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W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
Vol138no10 Jul2017
Text of Resolutions passed by the General Council of the Theosophical Society Freedom of Thought As the Theosophical Society has spread far and wide over the world, and as members of all religions have become members of it without surrendering the special dogmas, teachings and beliefs of their re- spective faiths, it is thought desirable to emphasize the fact that there is no doctrine, no opinion, by whomsoever taught or held, that is in any way binding on any member of the Society, none which any member is not free to accept or reject. Approval of its three Objects is the sole condition of membership. No teacher, or writer, from H. P. Blavatsky onwards, has any authority to impose his or her teachings or opinions on members. Every member has an equal right to follow any school of thought, but has no right to force the choice on any other. Neither a candidate for any office nor any voter can be rendered ineligible to stand or to vote, because of any opinion held, or because of membership in any school of thought. Opinions or beliefs neither bestow privileges nor inflict penalties. The Members of the General Council earnestly request every member of the Theosophical Society to maintain, defend and act upon these fundamental principles of the Society, and also fearlessly to exercise the right of liberty of thought and of expression thereof, within the limits of courtesy and consideration for others. Freedom of the Society The Theosophical Society, while cooperating with all other bodies whose aims and activities make such cooperation possible, is and must remain an organization entirely independent of them, not committed to any objects save its own, and intent on developing its own work on the broadest and most inclusive lines, so as to move towards its own goal as indicated in and by the pursuit of those objects and that Divine Wisdom which in the abstract is implicit in the title ‘The Theosophical Society’. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
John Gorka Interview
A Conversation with John Gorka Frank Goodman (Puremusic 3/2001) John Gorka’s career as a singer songwriter appears charmed, filled with good breaks and good luck. It brings to mind what a friend of mine says: “The harder I work, the luckier I get.” Anyone who knows John Gorka will tell you that he’s been after it relentlessly since the mid-80s, and has clearly risen to the top of the field. After cutting his teeth at a great listening room in eastern PA called Godfrey Daniels and becoming a regular in Jack Hardy’s Fast Folk crowd in NYC, he got off to a flying start when Red House Records and Fleming Tamulevitch & Associates booking picked him up simultaneously in 1987. FTA are the agents that veritably control the folk world, and Red House one of the most distinguished and coveted labels. John plays up to 150 shows a year at every venue that books singer songwriters, and has earned a fan base that will probably sustain his career the rest of his natural life, along with the new believers each year brings. After two records with Red House, John made five with Windham Hill’s High Street Records, all to critical acclaim. In search of a more art, less commerce approach to his music, Gorka’s happily back with his original label on the last two records. His latest pearl is called The Company You Keep. The most important company he’s keeping these days are his wife and two kids outside of St. Paul, MN, and I hear them featured in spirit throughout. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Record Eagle Grandtraverse.Org, Or Call the a Recent Phone Interview and in a Minneapolis John Gorka Plays Inside out Gallery Saturday Senior Center at 922-4911
O R C H ESTRA T R A V E R S E C I T Y R E C O R D - E A G L E S E C T I O N C Going places ARTS&ENTERTAINMENT Friday, February 6, 2015 [email protected] FROM STAFF REPORTS TRAVERSE CITY — The In- ARTS terlochen Arts Academy Or- chestra is hitting the road. The orchestra, already tapped to appear on an all- Interlochen “From the Top” to be broadcast by National TC hailed ‘art hotbed’ Public Radio in April, will perform May 9 with French Expert: The ranking key-based Crooked Tree Arts Cen- northwest lower Michigan where earn the highest available ranking pianist Alexandre Tharaud ter which recently merged with researchers collected data, a in the “arts dollars” category. at The Berman Center for could be higher ArtsCenter Traverse City. “We do reflection of census data about Both Ahrens and the study the Performing Arts in West accomplish quite a bit up here.” the metropolitan area supplied to pointed to Interlochen Center for Bloomfield. BY NATHAN PAYNE Southern Methodist University’s researchers, Giraud Voss said. the Arts as a major contributor to [email protected] In 2016 the orchestra will National Center for Arts Re- The group produced the report the high ranking. play at the NY Phil Biennial, TRAVERSE CITY — Traverse search slotted the Traverse City in hopes of helping local arts “Interlochen is a $30 million (per the New York Philharmonic’s City is the only place in Michi- area in at 20 on its “arts vibrancy organization directors learn more year) organization,” Ahrens said. -
Dar Williams Has Always Followed Her Muse. When She Was up in Somerville, Massachusetts in the Early Nineties, Knowing That
Dar Williams has always followed her muse. When she was up in Somerville, Massachusetts in the early nineties, knowing that she wanted to pursue music or theater, she worked backstage at the Opera Company of Boston and wrote plays on the side. But she was in Boston, and the muse led her into the myriad open mics and tip jar gigs of booming folk revival. She opened a trunk of old songs and started writing new ones. She went to three or four open mics or song circles a week and recorded two cassettes. Yes, cassettes. When she felt like the noise of Boston was getting to be too much, the muse led her to the cornfields and college towns of Western Massachusetts where she sat on her futon and wrote the songs that would become The Honesty Room, her first CD, which she recorded in the basements and back woods studios of Amherst. She hoped the songs she was writing, with titles like When I Was a Boy, You’re Aging Well, and The Great Unknown, would lead her into an idiosyncratic part-time music career. Little did she know that the coffeehouse scene and the beginnings of internet communities were building to a crescendo and eager to receive her warm, witty songs. By the end of 1994, when The Honesty Room came out, she had rock-solid management, the best booking agency in the country for singer-songwriters, and a career-making slot at the Newport Folk Festival. She also signed with Razor & Tie records and penned the material for her next album, Mortal City. -
November 2017 2017 Annual Dinner/Meeting Open Stage News
www.folkproject.org November 2017 TM 2017 Annual Dinner/Meeting Tue., Dec. 5, 2016 • Chimney Rock Inn, 342 Valley Rd., Gillette Dinner at 6pm, Annual Meeting at 8pm Greetings fellow Folk Project members, All Folk Project members are invited to attend and participate in our upcoming Annual Meeting on Tuesday, December 5, at the Chimney Rock Inn in Gillette, NJ. You are welcome to join us at 6pm for dinner before the meeting at a fixed price of $15/person (not including alcoholic beverages). youtube.com/c/FolkProjectVideo There is no charge to attend the Annual Meeting, which begins at 8pm sharp. Dinner reservations are required—please RSVP to [email protected] or text 908/872-6052, and be sure to list the number of people attending. At the meeting, elections will be held to fill open positions on our Folk Project Board of Directors. These include all four Officer positions (President, Vice President, Treasurer, and Secretary), plus three Trustees. The official Nominations Committee slate will be published next month, and we will also accept nominations from the floor during the voting process. Looking forward to seeing you there. —Steven Humphreys, President Open Stage News I am so pleased to report that the first ever Fall Getaway Open Stage was a huge success. Twenty-six artists performed on the Getaway Main Stage to a standing room only crowd. The Bunk Bed Band of Todd Dennison, Diane Perry, Bob McNally, yours truly, and Fil Wisneski provided expert backup twitter.com/TheFolkProject to the performers, many of whom had never fronted a live band before. -
June 2014 Calling All FP Musicians and Singers Cultural Exchange Request
June 2014 www.folkproject org Calling All FP Musicians and Singers (Although my friend, Jenny would bridle at considering that singers not be included within the category of musicians.) Be part of the Minstrel's 39th Birthday show! This has been an ongoing tradition at the Minstrel since the early 80's. It's a chance to perform on the Minstrel stage to a crowd of fellow Projectiles. it's a chance to meet and play with new musicians. And it's a chance to celebrate the core value of the Folk Project that it is an organization in large part of and for players and singers. For those of you new to the Project this year, the basic premise is that we form about 20 musical duos and trios comprised of randomly chosen member-musicians. And then, each group does one song in the show. Groups may add additional member musicians to their ensemble. (Which is especially useful when two non-instrumental singers are paired up.) The groups are chosen on July 4 at our Annual Picnic. And the show will take place at the Minstrel on Friday, July 25, which this year is the actual anniversary of our opening night. You don't have to be a professional musician to be part of this show. If you're comfortable playing or singing in front of friends, then that' exactly what you will be doing. The pairings are completely random. You may be matched with someone more experienced or less experienced than you. For the "pros" this can be the opportunity to support a less experienced musician and help them have a memorable experience. -
Spring Weekend at Kislak Adult Center
Folk Music Society of New York, Inc. May 2009 vol 44, No.5 May 3 Sun Sea Music: NY Packet+Lisa Gutkin; 3pm,12 Fulton St. 3 Sun Gospel and Sacred Harp Sing; 3:30pm in Manhattan 6 Wed Folk Open Sing, 7pm in Brooklyn 11 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 15 Fri Joe Jencks, 8pm at OSA, 220 E.23rd St. 16 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 16-17 Traditional Singing Workshop Weekend 17 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 22-25 Spring Folk Music Weekend at Kislak Adult Center, Lake Como, PA -- see flyer in centerfold 28 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens) 29 Fri Nightingale concert; 8pm, at OSA, 220 E.23rd St 30 Sat Singing Party in Marine Park, Brooklyn, 6-9pm 30 Sat May Mania Contra Dance with Nightingale; Manhattan June 2 Tue Sea Music: Danny Spooner+NY Packet; 6pm, South St. 3 Wed Folk Open Sing 7 pm in Brooklyn 7 Sun Green Walking Tour-1:45 & Sing Around-4:30; see p.10 8 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 9 Tue Sea Music: Gabrielle & Robert Bouthillier+NY Packet; 6pm, South St. 13 Sat Old-Time Fiddle Workshop with Cathy Mason-see p.4 13 Sat Old-Time Jam, 2:30pm - reservations required - see p.5 16 Tue Sea Music: Martin & Shan Graebe +NY Packet; 6pm 18 Thur Martin & Shan Graebe workshop on Sabine Baring Gould 19 Fri Annie and the Hedonists, 8pm at OSA, 220 E.23rd St. -
Eisteddfod Weekend Flyer
Folk Music Society of New York, Inc. July/August 2009 vol 44, No.7 July 1 Wed Folk Open Sing 7 pm in Brooklyn 10 Fri Beppe Gambetta; 8pm at the West Side Arts Coalition 13 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 18 Sat Chantey Sing at Seamen’s Church Institute, 8pm. August 5 Wed Folk Open Sing 7 pm in Brooklyn 8 Sat Sing and Swim Party, 1 pm at the Cohen’s; Queens 15 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 23 Sun Tom Akstens and Neil Rossi, Free House Concert, 2 pm in Sparrowbush, NY 27 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens) September 2 Wed Folk Open Sing 7 pm in Brooklyn 14 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 17 Thur Gwilym Davies, Carol Davies, and Terry Brenchley house concert, Upper West Side 20 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 26 Sat Chantey Sing at Seamen’s Church Institute, 8pm. Table of Contents Society Events Details ...........2-4 Repeating Events ................... 11 Folk Music Society Info ........... 4 Calendar Location Info ...........12 Topical Listing of Society Events 5 Festival Listings ....................14 Help Wanted ......................... 5 Folk Music Week ad ..............20 From The Editor ................... 6 Falcon Ridge Festival Ad .........21 Eisteddfod Weekend flyer .......7-8 30 Years Ago ......................22 Weekend Scholarships ............. 9 Woody Guthrie B’day Bash ad ..22 Calendar Listings .................10 Pinewoods Hot Line ...............23 Details on pages 2-3 Eisteddfod; October 16-18 at Nevele Grande, Ellenville, NY --See pages 7-8 The Society’s web page: www.folkmusicny.org - 1 - Beppe Gambetta, Friday, July 10th, 8 pm Beppe Gambetta is one of the true master innovators of the acoustic guitar. -
Record-World-1979-10
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