Folk Night at the Registry: Season 9, 2014-2015
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Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea. -
COMM∆ND SMEDI∆ Inc. TORONTO
COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting] -
JACK HARDY ! October 16- Workshop and Concert
Connecticut Newsletter of the ConnecticutSongsmith Songwriters Association October 2004 Volume XXV Number 10 Issue #299 CSA is an educational, non-profit organization dedicated to Combining Arts, improving the art and craft of original musical and lyrical composition. Education, and Serving music's artisans and craftsmen since 1979. Community Outreach 1979 - 2004 :25 Years of Combining Arts, Education, and Community Outreach FROM NYC : JACK HARDY ! October 16- Workshop and Concert The CSA meeting for October will be held on .To participate in the critique session, bring a song SATURDAY October 16, 1pm at the Mystic on cassette or CD (or do it live), with 40 copies of Chamber of Commerce Conference Room. typed lyric sheets, and receive constructive (directions on page 2) feedback. Critique sessions are a good forum for works in progress or rough demos. For best From New York City, CSA is pleased to bring feedback, note on your lyric sheets the intended you one of today's songwriting legends, Jack genre and audience for your song, and what your Hardy. Jack is known around the world as both goals are (i.e. picked up by a commercial artist, a singer-songwriter, and as a mentor to aspiring self-produce, etc.). The programs at regular CSA songwriters, having taught such greats as monthly meetings are free to members, $5 to Suzanne Vega, Shaun Colvin, David Massengill, non-members, applicable toward membership if and many more. you join within 30 days. Members are encouraged For complete information and bio on Jack, you to bring a friend who might be interested in what can visit his website at www.jackhardy. -
W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
T Able of Contents
TABLE OF CONTENTS OF TABLE CANADA UNITED STATES HOCKEY Warehouse and Customer Service Baker & Taylor Publisher Services 2 Klondikers by Tim Falconer Jaguar Book Group / Fraser Direct 30 Amberwood Parkway 3 A Helluva Life in Hockey by Brian McFarlane 8300 Lawson Road, Milton, ON L9T 0A4 Ashland, OH 44805 4 by Evan Dowbiggin and Bruce Dowbiggin T: 905-877-4411 [email protected] Inexact Science [email protected] [email protected] INVESTIGATIVE JOURNALISM [email protected] Canadian Manda Group Head Office 5 Once a Bitcoin Miner by Ethan Lou 664 Annette Street, Toronto, ON M6S 2C8 TRUE CRIME mandagroup.com UK & EUROPE 6 The “Mr. Big” Sting by Mark Stobbe National Accounts & Ontario Turnaround Publisher Services Ltd. 7 The Donnellys: Powder Keg by John Little Representatives: Joanne Adams, David Farag, Unit 3, Olympia Trading Estate 7 The Donnellys: Massacre, Trial, and Aftermath by John Little Tim Gain, Chris Hickey, Peter Hill-Field, Anthony Coburg Road, Wood Green Iantorno, Kristina Koski, Carey Low, Ryan Muscat, London, UK N22 6TZ NONFICTION Dave Nadalin, Emily Patry, Caitrin Pilkington, Nikki T: 020-8829-3000 Turner, Ellen Warwick 8 How to Examine a Wolverine by Philipp Schott [email protected] T: 416-516-0911 | [email protected] 10 Science Goes Viral by Dr. Joe Schwarcz 12 Extra Salty: Jennifer’s Body by Frederick Blichert Quebec & Atlantic Provinces 14 The Way Between Things by Sandra Meigs Representative: Jacques Filippi INTERNATIONAL T: 855-626-3222 ex. 244 BUSINESS Baker & Taylor International [email protected] 15 Fearless edited by Drew de Kergommeaux 16 The Rule of 30 by Frederick Vettese British Columbia Australia & New Zealand Representatives: Andi Richman, Manager, Sales 17 Nerve by Martha Piper and Indira Samarasekera [email protected] Iolanda Millar | T: 855-626-3222 ex. -
John Gorka Interview
A Conversation with John Gorka Frank Goodman (Puremusic 3/2001) John Gorka’s career as a singer songwriter appears charmed, filled with good breaks and good luck. It brings to mind what a friend of mine says: “The harder I work, the luckier I get.” Anyone who knows John Gorka will tell you that he’s been after it relentlessly since the mid-80s, and has clearly risen to the top of the field. After cutting his teeth at a great listening room in eastern PA called Godfrey Daniels and becoming a regular in Jack Hardy’s Fast Folk crowd in NYC, he got off to a flying start when Red House Records and Fleming Tamulevitch & Associates booking picked him up simultaneously in 1987. FTA are the agents that veritably control the folk world, and Red House one of the most distinguished and coveted labels. John plays up to 150 shows a year at every venue that books singer songwriters, and has earned a fan base that will probably sustain his career the rest of his natural life, along with the new believers each year brings. After two records with Red House, John made five with Windham Hill’s High Street Records, all to critical acclaim. In search of a more art, less commerce approach to his music, Gorka’s happily back with his original label on the last two records. His latest pearl is called The Company You Keep. The most important company he’s keeping these days are his wife and two kids outside of St. Paul, MN, and I hear them featured in spirit throughout. -
Record Eagle Grandtraverse.Org, Or Call the a Recent Phone Interview and in a Minneapolis John Gorka Plays Inside out Gallery Saturday Senior Center at 922-4911
O R C H ESTRA T R A V E R S E C I T Y R E C O R D - E A G L E S E C T I O N C Going places ARTS&ENTERTAINMENT Friday, February 6, 2015 [email protected] FROM STAFF REPORTS TRAVERSE CITY — The In- ARTS terlochen Arts Academy Or- chestra is hitting the road. The orchestra, already tapped to appear on an all- Interlochen “From the Top” to be broadcast by National TC hailed ‘art hotbed’ Public Radio in April, will perform May 9 with French Expert: The ranking key-based Crooked Tree Arts Cen- northwest lower Michigan where earn the highest available ranking pianist Alexandre Tharaud ter which recently merged with researchers collected data, a in the “arts dollars” category. at The Berman Center for could be higher ArtsCenter Traverse City. “We do reflection of census data about Both Ahrens and the study the Performing Arts in West accomplish quite a bit up here.” the metropolitan area supplied to pointed to Interlochen Center for Bloomfield. BY NATHAN PAYNE Southern Methodist University’s researchers, Giraud Voss said. the Arts as a major contributor to [email protected] In 2016 the orchestra will National Center for Arts Re- The group produced the report the high ranking. play at the NY Phil Biennial, TRAVERSE CITY — Traverse search slotted the Traverse City in hopes of helping local arts “Interlochen is a $30 million (per the New York Philharmonic’s City is the only place in Michi- area in at 20 on its “arts vibrancy organization directors learn more year) organization,” Ahrens said. -
Dar Williams Has Always Followed Her Muse. When She Was up in Somerville, Massachusetts in the Early Nineties, Knowing That
Dar Williams has always followed her muse. When she was up in Somerville, Massachusetts in the early nineties, knowing that she wanted to pursue music or theater, she worked backstage at the Opera Company of Boston and wrote plays on the side. But she was in Boston, and the muse led her into the myriad open mics and tip jar gigs of booming folk revival. She opened a trunk of old songs and started writing new ones. She went to three or four open mics or song circles a week and recorded two cassettes. Yes, cassettes. When she felt like the noise of Boston was getting to be too much, the muse led her to the cornfields and college towns of Western Massachusetts where she sat on her futon and wrote the songs that would become The Honesty Room, her first CD, which she recorded in the basements and back woods studios of Amherst. She hoped the songs she was writing, with titles like When I Was a Boy, You’re Aging Well, and The Great Unknown, would lead her into an idiosyncratic part-time music career. Little did she know that the coffeehouse scene and the beginnings of internet communities were building to a crescendo and eager to receive her warm, witty songs. By the end of 1994, when The Honesty Room came out, she had rock-solid management, the best booking agency in the country for singer-songwriters, and a career-making slot at the Newport Folk Festival. She also signed with Razor & Tie records and penned the material for her next album, Mortal City. -
Postcolonial Approaches to Music in the Space Age
Graduate Theses, Dissertations, and Problem Reports 2019 Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age Paige Zalman West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons Recommended Citation Zalman, Paige, "Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age" (2019). Graduate Theses, Dissertations, and Problem Reports. 3797. https://researchrepository.wvu.edu/etd/3797 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. “Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age” Paige Zalman Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis Stimeling, Ph.D.,