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Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Fairy Tales and Tall Tales
GRADE 2 Core Knowledge Language Arts® • Listening & Learning™ Strand Tell It Again!™ Read-Aloud Supplemental Guide Supplemental Read-Aloud Again!™ It Tell Fairy Tales and Tall Tales Tall and Tales Fairy Fairy Tales and Tall Tales Supplemental Guide to the Tell It Again!™ Read-Aloud Anthology Listening & Learning™ Strand GRADE 2 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. -
The Story of Johnstown
m HBBH ^H HT I m Mmm tflSJS *m»xff>. Class "Fl_sig_ -<3~7 Rook N^l v>. Copyright N° COPffilGHT DEPOSfT. The Story of Johnstown. ; "/ could a tale unfold, whose lightest word Would harrow up thy soul; freeze thy young bicod Make thy two eyes, like stars, start from their spheres. ' —Shakespeare. K<V*>> The Story of Johnstown ITS EARLY SETTLEMENT, RISE AND PROGRESS, INDUSTRIAL GROWTH, AND APPALLING FLOOD ON MAY 3 1ST, 11 By J. J. McLAURIN Editor Harrisburg Telegram Prefatory Note by REV. JOHN R. PAXTON, D. D., of New York Illustrated by Baron de Grimm, George Spiel, Coultaus, A. Heuche, Victor Perard, G. E. Burr and August Bruno, from Original Designs, Sketches and Photographs harrisburg, pa. James M. Place, Publisher 1890 Copyrighted, JAMES M. PLACE, 1889. INTRODUCTION A book on such a subject, written to give a plain statement of facts and do something for a good cause, could have no intro- duction better than this letter from one of the eminent divines of the age : 57 West Forty-Sixth Street, New York, Nov. 4, 18S9. Esq., Harrisburg, Pa. J. J. McLaurin, My Dear Sir ; I see by Governor Beaver's letter to the publisher that you propose to write a book on the Johnstown Flood. It should be done at once, while the scenes and incidents of those dreadful days are fresh and unfaded in our minds. Let the story of the awful calamity be put into enduring type for future gene- rations. It ranks among the great calamities of the world and deserves a place in History. -
All Aboard for Summer Fun! Departing 1993: Louisiana Summer Reading Program 1993 Manual
DOCUMENT RESUME ED 366 347 IR 054 828 AUTHOR White, Dorothy J., Ed. TITLE All Aboard for Summer Fun! Departing 1993: Louisiana Summer Reading Program 1993 Manual. INSTITUTION Louisiana State Library, Baton Rouge. PUB DATE 93 NOTE 398p. PUB TYPE Guides Non-Classroom Use (056) Reports Descriptive (141) Tests/Evaluation Instruments (160) EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS *Childrens Libraries; Elementary Education; Library Associations; Library Role; *Library Services; Publicity; *Public Libraries; Puppetry; Rail Transportation; *Reading Programs; State Libraries; Story Reading; Story Telling; *Summer Programs; Vacation Programs IDENTIFIERS Louisiana; Story Boards ABSTRACT This manual for the 1993 Louisiana Summer Reading Program has ideas for libraries to get the summer program started. The theme is trains, and all of the ideas have something to do with this theme. The following topics are covered: (1) evaluation; (2) promotion, publicity, and programs;(3) calendar;(4) decorating the library;(5) storytime planners;(6) action stories;(7) coloring pages and handouts;(8) costumes;(9) crafts; (10) fiagerplays; (11) flannelboards; (12) games, riddles, and puzzles; (13) poems; (14) puppets and puppet plays; (15) songs;(16) audiovisual materials; and (17) a resource list. (Contains 129 references.) (JLB) *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** U.S. DEPARTMENT Of EDUCATiON Mat 04Educational Roseorch and improvement EDUCATIONALRESOURCES INFORMATION CENTER (ERIC) 0Thts document Ms Men reproduced as received from the person or organization opginating 0Minor changes have been made to improve reproduction Quality Points of view or opmionsstatiedthisdocu- men! do not necessarily rpresent official LOUISIANA SUMMER READING PROGRAM OEN! position or policy 1993 MANUAL ALL ABOARD FOR SUMMER FUN! DEPARTING 1993 Dorothy J. -
Reengaging Blues Narratives: Alan Lomax, Jelly Roll Morton and W.C. Handy ©
REENGAGING BLUES NARRATIVES: ALAN LOMAX, JELLY ROLL MORTON AND W.C. HANDY By Vic Hobson A dissertation submitted to the School of Music, In partial fulfilment of the requirements for the degree of Doctor of Philosophy, University of East Anglia (March 2008) Copyright 2008 All rights reserved © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. i Acknowledgments This for me has been a voyage of discovery and I count myself fortunate to have enjoyed the process. This has been due, in no small part, to the support, help and encouragement that I have received along the way. People who, in the early days of my research, had been only names on the covers of books are now real; all have been helpful, most have been enthusiastic and some I now count as friends. The School of Music at the University of East Anglia is a small school in a rapidly expanding university which was led for many years by David Chadd who sadly died before the completion of this work. Fortunately the foundations he laid are secure and I have benefited from the knowledge and experience of all of the staff of the school, in particular my supervisor Jonathan Impett. Among Jonathan’s contributions, above and beyond the normal duties of a PhD supervisor is to have shown faith in a thesis that initially must have seemed rather unlikely. -
739 a Fellow Needs a Girl 1030 a La Nanita Nana B113 a Little Close
739 1090 A Fellow Needs a Girl Adeste Fideles (O Come All Ye Faithful) Composer: Rodgers, Richard Composer: Arranger: Arranger: Henshaw, Helen Lyricist: Hammerstein, Oscar II Lyricist: Composed/Published: 1947 Composed/Published: Publisher/Number: Williamson 38; 696-6 Publisher/Number: Voices: TTBB Voices: TTBB Soloists: tenor Soloists: descant Accompaniment: piano Accompaniment: organ; handbells; percussion Optional Accompaniment: Optional Accompaniment: Nationality: American Nationality: English Languages: English Languages: English Performance History: 1981; 1988; 2001 Performance History: 1986; 2011 Key Words: fellow; girl; day; hold; wise; strong; job; home; Key Words: Christmas carol dreams; needs Notes: complete score in reference fi le Notes: from musical play “Allegro” Duration: Duration: 350 1030 Adoramus Te (Antiphonal) A La Nanita Nana Composer: Palestrina, Giovanni Pierluigi da Composer: Arranger: Davison, Archibald T Arranger: Luboff, Norman Lyricist: Lyricist: Composed/Published: mid 1500s; 1922 Composed/Published: 1960 Publisher/Number: EC Schirmer 44 Publisher/Number: Walton W1016 Voices: TTBB Voices: TTBB Soloists: Soloists: Accompaniment: a cappella Accompaniment: a cappella Optional Accompaniment: Optional Accompaniment: Nationality: Italian Nationality: Spanish Languages: Latin Languages: Spanish; English Performance History: 1938; 1942; 1952; 1985; 1989; Performance History: 1979; 1985; 1992; 1999; 2011 2001 Key Words: Christmas carol; lullaby Key Words: Renaissance; double chorus; liturgical Notes: Notes: Duration: -
Fairy Tales and Tall Tales
GRADE 2 Core Knowledge Language Arts® • New York Edition • Listening & Learning™ Strand Tell It Again!™ Read-Aloud Supplemental Guide Supplemental Read-Aloud Again!™ It Tell Fairy Tales and Tall Tales Tall and Tales Fairy Fairy Tales and Tall Tales Supplemental Guide to the Tell It Again!™ Read-Aloud Anthology Listening & Learning™ Strand GRADE 2 Core Knowledge Language Arts® New York Edition Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. -
Findingdory5757c7816df94.Pdf
©2016 Disney/Pixar ©2016 Disney/Pixar. All Rights Reserved. Disney.com/FindingDory CAST Dory . .ELLEN DEGENERES DISNEY Marlin . .ALBERT BROOKS presents Hank . ED O’NEILL Destiny . .KAITLIN OLSON A Nemo . .HAYDEN ROLENCE PIXAR ANIMATION STUDIOS Bailey . TY BURRELL Film Jenny . DIANE KEATON Charlie . .EUGENE LEVY Young Dory . SLOANE MURRAY Fluke . .IDRIS ELBA Rudder . DOMINIC WEST Mr. Ray . BOB PETERSON Wife Fish . KATE MCKINNON Husband Fish (Stan) . .BILL HADER Sigourney Weaver . SIGOURNEY WEAVER Passenger Carl . ALEXANDER GOULD Gerald . .TORBIN XAN BULLOCK Crush . ANDREW STANTON Chickenfi sh . KATHERINE RINGGOLD Tween Dory . LUCIA GEDDES Squirt . BENNETT DAMMANN Husband Crab (Bill) . JOHN RATZENBERGER Directed by . .ANDREW STANTON Sunfi sh “Charlie Back and Forth” . ANGUS MACLANE Co-Directed by . .ANGUS MACLANE Gill . .WILLEM DAFOE Produced by . LINDSEY COLLINS, p.g.a. Bloat . .BRAD GARRETT Executive Producer . .JOHN LASSETER Peach . ALLISON JANNEY Associate Producer . BOB ROATH Gurgle . .AUSTIN PENDLETON Original Story by . .ANDREW STANTON Bubbles . STEPHEN ROOT Screenplay by . .ANDREW STANTON Deb (& Flo) . .VICKI LEWIS VICTORIA STROUSE Jacques . .JEROME RANFT Music by . .THOMAS NEWMAN Story Supervisor . MAX BRACE Additional Screenplay Material by . BOB PETERSON Film Editor . AXEL GEDDES Additional Story Material by . ANGUS MACLANE Production Designer . STEVE PILCHER Supervising Technical Director. .JOHN HALSTEAD Post Production Supervisor . .PAUL CICHOCKI Production Manager . BECKY NEIMAN-COBB Production Finance Leads . .WILLIAM REUSCH Supervising Animators . .DAVID DEVAN MARC SONDHEIMER MICHAEL STOCKER Director of Photography - Camera . .JEREMY LASKY STORY Director of Photography - Lighting . IAN MEGIBBEN Character Art Director . .JASON DEAMER Story Manager . HANA YOON Sets Art Director . DON SHANK Character Supervisor . JEREMIE TALBOT Story Lead . ALEXANDER WOO Sets Supervisor . COLIN HAYES THOMPSON Eff ects Supervisor . -
Celebrating 50 Years of Animation
NEXT GEN ANIMATED EFFECTS IN AN ANIMATED FEATURE PRODUCTION So Ishigaki, Graham Wiebe VOICE ACTING IN AN ANIMATED FEATURE PRODUCTION Charlyne Yi CHARACTER DESIGN IN AN ANIMATED FEATURE PRODUCTION Marceline Tanguay HILDA BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN CHARACTER ANIMATION IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Scott Lewis WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Stephanie Simpson TALES OF ARCADIA: TROLLHUNTERS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION David M.V. Jones, Vincent Chou, Clare Yang TALES OF ARCADIA: 3BELOW DIRECTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Guillermo del Toro, Rodrigo Blaas EDITORIAL IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION John Laus, Graham Fisher BIG MOUTH BEST GENERAL AUDIENCE ANIMATED TELEVISION/BROADCAST PRODUCTION WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Emily Altman BOJACK HORSEMAN BEST GENERAL AUDIENCE ANIMATED TELEVISION/ BROADCAST PRODUCTION VOICE ACTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Will Arnett ASK THE STORYBOTS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN DIRECTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Evan Spiridellis DINOTRUX: SUPERCHARGED BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN WATERSHIP DOWN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Philip Child, Nilesh Sardesai F IS FOR FAMILY VOICE ACTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
Pricelist 199.E-Web
Page 1 RAILPUB BACK ISSUE MAGAZINES/USED BOOKS RAIL,AUTO,TRUCK,TRACTOR,TRANSPORT,FIRE,STEAMBOAT,INDUSTRIAL SUBJECTS CATALOG #199.e - September 2016 DIRECTORY ITEM PAGE .RAILROAD MAGAZINES .U.S. & Canadian Railroad Modeling Magazines 2 .U.S. & Canadian Railroad Enthusiast Magazines 6 .U.S. & Canadian Railroad Historical Society Magazines 12 .British & Overseas Railroad Modeling & Enthusiast Magazines 18 .Traction & Electric Railroading Modeling & Enthusiast Magazines 20 .Railroad Industry & Employee Magazines 22 .RAILROAD BOOKS .Newly Released Railroad Books—Direct from the Publishers 24 .Used & Out of Print Railroad Books 25 .Railroad Fiction Books 89 .Railroad Prototype Material 89 .Railroad Annual Reports 94 .SECOND SECTION BOOKS 95 .Maritime, Auto, Bus, Tractor, Truck, Steamboat, Mining, Logging & Industrial History Books .SECOND SECTION MAGAZINES 107 .Maritime, Auto, Bus, Tractor, Truck, Steamboat, Mining, Logging & Industrial History Magazines .BARGAIN BIN BOOKS 110 QUANTITY PRICE DISCOUNTS: Deduct 10% on multi-item shipments over $150; 15% over $350 SHIPPING ONLY $6.00 FLAT RATE FOR U.S. ORDERS HOW TO PLACE ORDERS .CONTACT US - Manager: Paul Gibson Email: [email protected] Web site (on-line catalog): www.railpub.com Telephone: 508/397-1828 (9:00am-5pm Eastern time, M-F; evenings and weekends by chance. Mailing Address: Railpub, 161 Gilmore Rd., Wrentham, MA 02093-1227. Emails or phone calls to check availability, or reserve items for seven days, are welcome. .PAYMENT: Money order or checks payable to Railpub (checks must clear before order shipped). Credit Cards - we can accept Visa, Master Card or Discover. .SHIPPING: $6.00 shipping & handling for all domestic orders. Shipping via USPS book rate or equivalent. Delivery is usually within 7-10 days, but please allow up to four weeks for domestic delivery. -
Willy Ley, the Science Writers, and the Popular Enchantment of Science
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE WILLY LEY, THE SCIENCE WRITERS, AND THE POPULAR REENCHANTMENT OF SCIENCE A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By JARED S. BUSS Norman, Oklahoma 2014 WILLY LEY, THE SCIENCE WRITERS, AND THE POPULAR REENCHANTMENT OF SCIENCE A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY OF SCIENCE BY ___________________________ Dr. Hunter Heyck, Chair ___________________________ Dr. Katherine Pandora ___________________________ Dr. Joann Palmeri ___________________________ Dr. Stephen Weldon ___________________________ Dr. Benjamin Alpers © Copyright by JARED S. BUSS 2014 All Rights Reserved. Acknowledgements Many helpful scholars have guided this dissertation. Hunter Heyck has provided advice and encouragement as the project matured from a collection of primary sources into a biography. Katherine Pandora’s scholarship and perspectives have also contributed to this work in remarkable ways. Additionally, Michael Neufeld has spent many years providing guidance, advice, and sources. I would also like to thank committee members Joann Palmeri, Benjamin Alpers, and Stephen Weldon for their helpful comments and reactions. This project owes a special thanks to Sandra and Xenia Ley. As the daughters of Willy Ley, they shared memories and reflections. In particular, I wish to thank Sandra for many long telephone interviews. Her personal stories and memories helped to reassure me that I understood her father and his personality. Although this biography focuses on Ley’s professional and public activities, I hope that this biography accurately reflects his personality. I would also like to thank other authors, researchers, and archivists. William H. Patterson provided much assistance in navigating the Heinlein Archives and interpreting key documents.