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MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
A Comparative Analysis of Media Freedom and Pluralism in the EU Member States
DIRECTORATE GENERAL FOR INTERNAL POLICIES POLICY DEPARTMENT C: CITIZENS' RIGHTS AND CONSTITUTIONAL AFFAIRS CIVIL LIBERTIES, JUSTICE AND HOME AFFAIRS A comparative analysis of media freedom and pluralism in the EU Member States STUDY Abstract This study was commissioned by the European Parliament's Policy Department for Citizens' Rights and Constitutional Affairs at the request of the LIBE Committee. The authors argue that democratic processes in several EU countries are suffering from systemic failure, with the result that the basic conditions of media pluralism are not present, and, at the same time, that the distortion in media pluralism is hampering the proper functioning of democracy. The study offers a new approach to strengthening media freedom and pluralism, bearing in mind the different political and social systems of the Member States. The authors propose concrete, enforceable and systematic actions to correct the deficiencies found. PE 571.376 EN ABOUT THE PUBLICATION This research paper was requested by the European Parliament's Committee on Civil Liberties, Justice and Home Affairs (LIBE) and commissioned, overseen and published by the Policy Department for Citizens' Rights and Constitutional Affairs. Policy Departments provide independent expertise, both in-house and external, to support EP committees and other parliamentary bodies in shaping legislation and exercising democratic scrutiny over EU external and internal policies. To contact the Policy Department for Citizens' Rights and Constitutional Affairs or to subscribe -
News-Agencies
Case Study Authors Laura Juntunen Hannu Nieminen THE FUTURE OF NATIONAL NEWS AGENCIES IN EUROPE Case study 3 2019 Supported by the LSE Knowledge Exchange and Impact Fund 2 The changing relation between news agencies and the state Abstract This case study analyses the relationship between European news agencies and the state. On the basis of interviews, official documents and secondary sources, we examine recent developments in the relationship with the state in a sample of four countries – Finland, France, Poland and Spain – representing different kinds of media systems. While the evolution of this relationship has been different and unique in each country, they are all bound by the competition rules of the European Union, and the challenges that the agencies face are similar. In general, European news agencies are struggling to keep their basic news services profitable. We argue that in the age of fake news and disinformation the social and democratic value of these news services is much greater than their economic value to their owners. From the democracy perspective, these services can be understood as a public good, and therefore the subsidising of content with a high information value can be in the public interest if certain preconditions are met. At the same time, safeguarding the editorial, and in particular the structural, independence of the agencies from political control is essential. Funding The Future of National News Agencies in Europe received funding from a number of sources: Media Research Foundation of Finland (67 285 euros); Jyllands-Posten Foundation, Denmark (15 000 euros); LSE Knowledge Exchange and Impact (KEI) Fund, UK (83 799 pounds) (only for impact, not for research); University of Helsinki, Finland (9 650 euros); and LSE Department of Media and Communications, UK (4 752 pounds). -
Media Oligarchs Go Shopping Patrick Drahi Groupe Altice
MEDIA OLIGARCHS GO SHOPPING Patrick Drahi Groupe Altice Jeff Bezos Vincent Bolloré Amazon Groupe Bolloré Delian Peevski Bulgartabak FREEDOM OF THE PRESS WORLDWIDE IN 2016 AND MAJOR OLIGARCHS 2 Ferit Sahenk Dogus group Yildirim Demirören Jack Ma Milliyet Alibaba group Naguib Sawiris Konstantin Malofeïev Li Yanhong Orascom Marshall capital Baidu Anil et Mukesh Ambani Rupert Murdoch Reliance industries ltd Newscorp 3 Summary 7. Money’s invisible prisons 10. The hidden side of the oligarchs New media empires are emerging in Turkey, China, Russia and India, often with the blessing of the political authorities. Their owners exercise strict control over news and opinion, putting them in the service of their governments. 16. Oligarchs who came in from the cold During Russian capitalism’s crazy initial years, a select few were able to take advantage of privatization, including the privatization of news media. But only media empires that are completely loyal to the Kremlin have been able to survive since Vladimir Putin took over. 22. Can a politician be a regular media owner? In public life, how can you be both an actor and an objective observer at the same time? Obviously you cannot, not without conflicts of interest. Nonetheless, politicians who are also media owners are to be found eve- rywhere, even in leading western democracies such as Canada, Brazil and in Europe. And they seem to think that these conflicts of interests are not a problem. 28. The royal whim In the Arab world and India, royal families and industrial dynasties have created or acquired enormous media empires with the sole aim of magnifying their glory and prestige. -
Monitoring Media Pluralism in the Digital
MONITORING MEDIA PLURALISM IN THE DIGITAL ERA APPLICATION OF THE MEDIA PLURALISM MONITOR IN THE EUROPEAN UNION, ALBANIA, MONTENEGRO, THE REPUBLIC OF NORTH MACEDONIA, SERBIA & TURKEY IN THE YEAR 2020 Country report: Poland Beata Klimkiewicz, Journalism, Media and Social Communication, Jagiellonian University Research Project Report Issue 2021.2838 July 2021 TABLE OF CONTENTS 1. About the project 4 1.1. Overview of the project 4 1.2. Methodological note 4 2. Introduction 6 3. Results from the data collection: assessment of the risks to media 8 pluralism 3.1. Fundamental protection (41% - medium risk) 9 3.2. Market plurality (74% - high risk) 11 3.3. Political independence (69% - high risk) 13 3.4. Social inclusiveness (60% - medium risk) 14 4. Pluralism in the online environment: assessment of the risks 17 5. Conclusions 20 6. References 22 Annexe I. Country Team Annexe II. Group of Experts © European University Institute 2021 Content and individual chapters © Beata Klimkiewicz, 2021 This work has been published by the European University Institute, Robert Schuman Centre for Advanced Studies. This text may be downloaded only for personal research purposes. Additional reproduction for other purposes, whether in hard copies or electronically, requires the consent of the authors. If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the year and the publisher. Requests should be addressed to [email protected] Views expressed in this publication reflect the opinion of individual authors and not those of the European University Institute. Centre for Media Pluralism and Media Freedom Robert Schuman Centre for Advanced Studies Research Project Report RSC / Centre for Media Pluralism and Media Freedom 2021.2838 Published in July 2021 European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) https://cadmus.eui.eu/ The Centre for Media Pluralism and Media Freedom is co-financed by the European Union. -
On the Square in Oxford Since 1979. U.S
Dear READER, Service and Gratitude It is not possible to express sufficiently how thankful we at Square Books have been, and remain, for the amazing support so many of you have shown to this bookstore—for forty years, but especially now. Nor can I adequately thank the loyal, smart, devoted booksellers here who have helped us take safe steps through this unprecedented difficulty, and continue to do so, until we find our way to the other side. All have shown strength, resourcefulness, resilience, and skill that maybe even they themselves did not know they possessed. We are hearing stories from many of our far-flung independent bookstore cohorts as well as other local businesses, where, in this community, there has long been—before Amazon, before Sears—a shared knowledge regarding the importance of supporting local places and local people. My mother made it very clear to me in my early teens why we shopped at Mr. Levy’s Jitney Jungle—where Paul James, Patty Lampkin, Richard Miller, Wall Doxey, and Alice Blinder all worked. Square Books is where Slade Lewis, Sid Albritton, Andrew Pearcy, Jesse Bassett, Jill Moore, Dani Buckingham, Paul Fyke, Jude Burke-Lewis, Lyn Roberts, Turner Byrd, Lisa Howorth, Sami Thomason, Bill Cusumano, Cody Morrison, Andrew Frieman, Katelyn O’Brien, Beckett Howorth, Cam Hudson, Morgan McComb, Molly Neff, Ted O’Brien, Gunnar Ohberg, Kathy Neff, Al Morse, Rachel Tibbs, Camille White, Sasha Tropp, Zeke Yarbrough, and I all work. And Square Books is where I hope we all continue to work when we’ve found our path home-free. -
Fiction Catàleg
Spring 2021 Fiction Rights Guide Creative Management 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS THE REDSHIRT THE ALMOST QUEEN RAFT OF STARS WHITE ON WHITE THE ROCK EATERS BEND YOU TO REMAIN IMPOSTER SYNDROME NEXT SHIP HOME SURVIVE THE NIGHT WALK THE VANISHED EARTH THREE WORDS FOR GOODBYE THE MAN WHO SOLD AIR IN THE HOLY LAND NOBODY, SOMEBODY, ANYBODY WILD CAT THE BACHELOR CHEVY IN THE HOLE THE LAST MONA LISA THE COMMUNITY BOARD IMMEDIATE FAMILY FOR THE LOVE OF THE BARD THE BODY SCOUT THE WILD ONE O, BEAUTIFUL NONE OF THIS WOULD HAVE HAPPENED... THE UNKNOWN WOMAN OF THE SEINE MORE OF EVERYTHING ALL HER LITTLE SECRETS FLIGHT THE LIGHT PIRATE ISLANDERS GO HOME, RICKY! EXOSKELETONS CAIRO CIRCLES THE MYTHMAKERS THE REDSHIRT A Novel By Corey Sobel NA October 2020 / University Press of Kentucky Final PDF Available Shortlisted for 2020 Center for Fiction’s First Novel Prize Corey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirtintroduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles’s body lags behind his ambitions, and recruiters tell him he is not big enough to com- pete at the top level. His dreams come true when a letter arrives from King College. -
Download Download
Recent Fiction by Joan Givner, Lydia Millet, and Amy Plum: Cli-fi Takes Off into a Dark Future —Daniel Bratton Givner, Joan. The Hills Are Shadows. Saskatoon: Sheep, 2014. 256 pp. US$11.95 pb. ISBN Thistledown, 2014. 264 pp. $12.95 pb. ISBN 9781617752766. Print. 9781927068915. Print. Plum, Amy. After the End. New York: Harper, 2014. Millet, Lydia. Pills and Starships. New York: Black 328 pp. US$19.00 pb. ISBN 9780062225603. Print. My journey into the world of middle-grade and young seemed a good idea not to wait any longer and to have a adult environmental fiction began with Canadian look at this trajectory. author Joan Givner. Back in the early 1980s, I came Upon receiving a copy of the second of Givner’s across Givner as a fellow—and earlier—biographer Tennyson trilogy, The Hills Are Shadows, I was curious of Mazo de la Roche. Impressed by her feminist/ as to what has been going on in the field of juvenile psychoanalytical approach to life-writing, I continued to fiction. To be honest, from almost the first page, I was read her stories and essays as they appeared. Her turn rather stunned by Givner’s literary concerns. As most to writing fiction for children, however—Groundwood readers already know, what has happened is that Books published her three Ellen Fremedon mystery novels middle-grade and young adult novels have embraced a between 2005 and 2010—resulted in a bit of a reading much darker vision of our world and our future. hiatus for me. Not only have young people been watching Game of Recently, I discovered that Givner has been at work Thrones and The Walking Dead as part of their vicarious on a fantasy trilogy marketed by her current publisher, rites of passage, but also they have been reading, if not Thistledown Press, for a middle-grade audience. -
Media Ownership
Special Special Published by the European Audiovisual Observatory Media ownership - Market realities and regulatory Regional and local broadcasting in Europe Regional and local broadcasting Regional and local broadcasting in Europe responses The structure of this study explores the following questions: • What is the role of regional and local media in Europe? • How is this role promoted by the actions and legal instruments of the Council of Europe? • What are the national specifi c trends and developments in Europe on a country-by-country basis? • Where does the future of regional and local media in Europe lie? This IRIS Special report offers a much-needed overview of regional audiovisual media in Europe in three main sections. EUR 45 - ISBN 978-92-871-8339-2 IRIS Special 2016-2 Media ownership - Market realities and regulatory responses European Audiovisual Observatory, Strasbourg 2016 ISBN 978-92-871-8405-4 EUR 55 Director of publication – Susanne Nikoltchev, Executive Director, European Audiovisual Observatory Editorial supervision – Maja Cappello, Head of Department for legal information, European Audiovisual Observatory Editorial team – Francisco Javier Cabrera Blázquez, Maja Cappello, Sophie Valais European Audiovisual Observatory Authors Amedeo Arena (University of Naples), Konstantina Bania (EUI), Elda Brogi (EUI), Mark D. Cole (EMR), Gilles Fontaine (EAO), Silke Hans (EMR), Pascal Kamina (Université de Franche-Comté), Deirdre Kevin (EAO), Carles Llorens (Universitat Autònoma de Barcelona), Roberto Mastroianni (University of Naples), -
* CV Konstantinou
Lee Konstantinou Curriculum Vitae Notarization. I have read the following and certify that this curriculum vitae is a current and accurate statement of my professional record. Signature_____________________________________ Date______________________ 1. Personal Information. Contact Information University of Maryland, College Park Department of English 3241 Tawes Hall College Park, MD 20742 Tel. (650) 218-8299 Email. [email protected] Employment Assistant Professor, Department of English, University of Maryland, College Park, 2012- Present. ACLS New Faculty Fellow, Department of English, Princeton University, 2011-2012. Postdoctoral Teaching Fellow, Program in Writing and Rhetoric, Stanford University, 2009-2011. Education Ph.D., English, Stanford University, 2002-2009. Dissertation: “Wipe That Smirk off Your Face: Postironic Literature and the Politics of Character” Committee: Ramón Saldívar (chair), Ursula Heise, Sianne Ngai M.A., English, Stanford University, 2002-2008. B.A., English, Psychology, and College Scholar, Cornell University, 1996-2000. Thesis (summa cum laude): “Comics and the Holocaust: A(n) (Auto/bio)graphical Analysis of Art Spiegelman’s Maus” 2. Research, Scholarly, and Creative Activities. Books Books Authored Cool Characters: Irony and American Fiction. Cambridge, MA: Harvard University Press, 2016. 384 pp. • Excerpt published in Salon, Mar. 27, 2016. • Featured in “23 Books to be excited for in March,” Literary Hub, Feb. 25, 2016 • Reviewed in Times Higher Education; Stanford magazine; The Point. Pop Apocalypse: A Possible Satire. A novel. New York: Ecco/Harper Perennial, 2009. 292 pp. • Reviewed in Publishers Weekly; Sacramento Book Review; The Onion A.V. Club; AM New York; Midwest Book Review; Booklist; The Daily Evergreen; The L Magazine; Pop Damage; io9; San Francisco Chronicle; Bookslut; Los Angeles Times; Bookforum. -
3 International News Agencies
International News Agencies: 3 Global eyes that never blink Phil MacGregor One of the things we have managed to do in the last 15 years is to diversify…… We have managed to maintain the value and spread the risk of our business globally across a whole range of markets and we are not dependent on say, an individual crisis in any one market. Nigel Baker, Vice President of Associated Press (2009) The evolution of the online news agency has laid bare the news industries’ near total dependence on a few wholesale news providers and the limitations on public discourse that it inevitably yields. Chris Paterson (2006) When anybody reads, hears, or looks at any news today, they will almost certainly see an impressive proportion of stories first produced by one or more of the international news agen- cies – outfits that are global in their reach but until recently almost entirely outside the public gaze. The work of these “wholesale news providers” permeates print and online media. Turn to any television news bulletin, and you are likely to see film footage that originated from, or was procured by, one of the three international news agencies. The more dangerous the news scene, the more that probability in- creases. Media coverage of warzones, and of any major incident in the world originates as often than not in the words, photos, audio, and raw film footage coming from three main internation- al agencies. Even if people are now beginning to know names like Thomson Reuters, the Associated Press (AP), and Agence 36 Phil MacGregor France-Presse, (AFP) until very recently these organisations tended to remain well below the public’s radar. -
MAPPING DIGITAL MEDIA: POLAND Mapping Digital Media: Poland
COUNTRY REPORT MAPPING DIGITAL MEDIA: POLAND Mapping Digital Media: Poland A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Andrzej Krajewski and Karim Diakite (reporters) EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) Magda Walter (Regional editor) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 12 June 2012 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Composition Indicators........................................................................................................... 11 Economic Indicators ......................................................................................................................... 13 1. Media