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A Comparative Study of Pramoedya Ananta Toer's
COLONIAL IDENTITIES DURING COLONIALISM IN INDONESIA: A COMPARATIVE STUDY OF PRAMOEDYA ANANTA TOER’S CHILD OF ALL NATIONS AND MULTATULI’S MAX HAVELAAR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By LETYZIA TAUFANI Student Number: 054214109 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i ii iii “Nothing is more dangerous than an idea especially when we have only one.” Paul Claudel iv This Undergraduate Thesis Dedicated to: My Daughter Malia Larasati Escloupier and My Husband Cédric v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma: Nama : Letyzia Taufani Nomor Mahasiswa : 054214109 Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul: COLONIAL IDENTITIES DURING COLONIALISM IN INDONESIA: A COMPARATIVE STUDY OF PRAMOEDYA ANANTA TOER’S CHILD OF ALL NATIONS AND MULTATULI’S MAX HAVELAAR Beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, mengalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalty kepada saya selama tetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini yang saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal : 1 Desember 2008 Yang menyatakan (Letyzia Taufani) vi ACKNOWLEDGEMENTS I would like to thank and express my greatest gratitude to all of those who gave me guidance, strength and opportunity in completing this thesis. -
Multatuli, 1860)
COPYRIGHT NOTICE: Edited by Franco Moretti: The Novel, Volume 2: Forms and Themes is published by Princeton University Press and copyrighted, © 2006, by Princeton University Press. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher, except for reading and browsing via the World Wide Web. Users are not permitted to mount this file on any network servers. Follow links Class Use and other Permissions. For more information, send email to: [email protected] BENEDICT ANDERSON Max Havelaar (Multatuli, 1860) These were truly four anni mirabiles. In 1818 were born Ivan Turgenev and Emily Brontë, in 1819, Herman Melville and George Eliot; and in 1821, Fy odor Dostoevsky and Gustave Flaubert. Right in the middle, in 1820, came Eduard Douwes Dekker, better known by his nom de plume, Multatuli. His novel Max Havelaar, which over the past 140 years has been translated into more than forty languages and has given him a certain international rep utation, appeared in 1860. It was thus sandwiched between, on the one side, On the Eve (1860), The Mill on the Floss (1860), George Sand’s Le marquis de Villemer (1860), Great Expectations (1860–61) Adam Bede, The Confi dence Man, Madame Bovary, and Oblomov (all in 1857); and on the other, Silas Marner (1861), Fathers and Sons, Salammbo, and Les misérables (1862), War and Peace (starting in 1865), and Crime and Punishment (1866). This was the generation in which Casanova’s “world republic of letters,” subdivi sion the novel, hitherto dominated by French and British males, was first profoundly challenged from its margins: by formidable women in the Channel-linked cores and by extraordinary figures from beyond the Atlantic and across the steppe. -
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY in the NEW ORDER a Thesis Presented to the Faculty of the Center for Inte
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Sony Karsono August 2005 This thesis entitled SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER by Sony Karsono has been approved for the Department of Southeast Asian Studies and the Center for International Studies by William H. Frederick Associate Professor of History Josep Rota Director of International Studies KARSONO, SONY. M.A. August 2005. International Studies Setting History Straight? Indonesian Historiography in the New Order (274 pp.) Director of Thesis: William H. Frederick This thesis discusses one central problem: What happened to Indonesian historiography in the New Order (1966-98)? To analyze the problem, the author studies the connections between the major themes in his intellectual autobiography and those in the metahistory of the regime. Proceeding in chronological and thematic manner, the thesis comes in three parts. Part One presents the author’s intellectual autobiography, which illustrates how, as a member of the generation of people who grew up in the New Order, he came into contact with history. Part Two examines the genealogy of and the major issues at stake in the post-New Order controversy over the rectification of history. Part Three ends with several concluding observations. First, the historiographical engineering that the New Order committed was not effective. Second, the regime created the tools for people to criticize itself, which shows that it misunderstood its own society. Third, Indonesian contemporary culture is such that people abhor the idea that there is no single truth. -
Corruption in the Dutch–Indonesian Relationship in the Nineteenth and Early Twentieth Centuries
CHAPTER 7 Colonial Normativity? Corruption in the Dutch–Indonesian Relationship in the Nineteenth and Early Twentieth Centuries Ronald Kroeze Introduction There are many historical accounts that, one way or the other, have linked Dutch colonial rule of Indonesia to corruption. Works of histo- rians have pointed at how the existence of a variety of corrupt practices, from bribery and patronage to all kinds of “extractive institutions”, under- mined social and economic development.1 Others have paid attention to singular corruption scandals,2 or touched upon the theme of corruption in their analyses of ideological debates about decline and reform in the wake of the end of the Dutch United East India Company (Vereenigde Oostindische Compagnie/ VOC), and the emergence of the modern colo- nial state from around the year 1800.3 In the decades around 1900, R. Kroeze (B) Vrije Universiteit Amsterdam, Amsterdam, The Netherlands e-mail: [email protected] © The Author(s) 2021 173 R. Kroeze et al. (eds.), Corruption, Empire and Colonialism in the Modern Era, Palgrave Studies in Comparative Global History, https://doi.org/10.1007/978-981-16-0255-9_7 174 R. KROEZE corruption was linked to the granting and use of concession rights by big companies active in the colony,4 as well as to how public morality was understood and maintained by the colonial police.5 Even the famous novel Max Havelaar (1860), an accusation against colonial abuses written by the former colonial administrator Eduard Douwes Dekkers, can be considered as a book mainly about corruption.6 One of the rare academic texts that has colonial corruption as its main theme was written by Willem Wertheim in 1961. -
PDF Van Tekst
Over Multatuli. Delen 24-25 bron Over Multatuli. Delen 24-25. Huis aan de Drie Grachten, Amsterdam 1990 Zie voor verantwoording: https://www.dbnl.org/tekst/_ove006199001_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 3 [Nummer 24] Sitor Situmorang Multatuli en de Indonesische cultuur Een terugblik op zijn Sumatraanse periode In 1972 kwam Multatuli's Max Havelaar voor het eerst uit in het modern Indonesisch. In zijn voorwoord bij die uitgave schreef de toenmalige Indonesische minister van onderwijs, Mashuri, over de betekenis van de Havelaar en Multatuli's optreden in de beginfase van de nationalistische beweging omstreeks de eeuwwisseling. Hij beschouwde het boek ook als een belangrijk sociaal-historisch document, daarbij doelend op de geschiedenis van het Nederlandse kolonialisme en de reactie daarop van Indonesische kant in de tweede helft van de 19e eeuw. Tegen het einde van de 19e eeuw was de Havelaar voor een groot deel van de eerste generatie van de westers opgeleide Indonesische intelligentsia op Java een eye-opener voor de realiteit van het koloniale bestel, en tevens een aanklacht tegen de eigen medeplichtigheid daaraan. De meeste, zo niet alle leden van die intelligentsia, kwamen namelijk voort uit de inheemse bestuursaristocratie, de priaji's, de klasse waartoe ook de Boepati van Lebak, Kartanegara, behoorde. Juist in de tijd dat men nieuwe westerse liberale en democratische ideeën opdeed, gaf de Havelaar nog een impuls tot een kritische kijk op de eigen medeverantwoordelijkheid in het systeem, en uiteraard op het systeem zelf. Dit leidde tot culturele bezinning, tot vragen over de eigen Adat, het geheel van ongeschreven regels waarop de traditionele maatschappij verondersteld werd te rusten, ook in de koloniale situatie. -
Culture System” in Dutch Indonesia 1830–1870: How Rawls’S Original Position Ethics Were Violated
University of Wollongong Research Online Faculty of Commerce - Papers (Archive) Faculty of Business and Law January 2006 The “Culture System” in Dutch Indonesia 1830–1870: How Rawls’s Original Position Ethics were Violated Parulian Silaen University of Wollongong, [email protected] Ciorstan J. Smark University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/commpapers Part of the Business Commons, and the Social and Behavioral Sciences Commons Recommended Citation Silaen, Parulian and Smark, Ciorstan J.: The “Culture System” in Dutch Indonesia 1830–1870: How Rawls’s Original Position Ethics were Violated 2006. https://ro.uow.edu.au/commpapers/135 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The “Culture System” in Dutch Indonesia 1830–1870: How Rawls’s Original Position Ethics were Violated Abstract The “Culture System” was enforced in Java and other parts of Indonesia by the Dutch colonial government between 1830 and 1870. Under this system, Indonesian farmers were forced to put aside part of their land and labour for growing cash crops such as sugar, coffee, indigo, tobacco and pepper, so that they could pay their land tax to the Dutch. This paper examines the ramifications of two aspects of the Culture System and the policies that allowed its administration. The first of these is the segregation of education and access to higher-level employment on the grounds of race. The second is the monopoly of transportation and trade held by the NHM (Nederlandsche Handel-Maatschappij) during this period. -
Postcolonial Analysis on Multatuli's Max Havelaar
JELLT, VOL 2, NO 2 Desember 2017 printed ISSN : 2548-7728 E- ISSN: 2599-0373 POSTCOLONIAL ANALYSIS ON MULTATULI’S MAX HAVELAAR Herminus Efrando Pabur ABSTRACT This work aims at sharing a postcolonial analysis on the content and the message in Max Havelaar written by Mulatuli in 1859 in Belgia and then published in Dutch in 1860. Max Havelaar could be assumed as a postcolonial literary work. Besides applying the postcolonial theory, the anthropology theory is also considered being used in the analysis process. The finding shows that Max Havelaar is clearly a postcolonial literary work. Despite basing on its year of publication and place of publication, Max Havelaar is hard to be categorized as a postcolonial literary work. However, its content, message, and author‘s background, Max Havelaar can be viewed as a postcolonial literary work. The finding also reveals that Max Havelaar has a unique and strong characteristic namely the ability to move the sense of humanity of its readers especially for those are facing colonialization. Keywords: Max Havelaar, Postcolonial Literature.Multatuli Introduction Nowadays literature becomes more interesting. It is because literature offers many things: moral value, new knowledge and even entertainment. By the benefit given by literature many people started to like literature. An important point to be noted regarding the literature (literary works: Poem, Novel and Drama) is its function as ‗mirror‘ (Gann, 2012). It means that literary works reflect the life of people or reflect the society. Maru in his dissertation entitled Puritanism in American Presidents „Mark of Power: A Study on The Inaugural Addresses from Reagan to Obama (2013) quoting Tate stated, ―Many of the forces at work in the fiction are clearly social origin‖ (p.38). -
Occasional Writer, Sensational Writer: 295
Occasional Writer, Sensational Writer: 295 Chapter 15 Occasional Writer, Sensational Writer: Multatuli as a Sentimental Benevolence Writer in the 1860s1 Laurens Ham Introduction In 2007, Darren C. Zook published a surprising article about Multatuli’s Max Havelaar (1860). According to Zook, this centrepiece of the Dutch literary can- on is a little overrated. Too often, Dutch readers have regarded Max Havelaar, the writer’s debut novel, as a wonderfully modern book which defends pro- gressive political ideas. Zook states: “Multatuli’s Max Havelaar was not an anti- colonial text and […] its stylistic innovations were not radically new and did not single-handedly invent Dutch literary modernity.”2 Admittedly, for many non-professional Dutch readers Multatuli (1820–1887) is the anti-colonial writ- er, although this interpretation may be based as much on the fact that a fair trade company adopted the name “Max Havelaar” in the 1980s as on his novels. Many important non-Dutch readers have defended an “anti-colonial” reading too: Benedict Anderson, Edward Said, Pramoedya Ananta Toer, even Vladimir Lenin.3 However, when Zook claimed that a revisionist reading of Multatuli’s works was never attempted, he certainly was wrong.4 The Dutch novelist Wil- lem Frederik Hermans, to name but one influential reader, wrote in his 1976 Multatuli biography that the author was not a revolutionary at all. Multatuli did not want to reorganize the societal structure, but he wanted individuals to change their behaviour. Admitting that it would be disastrous if Holland lost 1 This paper was realized as part of the PhD-project “The autonomy of the Dutch literary author: boundaries and possibilities.” It is part of the NWO-funded project “The power of autonomous literature: Willem Frederik Hermans” (supervised by Wilbert Smulders, Frans Ruiter and Geert Buelens). -
LOCATIONS of THEOLOGICAL ANTHROPOLOGY in INDONESIA a Postcolonial Literary Offer in Max Havelaar1
Indonesian Journal of Theology Vol. 9, No. 1 (Juli 2021): 93-124 E-ISSN: 2339-0751 DOI: https://doi.org/10.46567/ijt.v9i1.190 LOCATIONS OF THEOLOGICAL ANTHROPOLOGY IN INDONESIA A Postcolonial Literary Offer in Max Havelaar1 Toar B. Hutagalung Garrett-Evangelical Theological Seminary [email protected] Abstract Colonization takes over many dimensions of life, e.g., theology, economy, history, and the idea of humanity itself (anthropology). In Indonesia, colonization by the Dutch Empire has been determining the life of the Indonesian people since the eighteenth century. The twin gazes, namely of the European orientalists and of the colonized natives, have colluded to maintain certain ruptures in the mentality of the common Indonesian person, including how they treat other human beings. Such a malforming situation is obscured from historical analysis, given what history’s very construction owes to colonial influence. To retrace a more affirming and dignified history, I look elsewhere than the formal record and, by doing so, propose that such a decolonial task lies in availing contemporaneous literary works. In this essay, I present an analysis of the colonial-era novel Max Havelaar, wherein I parse the hidden historical archive offered both in and by the text. Through this analysis, I consider how such an alternative archive affects one’s theological imaginary and promotes the (re)construction of a theological anthropology that escapes the confinement of the white Western orientalist gaze. Keywords: Max Havelaar, literatuary criticism, orientalism, postcolonial/decolonial analysis, theological anthropology 1 Multatuli, Max Havelaar, trans., Ingrid Dwijani Nimpoeno (Bandung: Qanita, 2019). This book was written originally in Dutch and published as Max Havelaar, of de koffi-veilingen der Nederlandsche Handel-Maatschappy (Amsterdam: J. -
Dutch Colonial Literature from the East Indies, 1600 -1950
E. M. Beekman. Troubled Pleasures: Dutch Colonial Literature from the East Indies, 1600 -1950. Oxford: Clarendon Press, 1996.654 pp. Liesbeth Dolk In the Netherlands, Dutch colonial literature as a field of research has attracted a great deal of attention over the last fifteen years. The starting point for this attention has undoubtedly been Rob Nieuwenhuys's literary history published in 1972 (3rd revised edition 1978, 669 pp). His Oost-Indische Spiegel. Wat Nederlandse schrijvers en dichters over Indonesia hebben geschreven, vanafde eerste jaren der Compagnie tot op heden (Mirror of the Indies. What Dutch writers and poets have written on Indonesia, from the beginning of the East Indies Company until the present) was an eye-opener and became a standard work on "Indies" literature. In his Spiegel Nieuwenhuys proves to be one of the first literary historians to apply his own, broader interpretation to the concept of "literature" by not restricting himself to the traditional literary genres, such as the novel, drama, and poetry, but also including non-fictional, "non-serious" but well-written (according to Nieuwenhuys's own aesthetic standards) personal documents like travel accounts, letters, diaries, and even scientific work. Placed within a social and historical framework, these texts proved to contain important information as a "mirror" of the Dutch colonial society and mentality at the time. Both elaborating on and reacting against Nieuwenhuys's work, in the eighties and nineties the stream of articles on Dutch-Indies literature in Holland has been growing steadily (bringing to the surface more unknown works and authors), and troublesome theoretical discussions on the correct systematic approach to texts in a history on (colonial) literature have been held. -
History of Indonesia, Mainly the Colonial Period Through
1 The Paradox of Post-Colonial Historic Preservation: Implications of Dutch Heritage Preservation in Modern Jakarta Marsely von Lengerke Kehoe Abstract This project explores two projects to preserve the footprint of the colonizing Dutch in post-colonial Jakarta, Indonesia, questioning their implications for contemporary Indonesia. The first, to restore and reinvigorate the historic (Dutch) center of Jakarta, preserves the urban morphology of the colonial period, which at first seems to contradict the post-colonial political situation. The second, the restoration of a Dutch colonial official’s former residence into a community center, financed by Dutch businesses active in Indonesia, appears to be a gift to the local community; I interrogate whether this Dutch building is being preserved for Indonesia, or for the Netherlands. I suggest that the complicated motives of these projects are informed by the hybrid contemporary identities that are the legacy of a colonial state, and thus these projects to preserve colonial history retain a resonance in contemporary Indonesian society. Heritage preservation generally involves the choice of a historic moment that is especially meaningful to the present identity of the group supporting preservation. In this project, I look at two heritage preservation projects that choose a moment seemingly at odds to the identity of the groups involved. In these two projects, Dutch heritage is being preserved in the former Dutch colony of Indonesia. How is this contradiction reconciled in post-colonial Indonesia? I suggest that here, the “post” of post-colonial does not represent a complete rupture with the colonial past, but instead, a state of hybrid identity, combining elements of the colonial past and the post-colonial present. -
CRITICISMS TOWARD JAVANESE CULTURE in PRAMOEDYA ANANTA TOER's Buml Manusla: an ANALYSIS on the DOMINANT CULTURE of the Prlyayl
CRITICISMS TOWARD JAVANESE CULTURE IN PRAMOEDYA ANANTA TOER'S BUMl MANUSlA: AN ANALYSIS ON THE DOMINANT CULTURE OF THE PRlYAYl Yohanes Hartadi I Abstract: It is not an exaggeration ifwe say Java-with its people and its culture-dominates almost all aspects ofthe Republic ofIndon esia. Many Javanese things are used and imitated by people other than Javanese. Pramoedya Ananta Toer. as a Javanese writer. sees the Javanese culture from another angle. He is able to notice the inappropriate Javanese concepts and prac.tices. Bumi Manusia is a novel that reveals Pramoedya's criticisms toward Javanese culture.. Keywords: Javanese. culture. priyayi, mysticism INTRODUCTION 'And he said, verily, I say unto you, no prophet is accepted in his own country.'2These are Jesus' words which he said when he was in the synagogue to read the Talmud. The writer found that to certain extent an author is similar to a prophet. First, an (good) author should and will always bring revelation and enlightenment (aufklarung) to his readers. In composing a literary work, he cannot escape from reality, from civilization. Borrowing Pramoedya's words, reality which is found in the sphere of private and in the sphere of public is the 'upstream fact.' By grasping and analyzing the spirit of the streams coming down, the author alters it into 'downstream fact' which is I Yohanes Hartadi, SS. is a lecturer of the Faculty of Letters of Soegijapranata Catholic University. Semarang This verse is taken from The New Testament. King James Version published by The Gideons International. chapter 4 verse 24 46 Celt, Volume I, Number I, December2001 : 45-62 even not contained by historical fact.