National Gallery of Art OPENING EXHIBITIONS

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National Gallery of Art OPENING EXHIBITIONS MAY 1:00 Gallery Talk: "Wall Drawing 8 SUNDAY 14 SATURDAY 19 THURSDAY 1:00 Film: The Inland Sea 1 SUNDAY .\o. 6S1 C" bySolLell'itt (EB) 12:00 Gallery Talk: Willem de 10:15 Mythology Lecture Series: 10:15 Western Art Survey Course: 1:00 Family Programs: Shapes from 2:00 Gallery Talk: "The Spirit of the Kooning: Paintings (EB) The Choice of Life: Heroic Action, The Seventies arid Eighties II: Life: Matisse Cut-Outs (pre-registra- 1:00 Film: Tales from the Vienna Humble" in Seventeenth-Centnn" 1:00 Film: A Mother Should Be Physical Pleasure, or Learned History of Photograph}' and tion required) Spanish Paintings (\\ B) Loved Contemplation Video Art 2:00 Gallery Talk: Renaissance and 4:00 Mellon Lecture: "Arils Plctorlac 2:00 Gallery Talk: Discovering 12:00 Gallery Talk: Jasper Francis 12:00 Gallery Talk: Willem de Reformation CWB) Amator": Archduke Leopold William 7 SATURDAY Abstraction (EB) Cropsey's "The Spirit of War" and Kooning: Paintings (EB) 4:00 Sunday Lecture: "RoyalBlue": oj Austria and Art Collecting in 10:15 Mythology Lecture Series: 4:00 Mellon Lecture: Reasons of "The Spirit of Peace" (WB) 12:30 Film: The Inland Sea The Color of a Collection Flanders The Survival of the Gods and State: Louis XII of France 12:30 Introductory Tour: 1:00 Gallery Talk: Renaissance 6:00 Film: Belle 6:00 Films: Dragnet Girl and What Goddesses 6:00 Films: Story of Floating Heeds The American Collection (WB) and Reformation (WB) 7:00 Concert: James Buswell. violin, Did the Lady Forget? 12:00 Gallery Talk: Discovering and The Only Son 12:30 Film: Paris, Story of a City music for solo violin 7:00 Concert: The Stanley Cowell Abstraction (EB) 7:00 Concert: Richard Lalli. bari­ 2:30 Films: The Man Who Had His 20 FRIDAY Trio, Jazz concert 12:30 Introductory Tour: The tone. Gary Chapman, piano Hair Cut Short; Avec Dieric Bouts: 12:00 Gallery Talk: Willem de 24 TUESDAY 3 TUESDAY American Collection (WB) Last concert of the Fifty-first and 1001 Films Kooning: Paintings (EB) 12:00 De Kooning Special Lecture 12:30 Film: Proust: A Hriter's Life American Music Festival 12:30 Film: The Inland Sea Series: De Kooning and His Heirs: 12:00 Gallery Talk: Archetypal 2:00 Films: / (fas Bom, But... and 15 SUNDAY 2:00 Gallery Talk: A Renaissance 1950 to the Present linages of Women (WB) Passing Farm' 10 TUESDAY 12:00 Gallery Talk: Jasper Francis Coffer and the Art of Memory (WB) 12:00 Gallery Talk: Jasper Francis 1:00 Gallery Talk: A Discerning Eye: 12:00 De Kooning Special Lecture Cropsey's "The Spirit of War" and Cropsey's "The Spirit of War" and Prints & Drairings Ciren by Ruth B. Series: "The Imagination of "The Spirit of Peace" (WB) 21 SATURDAY "The Spirit of Peace" (WB) Benedict (WB) Thomas Cole. Italian Coast Scene with Ruined Tower, 1838. -National Gallery of Art. Disaster": 1930-19+5 1:00 Film: Paris, Story of a City 10:15 Mythology Lecture Series: 2:00 Gallery Talk: "Wall Drawing Gift of The Circle of the National Gallerv of Art 1:00 Family Programs: Shapes from Allegories of the Cosmos, Time, and 25 WEDNESDAY \o. 6S1 C'by Sol EeWitt (EB) 11 WEDNESDAY Life: Matisse Cut-Outs (pre-registra- the Individual 12:00 Gallery Talk: Fanciful 10:15 Mythology Lecture Series: tion required) 12:00 Gallery Talk: Fanciful Flourishes: Ornament in European 4 WEDNESDAY 2:00 Gallery Talk: "The Spirit of the 29 SUNDAY The Choice of Life: Heroic Action, 2:00 Gallery Talk: Willem de Flourishes: Ornament in European Graphic Art and Related Objects, 10:15 Mythology Lecture Series: Humble" in Seventeenth-Century 1:00 Films: A Glimpse of de Kooning Physical Pleasure, or Learned Kooning: Paintings (EB) Graphic Art and Related Objects, 1300-1800 (EB) The Siuriral of the Gods and Spanish Paintings (\\ B) and Willem de Kooning and the Contemplation 4:00 Mellon Lecture: Toward the 1300-1 WO (EB) 12:30 Films: A Glimpse of de Goddesses Unexpected 12:00 Gallery Talk: Willem de Pre-eminence of Painting 12:30 Introductory Tour: Kooning and Willem de Kooning and 12:00 Gallery Talk: Piero di Cosimo. 28 SATURDAY 4:00 Sunday Lecture: Oil and Kooning: Paintings (EB) 6:00 Films: / n soir. un train and The American Collection (\\ B) the Unexpected 1-+62-1521 (WB) 12:30 Films: A Glimpse of de Hater: De Kooning in His Studio 12:30 Film: Paris, Story of a City Rendez-vous a Bray 12:30 Film: The In/and Sea 12:30 Film: Proust: A llri/er's Life Kooning and Willem de Kooning and 6:00 Film: L"oeurre an noir 7:00 Concert: National Gallery 2:00 Gallery Talk: A Renaissance 26 THURSDAY the Unexpected 7:00 Concert: Grant Johannesen, 12 THURSDAY Orchestra. George Maiios. conductor Coffer and the Art of Memory (WB) 12:30 Films: A Glimpse of de 5 THURSDAY 12:30 Introductory Tour: piano 10:15 Western Art Survey Course: 2:30 Film: Benvenuta (with Andre Kooning and Willem de Kooning and 10:15 Western Art Survey Course: The American Collection (WB) 77?e> Seventies and Eighties I: Post- 17 TUESDAY Del van x in person) the Unexpected The Sixties: Pop and Performance 2:00 Gallery Talk: ~T/ie Spirit of the 31 TUESDAY Modernism and \eo-Expression istn 12:00 De Kooning Special Lecture Art Humble" in Seventeenth-Century 12:00 Gallery Talk: Fanciful 12:30 Film: Paris, Story of a City Series: The Epic Years: After 19-to 22 SUNDAY 27 FRIDAY 12:00 Gallery Talk: Discovering Spanish Paintings (WB) Flourishes: Ornament in European 1:00 Gallery Talk: Willem de 12:00 Gallery Talk: Jasper Francis 12:00 Gallery Talk: Fanciful 12:00 Gallery Talk: Jasper Francis Abstraction (EB) 2:00 Films: Babel Opera and Graphic Art and Related Objects, Kooning: Paintings (EB) 18 WEDNESDAY Cropsey's "The Spirit of War" and Flourishes: Ornament in European Cropsey's "The Spirit of War" and 12:30 Film: Proust: A Writer's Life Femme entre chien el loup 7300-7$00(EB) 10:15 Mythology Lecture Series: Graphic Art and Related Objects, "The Spirit of Peace" (WB) Paul Maiisliip. Diu/iu and a Hound, "The Spirit of Peace" (WB) 1:00 Gallery Talk: A Discerning Lye: 1025, \ational Gallery of Art. 13 FRIDAY Allegories oj the Cosmos, Time, and 1300-1SOO(EB) 12:30 Films: A Glimpse of de 6 FRIDAY 12:30 Film: The Inland Sea Prints 6c Drawings Given by Ruth B. Gift of Mrs. Houdilon P. Mot calf 12:30 Film: Paris, Story of a City the Individual Kooning and // 'illem de Kooning and 12:00 Gallery Talk: Archetypal Benedict (WB) the Unexpected Images of Women (WB) 12:30 Film: Proust: A Writer's Life Gallery Talks tion Division, Totir Scheduling, Jasper Francis Cropsey's "The Spirit Sunday Lectures Sunday Concert May 22 Audio Tours Foreign Language National Gallery of Art, Washington, oj II ar" and "The Spirit of Peace" James Buswell, violin Tours and lectures are given by Lectures given by National Gallery Series Special headsets and/or scripts are Tours D.C. 20565. Include the type of lour (30 minutes). Wilford W. Scott. Music for solo violin education division lecturers and of Art staff and distinguished schol­ available for visitors who are hard of you are requesting, two alternative lecturer. May 14, 15. 18, 24. 27 at Concerts take place at 7:00 every Foreign language tours of the National Gallery of Art staff. Unless ars at 4:00 in the East Building May 29 hearing. To reserve audio tours for dates and times, the size of your noon (WB) Sunday evening through June 26, permanent collection are offered on otherwise noted, talks begin in either Auditorium. Grant Johannesen, piano groups, call (202) 842-6592. group, a contact person, and an 1994. Admission to the National Tuesdays. Tours of the West the Rotunda of the West Building address. You will be notified in Fanciful Flourishes: Ornament in Gallery of Art and its concerts is Permanent Collection Building are at noon and begin in (II B) or at the Art Information Desk 1994 ANDREW W. MELLON writing of the status of your request. European Graphic Art and Related always free. Concertgoers are admit­ The Director's Ton/; narrated by the Rotunda. Tours of the East of I he Last Building (EB). LECTURES IN THE FINE ARTS Objects, 1300-1800 (45 minutes). ted to the Last Garden Court on a Earl A. Powell 111, discusses fif­ Building are at 2:00 and begin at Kings and Connoisseurs: Collecting Focus: The Permanent Collection J. Russell Sale, lecturer. May 21. 22, first-come, first-served basis begin­ Introductory Tours teenth- through early twentieth-cen­ the Art Information Desk. Sign Language Tours Art in Seventeenth-Century Europe Archetypal Images of Women (60 25, 31 at noon (EB) ning at 6:00. Concertgoers arriving The education division has added a tury masterpieces and includes some Tours of the permanent collection Jonathan Brown, Carroll and Milton minutes). Frances Feldrnan, beltveen 6:00 and 7:00 may enter new type of introductory tour to the of the Gallery s best-loved paintings. May 3: French and special exhibitions are available Petrie Professor of Fine Arts, lecturer. May 3 and 6 at noon (WB) Introduction to Art only at the 6th Street and Consti­ schedule. The tours will examine a May 10: Spanish with a sign language interpreter for Institute of Fine Arts. New York American Art, narrated by Nicolai Discovering Abstraction (60 min­ tution Avenue entrance to the West portion of the permanent collection May 17: German and Spanish groups of five or more and may be Lniversity Cikovsky, Jr., curator of American "TTze Spirit oj the Humble'' in utes).
Recommended publications
  • Dragnet Girl
    Saturday 15 March | 19:30 Dragnet Girl (Hijôsen No Onna) Dir. Yasujiro Ozu | Japan | 1933 | b/w | 1h 36m Accompanied live by Jane Gardner, Hazel Morrison and Roddy Long Screening supported by Film Hub Scotland, part of BFI’s Film Audience Network Yasujiro Ozu's silent films reveal not just his early mastery of the medium but also the popular basis of his art. One of the greatest of Ozu’s silent films, Dragnet Girl (1933) is a vigorous and stylish work that feels almost casual yet heartfelt. Ozu spins his little story (concocted by himself) of crime, love and redemption with skill while staying close to the concerns of the mass audience of early-1930s Japan, hungry for up-to-date thrills but ambivalent about the changes modernity had brought to the society. For a 21st-century audience that knows Ozu mainly for his later masterworks such as Late Spring (1949), Early Summer (1951) and Tokyo Story (1953), the subject matter of Dragnet Girl may come as a shock. No doubt this melodrama of the criminal underworld appears aberrant in the career of a filmmaker renowned for his elegiac films about middle-class families. The late Donald Richie, a pioneer in Western appreciation of Japanese cinema, mentions Dragnet Girl only fleetingly in his book on Ozu. Even the director himself wrote in his diary that he felt ill at ease working on the film. Ozu has been famously called “the most Japanese of directors,” but Dragnet Girl takes place in a universe that denies Japanese-ness. At the office where the heroine, Tokiko (Kinuyo Tanaka), works during the day, typists use Remington typewriters; at the boxing gym where Tokiko’s boyfriend, Joji (Joji Oka), hangs out and in the apartment the couple share, the walls are covered with posters for American boxing matches and Hollywood films (The Champ and All Quiet on the Western Front); the dance club where Tokiko and Joji spend their nights is conspicuously Western-style.
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  • “We'll Embrace One Another and Go On, All Right?” Everyday Life in Ozu
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  • Cinefiles Document #37926
    Document Citation Title Yasujiro Ozu: filmmaker for all seasons Author(s) Source Pacific Film Archive Date 2003 Nov 23 Type program note Language English Pagination No. of Pages 10 Subjects Ozu, Yasujiro (1903-1963), Tokyo, Japan Film Subjects Hitori musuko (The only son), Ozu, Yasujiro, 1936 Shukujo wa nani o wasureta ka (What did the lady forget?), Ozu, Yasujiro, 1937 Todake no kyodai (The brothers and sisters of the Toda family), Ozu, Yasujiro, 1941 Chichi ariki (There was a father), Ozu, Yasujiro, 1942 Nagaya shinshiroku (The record of a tenement gentleman), Ozu, Yasujiro, 1947 Ohayo (Good morning), Ozu, Yasujiro, 1959 Tokyo no yado (An inn at Tokyo), Ozu, Yasujiro, 1935 Hogaraka ni ayume (Walk cheerfully), Ozu, Yasujiro, 1930 Tokyo monogatari (Tokyo story), Ozu, Yasujiro, 1953 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) Dekigokoro (Passing fancy), Ozu, Yasujiro, 1933 Shukujo to hige (The lady and the beard), Ozu, Yasujiro, 1931 Wakaki hi (Days of youth), Ozu, Yasujiro, 1929 Sono yo no tsuma (That night's wife), Ozu, Yasujiro, 1930 Kohayagawa-ke no aki (The end of summer), Ozu, Yasujiro, 1961 Rakudai wa shita keredo (I flunked, but...), Ozu, Yasujiro, 1930 Tokyo no gassho (Tokyo chorus), Ozu, Yasujiro, 1931 Banshun (Late spring), Ozu, Yasujiro, 1949 Seishun no yume ima izuko (Where now are the dreams of youth?), Ozu, Yasujiro, 1932 Munekata shimai (The Munekata sisters), Ozu, Yasujiro, 1950 Hijosen no onna (Dragnet girl), Ozu, Yasujiro, 1933 Ochazuke no aji (The flavor of green tea over rice), Ozu,
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  • The Moment of Instability: the Textual and Intertextual Analysis of Ozu Yasujiro’S Passing Fancy
    〈Research Article〉 The Moment of Instability: The Textual and Intertextual Analysis of Ozu Yasujiro’s Passing Fancy Yuki Takinami Abstract This paper analyzes Ozu Yasujiro’s 1933 film, Passing Fancy (Dekigokoro), in terms of its narrative structure utilizing the minimal narration of repetition and differentiation and the usage of his idiosyncratic shot/reverse shots in which the eyelines of characters are mismatched. This paper also clarifies some references to Hollywood films, such as So, This is Paris, Docks of New York, It, and Marriage Circle, in Passing Fancy and investigates their implications in terms of the moment of instability. Through these examinations, this paper finally addresses the famous debate between Noël Burch and David Bordwell over whether Ozu’s idiosyncratic shot/reverse shots contain a sense of discountinuity, or not. Keywords: Ozu Yasujiro, silent film, narration, shot/reverse shot, Hollywood cinema Passing Fancy (Diekigokoro, 1933) is not a totally neglected film among Ozu Yasujiro’s silent oeuvre, but it is rare for this Kinema junpo Best Film award winner of 1933 to be chosen for detailed discussion, particularly in terms of its aesthetics. 1 However, Ozu in the early 1930s had rapidly developed his aesthetics—as is clear from a brief comparison between his earliest surviving films, such as Days of Youth (Wakaki hi, 1929) and I Flunked But… (Rakudai ha shitakeredo, 1930), and his more integrated and better-wrought films in the mid-1930s, such as Dragnet Girl (Hijosen no onna, 1933) and A Story of Floating Weeds (Ukikusa monogatari, 1934). What, then, had Ozu done in 1933’s Passing Fancy that developed his idiosyncratic film style and narration? What importance does Passing Fancy have in the trajectory of Ozu’s oeuvre? This chapter considers these questions by examining Passing Fancy in terms of (1) Ozu’s minimalist narration, (2) the influence of Hollywood cinema on him, and (3) his usage of eyeline- mismatches and idiosyncratic shot/reverse shots.
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  • 100 Jahre Ozu 100 Years Ozu
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    EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. Page 2 – Full Programme Information, including: BFI Player collections Akira Kurosawa Classics Yasujirō Ozu Cult Anime Independence 21st Century Early Films of Japan (1894-1914) J-Horror BFI Blu-ray and DVD The Japanese Cinema Book UK wide activity Seasons at BFI Southbank: The Golden Age Radicals and Rebels Anime 21st Century Japanese cinema Mediatheque collection – Lost in Japan International partnerships Page 10 – Stills and moving image assets Page 11 – Notes to Editors PRESS CONTACTS: General enquiries about BFI JAPAN: Liz Parkinson – PR Manager, BFI Cultural Programme - [email protected] | 020 7957 8918 / 07810 378203 Judy Wells – Director, Press and PR, BFI - [email protected] | 020 7957 8919 / 07984 180501 Interviews with BFI spokespeople and selected talent available on request via Liz Parkinson FULL PROGRAMME HIGHLIGHTS EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. BFI PLAYER COLLECTIONS The BFI’s VOD service BFI Player will be the premier destination for Japanese film this year with thematic collections launching over a six month period (May – October): Akira Kurosawa (11 May), Classics (11 May), Yasujirō Ozu (5 June), Cult (3 July), Anime (31 July), Independence (21 August), 21st Century (18 September) and J-Horror (30 October). All the collections will be available to BFI Player subscribers (£4.99 a month), with a 14 day free trial available to new customers. There will also be a major new free collection Early Films of Japan (1894-1914), released on BFI Player on 12 October, featuring material from the BFI National Archive’s significant collection of early films of Japan dating back to 1894.
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  • SFSFF 2018 Program Book
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  • Vimeo Link for ALL of Bruce Jackson's and Diane
    Virtual March 2, 2021 (42:5) Yasujiro Ozu: FLOATING WEEDS (1959, 119 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to Floating Weeds https://vimeo.com/517595758 Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Director Yasujirô Ozu Writing Yasujirô Ozu and Kôgo Noda adapted Tadao Ikeda’s uncredited original screenplay Producer Masaichi Nagata Music Takanobu Saitô Cinematography Kazuo Miyagawa Editing Toyo Suzuki Mutsuko Sakura...O-Katsu (prostitute) Natsuko Kahara...Yae (prostitute) Roger Ebert gave the film four stars out of four and Tatsuo Hanabu...Rokuzaburo (veteran crew member) included it on his "Ten Greatest Films of all Time" in Tadashi Date...Senshō (veteran crew member) 1991. Toyoko Takahashi...Aiko no haha (Aiko's mother) Hikaru Hoshi...Kimura (manager) Cast Yosuke Irie...Sugiyama (young crew member) Nakamura Ganjirō II...Komajuro (troupe leader) Kumeko Urabe...Shige (female crew member) Machiko Kyō...Sumiko (Komajuro's mistress) Masahiko Shimazu...Masao (Senshō's grandson) Hiroshi Kawaguchi...Kiyoshi (Komajuro's son) Tsûsai Sugawara...Buyer at bankruptcy Haruko Sugimura...Oyoshi (Kiyoshi's mother) Ayako Wakao...Kayo (young actress) Yasujiro Ozu (December 12, 1903, Tokyo—d. Hitomi Nozoe...Aiko (barber's daughter) December 12, 1963, Tokyo) was a movie buff from Chishū Ryū...Theatre owner childhood, often playing hooky from school in order Kōji Mitsui...Kichinosuke (lead supporting player) to see Hollywood movies in his local theatre.
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  • Dragnet Girl (Hijôsen No Onna) with Live Accompaniment by Jane Gardner (Piano), Roddy Long (Violin), Hazel Morrison (Percussion) Dir
    HIPPODROME FESTIVAL OF SILENT CINEMA 2014 TOUR DRAGNET GIRL (HIJÔSEN NO ONNA) WITH LIVE ACCOMPANIMENT by Jane Gardner (piano), Roddy Long (violin), Hazel Morrison (percussion) Dir. Yasujiro Ozu | Japan | 1933 | b/w | 1h 36m | cert PG Yasujiro Ozu’s silent films reveal not just his early mastery of the Ozu holds off as long as possible getting specific about Joji’s medium but also the popular basis of his art. One of the greatest criminal activities and has little interest in violent action (a of Ozu’s silent films, Dragnet Girl (1933) is a vigorous and stylish fight between Joji and three enemies takes place off-screen; work that feels almost casual yet heartfelt. Ozu spins his little another fight is obscured by foreground figures). Like Josef von story (concocted by himself) of crime, love and redemption with Sternberg in his landmark gangster films (which Ozu surely had skill while staying close to the concerns of the mass audience of seen), Ozu uses the gangland trappings of his plot to render early-1930s Japan, hungry for up-to-date thrills but ambivalent the story more exotic, unreal, and abstract, so as to give the about the changes modernity had brought to the society. audience untrammelled access to the characters’ emotions. He For a 21st-century audience that knows Ozu mainly for his later is well served by his cast. Joji Oka’s freezing narcissism suits masterworks such as Late Spring (1949), Early Summer (1951) the mood of the film; Hideo Mitsui, making the first of many and Tokyo Story (1953), the subject matter of Dragnet Girl may appearances in Ozu films, is forthright and appealing; and come as a shock.
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