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Cma} {Pizzuti} {Wex} the avant-garde { Katherine N. Crowley Fine Art & Design } P ERIODIC J OURNAL V OLUME X N O . 1 J ANUARY 2 0 1 9 what’s happening: {cma} {pizzuti} {wex} Clockwise from top left: At the Columbus Museum of Art – Isaac Julien: Looking for Langston, Richie Pope: 2018 Columbus Comics Residency Exhibition, Back of the Bus: Illustrations by Floyd Cooper, Life in the Age of Rembrandt. At the Wexner Center for the Arts – Netta Yerushalmy: Paramodernities, Cinema Revival: A Festival of Film Restoration, John Waters: Indecent Exposure. Center: At the Pizzuti Collection: Light. {1} {the avant-garde} Katherine N. Crowley Fine Art & Design {what’s happening: at the columbus museum of art} Isaac Julien: Looking for Langston. Through February 3, 2019 This exhibition presents Isaac Julien’s landmark 1989 film Looking for Langston alongside a selection of related photographic works. Made at the height of the AIDS epidemic in London and New York, Looking for Langston is composed of archival moving images and original footage that reimagines on the life of poet Langston Hughes and a community of gay artists during the Harlem Renaissance. The film collapses both time and geography, mixing the words of Hughes, James Baldwin, and Essex Hemphill and the sounds of blues, jazz, and 1980s house music. Other works reflect upon the making of the film and artistic lineages. Julien’s sumptuous mono- chrome images consciously mine the aesthetics of black and queer histories. Fore- grounding these experiences, the work maintains its urgency today. Richie Pope: 2018 Columbus Comics Residency Exhibition. Through March 10, 2019 Richie Pope as the winner of the annual Columbus Comics Residency, an annual partnership between Columbus Museum of Art and Columbus College of Art and Design. The three-week residency is designed to provide the winner with an opportunity to develop a work-in-progress and to exhibit their work at CMA. Pope is an illustrator and cartoonist currently living in Dallas, Texas. He has worked with publications such as The New Yorker, The New York Times, The Atlantic, Google, Scientific American, TIME, Nautlius, Tor Books/Tor.com and The Washington Post, among others. Pope has also been recognized by Society of Illustrators and Spectrum. Recent publications include Frontier #13: Fatherson, published through Youth in Decline; Super Itis; and That Box We Sit On. Back of the Bus: Illustrations by Floyd Cooper. Through May 5, 2019 Floyd Cooper’s powerful children’s book illustrations depict a fictional account by Aaron Reynolds of Rosa Parks’ 1955 refusal to give up her seat on a Montgomery, Alabama bus in this exhibition at Columbus Museum of Art. Parks’ arrest led to a 13-month boycott of city buses. The boycott ended when the US Supreme Court ruled that segregation on public transportation was unconstitutional. In Cooper’s story, readers witness Rosa Parks’ arrest through the eyes of a young, African American boy, who was also on the bus that day. Cooper illustrates the story with a technique in which he removes areas of paint from his oil washes with a stretchy eraser. He calls this method a “subtractive process”. Accompanying the original art for the book are story boards and preliminary drawings. Back of the Bus (Philomel Books, 2010) was designated a Notable Book of 2011 by the National Library Association. Life in the Age of Rembrandt. February 1-June 16, 2019 On view exclusively at CMA, Life in the Age of Rembrandt is the first collaborative project stemming from an ongoing international partnership between CMA and the Dordrecht Museum, The Netherlands. Called the cradle of the Golden Age, Dordrecht is steeped in European Old World traditions, art, and history and is the oldest incor- porated port city in Holland. Dordrecht Museum is one of the oldest and most impor- tant fine art museums in the country. Spanning over three centuries,Life in the Age of Rembrandt features 17th-century art from the Golden Age of Dutch painting, and concludes with works of The Hague School of the late 19th century. The Dutch Golden Age was a period of great wealth for the Dutch Republic, and the influence of the Golden Age is still visible in Dordrecht’s many mansions, canals, churches, city walls and harbors. Visit http://www.columbusmuseum.org/ to learn more about these exhibits and related programming. {2} {the avant-garde} Katherine N. Crowley Fine Art & Design {what’s happening: at the wexner center for the arts} John Waters: Indecent Exposure. Through February 2-April 28, 2019 Drawing from his experiences with film and his fascination with celebrity, crime, religion, and kitsch, Waters subverts mainstream expectations of visual art, enticing viewers with his astute, provocative, and wickedly funny observations about society Waters has been a discriminating collector of contemporary American art for several decades, and his own artwork participates in its traditions. Using shocking but affectionate humor, he disrupts the celebrity-obsessed habits of the mass media, embracing the lowbrow against the sanctified hypocrisy of “good taste.” Whether it’s sending up the cults of Jackie Kennedy, Michael Jackson, Charles Manson, or the movie stars whose images he gleefully deforms, Indecent Exposure lovingly assaults popular culture, Hollywood, and the presumed “innocence” of childhood. Netta Yerushalmy: Paramodernities. Through February 7-9, 2019 Devised by award-winning, New York–based dance artist Netta Yerushalmy, Paramodernities is a series of lecture-performances in which Yerushalmy and other dancers deconstruct landmark modern choreographies as guest scholars situate these iconic works within the larger project of modernism. Paramodernities #1: The Work of Dance in the Age of Sacred Lives. A response to Vaslav Nijinsky’s Le sacre du printemps (1913). Paramodernities #2: Female Trauma, Interdiction, and Agency in “The House of Pelvic Truth”. A response to Martha Graham’s Night Journey (1947). Paramodernities #3: Revelations: The Afterlives of Slavery. A response to Alvin Ailey’s Revelations (1960). Paramodernities #4: Inter-Body Event. With material from Merce Cunningham’s RainForest, Sounddance, Points in Space, Beach Birds, and Ocean (1968–91). Paramodernities #5: All that Spectacle: Dance on Stage and Screens. A response to Bob Fosse’s Sweet Charity (1969 film). Paramodernities #6: The Choreography of Rehabilitation: Disability and Race in Balanchine’s Agon. A response to George Balanchine’s Agon (1957). Cinema Revival: A Festival of Film Restoration. Through February 21-26, 2019 Our fifth-annual weekend devoted to the art and practice of film restoration features screenings of revitalized classics—including films by Chantal Akerman, Alfred Hitchcock, and the Talking Heads’ David Byrne—plus engaging talks by experts from Audio Mechanics, Criterion Collection, The Film Foundation, Milestone Films, Sony Pictures, and more. {what’s happening: at the pizzuti collection} Light. Winter 2019 This winter, in an effort to combat or stave off the seasonal darkness, the Pizzuti Collection will install artwork that takes light as its muse and its material. Galleries will be turned over to ideas about a Texas sunset, neon window advertisements, iconic bar signs, and garish flashing messages. The seven works in the exhibition use light to consider space, to illuminate ideas, and to question perception. Light becomes the medium to translate experiences and make visible what we discern about our world. Artists: Spencer Finch, Claire Fontaine, Patrick Martinez, Josiah McElheny, Tim Noble and Sue Webster, and Alejandro Almanza Pereda. Visit https://wexarts.org/ and http://www.pizzuti.columbusmuseum.org/ to learn more about these exhibits, screenings, and related programming. {3} {the avant-garde} Katherine N. Crowley Fine Art & Design {all around the town} {and beyond} The Columbus College of Art and Design, Beeler Gallery The Akron Art Museum (http://www.akronartmuseum.org) (http://www.beelergallery.org/) “Nick Cave: Feat.”, February 23-June 2 “Season ONE arms ache avid aeon. fierce pussy amplified: Nancy The Museum of Fine Arts Boston (http://www.mfa.org) Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka”, “Ansel Adams in our Time”, Through February 24 Through March 17 ICA Boston (http://www.icaboston.org) The Columbus Cultural Arts Center “William Forsythe: Choreographic Objects”, Through February 21 (http://www.culturalartscenteronline.org) “Transformations: work by artist John Humphries, Through February 16 The Cincinnati Art Museum (http://www.cincinnatiartmuseum.org) “That’s Where I Get It! – Kathy & Eric Rausch”, Through January 31 “Collecting Calligraphy: Arts of the Islamic World”, Through January 27 The Columbus Museum of Art (http://www.columbusmuseum.org) Contemporary Arts Center (http://www.contemporaryartscenter.org) “Isaac Julien: Looking for Langston”, Through February 3 “Mamma Andersson: Memory Banks”, Through February 10 “Richie Pope: 2018 Columbus Comics Residency Exhibition”, The Cleveland Museum of Art (http://www.clevelandart.org) Through March 10 “Georgia O’Keeffe: Living Modern”, Through March 3 “Back of the Bus: Illustrations by Floyd Cooper”, Through May 5 The Art Institute of Chicago (http://www.artic.edu) Dublin Arts Council (http://www.dublinarts.org) “Dawoud Bey: Night Coming Tenderly, Black”, Through April 14 “Emerging: An Exhibition of Student Artwork”, Through February 22 Dayton Art Institute (http://www.daytonartinstitute.org) The High Road Gallery and Studios (http://www.highroadgallery.com) “Devoted: Visual Performances
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