November 2014 a Special Concert at the Minstrel
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W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
John Gorka Interview
A Conversation with John Gorka Frank Goodman (Puremusic 3/2001) John Gorka’s career as a singer songwriter appears charmed, filled with good breaks and good luck. It brings to mind what a friend of mine says: “The harder I work, the luckier I get.” Anyone who knows John Gorka will tell you that he’s been after it relentlessly since the mid-80s, and has clearly risen to the top of the field. After cutting his teeth at a great listening room in eastern PA called Godfrey Daniels and becoming a regular in Jack Hardy’s Fast Folk crowd in NYC, he got off to a flying start when Red House Records and Fleming Tamulevitch & Associates booking picked him up simultaneously in 1987. FTA are the agents that veritably control the folk world, and Red House one of the most distinguished and coveted labels. John plays up to 150 shows a year at every venue that books singer songwriters, and has earned a fan base that will probably sustain his career the rest of his natural life, along with the new believers each year brings. After two records with Red House, John made five with Windham Hill’s High Street Records, all to critical acclaim. In search of a more art, less commerce approach to his music, Gorka’s happily back with his original label on the last two records. His latest pearl is called The Company You Keep. The most important company he’s keeping these days are his wife and two kids outside of St. Paul, MN, and I hear them featured in spirit throughout. -
Record Eagle Grandtraverse.Org, Or Call the a Recent Phone Interview and in a Minneapolis John Gorka Plays Inside out Gallery Saturday Senior Center at 922-4911
O R C H ESTRA T R A V E R S E C I T Y R E C O R D - E A G L E S E C T I O N C Going places ARTS&ENTERTAINMENT Friday, February 6, 2015 [email protected] FROM STAFF REPORTS TRAVERSE CITY — The In- ARTS terlochen Arts Academy Or- chestra is hitting the road. The orchestra, already tapped to appear on an all- Interlochen “From the Top” to be broadcast by National TC hailed ‘art hotbed’ Public Radio in April, will perform May 9 with French Expert: The ranking key-based Crooked Tree Arts Cen- northwest lower Michigan where earn the highest available ranking pianist Alexandre Tharaud ter which recently merged with researchers collected data, a in the “arts dollars” category. at The Berman Center for could be higher ArtsCenter Traverse City. “We do reflection of census data about Both Ahrens and the study the Performing Arts in West accomplish quite a bit up here.” the metropolitan area supplied to pointed to Interlochen Center for Bloomfield. BY NATHAN PAYNE Southern Methodist University’s researchers, Giraud Voss said. the Arts as a major contributor to [email protected] In 2016 the orchestra will National Center for Arts Re- The group produced the report the high ranking. play at the NY Phil Biennial, TRAVERSE CITY — Traverse search slotted the Traverse City in hopes of helping local arts “Interlochen is a $30 million (per the New York Philharmonic’s City is the only place in Michi- area in at 20 on its “arts vibrancy organization directors learn more year) organization,” Ahrens said. -
Dar Williams Has Always Followed Her Muse. When She Was up in Somerville, Massachusetts in the Early Nineties, Knowing That
Dar Williams has always followed her muse. When she was up in Somerville, Massachusetts in the early nineties, knowing that she wanted to pursue music or theater, she worked backstage at the Opera Company of Boston and wrote plays on the side. But she was in Boston, and the muse led her into the myriad open mics and tip jar gigs of booming folk revival. She opened a trunk of old songs and started writing new ones. She went to three or four open mics or song circles a week and recorded two cassettes. Yes, cassettes. When she felt like the noise of Boston was getting to be too much, the muse led her to the cornfields and college towns of Western Massachusetts where she sat on her futon and wrote the songs that would become The Honesty Room, her first CD, which she recorded in the basements and back woods studios of Amherst. She hoped the songs she was writing, with titles like When I Was a Boy, You’re Aging Well, and The Great Unknown, would lead her into an idiosyncratic part-time music career. Little did she know that the coffeehouse scene and the beginnings of internet communities were building to a crescendo and eager to receive her warm, witty songs. By the end of 1994, when The Honesty Room came out, she had rock-solid management, the best booking agency in the country for singer-songwriters, and a career-making slot at the Newport Folk Festival. She also signed with Razor & Tie records and penned the material for her next album, Mortal City. -
June 2014 Calling All FP Musicians and Singers Cultural Exchange Request
June 2014 www.folkproject org Calling All FP Musicians and Singers (Although my friend, Jenny would bridle at considering that singers not be included within the category of musicians.) Be part of the Minstrel's 39th Birthday show! This has been an ongoing tradition at the Minstrel since the early 80's. It's a chance to perform on the Minstrel stage to a crowd of fellow Projectiles. it's a chance to meet and play with new musicians. And it's a chance to celebrate the core value of the Folk Project that it is an organization in large part of and for players and singers. For those of you new to the Project this year, the basic premise is that we form about 20 musical duos and trios comprised of randomly chosen member-musicians. And then, each group does one song in the show. Groups may add additional member musicians to their ensemble. (Which is especially useful when two non-instrumental singers are paired up.) The groups are chosen on July 4 at our Annual Picnic. And the show will take place at the Minstrel on Friday, July 25, which this year is the actual anniversary of our opening night. You don't have to be a professional musician to be part of this show. If you're comfortable playing or singing in front of friends, then that' exactly what you will be doing. The pairings are completely random. You may be matched with someone more experienced or less experienced than you. For the "pros" this can be the opportunity to support a less experienced musician and help them have a memorable experience. -
The Barns at Wolf Trap 2019-2020 Season Calendar *New Shows Appear in Purple*
The Barns at Wolf Trap 2019-2020 Season Calendar *new shows appear in purple* Publish date: October 8, 2019 Additional performances to be announced The most up-to-date information on artists, performances and ticket availability may be found on Wolf Trap’s website, www.wolftrap.org. Tickets for The Barns at Wolf Trap’s 2019-2020 Season: Online: wolftrap.org By phone: 1.877.WOLFTRAP In person: The Filene Center Box Office 1551 Trap Road, Vienna, VA 22182 October 2019 Lucy Kaplansky Last appeared in Winter 2018 Thursday, October 10 at 8:00 p.m. Tickets $28-$30 A contemporary and collaborator of Suzanne Vega, Shawn Colvin, and Richard Shindell, Renaissance woman "Lucy Kaplansky is a truly gifted performer with a bag full of enchanting songs" (The New Yorker). Over The Rhine Last appeared in Spring 2017 Friday, October 11 at 8:00 p.m. Tickets $27-$32 Fall under the spell of talented husband and wife duo Linford Detweiler and Karin Bergquist as they celebrate 30 years of expertly crafted Americana tunes. The Barns at Wolf Trap 2019-2020 Season Calendar Page | 1 The most up-to-date info is always available at www.WolfTrap.org. Additional performances to be announced. Flamenco Legends Wolf Trap Debut Produced by Javier Limón The Paco de Lucía Project Saturday, October 12 at 8:00 p.m. Tickets $52-$57 Created by 10-time Latin Grammy winner Javier Limón, The Paco de Lucía Project reassembles the original band that toured with the legendary flamenco guitarist for the last 10 years of his career. -