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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Postmodern Humanism and the "Exhaustion of Easy Life" Mason Beets University of Northern Iowa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Northern Iowa University of Northern Iowa UNI ScholarWorks Electronic Theses and Dissertations Graduate College 2013 Postmodern humanism and the "exhaustion of easy life" Mason Beets University of Northern Iowa Copyright 2013 - Mason Beets Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the English Language and Literature Commons Let us know how access to this document benefits oy u Recommended Citation Beets, Mason, "Postmodern humanism and the "exhaustion of easy life"" (2013). Electronic Theses and Dissertations. 64. https://scholarworks.uni.edu/etd/64 This Open Access Thesis is brought to you for free and open access by the Graduate College at UNI ScholarWorks. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. POSTMODERN HUMANISM AND THE “EXHAUSTION OF EASY LIFE” An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts - English Mason Beets University of Northern Iowa August 2013 ABSTRACT The twenty-first century appears to herald a new epoch, one in which religion and other similar belief systems appear to have run their course. However, this should not necessarily mean that other forms of spirituality and interconnectedness must fade away. Within America, there is a humanistic undercurrent that is gaining strength within our postmodern condition, even as we begin to challenge several of the tenets of postmodernity itself. The groundswell of American humanism has a notable and wholly unintended effect: it ideologically rehabilitates modes or vehicles of thought that might otherwise be labeled as defunct, or inapplicable to the changing world around them. -
On the Square in Oxford Since 1979. U.S
Dear READER, Service and Gratitude It is not possible to express sufficiently how thankful we at Square Books have been, and remain, for the amazing support so many of you have shown to this bookstore—for forty years, but especially now. Nor can I adequately thank the loyal, smart, devoted booksellers here who have helped us take safe steps through this unprecedented difficulty, and continue to do so, until we find our way to the other side. All have shown strength, resourcefulness, resilience, and skill that maybe even they themselves did not know they possessed. We are hearing stories from many of our far-flung independent bookstore cohorts as well as other local businesses, where, in this community, there has long been—before Amazon, before Sears—a shared knowledge regarding the importance of supporting local places and local people. My mother made it very clear to me in my early teens why we shopped at Mr. Levy’s Jitney Jungle—where Paul James, Patty Lampkin, Richard Miller, Wall Doxey, and Alice Blinder all worked. Square Books is where Slade Lewis, Sid Albritton, Andrew Pearcy, Jesse Bassett, Jill Moore, Dani Buckingham, Paul Fyke, Jude Burke-Lewis, Lyn Roberts, Turner Byrd, Lisa Howorth, Sami Thomason, Bill Cusumano, Cody Morrison, Andrew Frieman, Katelyn O’Brien, Beckett Howorth, Cam Hudson, Morgan McComb, Molly Neff, Ted O’Brien, Gunnar Ohberg, Kathy Neff, Al Morse, Rachel Tibbs, Camille White, Sasha Tropp, Zeke Yarbrough, and I all work. And Square Books is where I hope we all continue to work when we’ve found our path home-free. -
Popular Culture As Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness
PRUITT, DANIEL JOSEPH, M.A. Popular Culture as Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness. (2020) Directed by Dr. Christian Moraru. 76 pp. As society continues to virtualize, popular culture and its influence on our identities grow more viral and pervasive. Consciousness mediates the cultural forces influencing the audience, often determining whether fiction acts as remedy, poison, or simultaneously both. In this essay, I argue that antimimetic techniques and the subversion of formal expectations can interrupt the interpretive process, allowing readers and viewers to become more aware of the systems that popular fiction upholds. The first chapter will explore the subversion of traditional form in George Saunders’s Lincoln in the Bardo. Using Caroline Levine’s Forms as a blueprint to study the interaction of aesthetic, social, and political forms, I examine how Saunders’s novel draws attention to the constructed nature of identity and the forms that influence this construction. In the second chapter, I discuss how the metamodernity of the animated series Rick and Morty allows the show to disrupt status quo consciousness. Once this rupture occurs, viewers are more likely to engage with social critique and interrogate the self-replicating systems that shape the way we establish meaning. Ultimately, popular culture can suppress or encourage social change, and what often determines this difference is whether consciousness passively absorbs or critically processes the messages in fiction. POPULAR CULTURE AS PHARMAKON: -
Fiction Catàleg
Spring 2021 Fiction Rights Guide Creative Management 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS THE REDSHIRT THE ALMOST QUEEN RAFT OF STARS WHITE ON WHITE THE ROCK EATERS BEND YOU TO REMAIN IMPOSTER SYNDROME NEXT SHIP HOME SURVIVE THE NIGHT WALK THE VANISHED EARTH THREE WORDS FOR GOODBYE THE MAN WHO SOLD AIR IN THE HOLY LAND NOBODY, SOMEBODY, ANYBODY WILD CAT THE BACHELOR CHEVY IN THE HOLE THE LAST MONA LISA THE COMMUNITY BOARD IMMEDIATE FAMILY FOR THE LOVE OF THE BARD THE BODY SCOUT THE WILD ONE O, BEAUTIFUL NONE OF THIS WOULD HAVE HAPPENED... THE UNKNOWN WOMAN OF THE SEINE MORE OF EVERYTHING ALL HER LITTLE SECRETS FLIGHT THE LIGHT PIRATE ISLANDERS GO HOME, RICKY! EXOSKELETONS CAIRO CIRCLES THE MYTHMAKERS THE REDSHIRT A Novel By Corey Sobel NA October 2020 / University Press of Kentucky Final PDF Available Shortlisted for 2020 Center for Fiction’s First Novel Prize Corey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirtintroduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles’s body lags behind his ambitions, and recruiters tell him he is not big enough to com- pete at the top level. His dreams come true when a letter arrives from King College. -
Drawn & Quarterly Debuts on Comixology and Amazon's Kindle
Drawn & Quarterly debuts on comiXology and Amazon’s Kindle Store September 15th, 2015 — New York, NY— Drawn & Quarterly, comiXology and Amazon announced today a distribution agreement to sell Drawn & Quarterly’s digital comics and graphic novels across the comiXology platform as well as Amazon’s Kindle Store. Today’s debut sees such internationally renowned and bestselling Drawn & Quarterly titles as Lynda Barry’s One! Hundred! Demons; Guy Delisle’s Jerusalem: Chronicles from the Holy City; Rutu Modan’s Exit Wounds and Anders Nilsen’s Big Questions available on both comiXology and the Kindle Store “It is fitting that on our 25th anniversary, D+Q moves forward with our list digitally with comiXology and the Kindle Store,” said Drawn & Quarterly Publisher Peggy Burns, “ComiXology won us over with their understanding of not just the comics industry, but the medium itself. Their team understands just how carefully we consider the life of our books. They made us feel perfectly at ease and we look forward to a long relationship.” “Nothing gives me greater pleasure than having Drawn & Quarterly’s stellar catalog finally available digitally on both comiXology and Kindle,” said David Steinberger, comiXology’s co-founder and CEO. “D&Q celebrate their 25th birthday this year, but comiXology and Kindle fans are getting the gift by being able to read these amazing books on their devices.” Today’s digital debut of Drawn & Quarterly on comiXology and the Kindle Store sees all the following titles available: Woman Rebel: The Margaret Sanger Story by -
Download Download
Recent Fiction by Joan Givner, Lydia Millet, and Amy Plum: Cli-fi Takes Off into a Dark Future —Daniel Bratton Givner, Joan. The Hills Are Shadows. Saskatoon: Sheep, 2014. 256 pp. US$11.95 pb. ISBN Thistledown, 2014. 264 pp. $12.95 pb. ISBN 9781617752766. Print. 9781927068915. Print. Plum, Amy. After the End. New York: Harper, 2014. Millet, Lydia. Pills and Starships. New York: Black 328 pp. US$19.00 pb. ISBN 9780062225603. Print. My journey into the world of middle-grade and young seemed a good idea not to wait any longer and to have a adult environmental fiction began with Canadian look at this trajectory. author Joan Givner. Back in the early 1980s, I came Upon receiving a copy of the second of Givner’s across Givner as a fellow—and earlier—biographer Tennyson trilogy, The Hills Are Shadows, I was curious of Mazo de la Roche. Impressed by her feminist/ as to what has been going on in the field of juvenile psychoanalytical approach to life-writing, I continued to fiction. To be honest, from almost the first page, I was read her stories and essays as they appeared. Her turn rather stunned by Givner’s literary concerns. As most to writing fiction for children, however—Groundwood readers already know, what has happened is that Books published her three Ellen Fremedon mystery novels middle-grade and young adult novels have embraced a between 2005 and 2010—resulted in a bit of a reading much darker vision of our world and our future. hiatus for me. Not only have young people been watching Game of Recently, I discovered that Givner has been at work Thrones and The Walking Dead as part of their vicarious on a fantasy trilogy marketed by her current publisher, rites of passage, but also they have been reading, if not Thistledown Press, for a middle-grade audience. -
Oscillating Towards and Within the Metamodern
Ghent University Faculty of Arts and Philosophy Oscillating Towards and Within the Metamodern Mark Z. Danielewski’s House of Leaves as a Transitional Novel for the New Structure of Feeling within the Contemporary Post-Postmodern Literary Debate Supervisor: Paper submitted in partial fulfillment Dr. Sarah Posman of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels” by Karel Van Ooteghem August 2015 I have seen the future of fiction, and its name is Mark Z. Danielewski. —Larry McCaffery1 1 “Fiction’s Future: Words, Sentences, Quotes.” American Book Review 30.5 (2009): 9. Print. 2 Acknowledgements After four years of studying literature, I wanted my master’s dissertation to be about something that really interested me. Throughout my years as a student at Ghent University, I have developed a taste for the classic American postmodernists and more experimental literature such as Thomas Pynchon and John Barth – definitely not the easiest authors, and I am more than willing to admit that reading those works are often more an endeavour than recreation. When browsing the internet – as we all do, and which is a returning motif in this dissertation – I stumbled upon Mark Z. Danielewski’s work on the one hand and Vermeulen and Van den Akker’s ‘metamodernism’ on the other. After reading House of Leaves, I immediately realized that it might well be one of the books that will be deemed ‘classics’ or ‘turning points’ in about fifty years from now. Truth be said, I primarily recognized its literary qualities, but the work was not really one that I would put on my list of favourites. -
The Work of David Foster Wallace and Post-Postmodernism Charles Reginald Nixon Submitted in Accordance with the Requirements
- i - The work of David Foster Wallace and post-postmodernism Charles Reginald Nixon Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English September 2013 - ii - - iii - The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Charles Reginald Nixon The right of Charles Reginald Nixon to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. - iv - - v - Acknowledgements (With apologies to anyone I have failed to name): Many thanks to Hamilton Carroll for guiding this thesis from its earliest stages. Anything good here has been encouraged into existence by him, anything bad is the result of my stubborn refusal to listen to his advice. Thanks, too, to Andrew Warnes for additional guidance and help along the way, and to the many friends and colleagues at the University of Leeds and beyond who have provided assistance, advice and encouragement. Stephen Burn, in particular, and the large and growing number of fellow Wallace scholars I have met around the world have contributed much to this work's intellectual value; our conversations have been amongst my most treasured, from a scholarly perspective and just because they have been so enjoyable. -
The Cambridge Companion to David Foster Wallace Edited by Ralph Clare Frontmatter More Information
Cambridge University Press 978-1-107-19595-0 — The Cambridge Companion to David Foster Wallace Edited by Ralph Clare Frontmatter More Information the cambridge companion to david foster wallace Best known for his masterpiece Infinite Jest, David Foster Wallace reshaped literature for a generation with his groundbreaking and original work. Wallace’s desire to blend formal innovation with the communicative function of literature resulted in works that appeal as much to a reader’s intellect as they do to emotion. As such, few writers in recent memory have matched his work’s intense critical and popular impact. The essays in this Companion, written by top Wallace scholars, offer historical and cultural contexts for grasping Wallace’s significance, provide rigorous individual readings of each of his major works of fiction and nonfiction, and address the key themes and concerns of these works, including aesthetics, politics, religion and spirituality, race, and posthumanism. This wide-ranging volume is a necessary resource for understanding an author now typically regarded as one of the most influential and important of his time. Ralph Clare is Associate Professor of English at Boise State University and specializes in post-1945 American literature. He is the author of Fictions Inc.: The Corporation in Postmodern Fiction, Film, and Popular Culture (Rutgers, 2014) and is currently at work on a study of emotion and affect in contemporary fiction of the neoliberal era. © in this web service Cambridge University Press www.cambridge.org Cambridge University -
A Journal of Poetry, Prose, and Thought
9/16/2016 A Theory of “Here” | The Account: A Journal of Poetry, Prose, and Thought A Theory of “Here” CRITICISM / LEE KONSTANTINOU :: A Theory of Here :: About halfway through Here, the experimental cartoonist Richard McGuire opens a window—well, a panel—onto the year 10,175. This far-future scene is layered atop a larger image that takes place in 1775, somewhere on the east coast of what will become the United States, showing a cryptic conversation about the pending Revolutionary War. By now, we’ve learned how to read Here. McGuire’s book—it would be a mistake to call it, as many have done, a graphic novel—scrambles the normal logic of comics narrative. Instead of creating juxtaposed sequences of panels that together tell a unified story, Here’s pages show the same location in space at different times. The book features a sequence of lushly colored double-page spreads, each one set in a different year (indicated with a tag in the upper-left corner of the page). Smaller panels often hover over the main double-page frame, depicting the same location either before or after the dominant year. Mostly, we observe the corner of a nondescript room, seeing how it stays the same or changes across the years, observing its various human inhabitants at different ages and in different states of health. These panels have, by the midpoint of the book, largely focused on the past and the present; McGuire has rendered times before the house was constructed, has dramatized encounters between the indigenous population and newly arrived settler-colonists, and has even let us see the year 1,009 BCE.