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IS/SONY in High Gear W/Japanese Market on Eve Ur Inch Disks Bow
i sh Box Self Service Tape Guide (Turn The Page) ... IS/SONY In High Gear w/Japanese Market On Eve 2nd Spot In Global Disk Sales . The Split Look August 16, 1969 i Top 40 Radio ,;oldners Form ash.,mpany...EVR: )se To A Consumer Reality ... SSS Buys Ott Cash Box754 d Bird, Blue Cat Catalogs ... Mini Players, ur Inch Disks Bow On European Markets... Peter Sarstedt E WONDER: BIG STEVIE WONDER Intl Section Begins on Pg. 61 www.americanradiohistory.com The inevitable single from the group that brought you "Young Girl" and "WomanYVoman:' EC "This Girl Is Dir Ai STA BII aWoman Now7 hbAn. by Gary Puckett COiN and The Union Gap. DEE On Columbia Records* Di 3 II Lodz,' Tel: 11A fie 1%. i avb .» o www.americanradiohistory.com ///1\\ %b\\ ISM///1\\\ ///=1\\\ Min 111 111\ //Il11f\\ 11111111111111 1/11111 III111 MUSIC -RECORD WEEKLY ii INTERNATIONAL milli 1IUUIII MI/I/ MIII II MU/// MUMi M1111/// U1111D U IULI glia \\\1197 VOL. XXXI - Number 3/August 16, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 / Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Cash Box Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS Self- Service EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA Tape Guide ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood Much of the confusion facing first - 8 -TRACK CARTRIDGES: Using the WOODY HARDING unit tape consumers lies in the area same speed and thickness of tape Art Director of purchaser education. -
Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Blue Badge January 2014
Volume 18 Issue 1 Dedicated to all Combat Infantrymen January 2014 In This Issue You’ll Find: Jodrey To Lead CIA A Short Bio of new National Cdr as the Cover Story The annual listing of CIA Offi- cers and CIA unit locations. A preview of the 2014 convention site and member survey Convention photos and highlights Commander’s Column and Our View How to recommend a future con- vention site Blue Badge’s newest feature Looking Back Division’s Doings, activities that member divisions are engaged in Taps Welcome Mat The readers write, letters to the editor Association information Brother’s –in-arms New membership applications Jerry Jodrey of Sunbury, OH will lead the Combat Infantrymen’s Association for the next two years. He is a retired US Army Master Sergeant earning his CIB in Vietnam. In addition to his CIB other personal and campaign medals (Continued on page 2) Page 2 Blue Badge/Admin “Stuff” January 2014 STATEMENT OF ADMINISTRATIVE PUBLICATION GUIDELINES The Blue Badge is the official publication of the One of the delays that causes some confusion and ag- Combat Infantrymen’s Association. It is published two gravation among members is sometimes perceived as a times a year. Issue 1 covers Jan-June and will be lack of response to the member needs. The staff works published in July; issue 2 covers July-Dec and will be hard to answer your questions, act on your requests, and in published in January. All official information pertaining general be responsive to your needs. One of the problems to the Association will be found here. -
AIR FORCE Magazine / March 1999 48
Photo by Paul Kennedy 48 AIR FORCE Magazine / March 1999 The US Air Force asked a group of artists to take a different look at the force. The rest is history. History on Canvas In 1954, Gen. Nathan F. Twining, Air Force Chief of Staff, formally established the USAF art program. Many of the better known artists and illustrators of the day were asked to use their creative talents to take a fresh look at the service, record their impressions, and contribute the re- sult to what would, in time, become an amazing store of art. By 1963, the USAF Art Collection contained more than 700 works. A selection of 50 paintings trav- eled from base to base, sometimes in the form of a metal box of slides, as shown at left. What follows is a small part of that first traveling collection. AIR FORCE Magazine / March 1999 49 Artist Reynold Brown created this painting, called “Green Light —Go,” after visiting an F-102 alert base in Japan. Here he shows some of the tension as the crew chief and pilot wait for the signal for the aircraft to take off. An artist for North American Aviation during World War II, Brown also assisted Hal Forrest with the popular comic strip “Tailspin Tommy.” Today, Keith Ferris is one of the best known artists in the field of aviation art. This painting, “B-52 Air Refueling,” was the first in a long line of work he has created for the program. 50 AIR FORCE Magazine / March 1999 Claude Coats portrayed a serene landscape of rice paddies near Beppu, Japan, and included the jets as a way of showing airpower as a protector of postwar Japan. -
The Illusion of Life: Disney Animation Interactive Edition
The Illusion of Life: Disney Animation Interactive Edition By Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology University of Cincinnati College of Applied Science June 2006 The Illusion of Life: Disney Animation Interactive Edition by Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology © Copyright 2006 Michelle Walsh The author grants to the Information Technology Program permission to reproduce and distribute copies of this document in whole or in part. ___________________________________________________ __________________ Michelle L. Walsh Date ___________________________________________________ __________________ Sam Geonetta, Faculty Advisor Date ___________________________________________________ __________________ Patrick C. Kumpf, Ed.D. Interim Department Head Date Acknowledgements A great many people helped me with support and guidance over the course of this project. I would like to give special thanks to Sam Geonetta and Russ McMahon for working with me to complete this project via distance learning due to an unexpected job transfer at the beginning of my final year before completing my Bachelor’s degree. Additionally, the encouragement of my family, friends and coworkers was instrumental in keeping my motivation levels high. Specific thanks to my uncle, Keith -
SPRING 2009 Vol. 18 No. 1
SPRING 2009 vol. 18 no. 1 Mickey Mouse and Minnie Mouse, honorary Disney Vacation Club Members since 1991, walk the beach near the site of the new Disney Resort development in Hawai‘i. Disney Files Magazine is published Illustration by Keelan Parham by the good people at Disney Vacation Club Never before have I abused the power of the pen for personal gain. Strong in my editorial P.O. Box 10350 convictions, I’ve taken the high road past self-fulfilling temptation, never pulling over to push Lake Buena Vista, FL 32830 my own agenda. But now our company is building a resort in Hawai‘i (pages 2-6) and, frankly, I want to go. So if you’ll excuse my ethical detour, I present this edition’s key stories All dates, times, events and prices with a little “strategic flattery” along the way. printed herein are subject to It all starts on page 2, where Disney Vacation Club President Jim Lewis (both a change without notice. (Our lawyers gentleman and a scholar) shares new details about the Hawai‘i project and highlights do a happy dance when we say that.) enhancements to our Member Getaways program. MOVING? Page 7 features brilliant Imagineer John Mauro’s perspectives about our first resort Update your mailing address project in California, while page 8 takes you behind the scenes of ABC’s “America’s Funniest online at www.dvcmember.com Home Videos,” a show that, thanks to my leaders’ impressive approach to relationship- building, is once again featuring a grand prize from Disney Vacation Club. -
Creating an Inclusive Community
Spring 2018 l No. 39 No. Sergio Rebia leads a drawing demonstration on Application Day at Cal State Fullerton. 51 students from 45 high schools attended, and 75% of them later applied to Ryman Arts Creating an Inclusive Community “I encourage my students to apply [to Ryman Arts] because it forces them out of their bubble of comfort and complacency. Students are exposed to quality art supplies and instruction they may not be able to afford on their own,” says L’lia Thomas (Ms. T) from La Tijera K-8 Academy of Excellence Charter School. Every year, Ryman Arts connects with over 2,000 Ms. T is an exemplary model of the community students through school presentations, community champions we count on to learn about student fairs, and Application Days. These efforts combat needs in our communities. Because of her the challenges that some students experience in initiative, we have continued to build our learning about and completing the application to relationship with La Tijera Charter School and Ms. T (second from left) and students from La Tijera our highly competitive program. Through strong recently added a special in-school workshop for Charter School relationships with public school teachers like her students. Ms. T, we have made great strides in “It was incredible having Miss Robin come out increasing access to Ryman Arts. to my classroom to facilitate a two-day workshop Application Days have been successful for students who are applying. Her approach in in creating a supportive environment my classroom gave students a real taste of what it where prospective students can take an would be like [at Ryman Arts].” introductory drawing class led by one of Ensuring broad access to Ryman Arts remains our faculty and work on a still life that an important part of our efforts because of the can be included in their application. -
Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter
Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo. -
Leveled Books by Reading Level
A Curly and His Friends Tony Mitton Rigby A Do You Want to Be My Friend? Eric Carle Scholastic A Friends Lesly Wing Jan Rigby A Goodnight Bobbie Alison Hawes Rigby A I Like Gay Su Pinnell Scholastic A Look! Now Look! Jan Pritchett Rigby A Scaredy Cat Fay Robinson Rigby A School Gay Su Pinnell Scholastic A That's Mine! Claire Llewllyn Rigby A Things Birds Eat, The Betrey Chessen Scholastic A Time for School Maria Fleming A We Are Playing Jan Pritchett Rigby B Big and Little Jacob Cesaro Rigby B Bobbie and the Monster Monica Hughes Rigby B Bobbie and the Parade Monica Hughes Rigby B Curly Finds a Home Tony Mitton Rigby B Curly Is Hungry Tony Mitton Rigby B Eat It, Print It Stephanie Varnali Rigby B Explore in a Cave Dana Meachen Rau Abrams and Company B Gifts for Everyone Claire Llewllyn Rigby B Going Shopping Alison Hawes Rigby B Have You Seen My Cat? Eric Carle Scholastic B I Like Dogs Barbara Mitchelhill Rigby B Juggling Alison Hawes Rigby B Max Gets Ready Fay Robinson Rigby B Mixing Colors Isabel Bissett Rigby B Monster Soup Paul Shipton Rigby B Mud! Charnan Simon Houghton Mifflin B Ned's Noise Machine Monica Hughes Rigby B Pet Vet, The Marcia Leonard Houghton Mifflin B Playhouse, The Monica Hughes Rigby B Shells Coral White Rigby B Wash Day Sydnie Meltzer Kleinhenz Scholastic B What Can You See? Simon Browne Rigby B What Is It? Fay Robinson Rigby B What's in the Box? Nancy Ianni Rigby B Where Is Eric? Anne Bauers Rigby B Who Lives in a Tree? Susan Canizares Scholastic B Wings Paloma Kennedey Rigby C At Last! Alison Hawes Rigby C Baby -
Arachnids) Physical Identification Spiders (Order Araneae
SPIDERS (Arachnids) Physical Identification Spiders (order Araneae) are air-breathing arthropods that have eight legs and chelicerae with fangs that inject venom. They are the largest order of arachnids and rank seventh in total species diversity among all other orders of organisms. Spiders are found worldwide on every continent except for Antarctica, and have become established in nearly every habitat with the exceptions of air and sea colonization. As of November 2015, at least 45,700 spider species, and 113 families have been recorded by taxonomists. However, there has been dissension within the scientific community as to how all these families should be classified, as evidenced by the over 20 different classifications that have been proposed since 1900. Anatomically, spiders differ from other arthropods in that the usual body segments are fused into two tagmata, the cephalothorax and abdomen, and joined by a small, cylindrical pedicel. Unlike insects, spiders do not have antennae. In all except the most primitive group, the Mesothelae, spiders have the most centralized nervous systems of all arthropods, as all their ganglia are fused into one mass in the cephalothorax. Unlike most arthropods, spiders have no extensor muscles in their limbs and instead extend them by hydraulic pressure. Their abdomens bear appendages that have been modified into spinnerets that extrude silk from up to six types of glands. Spider webs vary widely in size, shape and the amount of sticky thread used. It now appears that the spiral orb web may be one of the earliest forms, and spiders that produce tangled cobwebs are more abundant and diverse than orb-web spiders. -
Terror Management in Children's Media Katie English
SCREENING THE NIGHTMARE: Terror Management in Children’s Media Katie English Abstract Producers of children’s media often aspire to create content that is both entertaining to children and meaningful to adults. This course of action has resulted in children’s literature and other media that challenge the notion of an “innocent child” audience, engaging with often unresolved themes that are more appropriate to adult society. Such instances threaten the traditional notion of purely naïve, tender childhood. This study focuses on Adventure Time, a Cartoon Network series, as a contemporary retelling of “Peter and Wendy” by J.M. Barrie. I will examine the transformation of the distinctly violent “Peter and Wendy,” a stage play (1904) turned novel (1911), into the deceivingly subdued Disney animated film adaptation Peter Pan (1953), and then into the whimsical yet ominous Adventure Time cartoon series (2010-present). It is important to consider the intersection of Adventure Time with these prior iterations of the Peter Pan story, because all of these versions expose seemingly irresolvable conflicts, such as society’s desire for continued growth and its exhaustion of the environment into a post-apocalyptic landscape. “I am like a child ready for the apocalypse.” --Jacques Derrida The Animal That Therefore I Am Introduction WHAT IS THE “TRADITIONAL” view of children’s media for viewers and critics alike childhood in children’s media? As a theme in within contemporary Western society. this paper, I would like to begin by defining it. Jacqueline Rose, in her influential critique In particular, I engage with the norm of assumptions about childhood and children’s propagated by contemporary culture, that media, and of the Peter Pan story in particular, children’s media is a political and social safe notes that children’s literature and related space.