UCB Ongoing improv training Steppenwolf Theatre Company Alexandra Billings, Jeff Perry, Shannon Cochran Shakespeare Mary Joan Negro, The Antaeus Company Stanislavsky Technique Dr. Sharon Carnicke On-Camera Technique Joseph Hacker Directing Stephanie Shroyer Musical Theatre Workshop Parmer Fuller, John Rubenstein, Georgia Stitt Voice Rachael Lawrence, Janice McVeigh DIRECTING The Seagull Assistant Director to Director Kate Burton, USC MFA Rep. Proof Director, USC SPECIAL SKILLS Violinist/violist (professional), classical piano, jazz/ballet/tap (intermediate), British/Irish/Southern dialects, horseback riding, mezzo/alto. Current passport. .

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I'm Still Here, Still: a Performance by Alexandra Billings
THEMEGUIDE I’m Still Here, Still TRANS REPRESENTATION BY THE A PERFORMANCE BY NUMBERS o GLAAD¹ has documented 102 episodes and non-recurring ALEXANDRA BILLINGS storylines of scripted TV featuring transgender characters Thursday, January 26, 2017, at 7 p.m. since 2002, and 54 percent of those were negative Bing Theatre representations. Transgender characters were often victims or killers, and anti-trans slurs were present in 61 Is Hollywood “Transparent”? percent of the episodes. o In 2010, Trans Media Watch conducted a survey in which Identity and “Mis”representation 21 percent of respondents said they had experienced at least one instance of verbal abuse they felt was related in the Industry to negative media representations of trans or intersex Friday, January 27, 2017, at 3 p.m. people. 20 percent had experienced negative reactions McClintock Theatre at work that they could trace to items in the media. o While TV shows like Transparent and Orange Is the New Black represent a significant improvement in trans visibility, 80 percent of trans students still feel unsafe in school and in 2015 more trans people were reported murdered than in any other year on record. DEFINITIONS CISGENDER: This adjective applies to a person whose gender identity corresponds with the sex they were identified as having at birth. MEDIA REPRESENTATION: The way the media portrays a given social group, community, or idea. TRANSGENDER: This adjective applies to a person whose gender identity differs from the sex they were identified as having at birth. TIMELINE OF TRANS VISIBILITY IN U.S. DOMINANT CULTURE 1952 Christine Jorgensen, a former Army private, becomes the first American to undergo what was then called a “sex change” operation.
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