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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
News Release for Immediate
NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown). -
BAM Presents the Sydney Theatre Company Production of Tennessee Williams’ a Streetcar Named Desire, Nov 27–Dec 20
BAM presents the Sydney Theatre Company production of Tennessee Williams’ A Streetcar Named Desire, Nov 27–Dec 20 Production marks U.S. directorial debut of Liv Ullmann and features Cate Blanchett as Blanche DuBois, Joel Edgerton as Stanley, and Robin McLeavey as Stella The Wall Street Journal is the Presenting Sponsor of A Streetcar Named Desire A Streetcar Named Desire By Tennessee Williams Sydney Theatre Company Directed by Liv Ullmann Set design by Ralph Myers Costume design by Tess Schofield Lighting design by Nick Schlieper Sound design by Paul Charlier BAM Harvey Theater (651 Fulton St) Nov 27 and 28, Dec 1*, 2, 3**, 4, 5, 8–12, 15–19 at 7:30pm Nov 28, Dec 2, 5, 9, 12, 16, and 19 at 2pm Nov 29, Dec 6, 13, and 20 at 3pm Tickets: $30, 65, 95 (Tues–Thurs); $40, 80, 120 (Fri–Sun) 718.636.4100 or BAM.org *press opening **A Streetcar Named Desire: Belle Rêve Gala (performance begins at 8pm) Artist Talk with Liv Ullmann: Between Screen and Stage Moderated by Phillip Lopate, writer and professor at Columbia University. Dec 7 at 7pm BAM Harvey Theater Tickets: $15 ($7.50 for Friends of BAM) Artist Talk with cast members Moderated by Lynn Hirschberg, The New York Times Magazine editor-at-large Dec 8, post-show (free for same-day ticket holders) Brooklyn, N.Y./Oct 23, 2009—In a special winter presentation, Sydney Theatre Company returns to BAM with Tennessee Williams’ A Streetcar Named Desire, directed by renowned actor/director/writer Liv Ullmann and featuring Academy Award-winning actress/Sydney Theatre Company Co-Artistic Director Cate Blanchett as Blanche DuBois, Joel Edgerton at Stanley Kowalski, Robin McLeavey as Stella Kowalski, and Tim Richards as Mitch. -
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free. -
Teacher's Notes 2007
presents Riflemind by Andrew Upton Directed by Philip Seymour Hoffman Teacher's Resource Kit Written and compiled by Elizabeth Surbey Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Helen Hristofski, Tanya Leach, Andrew Upton, Laura Scrivano. Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Warning There is in this production the use of offensive language and behaviour, as well as cigarette smoke and strobe lighting. And as you would also expect very loud music. Image: Hugo Weaving as John in Riflemind Photographer: Brett Broadman Sydney Theatre Company’s RIFLEMIND Teacher’s Notes © 2007 1 Contents Sydney Theatre Company 4 Sydney Theatre Company Education 5 Riflemind Production Credits 6 Plot Synopsis 7 The Writer 7 Context of the Play / Historical reference points / Form Style Overview 9 Character Summaries 13 The Director OR Director’s Notes 14 The Design 16 Stage Management Role 17 From the Briefing 17 Pre-Performance Activities 18 Post-performance Activities 18 Reviewing 18 Reviews 19 Appendix – Sample Script 19 Sydney Theatre Company’s RIFLEMIND Teacher’s Notes © 2007 2 Sydney Theatre Company Sydney Theatre Company (STC) produces theatre of the highest standard that consistently illuminates, entertains and challenges. It is committed to the engagement between the imagination of its artists and its audiences, to the development of the art form of theatre, and to excellence in all its endeavours. STC has been a major force in Australian drama since its establishment in 1978. -
New Fall Theatre Rocking Concerts Little Italy Dining
OCT 2014 OCT ® MUSEUMS | City's best meals from the boot the from meals best City's Little Italy Dining Italy Little New Fall Theatre Fall New Star talent on Broadway this talentStar on Broadway month Rocking Concerts Music's descend upon stars biggest NYC BROADWAY | DINING | ULTIMATE MAGAZINE FOR NEW YORK CITY FOR NEW YORK MAGAZINE ULTIMATE SHOPPING NYC Monthly OCT2014 NYCMONTHLY.COM VOL. 4 NO.10 B:13.125 in T:12.875 in S:12.75 in S:8.9375 in B:9.3125 in T:9.0625 in T:9.0625 43418RL_AD20116_5thAve_NYMonthly-Sprd.indd All Pages 8/14/14 3:56 PM Date:August 13, 2014 6:11 PMProofreader Page: 1 Project Mgr Studio Ad Design MISC. PRINT SPECS Artist: Angela Graphic Service Stock: SWOP Round FTP Brand Mgr Quantity: N/A Inks: CMYK + 4C Match PMS 295C Notes/Misc: LOGO IS PMS 295C FROM 4C TINTS Approved to Release ESCADA.COM 0230_US_ESC_Img3_NYC_monthly_09_2014.indd Alle Seiten 13.08.14 17:28 1OOO EXCLUSIVES • 1OO DESIGNERS • 1 STORE Contents Cover Photo: George Washington Bridge at dawn © Jason Pierce. Opened in 1931 and standing high above the Hudson River, the GW Bridge is a double-decker suspension bridge that connects the Washington Heights neighborhood of Manhattan to Fort Lee, New Jersey. A marvel of engineering, it is also the world’s busiest motor vehicle bridge, accommodating nearly 50 million New York-bound vehicles in 2013 alone. When completed in 1931, it was the longest suspension bridge in the world, utilizing 107,000 miles of wire in its cables. -
We Need Your Listening Program
July 24-Aug 15 New Ohio Theatre presents created by VELANI DIBBA, ILANA KHANIN, ELIZAGRACE MADRONE, STEPHEN CHARLES SMITH and the ensemble Hilary Asare, Alex Bartner, ChiWen Chang, Sam Gonzalez, Alice Gorelick, Julia Greer, Nile Assata Harris, Annie Hoeg, Sam Im, Bri Woods Part of Ice Factory 2020 newohiotheatre.org Velani Dibba is a Polynesian-West African director and multidisciplinary artist. Her work focuses on the collision of different cultures through design-focused and ensemble-driven work, both new and classical. Recent directing credits include Terrorism (Columbia University), Falling & Loving (Asst. Director to Anne Bogart, SITI Company & STREB Extreme Action), Patience (Corkscrew Festival), Apologies to the Bengali Lady (Edinburgh Fringe Festival, The Tank), Space Odyssey (Columbia University) and I Pledge Allegiance (TCG Conference, ITI World Theatre Congress). She was an inaugural fellow both at the Laboratory for Global Performance & Politics and at the University of Edinburgh’s Global Cultural Institute. Currently an Artistic Associate & Archive Fellow at SITI Company, she holds a degree from Georgetown University in International Relations and a Directing MFA from Columbia University. Ilana Khanin is a director based in New York and Toronto. Directing: Ars Nova ANT Fest, HERE, Theaterlab, Exquisite Corpse Company, Judson, Joust Theater Company, Samuel French, Center at West Park, Primary Stages, The Brick, The Tank, Dixon Place, Atlantic Stage 2, among others. She has been an associate director for Lila Neugebauer, Lee Sunday Evans, Annie-B Parson, and works for Big Dance Theater. 2019-2020 Artist-in-Residence at Montclair State University/ New Works Initiative. BFA & MA: NYU, current PhD at the University of Toronto. -
1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin. -
By Tony Taccone and Bennett S
BY TONY TACCONE AND BENNETT S. COHEN, ADAPTED FROM THE NOVEL BY SINCLAIR LEWIS SOUND DESIGN AND MUSIC BY PAUL JAMES PRENDERGAST DIRECTED BY LISA PETERSON DEAR FRIENDS, Four years ago, in the lead-up to the 2016 election, Berkeley Rep produced Tony Taccone and Bennett Cohen’s adaptation of Sinclair Lewis’ frighteningly prescient novel. With a desire to see the story reach the widest possible audience, and celebrating the impulse that led the wpa in 1936 to share the original stage version of Lewis’ novel for free with 21 theatres across the country, Berkeley Rep offered the rights to Tony and Bennett’s adaptation to theatres, community centers, universities — anyone who wanted to put together their own production or reading. And now, in 2020, this story feels all the more vital, and the need to share it widely even more compelling. I am honored that more than 75 organizations from more than 20 states have partnered with us to share this production of It Can’t Happen Here for free with their audiences and communities. We are joined in this effort by long-time theatre colleagues, by universities from Howard in Wash- ington, DC to Saint Cloud State in Minnesota (near Lewis’ hometown), by libraries, community centers, and radio stations. I am deeply grateful to Tony and Bennett, director Lisa Peterson, sound designer Paul James Prendergast and his small but mighty team, and this extraordinary cast who have collaborated across miles and time zones, through wildfires and new technology, for their conviction that the- atre matters, that narrative helps us to see the world more clearly, and that together we have the capacity to effect change. -
The Guilt Mongers Or Los Traficantes De Culpa BIOS
JUNE 23 - 27, 2021 The Guilt Mongers or Los Traficantes de Culpa (for those not willing to submit to the Anglicization of our people) A new play by C. Julian Jiménez Thursday, June 24 @ 7pm Featuring Armando Acevedo* • Alex Alvarez* Clay Cartland* • Tony Chiroldes* Vanessa Elise • Zuleyma Guevara* Carlos Ibarra* • Bertha Leal* • Zully Montero Jennifer Rodriguez De Castroverde* Directed by Victoria Collado Dramaturge Stage Production Sound Manager Manager Design Vanessa Vanessa Amy Matt Garcia McCloskey Rauchwerger Corey Zoetic Stage Festival Zoetic Stage Artistic Director Coordinator Managing Director Stuart Kent Michael Meltzer Chambers-Wilson McKeever Support for Zoetic Stage is provided by ROBIN ELLEN MEYERS *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. ZOETIC STAGE STAFF/FOUNDING MEMBERS Artistic Director/Founder: Stuart Meltzer Founder: Stephanie Demos-Brown Managing Director/Founder: Michael McKeever Founder: Kerry Shiller Literary Manager/Founder: Christopher Demos-Brown ZOETIC STAGE BOARD OF DIRECTORS Stephanie Demos-Brown, President Matt Hege Carolyn Robbins-Manley Bob de la Fuente, Vice President Sara Hernandez Kerry Shiller John Arthur, Treasurer Paula Levine Mark Trowbridge Lis Culmo, Secretary Suzan McDowell Cary Valdes-Perez Sandy Bell Michael McKeever Crystal Wagar Chris Demos-Brown Stuart Meltzer William Fernandez Robin Ellen Meyers Land Acknowledgment: Zoetic Stage produces at the Adrienne Arsht Center which is situated on the traditional homeland of Native nations, including the Tequesta, the Calusa, the Taíno and today the Miccosukee and the Seminole. -
A5 Brochure2016 Web.Pdf
1 SEASON 2016 3 A message from Andrew Upton 5 Top benefits of a Season Ticket 10 Insight Events THE PLAYS 14 The Golden Age 16 The Secret River 18 Arcadia 20 Machu Picchu 22 Golem 24 King Charles III 26 Hay Fever 28 Disgraced 30 All My Sons 32 The Hanging 34 A Midsummer Night’s Dream 36 Power Plays 38 A Flea in Her Ear 40 Speed-the-Plow SPECIAL OFFERS 44 Hamlet: Prince of Skidmark 46 The Wharf Revue 2016 HOW TO BOOK AND USEFUL INFO 50 How to book 51 Key dates 52 A guide to your perfect Season Ticket 54 Ticket prices 56 Venues and access 57 Make the most of your Season Ticket 58 The Theatre Bar at the End of The Wharf 59 Walsh Bay Kitchen 60 STC and the community 61 Philanthropy 62 Thank you 64 Contact details 2 1 A MESSAGE FROM OUR ARTISTIC DIRECTOR It’s that time of year again, and here I am doing a lot of things I feel I have done before, but for the last time. This is my last program for the company, which fills me with a curious mixture of sadness and excitement. It is inevitable that I want to stop and reflect. The thing I have been most aware of at Sydney Theatre Company has been continuity. I walk the long walk down The Wharf every day and, sometimes, I remember my mother and father walking us all up here the first time. I remember walking up here with girlfriends, waiting at the end for university friends. -
Press Packet Contents
Flags press packet Contents: □ Press Release; □ Program; □ Press Excerpts; and □ Los Angeles Times feature article. Contact: Kelly Davis (212) 753-5959 ext. 121 EAST-COAST PREMIERE OF JANE MARTIN’S AWARD-WINNING “FLAGS” SET TO STIR ELECTION YEAR HEARTS & MINDS AT 59E59 Flags, a fierce political drama by the Pulitzer Prize-nominated Jane Martin that tells the story of a working-class American family and their loss of a son in Iraq, is set for its east-coast premiere at 59e59, presented by the Firefly Theater. Performances begin Wednesday, September 12 for a limited engagement through Sunday, September 30. Originally commissioned by the Guthrie Theater and premiered at Mixed Blood, Flags went on to an acclaimed three-month run in Los Angeles at the Odyssey Theatre. This fall, the Firefly Theater will bring Chris Mulkey and Karen Landry, who originated the lead roles at Mixed Blood and the Odyssey, along with the other stars of the LA run, to 59e59. In Flags, Jane Martin uses the structure of a Greek tragedy to explore how the grief of a single American family must inevitably ripple through us all. The hero is Eddie, a Vietnam vet and lifelong garbage collector, who is outraged when he learns that his eldest son Carter, a military specialist, has been killed and mutilated after reassignment to garbage duty cleaning the streets of Baghdad. A military Chaplain brings Eddie and his wife a US flag, and, in his absent-minded grief, Eddie hangs it on his roof upside down, a military signal of distress. Eddie’s choices and his refusal to right the flag when community members demand it lead to first local and then national controversy and media attention.