Types and Functions of Swear Words Used in American Sitcom How I Met Your Mother Season One
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Magisterarbeit
MAGISTERARBEIT Titel der Magisterarbeit „Sie jobbt, Er liebt.“ Geschlechtsunterschiede in der humorvollen Darstellung von Liebe im deutschsprachigen Marktführer „How I Met Your Mother“ verfasst von Anne-Marie Darok, Bakk.phil. angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2016 Studienkennzahl lt. Studienblatt: A 066 / 841 Studienrichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreut von: Ass. Prof. Mag. Dr. Johanna Dorer Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 13.01.2016 Anne-Marie Darok 1 Danksagung „Es braucht ein ganzes Dorf, um ein Kind großzuziehen“ Es braucht auch eine große Menge an Motivation, Unterstützung und Geduld, um eine Magisterarbeit fertigzustellen. Ich danke meinen Eltern, dass sie mir echte Vorbilder für meinen universitären Weg waren. Auch danke ich meinen Freunden, die mich mit dem besten Kaffe der Welt und guten Worten unterstützt haben. Sowie meiner Betreuerin Ass. Prof. Mag. Dr. Johanna Dorer. Mein besonderer Dank gilt meinem Lebensgefährten, Michael Leitner, der fast genauso viel Gehirnschmalz in die Sache gesteckt hat, wie ich. Zuletzt danke ich David Bowie, unter dessen Schirmherrschaft -
Watching How I Met Your Mother Season 9 Online Free
Watching how i met your mother season 9 online free How I Met Your Mother - Season 9 Episode Last Forever (2) · How . 9 in HD quality online for free, putlocker How I Met Your Mother - Season 9. Watch How I Met Your Mother - Season 9 YIFY Movies Online. How I Met Your Mother is an American sitcom follows Ted Mosby and his group of friends in. Watch How I Met Your Mother - Season 9, How I Met Your Mother - Season 9 Full free movies Online HD. A father recounts to his children. Watch online and download free HIMYM S09 E01 - How I Met Your Mother - Season 9 Episode 1: The Locket - S9 E1 with English Subtitles On their way t. Buy How I Met Your Mother Season 9: Read Movies & TV Reviews - Start your 7-day free trial Available to watch on supported devices. Marshall sees something online that changes the course of his journey east. New episode of How I Met Your Mother season 9, titled Daisy airs tonight with just three more left till the series' finale on March Watch How I Met Your Mother Season 9 Episode 20 s09e20 Online Free. Public. · Hosted by Tv Series Online. InterestedGoing. Watch how i met your mother season 9 online free on Genre: Comedy, Romance. Actor: Josh Radnor, Jason Segel, Cobie Smulders, Neil. he met their mother. Watch trailers & learn more. WATCH FREE FOR A MONTH TV-PG 9 Seasons In , Ted tells his children the story of how he met their mother, beginning back in with Marshall and Lily's engagement. -
MEATS Press Notes.Final Clean
MEATS Written & Directed by: Ashley Williams Starring: Ashley Williams Giancarlo Sbarbaro Produced by: Neal Dodson Ashley Williams Film Contact: Neal Dodson, producer 818.481.5473 [email protected] Press Contact: Prodigy Public Relations Erik Bright 310.857.2020 [email protected] For HIGHER-RES still photos & more information please visit: www.ashleywilliams.work MEATS SYNOPSIS Director-writer Ashley Williams also stars in MEATS -- a short film about a pregnant vegan who wrestles with her newfound craving for meat. The film is produced by Williams and her husband, Independent Spirit Award winner and Sundance alum Neal Dodson (Margin Call). MEATS is an exploration of the ethics of meat-eating and the fears inherent with becoming a parent. In the short film, Williams plays Lane, who has hired a whole-animal butcher named Chris (played by real-life master butcher Giancarlo Sbarbaro), to educate her on how to responsibly break down a lamb and use every part. Upon arrival, Lane is simultaneously disgusted and mesmerized by the carcass in front of her. As Lane liberates the meat from the bone, she also frees a whole new side of herself, revealing humor, pain, connection, and a newfound mother-to-be. CounterNarrative Films presents MEATS. The cinematographer is Roman Vasyanov (Triple Frontier, Fury, Sundance alum with The East and Charlie Countryman). The editor is Cecilia Delgado. Color is by Roman Hankewycz (Sundance alum with Sound of Silence and Equity, among others) from Harbor Picture Company. Sound design is by three- time Academy-Award nominee Steve Boeddeker (All Is Lost, Black Panther, Sundance alum with I Origins, among others) at Skywalker Sound. -
Resumes.Actorsaccess.Com/Stephanienash
Stephanie Nash SAG / AFTRA / AEA 5’5” dark blonde blue-green eyes contact: 310-994-9039 COMEDY in BLUE FILM: SISTER (Best Actress - Bev. Hills Festival) Lead Dir: Bret Zausmer FASTER Supporting Dir: George Tillman, Jr. LOVE’S UNENDING LEGACY Supporting Dir: Mark Griffiths CIGAR ON THE BEACH Supporting Dir: Stephen Keep Mills BRUCE ALMIGHTY Supporting Dir: Tom Shadyac LUCY'S ROOM Lead Dir: Brian Lindstrom PRISON OF SECRETS Supporting Dir: Fred Gerber TELEVISION : INTELLIGENCE GUEST STAR Dir: Ken Biller CRIMINAL MINDS GUEST STAR Dir: Larry Teng BLOODLINE (pilot) WILL RECUR Dir: Peter Berg CASTLE GUEST STAR Dir: Rob Bowman PARENTHOOD GUEST STAR Dir: Michael Weaver THE CLOSER GUEST STAR Dir: Greg Yaitanes GHOST WHISPERER GUEST STAR Dir: Ian Sander MARVIN MARVIN CO-STAR Dir: Rob Schiller WEEDS CO-STAR Dir: Brian Dannelly THE BOLD & THE BEAUTIFUL GUEST STAR Dir: Cynthia J. Popp PASSIONS GUEST STAR CBS, Los Angeles STRONG MEDICINE GUEST STAR Dir: Tony Cowley NYPD BLUE GUEST-STAR Dir: Mark Tinker NIGHTSHIFT GUEST STAR Soapnet, Los Angeles 7th HEAVEN GUEST STAR Dir: Joel J. Feigenbaum HEAD CASES GUEST STAR Dir: Craig ZIsk CARNIVALE CO-STAR Dir: Jeremy Podeswa ANGEL CO-STAR Dir: Skip Schoolnik DRAGNET GUEST STAR Dir: Kevin Hooks BOSTON PUBLIC GUEST STAR Dir: David Semel GENERAL HOSPITAL GUEST STAR ABC-TV, Los Angeles JUDGING AMY CO-STAR Dir: Kristoffer Tabori FRASIER CO-STAR Dir: Pamela Fryman THEATRE – NEW YORK & REGIONAL + COMEDY:(partial list) BARNUM (several roles) Broadway/Nat’l Tour/dir: Joe Layton WHEN ANTONELA DANCED/TANGO (lead) Off-Broadway & E.S.T., NYC AH WILDERNESS (understudy) Yale Rep. -
Joe Reynolds, M.F.A. 323-314-9566 (Cell) | Email: [email protected]
Curriculum Vitae Joe Reynolds, M.F.A. 323-314-9566 (cell) | email: [email protected] PROFESSIONAL PROFILE • Extensive background as a professional actor in theatre, film and television. • Experienced instructor of theatre at the secondary and higher education levels. • Accomplished producer of professional touring theatre. • Ability to lead, establish goals, and build a strong ensemble of actors. • Consistent success as an audition teacher for young adults preparing for college theatre programs as well as professional acting jobs. EDUCATION Yale University, New Haven, CT MFA Acting — Yale School of Drama The University of Texas, Austin, TX BFA Acting ACADEMIC/TEACHING EXPERIENCE • Adjunct Instructor, Blinn College, Brenham, TX — 2016 to Present Currently teaching Intro to Theatre • Adjunct Instructor, Texas A and M, Commerce, TX — 2013 to Present Currently teaching online courses: Intro to Theatre, Theatre Management and Speech COURSES TAUGHT Graduate Undergraduate Acting for the Stage Directing for the Stage Theatre Management Voice and Speech for the Actor Acting for the Camera Audition Techniques Stage Dialects Intro to Theatre • Teacher, Lexington High School — 2015 to Present Theatre Teacher and UIL Academic Coordinator PLAYS DIRECTED A Midsummer Night’s Dream The Seagull Reckless • Audition Teacher, Southwestern University, Tal’s Summer Camp — 2009 to Present Courses taught — Audition for the camera, acting for film and television PROFESSIONAL EXPERIENCE • Company Manager, GFI Productions — 1995 to 2002 Broadway Touring Manager for road shows. • Associate Producer, St. Louis MUNY Theatre — 1999 - 2001 Assisted the Executive Producer. Large budget musicals for 10,000 seat outdoor theatre • Owner/Booking Agent, M Bar, Los Angeles, CA — 2002 - 2014 Sole Proprietor and booking agent for a music and comedy club. -
How I Met Your Mother - "The Midnight Pumpkin" 2
COLD OPEN/ACT ONE INT. STUDY - EVENING, YEAR 2030 (FUTURE TED) TED’S CHILDREN SIT ON THE COUCH, LISTENING INTENTLY. FUTURE TED (V.O.) Kids, if there's one day of the year that you want to avoid shopping at all costs, it's Black Friday. If there’s another, it’s Super Sale Saturday. INT. MCLARENS - AFTERNOON (DAY ONE) (BARNEY, MARSHALL, LILY, ROBIN, TED) THE GANG, MINUS TED, SITS AT MCLARENS. MARSHALL You can all now refer to me as Marshall Eriksen: Inventor. I’ve come up with the single greatest idea in food history. Okay, it’s macaroni-- TED HURRIES TO THE BOOTH. TED Guys, you'll never believe this! The bicycle store on 35th & Clark is having a huge sale. BARNEY Oh, joy! (BEAT) Bikes are for losers, Ted. Real men grow awesome mustaches. ROBIN Barney, you don't have a mustache. Let alone an awesome one. HOW I MET YOUR MOTHER - "THE MIDNIGHT PUMPKIN" 2. BARNEY If you’d read my blog, you’d know that real real men have the ability to, but don't need to prove their manliness by actually growing one. Like Rambo. And Rocky. Or the guy in Cliffhanger. LILY Sylvester Stallone. BARNEY No. That’s not it. ROBIN He might be an old man, but I’d go to town on him. Showgirls style. BARNEY GIVES ROBIN A “WHAT IN THE HELL” LOOK. MARSHALL I'm pretty sure I could grow a fairly thick and awesome mustache if I tried. LILY Oh, honey. (CHUCKLES, BEAT) Even I can grow a better mustache than you. -
First Look Program 2021
WELCOME to FIRST LOOK 2021 Welcome to the First Look Festival of 2021! One of my great pleasures as Dean of the School of Cinematic Arts is being able to introduce our festival films each year, and congratulate all the deserving students who contributed to them. This year I am especially proud of the determination and dedication inherent in these projects, as they were completed within the limitations of Covid 19 protocols. Despite this, the work you will see here is of the highest quality, and many will go on to tour the film festival circuit and win awards in the year ahead. They will also serve as calling cards for the talented young professionals who are graduating from the School and launching careers as filmmakers. Our students always depend on their family and friends to help them through their programs. Filmmaking is a challenging endeavor, and it takes a village of encouragement to have the confidence needed to bring a project to fruition. This year our students truly needed support, as our campus was shut down and many of them had to return home. Despite not being able to meet in person, the filmmakers found ways to collaborate. And as their films will attest, did so brilliantly! So please enjoy this year’s festival. And congratulations to all the students whose names appear in the end credits of these films. Elizabeth M. Daley Steven J. Ross/Time Warner Professor and Dean USC School of Cinematic Arts I firmly believe that film has been the major art form of the 20th century, and will continue to have a powerful influence on our culture and society. -
The Architect" | Archdaily
5/3/2017 Why Hollywood Needs to Change its Conception of "The Architect" | ArchDaily ArchDaily | Broadcasting the world's most visited architecture website Why Hollywood Needs to Change its Conception of "The Architect" 00:00 - 25 October, 2013 | by Kathryn Anthony, Robert Deering & Curt Pratt Share in Whatsapp Writers, directors, producers, and actors in the Hollywood film industry play major roles in shaping how millions around the world perceive architects and the architectural profession. Television shows, too, create stereotypes of professions that are repeatedly drummed into the brain with each successive episode. Both make long-lasting impacts that may encourage or dissuade young people from pursuing architecture as a career. In her chapter, “Tall Buildings, Tall Tales: On Architects in the Movies” in Mark Lamster’s anthology, Architecture and Film (NY: Princeton Architectural Press, 2000), Nancy Levinson examines how Hollywood has assigned certain stereotypic character traits to architects. The following graphic builds upon and updates her work, showing a snapshot view of how architects are portrayed in 20th and 21st century film. So, according to Hollywood, an architect is a hero, lover, hopelessly out of touch, financially in trouble, a workaholic, or some combination of these. But what does Hollywood say an architect looks like? Our updated list of actors and actresses who have played architects on the big screen allowed us to examine not just the manner in which the architect was portrayed, but also his/her physical features - such as gender, race, hair color, eye color, and facial hair - as well. In fact, Hollywood film directo rSsu hdaipvtea c Rreaaktsehdit a distinct image of what an architect should be. -
Matthew Rocheleau SAG/AEA Height: 5’7’’ Hair: Brown Eyes: Blue Voice: Tenor
Matthew Rocheleau SAG/AEA Height: 5’7’’ Hair: Brown Eyes: Blue Voice: Tenor FILM Skinwalker Ranch Lead DeepStudios Friends with Benefits Sheriff R2-D2 Sony/Will Gluck Big Pussy* Lead Ulterior Productions Alive and Well* Featured Independent Short Adventures Unlimited (V/O) Lead Soundtrack Studios * Official selection South by South West Film Festival TV Blackish Co-Star ABC / Rebecca Asher Blue Bloods Co-Star CSB / Robert Duncan McNeill Castle Co-Star ABC / John Terlesky How I Met Your Mother Co-Star CBS / Pamela Fryman Man Up Co-Star ABC / Beth McCarthy-Miller Happy Endings Co-Star ABC / Jeff Melman The Closer Co-Star TNT / Stacey Black Criminal Minds Co-Star CBS / Glenn Kersaw Orastories** Recurring Independent Pilot **Official selection ITVF: Comedy Pilot THEATRE Blood Bloody Andrew Jackson John Quincy Adams Center Theatre Group Les Miserables Combeferre Hollywood Bowl She Loves Me Arpad Rubicon Theatre Flora the Red Menace Willy Reprise! Bloody Bloody Andrew Jackson John Quincy Adams Center Theatre Group Operocka Improviser IO West/West Side Comedy Zanna, Don’t! (LADCC nom.) Buck West Coast Ensemble The Diary Peter Falcon Theatre Happy Days: The Musical Swing (Richie u/s) Falcon Theatre (dir. G. Marshall) Ragtime* Younger Brother Performance Riverside, Musical Theatre West, Cabrillo Music Theatre, Sweeney Todd Tobias Starlight Theatre (San Diego) 24 Hours: The Musical Brian Stella Adler Theatre *Ovation Nomination/Inland Theatre League Award-- Featured Actor in a Musical TRAINING Emerson College, BFA Musical Theatre. Cum Laude. Acting -
HOW I MET YOUR MOTHER "The Waiting Game"
HOW I MET YOUR MOTHER "The Waiting Game" written by Luken Tonjes SINCERELYLUKEN.COM TEASER INT. TED’S LIVING ROOM. AFTERNOON. -YEAR 2030 TED’s future kids sit on the couch listening to their father. TED (V.O) Kids, before I met your mother, I went on a lot of first dates. I mean, a lot of first dates. EXT. STREET. NEW YORK CITY. EVENING. -PRESENT TED and JOANNA leave the restaurant they were just at. TED is dressed up with a collard shirt, slim tie in a half Windsor, and a blue sports coat with matching pants. JOANNA is wearing a royal blue blouse with black slacks and white shoes. TED You know, I don’t do this a whole lot. TED takes off his coat and gives it to her. TED (CONT'D) (V.O) But I have never had a date quite like my date with Joanna. JOANNA I don’t either, but I had a great time. TED I still can’t believe you just moved here from Cleveland! JOANNA I can’t believe LeBron did that to us! TED Tell me about it! (pause) Can I call you a cab? JOANNA No, you don’t have to. "The Waiting Game" 2. TED Please, let me just- TED starts waving for a cab. JOANNA I live only three blocks from here TED Oh, okay. TED is sad that this is where they part ways. JOANNA But I would love it if you could walk me home. TED stand there for a moment and smiles. TED I think, I’m actually pretty busy right now. -
TV Journalist Robin Scherbatsky of How I Met Your Mother
RIZWAN 1 Gender Confusion and the Female Journalist: TV Journalist Robin Scherbatsky of How I Met Your Mother Fatima Rizwan Master’s Thesis USC Annenberg 4/1/2013 RIZWAN 2 Contents 1. Abstract 2. Methodology 3. Literature Review 4. How I Met Your Mother: The Series 5. Robin Scherbatsky: Tomboy Childhood 6. Robin and the Image of the Female Journalist a. Louise “Babe” Bennett, Mr. Deeds Goes to Town (1936) b. Hildy Johnson, His Girl Friday (1940) c. Murphy Brown, Murphy Brown (1988-1998) 7. Robin, Family, and Fluff 8. Robin, Alcohol, and the Image of the Journalist 9. Robin, Romance, and the Image of the Female Journalist 10. Conclusion 11. How I Met Your Mother Episode Index 12. Episode Index 13. Bibliography 14. Endnotes RIZWAN 3 Abstract The female broadcaster provides one of the most stereotypical images of contemporary journalist in popular culture. Often, female journalists are portrayed as vivacious, ruthless, and driven individuals who must compete fiercely to survive in a man’s profession. Robin Scherbatsky (played by Cobie Smulders) of How I Met Your Mother is depicted as an attractive Canadian journalist with a tomboy past on the highly popular television series. Scherbatsky struggles to break free from covering stereotypical “fluff” stories, a genre that is common to female broadcast journalists. While she maintains a rugged and unemotional facade, she is still very womanly and vulnerable in both her career and personal life. This study will examine Scherbatsky’s dichotomous character, compare her image on the series to that of other female journalists in popular culture, and analyze her influence on the current stereotype of female broadcasters. -
Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare
appendice Catalogo dei film e degli episodi televisivi contenenti allusioni e Shakespeare a cura di Mariangela Tempera ALL’S WELL THAT ENDS WELL ALL'S WELL THAT ENDS WELL Ian Charleson, Angela Down, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione della BBC. ing. col. 2h35’ dvd AL A 1 ALL'S WELL THAT ENDS WELL Versione del 'Globe Theatre'. regia: John Dove, 2011. ing. col. 2h18' cf AL A 3 TUTTO E' BENE QUEL CHE FINISCE BENE Ian Charleson, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione italiana della produzione BBC. it. col. 2h35’ dvd AL A 2 SAU SARUM JENUM CHEVATA SARUM Versione indiana presentata al Globe Theatre di Londra. regia: Sunil Shanbag, 2012. guj. col. 2h16' cf AL B 1 CRIBB 1.6: WOBBLE TO DEATH Cit. di 'All's well that ...' regia: Gordon Flemyng, 1980. ing. col. 51' cf AL D 9 CRIMINAL MINDS 3.9: PENELOPE Il narratore cita "love all, trust a few .." regia: Félix Enríquez Alcalà, 2007. ing. col. 43' dvd cf AL D 2 da 36 VUES DU PIC SAINT LOUP Un personaggio cita "All's well..." regia: Jacques Rivette, 2009. fra. col. 30" dvd AL D 3 da DARK COMMAND Sh. doveva essere texano perché 'All's well that ...' è un detto regia: Raoul Walsh, 1940. texano. ing. b/n 1' cf AL D 8 FUTARI WA PRETTY CURE 24: MATCH POINT! Cit. del titolo di All's well... regia: Daisuke Nishio 2009 [2004]. ing. col. 24' cf AL D 7 GOLDEN GIRLS 1.16: THE TRUTH WILL OUT Cit.