Do you have a submission We'll Get for CAA News? Your Meeting [email protected] OffToA In an effort to ensure the accuracy of your listings and announce­ ments in eAA News, contact the editors bye-mail: caanews@ collegeart.org. Send us your opportunity announcements, calls 5 for papers, grants, awards, and honors, or other listings by the Good Start. issue deadline. Materials for "Solo Exhibitions by eAA Members" may be mailed to the CAA office. Photos cannot be returned. AmericanAirlines Is Proud To Be The Official In order to accomodate as many free listings as possible, we Airline Of The College ArtAssociation. cannot always confirm reciept of a listing,. provide proofs or extra AmericanAirlines· copies, or guarantee that your announcement will be printed in Americanfot" subsequent issues. Late submissions will be held for the next curious document from him~I liked the and I found that it wasn't just professors issue. We also reserve the right to edit according to style and space requirements. For paid advertising, contact the advertising Phyllis P. grade, it was an A+++------but it wasn't who belonged. This must have been the manager at advertising@collegearlorg. the kind of grade any Wellesley fall of 1941. That's why I'm one of the Our aim is,to provide worthwhile resources for and to professor gave you. There were jocular oldest members." celebrate the achievements of CANs 16,000 members. Your Bober comments all the way through in the Juggling commitments to raising a questions and/ or comments about the newsletter or website margins, too. Very puzzling. He family, teaching, and various scholarly (www.collegeart.org) are always welc9me. MeetingAttendees Can Enjoy Up ToA 10% Savings' OIfAny Applicable Fare OnAmerlcan. explained he had been at the CAA pursuits, Bober became an active Note: For address changes or other inquiries, contact: Plus, Receive AnAdditional 5% Discount When onCAA annual meeting, and some friends had member only in the late 1970s. While [email protected] or [email protected]. You Purchase YourTlckets 60 Days In Advance. come to his room for a little gathering. dean of the Graduate School of Arts and For .[1 i , Now I understand that they had Sciences at Bryn Mawr College, she was Deadlinefor March 1998 CAA News: January 30,1998. probably been drinking. But he didn't asked to serve on the Morey Prize change the grade; it stayed on my Committee. "For the first time, College hyllis Bober is a wonderful record. So I thought CAA was some­ Art was asking something of me. Then I raconteur, whose stories reveal thing pretty good, a chowder and was elected to the board. In those days her archaeologist's eye for marching society for the professors." we didn't have long position state­ P Shortly after entering graduate ments; if we had, I probably wouldn't detail, her art historian's preoccupation with the role of the arts in culture, and a school at the Institute for Fine Arts in have gotten on the board because I had s humanitit's appreciation of the value of New York, Bober became a member of no agenda. No ideas for the CAA at all. education. Combine thetie with her CAA herself. "Walter W. W. s. Cook, Then I began to find out how important profound sense of fair play, her compas­ who was the director, made all the new it was or could be for its membership, January 1998 sion for living things, and a gently self­ graduate students each year join CAA, not only the art historians but the artists effacing sense of humor, and you have as well and also the junior people; all of College Art Association us had common interests." 275 Seventh Avenue the recipe for a complete mensch. When New York, New York 10001 I was asked to interview my former Her activity on the board in the adviser Professor Bober about her 1980s, first as a member, then as chair of experiences as a fifty-six-year member the Art Historians' Committee, and Board of Directors and past president of CAA for the finally as president from 1988 to 1990, coincided with a period of remarkable Leslie King~Hammond, President History Project, I was delighted to have growth and change. "The truly activist John R. Clarke, Vice~President an excuse to hmch with her. What Nancy Macko, Secretary follows are some morsels from our CAA we have now dates from 1985 or John W. Hyland, Jr., Treasurer conversation together. 1986, the change from a Mom and Pop Susan Ball, Executive Director Bober first encmmtered CAA while organization with a New York office of an undergraduate at Wellesley. "I used two people and an honorary counsel to the Art Bulletin and Parnassus, which an organization that really is structured Ellen T. Baird Christine Kondoleon for a vast new inclusive and more Marilyn R. Brown Patricia Leighten was then one of the publications, but I diverse membership than was the case Diane BUfko Joe Lewis didn't know CAA was something that Whitney Davis Arhtro Lindsay individuals belonged to at all. I thought in the past. I was part of choosing the Joe Deal Yang Soon Min colleges and universities all got together new executive director when we Vishakha Desai John Hallmark Neff and published in art history, which was selected Susan Ball. That was the be­ Bailey Doogan Beatrice Rehl still a relatively new discipline." She girming of a real transformation. The Jonathan Fineberg Rita Robillard ubsequently learned of the annual whole board was changing; people were Node Sato' Shifra M. Goldman meetings when her professor, Sandy much more politically engaged, and we Linda C. Hults Roger Shimomura Campbell, took student papers with Susan L. Huntington Jeffrey Chipps Smith Phyllis Pray Bober, former CAA President (1988-90j and CAA member since 1941 CONTINUED ON PAGE 2 Michi Itami Alan Wallach him to a CAA meeting: "I got back this Phyllis P. Bober on CAA must do for our junior membership, Museum of Art; Peter Walsh, Davis Art will take place 2:30-5:00 P.M.:in room (i0on 'ten 'ts CONTINUED FROM PAGE 1 especially to help minorities and Annual Museum, Wellesley College. For many 716B of the Convention Centre. Contact women, although it wasn't limited. That institutions and individuals involved in Katie Hollander with questions or were getting more political questions to was the idea behind the support Volume 23, Numher J the study of art, advances in image suggestions: [email protected]. For deal with, such as what to do about our fellowships that I'm happy to say are teclmology-including digital imaging, information about the luncheon (limited Jail/wI)' 199X Conference investments in South Africa. We ultim­ still continuing. campus intranets, and the Web-have to 20-25 participants), contact Lori ately divested." U All the things that were said about only led to confusion and anxiety. Such Gross, director of the Museum Loan Bober on eAA 1 Phyllis P. Other international issues arose CAA being led by an East Coast group Update vexing issues as electronic rights, data Network: 617/252-1888; [email protected]. during Bober's presidency. "I received of good old guys were fairly true when I standards, fair use, and the digitization 3 Annual Conference Update hate mail from Cypress authorities, first first joined it in the 1940s. It was a men's of slide libraries and other types of Post-Convocation Reception the Ambassador of Cypress, then the club. It was also the club of the Ivy visual collections have blunted the The Art Gallery of Ontario will be Notice of Allnual Business Meeting President of the Turkish Republic of League .... I prefer the diversity now, benefits teclmology was supposed to hosting a post-convocation reception CAA in the News Northern Cypress," she recalled with a the fact that specialized interests have 4 herald. In 1997 AMICO, a nonprofit for conference attendees on Friday, chuckle, "because I had written a letter now become affiliated societies that have Session Updates consortium of twenty-three leading February 27, 7:30-9:00 P.M. Shuttle of protest on behalf of CAA and our joined with us so that we're sort of a UNational Support Structures: How 5 1998-2002 New Board Slate North American art museums, began service will be available from the members to the European Parliament flagship for things that go on all over the Best to Administer Public Funding for work on a solution that promises new Convention Centre's South Building. Art Jounwl Editorial Board about the kind of scavenging that was country .... It was an interesting time, I the Arts and Humanities," Friday, Member Sought pathways around the technological 6 February 27, 12:30-2:00 P.M. Panelists going on in Christian churches, for must say, to be there when CAA was impasse. The panel will show how AMICO will address themes relevant to the Audio Taping mosaics and so forth that were just then changing so profOlUldly. We were the is tackling the complexities of standards, future of national funding for the arts Selected sessions will be available for 7 Legal Update surfacing all over in art dealers' hands. first learned society to think about long­ hardware, intellectual rights, electronic and humanities in the United States and sale on audio tape at the conference and The great Indianapolis Mosaic, remem­ range planning and go out after raising distribution systems, and confus:ing Canada. Audience members will gain by mail after the conference. Durillg the ber that case? There was also the case of an endowment. That is not something museum procedures. Panel members 8 CAANews understanding about how systems of conference, a list of recorded sessions the Victoria and Albert Museum, whose which had been traditionally done, to will present the problems of museum national fundillg affect them and the will be available at the Audio Archives director was requiring early redundancy my knowledge, by any learned societies. image use in the past; review AMICO'S 011 organizations with which they are International booth at the Convention 9 Update Past CAA Fellows of her chief curators in this museum of That kind of leadership always comes progress to date; and explain how its affiliated and a better understanding of Centre. worldwide interest to any scholar in the more from the executive director than approach differs from image locator visual arts; again I wrote in protest in from any president. It's the executive what role they might play in influencing 10 Student Committee Created services, photo archives, and rights Room Monitors the name of the CAA membership to the director who really gives character to the future decisions. agencies and resellers. They will also head of the Board of Trustees and to the institution ... any president is only demonstrate the potential revolutionary and Projectionists Sought CAA COlnl1littee Report ~IJulia Margaret Cameron: The Strate­ 11 minister who had oversight of the effective for a brief spell, but the effects of digital libraries on future Applications are being accepted for gies of a Victorian Woman Artist" will museum. executive director and the deputy research and teaching ill such fields as room monitors and projectionists for the be held at the Art Gallery of Ontario, 317 "We did it the right way. These director are the continuity in any art history, studio art, conservation, Toronto conference. Room monitors and Solo Exhibitiol1S by Artist Members Dundas St. W., Friday, February 27, 12 issues all came up before business organization; they're the ones who really chemical and materials analysis, cultural projectionists will be paid $8.00 U.S. per !12:30-2:00 P.M. meetings with a vote. That's the part I shape it. Presidents come and go.... We history, and the social sciences. hour and will receive complimentary 14 People in the News really enjoyed, seeing the board become see everything in our history. When registration. They are required to work a not a rubber stamp but one that actively people look back 100 years from now, Program Additions Meeting of the Museum Task Force. minimum of 4 of the session time slots engaged in all the problems that come they're going to see what the 1970s U A New Intellectual Space/' Saturday, (Wednesday, February 25-Saturday, 15 Grants, Awards, & Honors The recently established CAA task force, up in the modern'world and are of brought in opening up our ideas. But February 28, 12:30-2:00 P.M. Chair: John chaired by Christine Kondoleon, will February 28) and must attend a training concern to anyone who is a humanist, don't attribute it to me; it's just part of Onians. Onians will discuss the meet at the annual conference to address session at 5:00 P.M., Wednesday, Febru­ Conferences and Symposia 16 art historian, scholar, or artist." the movement." launching of a new visiting scholars issues concerning museum professionals ary 25. Projectionists must be able to Among Bober's many administra­ When I responded that she was, program by the Clark Art Institute in within the CAA membership. The operate a 35-mm slide projector; 18 Opportunities tive accomplishments as president was perhaps, too modest, she proposed that Williamstown, Mass. The program is meeting will take place on Saturday, familiarity with video projectors is the implementation of long-range we pay the waiter. intended to create an exciting resource February 28, 1998, and is open to all helpful. Contact: Elaine Pike, CAA, 275 Classifieds planning and the reorganization of the and intellectual space in the field of members, particularly museum profes­ 7th Ave., New York, NY 10001; Erratum CAA publications management. She also Phyllis Pray Bober is Leslie Clark Professor research in the visual arts. Participants sionals. The day will begin with three [email protected]·(subject: "Elaine Emerita in the Humanities at Bryn Mawr 22 InjoJ'lllatiol1 Wanted worked with Ed Coker and Danielle Rice are invited to make suggestions on how roundtable discussions on such topics as Pike"). Artist's Portfolio Review to revive fellowships for artists and art College. She is completing Culture and such a program might respond to the "Marketing, Development, Education: monitors are also needed Wednesday, historians completing their graduate Cuisine, a book that integrates the histOl1) of needs of the new millennium. Contact: 3:00-5:00 P.M.; Thursday and Friday, Datebook Where Is the Museum Curator in the 23 work. Bober herself had been helped visual and culinan) arts. John Onians, Assistant Director of Museum Now?" and "How Can 12:00 noon-2:00 P.M., and 3:00-5:00 P.M.; significantly by a CAA scholarship she Research and Academic Programs, University Museums Collaborate More and Saturday, 12:00 noon-2:00 P.M. These - Maureen PeIta, CAA News is published 6 times a year by the received in 1942.1/ A small group of us Clark Art Institute, 225 South St., Box 8, Effectively with Their Academic monitors will not be paid, but will College Art Association, 275 7th Ave., New York, were given $200 scholarships; it would Associate Professor of Art History and Chair Williamstown, MA 01267; 413/458-9545, Communities?" The third table will be receive complimentary registration and NY 10001. An electronic version of .this newsletter be the equivalent of about $4,000 of the Liberal Arts Departn1wt of Moore ext. 325; fax 413-458-2336; john.onians. are required to work only one two-hour may be viewed at www.collegeart.org. left open for participant discussion. The nowadays. It was my first graduate College of Art and Design, Philadelphia @clarkwilliams. edu. roundtables are scheduled for 9:00-10:30 time slot. Contact: Conference Coordina­ scholarship, and it helped immensely. It Editor-in-Chief Susan Ball A.M. :in the Algonquin room at the Royal tor Mary-Beth Shine; 212/691-1051, ext. Managing Editor Elaine Koss doesn't sound like much now but #The Seeds of Revolution: New York HoteL A luncheon for curators on 210; [email protected]. Editor Jessica Tagliaferro remember, a subway ride in New York Technologies and the Art Museum the topic "Permanent Collection: Who was five cents and a good book, an Image Consortium," sponsored by the Material for inclusion should be sent via e-mail to Cares?" will take place 11:30 A.M.-2:00 expensive one, was five dollars. I knew Art Museum Image Consortium (AMICO), the editor at caancws@collcge art.org. (Photo~ P.M. Following the 1uncheon, the graphs may be submitted to the above address for we had these [fellowships] once, but Friday, February 27, 7:30-9:00 A.M. Museum Committee's session "De­ consideration. They cannot be returned.) they had fallen in abeyance, and I )hairs: Susan Chun, Asia Society accessioning: Who Makes the thought this was one of the things we "';alleries; Stephanie Stebich, Cleveland Printed on r",cycled paper Rules?" chaired by Gwendolyn Owens © 1998 College Art Assodation

2 CAA NEWS JANUARY 199R CAA NEWS JANUARY 199R 3 Article II herein. The President shall the new tools are sources of new ideas years. It is equally important to me that Nancy Friese, Rhode Notice of determine the order of consideration of or if they.merely reflect changes in the 1998-2002 CAA continue to provide a leadership Island School of resolutions. Resolutiol1s from the floor will artists' own sensibilities. She believes role in promoting excellent new Design: "It is be cOJ1sidered as time and appropriateness that, ultimately, the problem of making scholarship and creative works as well important that the Members' allow. art remains the same no matter what the' New Board as advocacy for government support of CAA Board of medium. But because electronic tech­ research and creative work without Directors have a Agenda nology advances become so outdated so censorship." 1) studio artist repre­ Annual quickly, artists who use the medium Slate sentative from a professional art schooL Announcement of the results of the also straddle a tricky position between Art school studio faculty are not as election of the Board of Directors who front-line consumerism and cutting­ involved in the CAA as their counter­ Business will serve from 1998 to 2002; the 1998 edge artistic innovation, she says." Holly Block, Art in parts in other universities and colleges. Nominating Committee; and the officers -Chronicle of Higher Education, General: "As a I advocate more independent and Meeting who will serve from 1998 to 1999. December 3,1997 board member for international members for the CAA, a CAA, I would be continued broadening of the CAA in allots and information on the Amendment to the By-laws "Just last winter, [Philippe de able to contribute terms of applied studio aspects, and a Montebello] advanced a spirited defense slate of twelve candidates for my knowledge of larger crossover in conference panels possible election to the board of and experience with Financial Report-John Hyland, Jr., of elitism in a speech to the College Art B with sludio artists and art historians. directors weremailedtoCAA.s 13,000+ Treasurer. Association, in which he described a contemporary art and assist CAA in Areas of interst include: this year's subtle but pervasive shift in emphasis individual members in October 1997. three areas: programs, advocacy, and curatorial conferences for studio artists, Fifteen percent of the CAA membership New Business 'from the work of art, to the museum fundraising. I am also interested in reinstatement of studio exhibitions (2,306 members) returned ballots, expanding CAA's membership by atice is hereby given that a itself as th.e primary experience,' and during the conferences, and associations electing six board members who will supporting individual artists and meeting of the members of the Proxies spoke of the 'shudder of unease' he feels such as the past CAA-administered serve from 1998 to 2002. Following are nonaffiliated artists, curators, art College Art Association will be whenever he reads or hears that art Giverny studio grant. The position N museums have become our greatest the new board members, with excerpts historians, and professionals at all stages listings could be a steering house for held Saturday, February 28, 1998, at 8:00 For those who will be unable to attend entertainment bargains." from their position statements: of their careers. As the executive international exchanges between art A.M. at the Metro Toronto Convention this meeting, proxies were included -Calvin Tomkins, The New Yorker, director of Art in General for the past institutions and departments and Centre, Rrn. 707, South Bldg., 222 with the notice of the annual business November 24,1997 nine years, I've been actively engaged in scholars. I will work hard to have the Bremner Blvd., Toronto, Canada MSV meeting. If another proxy is designated, the support and creation of new work. CAA maintain its excellent past achieve­ 2W6. College Art Association President he or she must be present at the meeting [For the de Montebello's full speech, see Catherine B. Asher, As a nonprofit arts organization, Art in ments and use its history and range to Leslie King-Hammond will preside. to cast the vote in person; otherwise your vote is not valid. CAA News, January /February 1997, vol. University of General works closely with artists of all more fully address the visual arts 22, no. 1] Mim1esota: "Just as I ages working in all media, as wen as component with vigor and innovation. I In accordance with the By-laws, Article am concerned with independent scholars, critics, and bring my experiences as a painter / IV, Section L "Men are people too-whetl,er in tutus; vernacular and curators. The programs have also printmaker, educator, and head of the The Annual Business Meeting of the or tuxes. That's the idea the venerable - nonimperial art and expanded nationally and internation­ Printmaking Department at RISD to members of the Association for (a) the Art Journal devoted its entire summer architecture pro­ ally, including exhibitions, residencies, service annOUnCel1lcnt of the results of the election issue to .... 'How Men Look,' [edited by duced by India's multifaceted religious publications, educational and public of the Board of Directors, Nominating William Hood and William Stern], ... population that represents a wide forums. Art in General's programs have Committee and Officers, and (b) the treats all those identity and gender­ economic spread, my concern is for the effectively maintained diversity of transaction of such other business as may bending and similar themes that have broad CAA membership, not a select ethnic, cultural, and racial balance at the Joanna Frueh, Univ­ properly come before the Meeting shall be CAAin consumed women these last few few. In this light I would like to see board, advisory, staff, and artists' ersity of Nevada, held in conjunction with the Annual years .... the cops and 'ballerin!ls' [in CAA's activities continue to become positions. I am interested in CAA's Reno: "The art Conference at a place, and 011 a date and Lyle Ashton Harris's black and white increasingly open to a wide constitu­ evolving membership, and would like to profession suffers time, fixed by the Board of Directors and, the News photo essay of men in drag juxtaposed ency; at the same time I would like to assist with its expansion as the organiza­ from poignant, unless expressly waived, shall be set forth in with traditional images of men] are the see the role of artistic developments tion enters the year 2000 during my frustrating distances a Notice of tile Annual Meeting that shall be most striking and poignant ... " worldwide more generally recognized. potential term. I've attended four that exist between sent to all members entitled to notice at least -Artnews, November 1997 This seems especially relevant in a time conferences, served as the theme co­ students and professors, artists and art sixty days prior to the date designated for when the arts are among those areas chair for the 1997 Annual Conference in historians, and contemporary art and the meeting. The Annual Business Meeting, "An ever-growing number of artists are "Just when it seemed every victim had first cut by government and private New York, and have advised the the public. My primary interest as a by a majority vote, l1Iay adopt resolutions making electronic art, and the new been heard from, the College Art agencies and even by our own academic Advocacy Committee. I am willing to CAA board member would be to and deal with proposals of any kind medium has been largely legitimized Association has found another. Its call institutions. CAA's recognition of the serve as a board member to' support diminish these distances that get in the concerning the affairs of the Association. In through exhibits and criticism, accord­ for papers for a seminar titled 'Gardens social and govermnental functions that CAA's future endeavors as it continues way of art professionals working order to insure consideration, such resolu­ ing to the magazine's [Art Journal] guest as Colonial Spaces' incluQed the many of the arts have played through­ to evolve, serve, and maintain its together both to create the reality of tions must (1) iJe received in the office of the editor, Johanna Drucker, an art history following advice: 'Papers should deal out time and across the globe may be mission," community that so many of us crave Executive Director 110 later than eighty days professor at Yale University. She and with gardens that were exotic or that one way to help reclaim a legitimate and to educate a national public in the prior to the Annual Business Meeting; (2) other authors in this issue [Digital privileged exotica; that is to say, gardens position for the arts in the eyes of these difficult area of contemporary art. My be in proper parlial1lentary form; (3) be Reflections: The Dialogue of Art and geographically located in one culture organizations. Further, I would like work as an art historian, art critic, and signed by at least twenty-jive members of Technologlj, Fall 1997] devoted to that purported to represent distant CAA to pursue the promotion of performance artist and my successful the Association ill good stmlding or electronic art, consider the critical, places or ideas derived from an alien teaching art history, rarely considered teaching of contemporary art at a state proposed by Board of Directors' resolution; creative, and pedagogical implications culture.' And you thought a rose Was before the college level, in secondary university where very few students are (4) be no more thall three hundred words in of the interplay between art and digital just a rose." schools; thus the significance of the arts familiar with contemporary art produc­ length; and (5) deal with JiJatters relating to technology. Each writer, she says, poses - Artnews, June 1997 )s embedded well before the college tion give me skills and insights for the purpose of the Association as set forth in the fundamental question of whether

4 CAA NEWS JANUARY 1998 CAA NEWS JANUARY 1998 5 accomplishing the goals I've stated. My advance, tackle more issues, and Challenge to The court of appeals disagreed, board membership would also benefit address broader audiences. One of the Virginia Law Restricting reversed the lower court decision, and from my longtime feminist advocacy most important things CAA does is State Employees' sent the case back for a more sensitive examination of the fair use factors. It and from my experience of having lived define standards (of behavior, of terms, Town Meeting Computer Usage and worked as an art professional in of processes); the other is its lobbying concluded that the nine instances in Six professors at Virginia state colleges various regions of the U.S." work. By enlarging its constituency, which the poster was visible (ranging on Fair Use and universities filed a lawsuit challeng­ these two activities can have more from 1.86 to 4.16 seconds each) were not, ing a July 1996 Virginia law that impact. We need to increase our efforts in the aggregate, de minimis or triviaL o/Digital prohibits state employees from access­ to explain art, justify it, and protect it Further, the court rejected the defen­ ing, downloading, printing, and storing Richard Martin, and its practitioners. Academia, given dants' claims that no protectable aspects Images Renewed any files with "sexually explicit content" Costume Institute, the technologicat political, and eco­ of the highly distinctive artwork had without prior approval by agency heads Metropolitan nomic changes at hand, is no longer an been discernible to viewers, but only (Urofsky v. Allen). The plaintiffs include Museum of Art: "In isolated preserve." 1998 CAA Annual that the viewer sees "some vague Challenges Paul Smith, a professor of cultural working in contem­ stylized painting that includes black Conference in Toronto studies whose research area is pornog­ porary art and Thursday, February 26, 1998 people." The court responded: "That is fashion inquiry, I am raphy and whose website was censored about like saying that a videotape of the 12:30-2:00 P.M. and 5:30-7:00 P.M. to Artistic mindful of the responsibility to broad, as a result of the law, and professors of Mona Lisa shows only a painting of a inclusive visual culture. Parochialism American literature, gender studies, woman with a wry smile." between the creative and intellectual Expression lesbian and gay studies, and Victorian The court of appeals also analyzed hierarchies regarding epochs, artisan Speakers: poetry. The basis for the challenge is the defendants' use in light of the fair that the law is both unconstitutionally and artist, and media no longer obtain. Maxwell L. Anderson use purposes set out in the preamble to overbroad and fatally vague. It operates CAA champions art in culture and in ' Art Journal Howard Besser Section 107 of the Copyright Act. the as an illegal prior restraint on expres­ education, but it must be exemplary in David Green court also found that Ringgold was Supreme Court to sion, b~cause the state can act with modeling its practices and advocacies to Leila W. Kinney entitled to a further factual evaluation Editorial Decide "NEA Four" Case unbridled discretion to censor politi­ humanistic study and projection of art Gary Schwartz on her claim that defendants had injured cally sensitive online speech. The state based in inclusive values, tre'nchant and Peter Walsh Later this year, the Supreme Court will her by not paying the customary price broad scholarship engaging cultural Board decide what is likely to be among the defends the law by arguing that the for licsensing the work Finally, the court studies, and a global, nonhieratic view. most important G'Ises ever for the free infringement of First Amendment rights urged that the lower court should give Having always been attracted to the Questions from the audience will speech rights of artists when it reviews is necessary to create an efficient renewed consideration to Ringgold's indeterminate areas, I have carried my Member be taken. Please submit questions the federal appeals court's November workplace that is not offensive to claim under the New York Artists' convictions and identity as an art in advance or in absentia to: Leila 1996 decision in the "NEA Four" case women. Plaintiffs and the defendants Authorship Rights Act. historian and teacher. I believe in Kinney: [email protected]; or to Knren Finley ef 01. v. NntiO/wl Endowment have filed motions for summary Just a month earlier, in August 1997, passionate teaching and the public life Sought Susan Ball: [email protected]. for tile Arts. In that case, the Ninth judgment. a New York federal district court came of the arts. CAA must demonstrate art's i Circuit court of appeals (in a 2-1 out differently, holding that the fleeting, value and values, open methods, and decision) held that a 1990 law that Artists Win and obscured, and out-of-focus use of ten canon to the wide publics of the design required the NEA to consider" general Lose TV/Film copyrighted photographs created by professions, museums, media, and other standards of decency" and "respect for Copyright Claims Plaintiff Jorge Antonio Sandoval the diverse beliefs and values of the academic disciplines and interdiscip­ he Art Journal Editorial Board is member will be made at the CAA Two recent decisions explore the extent appearing for a total of 30 seconds in the American public" in granting awards lines; it must support art and artists." seeking nominations and self­ annual conference in February 1998, and to which artists have copyright rights movie Seven was a fair use (Sandoval v. was unconstitutional because it was too nominations from the CAA candidates will be notified of the board's when their works are included in New Line Cinema Corporation). Upon T vague for applicants to know what was close and repeated scrutiny of the film, decision by the beginning of March. another visual work. membership for an opening on the prohibited. (CAA had filed an amicus Nominations and self-nominations­ In September 1997 the Second Sandoval had been able to identify the board. The term is three years, July 1998 brief on the side of the plaintiffs in both to June 2001, renewable once. The aim of including a statement of interest from Circuit court of appeals vindicated Faith photographs as his work, and sued for Bruce Robertson, the district and appellate courts.) In the board is for its membership to reflect the candidate, a c.v., and any supporting Ringgold's right to pursue a copyright copyright infringement. Both sides then University of upholding the free speech rights of the range of fields and methods current material~should be sent to Art Journal claim against HBO and Black Entertain­ moved for summary judgment. California, Santa artists, the court quoted the district in modern and contemporary art, as Editorial Board, College Art Association, ment Television (BET) for use of a The court concluded that the Barbara: "CAA is a court in proclaiming that the arts "are at well as the geographical, philosophical, 275 7th Ave., New York, NY 10001. poster of her artwork Church Picnic Story utilization in the film was a fair use, peculiar association. the core of a democratic society'S institutionat gender, and ethnic range of Deadline: FebruanJ 2, 1998. Quilt (Ringgold v. Black Entertainment because the use of the photographs was It serves primarily cultural and political vitality." the CAA membership. Televisiol1, Inc.). HBO had produced a "transformative" and because the film academic art histori­ The Supreme Court may be eager to The editorial board currently meets television sitcom-later aired on BET ~ producer did not try to exploit the determine to what extent its previous ans and artists, yet also includes people in New York three times a year and at in which the poster was used as part of market for Sandoval's works, which had rulings on indecency-applicable to who work well away from academia; CAA's annual conference. Board the set decoration in one episode and previously been unpublished. Finally, television and the Internet-now ought the object of its attention~lIart"~exists members are expected to attend all was dearly visible (in whole or in part) the court found that the use in the movie to apply to artists who receive public in a cultural and commercial context meetings. CAA provides travel funds for about twenty-six seconds. Ringgold, would have no adverse effect on th_e monies. The Supreme Court frequently which has a life of its own. Right now, for the meetings in New York; board who owns all rights in the copyright of market for th_e work, because it would reverses decisions of the Ninth Circuit CAA is not quite satisfyiI1g either its members pay their own travel expenses the work (the High Museum, Atlanta, not "by any stretch of the imagination" and here it ultimately may agree with a core constituency or this larger art for the annual conference, though a owns the originaI), sued HBO and BET be considered a substitute for the photos sh·ongly worded dissent by one of the world. It could become more like what it small fund is available to help offset for copyright infringement. The district themselves. appellate judges. CAA is filing an was, or model itself more closely on expenses for members who would be court had granted the defendants' This decision has been appealed. amicus brief urging the Supreme Court nonprofit institutions; it could eitheJ motion for sununary judgment on the Given that the Sandoval decision relied unable to attend without financial \ to affirm the Ninth Circuit decision. retreat or advance. I prefer to see it support. Selection of the new board basis that they had engaged in a fair to a certain extent on the analysis of the use. (subsequently reversed) decision of the

6 CM NEWS JA .....'UAI{Y 1991\ CAA NEWS JANUARY 1998 7 district court in the Ringgold case, the working throughout this year in qualifications for appointment. At least Millard Meiss Second Circuit may reexamine the Washington and in the districts of one letter of recommendation is Awards extent to which incorporat~on of a work Congressional members to ensure that required. Nominations and self­ CAA is pleased to C-ll1nounce five recent into another visual work-even if any copyright legislation passed is nominations should be sent to Art Millard Meiss publication subsidies: glimpsed indistinctly or for a very short properly balanced among educators, Bulletin Editorial Board, CAA, 275 7th Hilary BaIlon, Mnzarin's College: period-may give rise to a copyright consumers, and other users and Ave., New York, NY 10001. Deadline: Colbert's Revenge (Princeton); R. Ward claim. traditional copyright owners. Undoubt­ February 15, 1998. Bissel, Arte111isia Gentileschi and the C allege Art Association is now accepting applications for 1998 Profes­ edly, the pending digital copyright bills Authority of Art: Critical Reading alld sional Development Fellowships for artists and art historians. Applications Digital Copyright are the most significant pieces of CAAAward Catalogue Rnisol1nc (Penn State); William are requested from Ph.D., M.F.A., and terminal M.A. students who have Legislation Introduced copyright legislation that Congress has Finalists L. Pressly, The French Revolution as been marginalized owing to their race, religion, gender, age, national origin, In September and November of last considered over the last twenty years. The Charles Rufus Morey Book Award Blasphemy: JohaH Zoffi1l1Y's Paintings of the sexual orientation, disability, or history of economic disadvantage and who year, two important digital copyright -Jeffrey Cunard, CAA Counsel is given for an especially distinguished Massacre at Paris on August 10, 1792 will earn their degrees in 1999. By offering its support at this critical juncture bills-So 1146 and H.R. 3048-were book in the history of art, published in (California); Lisa Saltzman, Anselm in scholars' and artists' careers, CAA hopes to make timely degree comple­ introduced in the Senate and the House any language in the penultimate Kiefer and Art after Auschwitz (Cam­ tion ~o~e viable and employment opportunities more accessible. To request of Representatives. The Digital Future calendar year. The Alfred H. Barr, Jr., bridge); and Daniel H. Weiss, Art and applIcation and guidelines, please contact: CAA, Professional Development Coalition (DFC), comprising of educa­ Award for museum scholarship is the Crusade in the Age of Saint Louis Fellowship Program, 275 7th Ave., New York, NY 10001; 212/691-1051, ext. tional groups including CAA, library presented to the author(s) of an (Cambridge). 220; [email protected]; www.collegeart.org. associations, tedm.ology fmd consumer especially distinguished catalogue in Millard Meiss Publication Fl.md electronics manufacturers, was instru­ the history of art, published during the grants are awarded twice annually for Deadline: January 31~ 1998. mental in providing advice to Senator CAA penultimate year under the auspices of book-length scholarly manuscripts that John Ashcroft (R-MO) and Representa­ a museum, library, or collection. have been accepted by publishers but tives Rick Boucher (D-VA) and Tom Following are this year's finalists for cannot be published without subsidies. Campbell (R-CA), who are the original News the Charles Rufus Morey Book Award The author must be a CAA member in The program's success is embodied academic year, including Pipo Nguyen­ co-sponsors of these bills. and the Alfred H. Barr, Jr., awards, good standing. For information and by the fellows themselves. To date, Duy (M.F.A, University of New Both bills would implement both of which will be presented at application forms, see the CAA web site thirty-five fellows have been selected­ Mexico) with Southern Oregon State international copyright agreements CAA's annual conference in Toronto. (www.collegeart.org) or contact Jessica fourteen visual artists, nineteen art College; Jennifer Riddell (M.A, School concluded in December 1996 in Geneva Finalists for CAA Charles Rufus Tagliaferro, CAA, 275 7th Ave., New historians, and two arts administrators. of the Art Institute of Chicago) with and attempt to move copyright into the Morey Award: Elizabeth Cropper and York, NY 10001; 212/691-1051, ext. 215; Call for Art Bulletin By introducing them to influential M.LT.'s List Visual Arts Center; Yaalieth digital age by preserving the traditional Charles Dempsey, Nicolas Poussin: [email protected]. Book Review Editor mentors, subsidizing their first profes­ Simpson Smith (M.A., Teachers' balance between copyright owners and Friendship and the Love of Painting The Art Bulletin seeks nominations and sional positions, and encouraging their College, Columbia University) with users. rn1e legislative proposals include (Princeton University Press); Oleg self-nominations for the position of book curatorial projects, the Professional Medgar Evers College, CUNY; Blake several prOVisions that are of interest to Grabar, The Shape of the Holy: Early review editor. The editor reports to the Development fellowships opened many Stimson (PhD., Cornell University) CAA members: Islamic Jerusalem (Princeton University editor-in-chief and is solely responsible doors that might otherwise have with the University of Oregon; Bryan Press); Wu Hung, The Double Screen: for the selection of books to be re­ remained closed. Keith Thomas (M.F.A., University of • To clarify that the fair use doc­ Medium and Representation in Chinese viewed, the choice of people to review Several fellows have continued Tennessee, Knoxville) with the Califor­ trine continues to apply in the digital Painting (University of Chicago Press); them, and the determination of the their relationships with the institutions nia College of Arts and Crafts; Marie networked environment. Mary Sheriff, The Exceptional Woman: appropriate length and character of the Update on that originally sponsored them: Phyllis Watt (M.F.A., Yale University) with • To authorize educators to lise Elisabeth Vigee-Lebrun and the Cultural review. He or she commissions reviews Jackson (Ph.D., Northwestern Univer­ Portland Community College; and personal computers and data networks Politics of Art (University of Chicago and works with reviewers when sity; 1993 fellow) and Tom Patin (PhD., Anita Loomis Wilkinson (M.F.A., for distance learning just as they now Press). necessary in the preparation of the PastCAA University of Washington; 1994 fellow) School of the Art Institute of Chicago) use television. Finalists for the Alfred H. Barr, Jr., review for publication. The editor will are in tenure-track positions at Pomona with Barnard College. • To allow computer users to Award: Janet BerIo, ed., Plains Indian serve three to six months as editor College and Ohio University, respec­ Many fellows have used their download or load works without Drawing 1875-1935 (American Federa­ Fellows designate and a three-year term, tively. Initially an intern in the Educa­ fellowship-sponsored position as a becoming subject to copyright infringe­ tion of Arts with Abrams); Money normally not renewable, as book review tion Department of the Gilcrease stepping stone to their next job. Leda ment suits if any digital copies that they Hickman, ed., MOl1lOyama: Japan's editor. Museum, Bobby Martin (M.F.A., Ramos (M.F.A, Rutgers; 1994 fellow) make are ephemeral or incidental to Golden Age (Dallas Art Museum); Carol There is a small honorarium for the University of Arkansas; 1994 fenow) is completed her fellowship at the Getty otherwise lawful uses. Mattusch, The Fire of Hap haistos: Large book review editor, who will serve on now a graphic design coordinator at the Research Institute for the History of Art • To preserve the operation of the Classical Bronzes from North American the Art Bulletin Editorial Board and is hanks in large part to contribu­ Gilcrease. Tina Takemoto (M.F.A., and the Humanities and is now the "first sale" doctrine (H.R. 3048)-which Collections (Harvard University Art expected to attend meetings of the tions from hundreds of CAA Rutgers; 1994 fellow) advanced from Families Project coordinator at the now allows persons who legally own Museums); Mary Nooter Roberts and board. Meetings are generally in New members, we have successfully curatorial assistant at the Hartnett Museum of Contemporary Art, Los physical copies of a work to transfer Allen F. Roberts, Monon;: Luba Art and T York in October and at the CAA annual completed Challenge Grants from the Gallery to adjunct professor of art and those copies-in the digitat networked the Making of History (Museum of Angeles. Eik Kahng (PhD. University conference. CAA pays for travel to the National Endowment for the Arts and doctoral candidate in visual and cultural environment. African Art); Carolyn C. Wilson, Italian of California, Berkeley; 1994 fellow) fall meeting in New York; it is expected the National Endowment for the studies at the University of Rochester. Paintings, XIV-XVI Centuries in the accompanied an exhibition that she that editorial board members will pay Humanities for the Professional Devel­ Trang Minh Vu (M.F.A., University of Two other digital copyright bills, H.R. Museum of Fine Arts Houston (Museum worked on at the National Gallery of Art their own way to the annual conference, opment Fellowship Program. We are California, Irvine; 1994 fellow) held an 2281 and S. 1121, were introduced in the of Fine Arts Houston with Rice to the Kimball Art Museum and has although a sman fund is available to thrilled to have capitalized on the full administrative position with and now middle of last year. TI1e DFC has University Press and Merrell Holberton recently accepted a position as assistant help offset expenses for members who . amounts available to us in Fiscal Year continues to develop curatorial projects opposed these proposals, because they Publishers). curator of European art at the Dallas are regarded as overly favorable to the would be unable to attend without 1997 and take great pride in having for the Bay Area Video Coalition Museum of Art. Since Virgina da Costa established endowments for one visual large copyright industrie·s. CAA, with financial support. (BAVC). (Ph.D., University of California, Santa other members of the DFC, will be Candidates must submit a c.v. and \rtist's fellowship and most of an art Seven of the nine 1995 fellows Barbara; 1994 fellow) completed her a letter explaining their interest in and nistorian's fellowship. renewed their contracts for the 1997-98 position with the art history department

8 CAA NEWS JANUARY 199R CAA NEWS JANUARY 1998 9 at California State University, Long Tania Beasley (M.A., Howard Univer­ ro~m 709, to discuss areas of common Hollander. If you are interested in All names of textbooks, videotapes, Beach, last spring, she has taught a sity; 1994 fellow) completed her interest, set forth agendas, and identify chairing the committee please make Boston; April Hunter as curatorial universities with graduate programs in historical background and overview to information.) Herzog and Itami will fellow in the Galleries at the Moore art and art history throughout the February 26, 1998: Open forum 5:30- the controversial anti-affirmative action collate the information for further College of Art and Design; Miwon United States. As a standing committee, 7:00 P.M. at the CAA annual conference proposition. Bernardi, who is originally inclusion in the Cultural Diversihj Kwon as acting assistant professor in the student committee will meet at the in Toronto Metro Toronto Convention from Argentina, discussed the impact of Bibliography on the CAA website. the Department of Art History at UCLA; annual conference as well as have the Centre, room 709. the legislation on immigrant groups, The committee will have another and Jennifer McLerran with the opportunity to propose a session every students, and the community in the San meeting on Thursday, February 26, Women's Studies Program at Ohio Student year. An online student directory March 1998: Appointment of Student Francisco Bay Area. She presented the 12:30-2:00 P.M. in the Nova Scotia Room. University . organized by school and areas of Committee members. perception that Proposition 209 was a A light lunch will be available. Several fellows have exhibited their concentration will be developed, and violation of the civil code. It "perversely -Michi Itami, Chair, work for a broader audience. The work Committee students will communicate via e-mail or April 1998: Submission of formal presented" its case with confusing Committee on Cultural Diversity of Delilah Montoya (M.F.A., University through a listserv. The committee will proposal to board of directors for terminology so that people were led to of New Mexico; 1993 fellow) appeared also develop material for their own page committee establishment. vote "yes" when they really intended to in American Voices: Latil10 PllOtographers Created on the CAA website, contribute a yearly vote "no." Discussion ensued about in the United States in the International column for CAA News, and present a Summer 1998: Committee creates web possible remedies to the current Gallery of the Smithsonian Institution. report to the board of directors at the page and sets up committee listserv. situation. Trevor Jamal Holtham (M.F.A., Yale February conference meeting. Other Members talked about ways to University; 1994 fellow) had a solo show activities will include discussions and December 1998: Deadline for seIf­ develop and enhance the Cultural at Daniel Silverstein Gallery. Watt's proposals on student participation in the AA is composing a Student nomination to the 1999 Student Diversity Bibliography that is currently on work was included in the 1997 Oregon CAA conference; advocacy campaigns; Committee to serve the needs Committee (1998 members must the CAA website. It was decided that BienniaL Takemoto collaborated with workshops on professional develop­ of our numerous student resubmit). one of the most efficacious things to do the artist Angela Ellsworth to present C ment, including dissertation writing and would be to list and possibly review members. The Student Committee will the performance piece Caffeine and artist's portfolios; and the M.F.A. final new textbooks that have been recently make its inaugural debut at the 1998 Carotine. exhibition. published. Melanie Herzog of Toronto Conference. A preliminary Two fellows' professional paths If you are a student and wish to Edgewood College volunteered to be the meeting of the Student Committee will have taken them in new and exciting serve on the Student Committee contact person and coordinator, and take place at the Toronto conference to directions. Marilyn Nance (M.F.A., (regardless of whether you will be David Najaab has agreed to help her. ascertain the mission and goals of CAA Maryland Institute, College of Art) has attending the open forum in Toronto), Further discussion about reviewing students. An open forum will be held opted to continue her graduate educa­ please send a one-page statement of methods is still necessary and will be Thursday, February 26, 5:30-7:00 P.M., tion in the Interactive Telecommunica­ interest and a c.v. to: CAA, 275 7th Ave) tmdertaken at meetings in the near Metro Toronto Convention Centre, tions program at New York University. New York, NY 10001, Attn. Katie . future.

10 CAA NEWS JANUARY 1998 CAA NEWS JANUARY 1998 11 J Barbara Grossman. Bowery Gallery, New York, Chrysanne Stathacos. Lombard Freid Fine Arts, Solo March 20-ApriIB, 1998. Recent paintings and oil New York, November 20-- January 3, 1998. Wish; pastel". Grand Central Terminal, New York, December Alexander Kaletski. Dillon Gallery, New York, 1-18,1997. The Wish Machine, public art project Exhibitions October 27-November 21, 1997. Nude Colony. for Metropolitan Transportation Authority"Arts for Transit" program. Marta Violette Kot. City of New York, Division of Legal Affairs, New York, May 19-August 15, Laurinda Stockwell. Beatrice Conde Gallery, by Artist 1997. Transitional Exhibitions, performance New York, December 10, 1997-January 10, 1998. installation. Collections: New Photographs. Thomas Lail. LRC Gallery, Hudson Valley Judy Taylor. Lukacs Gallery, Fairfield Univer­ Members sity, Fairfield, Conn., October 21-November 14, Community College, Troy, N.Y, October 21, 1997-January 24, 1998. Situation for Architectural 1997. Open Pages. Regulation: Library Project. . Only artists who are individual CAA members will Joseph R. Thiel. Society of Illustrators, New be included in this listing. Group shows cannot be Ellen K. Levy. Associated American Artists, York, November 24--December 12, 1997. The Way listed. When submitting information, include name, New York, January 8-February 7, 1998. Housing I See It. CAA membership number, gallery or museum, city, Pat Feeny Murrell, Remnant Box I, handmade paper, 64" x 27" x 26" Nature. Alexandra Wiesenfeld. Dactyl Foundation, New dates oj exhibition, altd mediulIl or website address of Tanya Marcuse. Yoshii Gallery, New York, York, November 6-29, 1997. Paintings. online exhihits. Photographs will be used only space if January IS-February 21, 199B. Torso, new Tom Wolf. Trans Hudson Gallery, New York, allows. They cannot be returned. Please be advised Virginia Derryberry, Littoral Zone, MIDWEST Gary Joseph Cohen. 80 Washington Square East photographic emulsion transfers on glass and October 14--November 15, 1997. Preview. that listings and images may be reproduced in the mylar. oil on canvas, 66" x 54" website version ofCAA News. Submit to: Jessica Laura Beard Aeling. The Gallery, University Galleries, New York, November 5-December 12, 1997. Where I Sat Is Who I Be . .. on the water Tagliaferro, 275 7th Ave., New York, NY 10001; City Ubrary, Sf. Louis, Mo., February 4--March 4, Margaret McCann. George Sherman Union [email protected]. 1998. Paintings. meter, site~specific sculpture installation. Gallery, Boston University, Boston. November 12-December 8,1997. Still at Large. SOUTH Barbara Grossman. Hollins College, Roanoke, Elise Ansel. Fine and Hatfield Gallery, Constance Costigan. SoHo 20 Gallery, New Va., October 14--November 9, 1997. Evansville, Ind., December 1, 1997-January 2, York, December 2-27, 1997. Meditations: Inscapes Leigh Merinoff. Piermont Flywheel Gallery, Michael Aurbach. Sarratt Gallery, Vanderbilt 1998. Paintings and Prints. and Spirit Bowls, mixed media. Piermont, N.Y., November 2B-December 14, University, Nashville, Tenn., September 9-23, Christi Harris. Andrews Gallery, Williamsburg, 1997. Revisions. 1997. The Institution, installation. Va., October 20-30, 1997. Wallflowers. Donna T. Falk. Wood Street Gallery, Chicago, Emilio Cruz. Maurice N. Flecker Memorial November 29-December 27,1997. Women in Gallery, Suffolk Community College, Selden, Pat Feeny Murrell. NoHo Gallery, New York, Steve Cole. Catherine J. Smith Gallery', William Thomas Meisburger. The City Gallery, ABROAD Sports II, paintings. N.Y., October 21-November 14, 1997. 18 Panels November 25--December 14, 1997. Body: Shield/ Appalachian State University, Boone, N.C., Charleston, S.c., July 1-29, 1997. Jenny, etchings from the Homo Sapiens Series. Shroud/Simulacrum, installation. November 3-2B, 1997. and drypoint. Derek Brueckner. Plug-In Gallery, Winnipeg, Julie Gawne. McHenry County College, Crystal Jerry DeFrese. Laredo Conununity College Canada, January 6-31, 1998. Live drawing Lake, TIl., April 1998. Searching for Heroes, Linda Cunningham. United Nations Plaza, Heidi I. Nash~Siedlecki. 80 Washington Square James Mullen. Owens~ Thomas Regional Arts Teaching Gallery, Laredo, Tex., November 14-­ process oriented exhibition. computer~generated mixed media; College of St. New York, July 22, 1997-January 22, 1998. East Galleries, New York, November 5- Gallery, Savannah, Ga., September 13-0ctober December 5, 1997. Riddle. Eunsook Lee. Kumho Museum of Art, Seoul, Francis, Joliet. Ill., November 1997-February Divisions, sculpture installation. December 12, 1997. X-Rays a!1d Untitled. 26,1997; Cowles Myles Collier East Gallery, Wesleyan College, Macon,. Ga., January 13- Korea, October 7-13, 1997. Paintings. 1998. Memorare, mixed media. Harriet Feigenbaum. Watson Gallery, Wheaton Meagan Shein. BO Wafihington Square East Virginia Taylor Derryberry. Nationsbank Plaza, February 27, 1998; Fine and Hatfield Gallery, Martin Kersels. Madison Art Center, Madison,. College, Norton,. Mass., October 16-November Galleries, New Yark, October 31-December 15, Atlanta, October 21, 199B-January 14, 1999. Reynolds. D.A.A.D. Studio 4. Berlin, September Evansville, Ind., April 3-30, 1998. Recent Gil Wis., December 7, 1997-February 15, 1998. 22, 1997. Office of the Dead, topographic wall 1997. Mended Eggs. Controlled Disasters, oil paintings; Cumberland 6-13, 1997. The Puki Salon. Paintings. sculpture and related works. Gallery, Nashville, Tenn., September 19-October Commotion: Martin Kersels. Stan SmokIer. Kim Foster Gallery, New York, Gary Walters. O'Connor Gallery, Toronto, 27,1998; Sweet Briar College, Sweet Briar, Va., David Chon Murray. MSC Forsyth Center Margo Kren. Gilson Memorial Room, Emporia Nancy Friese. Nancy Moore Fine Art, New November 22-December 23,1997. Beg, Borrow, Canada, February 7-March 7, 1998. Gazing at April 23-May 26, 199B; Spartanburg County Galleries, Texas A&M University Memorial State University, Emporia, Kans., September 15- York, December 5, 1997-January 10, 1998. Under Steel; Blue Hill Cultural Center, Pearl River, N.Y, Yo!,!, new prints and paintings. Museum of Art, Spartanburg, S.c., March 2- Student Center, College Station,. Tex., November October 1, 1997. Waitingfor Occupancy: DraWings Brittany Skies. December 1997-March 1998. The RiVer. April 13, 1998. Circumnavigation, oil paintings. 25, 1997-February 5, 199B. Recent Paintings. by Margo Kren. Jehanne~Marie Gavarini. Cummings Art Jim Nickel. AtriUll1 Gallery, S1. Louis, Mo., Hilary S. Lorenz. McHenry County College, Center, Connecticut College, New London, March 7-April26, 1997. On Growth and Form. MID-ATLANTIC Crystal Lake, Ill., January 26-February 24,1998; November 10-December 11, 1997. Dressed to Kill. Sue Johnson. School 33 Art Center, Baltimore, Mallin Gallery, Kansas City Artist Coalition, Jean O'Malley. SRO Gallery, Texas Tech August 30-October 3, 1997. The Alternate Kansas City,Mo., January 9-31,1998; 1708 University, Lubbock, Tex., January 11-February Encyclopedia. Gallery, Richmond, Va., January 2-25, 1998. 1, 1998. Vestiges, recent photographs. Tendai Johnson. Lock Jaw, Philadelphia, Yong Soon Min. Krannert Art Museum, Guillermo Peiiafiel. Kansas City Artists November 7-30, 1997. Mixed media. University of Illinois, Urbana~Champaign, Coalition, Kansas City, Mo., November 7-29, December 5, 1997-January 25, 1998. Bridge of No 1997. Photography. Kate Moran. MuseUll1 of American Art, Return. Pennsylvania Academy of Fine Arts, Philadel~ Virginia Scotchie. Deparbnent of Art Gallery, phia, January 10-April26, 1998. Vitreous Valdosta State University, Valdosta, Ga., Humours by Kute Moran, multimedia. October 28-December 3, 1997. New ceramic sculpture; I Space, Chicago, TIl., October 17- Kathryn M. Niles. Salisbury Alternative Space, NORTHEAST November 17, 1997; Sarah Moody Gallery of Art, Salisbury, Md., October I-November 1,1997; Anna Held Audette. Drury Gallery, Marlboro University of Alabama, Tuscaloosa, Ala., Rosefsky Gallery, SUNY, Binghamton, N.Y., College, Marlboro, Vt., September 8-26, 1997. September 12-October 5, 1997. Object Lessons, November 12-December 1, 1997. Responses, Scrap Metal Series. ceramic installation. works on paper. Helene Aylon. Hebrew Union College, New Elin O'Hara Slavick. Lump Gallery, Raleigh, Lisa Tarkett. Lascaux Gallery, Pittsburgh, York, until January 31, 1998. Women's Section. N.C., September 5-28,1997. Labor<>Leisure. October 17-November 15, 1997. Oil on canvas and new paintings. Ralph D. Caparulo. Hyde Collection, Glen Falls, Tanja Softie. Catherine]. Smith Gallery, N.Y., December 12, 1997-January 11, 1998. Ralph Appalachian State University, Boone, N.C., Caparulo: Recent Work. November 3-28,1997. Jacqueline Ann Clipsham. Johnson & Johnson's Gary Joseph Cohen. Where I Sat Is Who I Ken Stout. Columbia College, Columbia, Mo., World Headquarters, New Brunswick, N.J., Be ... on the water meter, though I am not February 2-28,1997. Paper in Particular. December 12, 1997-January 16, 1998. Porcelain a water meter, I wear them like a klpah Matters: Landscape Lines. Michael Aurbach, The Institution, mixed-media installation, 10.5' x 20' x 28'

12 CAA NEWS JANUARY 1998 eAA NEWS JANUARY 1998 13 Chris Steiner has been appointed Lucy Derek Brueckner received a Manitoba Arts WEST McDanncll Class of '22 Chair of Art History at Council level A grant to cover production costs Les Barta. ML Sao Antonio College, Walnut, Connecticut College. of life-size figure drawings for an exhibition at Calif., November 4-25, 1997. Passages: Mind lind People in Plug-In Gallery and an exhibition of life-size figure paintings at Ace Art Gallery in Winnipeg, Maffer. Museums and Galleries Canada. Denita Benyshek. Anderson Glover Gallery, the News Kirkland, Wash., October 9-November 16, 1997. Katherine Burnell has received a Mellon Kevin E. Consey has resigned from the position In file Red Year, works in reverse-painted and Foundation postdoctoral fellowship at the of director and CEO of the Museum of collaged glass. University of Southern California to work on Contemporary Art in Chicago, effective her book The Strange and the Wonderful: A Kit Cameron. Koa Callery, Honolulu, Septem­ September 1, 1997. ber 16-0dober 3, 1997. Beauty: Sacred Art from Discourse of Originality in Seventeenth-Centun}

o· China. Refuse. Tara Fracalossi has been appointed project Cora Cohen. Rena Bransten Gallery, San coordinator at the New York State Museum in Janice M. Coco of the University of California, Francisco, November 20, 1997-January 3,1998. Albany. She wil direct a series of exhibitions In Memoriam Davis, was awarded the annual CORST Essay from the collections of the Metropolitan New Paintings. Prize for psychoanalytically informed research Museum of Art and other major museums. Harris Fogel. Hi-Desert Museum, Yucca Valley, William Henry Jordy, 80, architectural and in the arts by the American Psychoanalytic Calif., November 30, 1997. "Toward Tlinity," cultural historian, preservationist, and critic, Association's Conunittee on Research and Jennifer R. Gross has been appointed curator of photography. Matt West, Lively Teapot, glazed stone~ died in Riverside, R.I., in August 1997. Jordy Special Training. ware ,10" x 13" x 5" was Henry Ledyard Goddard professor contemporary art and public programming at Margo Kren. Hastings College, Hastings, Nebr., the Isabella Stewart Gardner Museum in Boston. emeritus and professor emeritus of art at Brown October 27-November 21, 1997. Paintings and Gloria De Duncan has been awarded the first University where he taught from 1955 to 1985. prize in the 7th National uried Biennial of the Prints. Dorothy Kosinski has been named deputy chief J Lynn Randolph. Arizona State University He attended Bard College and the Institute of Leslie Powell Foundation. Ann P. Meredith. Matrix Gallery, Sacramento, Fine Arts unti11942, when his education was Jennifer R. Gross curator for international projects at the Dallas Museum, Tempe, February 27-May 24, 1998. PHOTO: JOHN KENNARD Calif., November 7, 1997. Starving My Mother to Museum of Art. Millennial Myths: Paintings by Lynn Randolph. interrupted for service in the u.s. Army. In 1948 Elen Feinberg, Regents' Professor of Art, Sleep, performance. he received a Ph.D. in American studies from University of New Mexico, Albuquerque, has Walter Robinson. Catharine Clark Gallery, San John Ravenalis associate curator at the Yale University. received the Basil H. Alkazzi Award for her Marcia Neblett. Fine Arts Center, Taos, N.Mex., Francisco, November 6-29, 1997. Dystopia. Philadelphia Art Museum. October 17-November 16, 1997. Days of the Dead. Jordy published numerous books and Academe achievement in painting. Sherri Silverman. Cactus, Santa Fe, N.Mex., exhibition catalogues, as well as 40 articles and Kat O'Connor. Casper College, Casper, Wyo., Carla Stellweg is executive director of Blue Star August 2-31, 1997. A Cosmic Sampler, pastels on essays. His groundbreaking 1963 article, "The Robert Baldwin has been appointed chair of the Debora Vanessa Kam has been selected as a January 12-Feb\"twry 8,1998. Windows, Art Space in San Antonio, Tex. paper; Bank of Santa Fe Gallery, September 1- Symbolic Essence of Modern European Art HistOlY Department at Connecticut College. resident scholar and curator for 1997-98 by the installation. 30, 1997. Transparent to Transcendence, pastel on Architecture of the Twenties," published in the Archer M. Huntington Art Gallery of the Kirk Pedersen. Riverside Art Museum, paper, poems on paper, and pastel/ oil on Journal of the Soden} of Architectural Historians, Phyllis Pray Bober, professor emerita at Bryn University of Texas at Austin for a fellowship Riverside, Calif., November IS, 1997-January 3, canvas. shifted the debate on functionalism in modern Mawr College and former CAA president, is program titled Latino(a) Art find Its Cultures of architecture from the real to the ideal. He also 1997-98 Appelton Eminent Scholar in the Arts at 1998. The Urban Series: 1986-1996. Vibeke Sorenson. University of California, Origin, funded with support from the wrote 2 volumes in the series American Buildings Christopher Pelley. Cultural Exchange, Riverside, January ll-March 1, 1998. Recoll­ Florida State University. Rockefeller FOWldation Fellowship in the and Their Architects (1972) that contain landmark Scottsdale, Ariz., December 4-30, 1997. strucfed Thoughts. Humanities. studies on such structures as Irving Gill's Dodge Craig Clunas has been appointed chair of the Penthl1ento, new p

CAA NEWS JANUARY 1998 15 14 CAA NEWS JANUARY 19911

j "John Addington Symonds: The Private and society, yet it has existed in various forms Partial travel funding may be available. Submit Arts will be held March 5-6, 1998, at Cooper­ Conferences Public Face of Victorian Culture," April 17-19, throughout history. The desire for speed relates requests with abstracts. For information, contact: Hewitt, National Design Museum in New York. 1998, University of Bristol. An international to practices of exchange, communication, and Lindsey Selan; 310/829-1228; [email protected]; Papers are sought from M.A. or Ph.D. candi­ symposium arranged by the deparhnents of production. As an abstract entity, it functions or Lucy Sandvik; 213/481-0307; sandvik@scf. dates on all aspects of European and American history of art and historical studies will be held within visual, conceptual, and ideological fields usc.edu. Submit a 500-word abstract with a c.v. decorative arts. Presentations are 20 minutes. and Symposia at Clifton Hill House, Bristol, where the and has critical repercussions and by-products. or brief professional bio to: Symposium Send a 2-page abstract with I-page bibliography Symonds family lived 1851-1909. For informa­ Submit an anonymous 500-word abstract with Committee, Dept. of Art History, University of and c. v. to: Maria Arm Conelli, M.A. Program in tion: Annie Burnside, Clifton I-lill House, c.v. (sealed in a blank envelope and stapled to Southern California, Watt Hall 104, Los Angeles, the History of Decorative Arts, Cooper-Hewitt, University of Bristol, Lower Clifton Hill, Bristol the abstract). Ph.D. Program in Art History, CA 90089-0293. Deadline: January 16, 1998. National Design Museum, 2 E. 91st St., New BS8 1BX, England; 0117-9733528; fax 0117- Attn. Graduate Shtdent Symposium, CUNY York, NY 10128-9990; 212/849-8344; fax 212/ 9706147; [email protected]. Graduate Center, Box 110, 33 W. 42nd St., New First Annual Interdisciplinary Graduate 849-8347. Deadline: January 30,1998. York, NY, 10036-8099; [email protected]. Student Symposium, "Tiptoeing the Bound­ "Environmentalism in Landscape Architec­ Deadline: January 15, 1998. aries: Publicity, Privacy, and Representation," Dirk Bouts International Colloquium, to be ture" is the topic of the next Dumbarton Oaks sponsored by graduate students at the held in Leuven, the Netherlands, November 26- To Attend Symposium in Landscape Studies, to be held on "The Genesis of Genius: Frank Lloyd Wright's University of California, Santa Barbara, will be 28,1998, seeks papers on the artist Dirk Bouts May 15-16, 1998. The symposium will examine Vision for the American Prairie," Frank Lloyd held April 5, 1998. Paradigms of public and (ca. 1415-75) and his work The colloquium will "Hogarth and His Times," February 7, 1998, the past and present relationships between Wright Building Conservancy Arumal private (Arendt and Habennas) have been called be held in honor of the 550th anniversary of the will be presented in conjunction with the environmentalism and landscape architecrure. It Conference, Chicago, September 23-28, 1998. into question by scholars in recent years. What is City of Leuven and will coincide with 3 exhibition "Hogarth and His Times: Serious will set the stage for critical discussions of deep­ While the meeting will focus on his eady work, the efficacy of these models? Are public and exhibitions on Bouts and the intellectual and Comedy," at the University of California, rooted asswnptions and of past and current other topics on Wright are welcome. Topics for private mutually constitutive ideas? Are the artistic milieu in Leuven (1450-75). Submit title Berkeley, Art Museum. This symposium practice. The symposium will also highlight consideration include: new scholarship, aspects ideas of these separate spheres being projected and summary of lecture in English, French, considers Hogarth's reputation, his public, and several issues and dilemmas raised by these of the preservation of buildings, or clients, onto different historic eras? What is the Gennan, or Dutch. For information: Dirk Bouts his pictorial innovation in the context of his relationships and contribute to a discussion of homeowners, and persons associated with relationship between publicity and privacy and International Colloquium, c/o Agri-Travel, times. Speakers include David Bindman, Diana social and cultural reflections of nature Wright. Presentations on technical aspects of issues of gender, politics, or economics? Papers Parijsstraat 50, B-300 Leuven, the Netherlands; Donald, and David Kunzle, as well as James embedded in landscape architecrural practice. preservation may be eligible for publication in addressing the problems of public and private in 003216/24.38.40; fax 00 32 16/24.38.01. Registration materials will be available in the conservancy newsletter. Send 1-2-page tenns of representation-in art, in literahtre, in David Chon Murray Granthan Turner and John Bender. Fee: $20. For Deadline: February 1,1998. information: Lynne Kimura, Berkeley Art March. For information: Studies in Landscape abstracts for 30-minute presentations to: Chair, the world (real and virtual}-are particularly Museum, 2625 Durant Ave., Berkeley, CA 94720- Arcbitecture, Dumbarton Oaks, 1703 32nd St., Conference Committee, Frank Lloyd Wright sought. Send 1~2-page, double-spaced abstracts 1998 New England Medieval Conference, 2250; 510/642-2358; sgoodman@udink3. NW, Washington, DC 20007. Bldg. Conservancy, 343 S. Dearborn St., Ste. for papers of no longer than 25 minutes to: hosted by the Maine Medieval Association and Phyllis Lambert, director and founder of the berkeley.edu. 1701, Chicago, IL 60604-3815; fax 312/663-1683. Michelle Russell, c/o Dept. of the History of Art Bates, Bowdoin, and Colby Colleges along with Canadian Centre [or Architecture, has been First International Congress of Chinese Deadline: January 15, 1998. and Architecture University of California, Santa the University of Maine and the University of awarded the Hadrian A ward, presented "Recognizing Van Eyck," a conference on Architectural History, sponsored by the Chinese Barbara, CA 93106. For information: Melinda Southern Maine, will be held in Portland, annually by the World Monuments Fund to a aspects of the work of Jan van Eyck, will be held Society of Architecrural History and the Institute International Society for the Study of McCurdy, 6500mel®Ucsbuxa.ucsb.edu; Michelle October 2-4, 1998. The theme "The Cultural public leader whose contribution has enriched at the National Gallery in London, March 13-14, of Architectural History and Preservation of European Ideas 6th International Conference, Russell, [email protected]; or Denise Baxter, Processes of Appropriation," focuses on the the appreciation and conservation of art and 1998, coinciding with the exhibition Recognising Historic Buildings will be held in Beijing from "20th-Century European Narratives, Tradition, [email protected]. Deadline: January problem o~ interpreting medieval practices of architecture. Vall Eyck, January 14-March 15, 1998. For August 18-23, 1998. Registration fee is $500 arid Innovation/' University of Haffa, Israel, 23,1998. appropriation. Papers may investigate such infonnanon: National Gallery, Trafalgar Sq., ($300 for students). For information: Lu Zhou, August 16-21, 1998. The conference theme is processes as transferals, assimilations, citations, Betty Lee was awarded an individual artist London WC2N SON, England; 44 171 7472471; School of Architecture, Beijing University; "The Occidental Pilgrim: Cultural Constructions Department of Art History at Virginia revisions, translations, reinterpretations, grant from the City of Los Angeles Cultural fax 44 171 747 2431; education€..ilng-Iondon. lvzhou®rnail.tsinghua.edu.cn; or Nancy of Contemporary Pilgrimager." Historically Commonwealth University seeks abstracts for transmutations, improvisations, bricolage, and Affairs Deparhnent. The g-rant will enable her to org.uk. Steinhardt; [email protected]. pilgrimage has been understood as a voyage the 7th Arumal New Scholars/New Ideas comic or subversive modes such as parody, produce new work for the CiLy of Los Angeles tmdertaken for spiritual motives to a location or Symposium, March 20-21, 1996. The symposium satire, or "poaching." Send I-page abstract to: (COLA) Exhibition to be held April 22-June 21, "Interdisciplinary Approaches to Visual "Art/History: Objects, Meaning, Judgment," site with religious significance. Until recently, is open to all current and recent graduate David 1. Simon or Veronique Plesch, Dept. of 1998. Representation," the 9th Annual Berkeley September 16-19, 1998, is organized jointly by these journeys have been connected to shtdents in any area of art history. Send I-page Art, Colby College, Waterville, ME 04901; Symposium, will be held March 14, 1998, at the the Getty Research Institute and the Getty Grant institutionalized religions. In the modern era the abstracts or 20-minute presentations and c.v. to: [email protected];[email protected]. David Chon Murray has becn awarded the Berkeley Art Musewn and the Pacific Film Program on the occasion of the opening of the notion of pilgrimage is used to include all New Scholars/New Ideas Symposi~ Dept. of Deadline: March 1, 1998. 1997 Sheldon Bergh Award from the Basil H. Archive. The symposium is an annual event that Getty Center. The symposiwn will examine how travels with a devotional/ sP!ritual intent. What Art History, Virginia Commonwealth Univer­ Alkazzi organiza lion. provides a forum for discussion of visual objects are constructed, how they acquire and is the relationship between spontaneous sity, PO Box 84304G, 922 W. Franklin St., 6th Annual Interdisciplinary Graduate material from a wide range of interdisciplinary produce meaning, and how judgments about eruptions of cult phenomena and the institution­ Richmond, VA 23284-3046; 804/828-2784; fax Symposium, Friday, March 20,1998, is Lianne McTavish, assistant professor of art perspectives and critical approaches. All them arc generated in relation to aesthetic alization of cult/ devotional experiences? Is this 804/828-7468. Postmarked deadline: January 23, presented by the Fine Arts Forum and the Art history at the University of New Brunswick, has members of the academic art corrununity are conventions and social practices in cultures that "new" conception really specific to the modern 1998. Department of the University of South Florida been awarded a Social Sciences and Humanities welcome. For information: Josh Shannon, change and interact over time. Keynote speakers era? Is there something unique and distinctive to and is sponsored by Graphicstudio. Proposals Research Council of Canada Research Grant for Townsend Center for the Humanities, 460 include Linda Nochlin, Wu Htmg, and Horst the objects and places that become the focus of Research Society for Victorian Periodicals will addreSSing the theme "Going Native," 1997-2000) for her work on eddy modern Stephens Halt University of California, Bredekamp, Ruth Phillips, Renata Holod, David pilgrimage? If a typology can be established, is it hold its 30th annual meeting in Vancouver July addressing the "other" in art history, book arts, French representations of midwifery and Berkeley, CA 94720; 510/845-9519; eskimo@ SUlTuners, Jean-Louis Cohen, and Irene Winter transhistorical or specific to historical times and 21-22, 1998, immediately following the meeting literature, the humanities, and communications, childbirth. uclink4.berkeley.edu. will chair the panels. Fee: $50; $25 for srudents. culhtre? Submit I-page abstract to: Roberta of the Society for the History of Authorship, are invited from graduate students or recent Registration information will be announced in Panzanelli-Clignett, 1200 Getty Dr., Ste. 1100 Los Reading, and Publishing. RSVP seeks proposals graduates. Graphicstudio will offer a cash prize March 1998. Alvin Sher, director of thc Great Lakes Colleges 28th Annual Sessions of the Mid-Atlantic Angeles, CA 90049-1688; 100344.551@compu for papers or panels dealing with any aspect of for the best presentation. Papers focusing on the Association New York Arts Program, was Symposium in the History of Art will be held serve.com. Deadline: January 15, 1998. Victorian periodicals, including their cultural production and history of Graphicstudio are awarded a Fulbright-Hayes travel study grant. April 3-4, 1998. The symposium is hosted jointly significance, theoretical bearings, and uses in especially encouraged. For information: Noel He used the grant to study and lecture in by the department of art history and archaeol­ Calls for Papers "Expanding the Visual Field: Collecting and teaching. Proposals relating Victorian periodi­ Smith, Graphicstudio; 813/974-3503; fax 813/ Ethiopia and Erih'ea during the summer of 1997. ogy at the University of Maryland at College Display," a graduate student symposium cals on music, art, theater, rhetoric, exploration 974-2579; [email protected]. Deadline: Park and by the Center for Advanced Shtdy in sponsored by the Deparhnent of Art History at and science, are encouraged. Graduate students March 12, 1998. Carolyn C. Wilson has been awarded the the Visual Arts at the National Gallery of Art. 5th Annual CUNY Graduate Center Art University of Southern California, Saturday, are welcome. Send 200-word abstract with 1- annual Roland H. Bainton Book Prize for Art James Marrow will deliver a lecture, "History, History Student Symposium presents "Critical April 4, 1998~ 10:00 A.M.-5:00 P.M. It will focus on page c.v. to: Christopher Kent, Dept. of History, 24Ut Annual Byzantine Studies Conference will History for her Italian Painfings, XIV-VI Historiography, and Pictoriallnvention in the Speed" on March 27, 1998. Papers from all the collecting and the display of objects. How do University of Saskatchewan,. Saskatoon, SK, sm be held at the University of Kentucky, Lexing­ Ccnturics, ill the MUSCUli! of Fine Arts, Houston, disciplines including art history, architechtre, Turin-Milan Hours." Graduate studen~s from 14 strategies of display affect the ascription of 5A5, Canada; 306/966-5798; fax 306/966-5852; ton, Thursday, November 5-Stmday, November published by the Museum of Fine Arts with Nlid-Atlantic universities will present papers on film, fine arts, theater, and SOCiology, are meaning to objects of art, mass culhtre, and/ or hist.depteusask.ca. Deadline: January 30, 1998. 8,1998. The conference, an annual forum for the Rice University Press, 1996. a variety of art historical topics. For information: invited. The objective is to work toward a technology? How do conventions of and presentation and discussion of papers on every Sandy KHa, Dept. of Art History and Archaeol­ concept of speed as it intersects with visual attitudes toward collecting and display influence 7th Annual Symposium on the Decorative Arts, aspect of Byzantine history and culture, is open ogy, University of Maryland, College Park, MD culture. "Speed" may be defined as a value that \Talue? Papers that take an interdisciplinary "Renaissance Through Modern/' sponsored by to all, regardless of nationality or academic 20742; 301/405-4555. is increasingly prioritized in contemporary approach to visual culture are encouraged. the M.A. program in the History of Decorative status. Send abstracts to: Claudia Rapp, Institute

16 CAA NEWS JANUA1c\' 199R eM NEWS JANUARY 1998 17

..I for Advanced Study, Olden Lane, Princeton, NJ of the Society of Architectural Historians in "What's So Funny?: National Works on Paper Submit slides for I-person photographic organizing knowledge, the collector as a subject next 3 years commencing in the fall of 1998. 08540; [email protected]. Postmarked deadline: April 1998. For information: Architectural Biennial/' to be held at the Marsh Art Gallery, exhibition, 1998-99 season. Faculty and students position, as well as the consequences of . Fellowships are reserved for postdoctoral March 15, 1998 (March 2 if submitted from abroad). History Foundation, 350 Madison Ave., New University of Richmond, March 20-May 16, provide input during f'Jelection process. Include collecting practices for the "collected." Possible scholars in literature, history, and other York, NY 10017; fax 516/944-5961. Deadline: 1998, is a juried exhibition open to all artists 20 slides, resume, SASE, and supporting materials topics might include: ethnographic collecting; humanities fields. Fellows are required to be in 5th Biennial Gender and Archaeology February 2,1998. residing in the u.s. celebrating the humorous including installation requirements. Send to: representations of collections and connoisseUrs full-time residence at the library and to give a Conference, "From the Ground Up: Beyond side of art. Seeking works on paper that Hames Fogel, Media Arts Dept., The University in literature and art; popular manifestations of public lecture and workshop during their Gender Theory in Archaeology," will be held Society for the History of Authorship, examine various types of visual humor. The of the Arts, 333 S. Broad St., Philadelphia P A collecting and collectors; or collecting as a tenure. For information: Center for Renaissance Odober 9-10,1998, at the University of Reading, and Publishing is soliciting entries for exhibition will tour Virginia for 2 years through 19102; 215/875-1020. Deadline. Februm'Y 15,1998. "pathology." Leah Dilworth, English Dept., Studies, The Newberry Library, 60 W. Walton Wisconsin-Milwaukee. The conference theme is its 1997 Book History Prize of $1,000 awarded to Virginia Museum of Fine Arts. Fee: $20 for 3 Long Island University, University Plaza, St., Chicago, IL 60610; 312/255-3514; the practical application of the many theoretical [email protected]; www.uic.edu/orgs/ the author of a book-length monograph on the slides. For a prospectus, send SASIl to: Marsh Art Seeing Red: TIle Mysteries of a Priman) Color, Brooklyn, NY 11201; phone 718/488-1098; fax approaches that have charaderized most history of the book. Books may explore the Gallery, University of Richmond, VA 23173; May 2-23, 1998, is a regional, juried exhibition 718/488-1372; [email protected]. newberry. Deadline: January 20, 1998. research on engendered archaeology that history of the creation, dissemination, and uses 804/289-8276. Deadline: January 16, 1998. open to' visual artists residing in Conn., Mass., Deadline: January 31, 1998. stresses concrete examples of how gender theory of script or print. For infonnation on nominating N.H., N.Y., R.I., and Vt. The exhibition is NeWberry Library-Ecole des <;:hartes Exchange can be applied in archaeolOgical praxis. Send books: Beth Luey, History Dept., Arizona State Elaine L. Jacob Gallery, Wayne State Univer­ sponsored by Hera Gallery, a nonprofit, Wesleyan Graduate Review is seeking Fellowship, 1998-99. The fellowship will be abstracts and inquiries to: Professor Nancy L. University, Tempe, AZ 85287-2501; aabel@ sity, is accepting proposals for the 1998-99 professional artist cooperative. For a prospectus, manuscripts addressing the political, philosophi­ awarded to a graduate student to study at the Wicker, Art Dept., MSU 42, Mankato State asuvm.inre.asu.edu, www.indiana.edu/_sharp. season. Proposals may be for solo exhibitions or send SASE to: Wendy Wahl, Hera Gallery, PO Box cal economic, and social issues surrounding Ecole Nationale des Chartes in Paris for 3 University, PO Box 8400, Mankato, :MN 56002- Submit books to judges: G. Warkentin, Pratt 303, group shows of work in any media. Proposals 336, Wakefield, RI 02880-0336. Deadline: March 1, education as well as those on quantitative and months. The recipient must be a U.s. citizen and 8400; 507/389-2728; fax 507/389-2816; nancy. Victoria College, 73 Queen's Park Crescent, should include a deScription of the exhibition; 1998. qualitative research. Submit 3 copies (with disk) a Ph.D. candidate. Preference will be given to wicke:r@mankato. msus.edu. Deadline: April 15, Toronto, Ontario M5S 1K7, Canada; Peter the number, media, and sizes of works to be in APA style. Include name, address, and phone students attending institutions in the Renais­ 1998. Shillingsburg, 1080 Shakespeare Dr., Beaumont, shown; 20 slides indicative of the proposed National Juried Show, June 25-July 18, 1998. number. Reviews are also invited. For informa­ sance Center consortium. The school specializes TX 77706; and James Raven, 51 Sherlock Close, work; artist(s) and/ or curator resume(s); Juror: Jacqueline Serwer of the National tion: Carlos Martinez, Texas Wesleyan in training in the archival sciences, including "Women Art Patrons and Collectors: Past and Cambridge, England CB3 OAG. Deadline: March periods when the work would be available' and Museum of American Art, Smithsonian Insti­ University, WeslCl)an Graduate Review, 1201 paleography, bibliography, textual editing, and Present." ;Papers are sought on female art the history of the book. Instruction emphaSizes 1,1998. SASE should be sent to: Sandra Dupret, De~t. of tution. Open to all media. Cash awards. For Wesleyan St., Fort Worth, TX 76105-1536; 817/ patronage and collecting of all time periods and Art and Art History, 150 Art Bldg., Wayne State prospectus, send #10 SASE to: Ceres, Ste. 306, 584 531-4959; 817/531-4814; [email protected]. the history, literature, and geography of France. cultures for a conference to be held at the New For infonnation: Center for Renaissance Studies, 1998 Carter Manny Awardl sponsored by the University, Detroit, MI 48202. Deadline: January Broadway, New York, NY 10012. Deadline: March Deadline: January 31,1998. York Public Library in March 1999. Papers may Graham Foundation, supports research for 20,1998. 14,1998. Newberry Library, 60 W. Walton St., Chicago, IL provide general overviews of the patronage and scholars whose dissertations focus on architec­ Rutgers Art Review: 'The Journal of Graduate 60610-3380; 312/255-3514; renaissance@ collecting activities of a specific woman or a ture and other arts that contribute to architec­ 8th Annual New Images Exhibition, a juried Soho Photo Gallery of New York announces its Research in Art History, will consider full· newberry.org; www.uic.edu/orgs/newberry. detailed analysis of one particular commission, ture. The award will be up to $10,000. Eligibility photo competition for the mid-Atlantic states: 3rd arumal National Photography Competition. length articles and shorter research notes on a Deadline: January 23, 1998. whether painting, sculpture, architecture, or the is restricted to applicants who have completed Del., Md., N.J., N.Y., Pa., Va., W.V., and D.C. The competition is open to artists working in wide range of topics concerning the history of decorative arts. Discussions on women who did their course work, who have been advanced to Entry fee: $5 per slide; 3 slides maximum. Send any photography-based mediwn (including art and architecture, material culture, art theory Grants for Projects on Central and Eastern not directly provide funds for corrunissions but Europe, Eurasia, and Mongolia, sponsored by candidacy, and whose dissertation proposals SASE to: Corinne Martin,. New Image Gallery, digital and mixed). First place winner will and criticism, film, and photography. Manu­ who supported artistic activity are also have been approved by their departments. Each MSC 7101, School of Art and Art History, James receive a month-long, single-person show at the scripts with interdisciplinary approaches are International Research and Exchanges Board. welcome, as are sociological studies of female department may nominate only 1 applicant Madison University, Harrisonburg, VA 22807; gallery during the 1998-99 season and a $300 welcome. All graduate students, including those Support is available for brief visits (about 2 patronage and colleting. Send abstracts to: Lilian annually. For information: Graham Foundation,. 540/568-6485. Deadline: January 23, 1998. cash prize. Approximately 20 second place who have completed their doctoral degrees weeks) for individuals who do not require H. Zirpolo, 205 Onizuka Ct., Somerset, NJ 08873; 4 West Burton Pl., Chicago, IL 60610-1416; 312/ winners will appear in a group show in June within a year of the date of submission, are administrative assistance from ffiEX. Applica­ [email protected]; and Joanna Gardner­ 787-4071; www.grahamioundation.org. Deadline: My Pet 2, another serio-comic-emotional­ 1998. Entry fee: $25 for 6 35~mm slides. For a eligible. Send 2 copies of manuscript to: P. J. tions are accepted in the disciplines of the Huggett, 451 W. Melrose St., Apt. 206, Chicago, March 15, 1998. conceptual look at our involvement with pets. prospectus, send #10 SASE to: Prospectus, Soho Switzer and Deborah J. Woodworth, Rutgers Art humanities and social sciences only. Funding is IL 60657. Deadline: May 15, 1998. March 7-28, 1998. Juried exhibition open to all Photo Gallery, 15 White St., New York, NY Review, Voorhees Hall, Rutgers University, New limited, contact IREX regarding eligibility before MLA Prize for a Distinguished Bibliography, u.s. artists working in all media. Fee: $25 for up 10013. Deadline: March 15, 1998. Brunswick, NJ 08903. Deadline: February 15, 1998. submitting an application. Projects must be completed within the calendar year of the 1998 Competition for Bibliographies. Submis­ to 4 slides. For prospectus, send SASE to: My Pet siorn;; of enumerative and descriptive bibliogra­ 2, Central Arts Collective, 188 E. Broadway Leigh Yawkey Woodson Art Museum is Aesthetics and the Arts series seeks proposals deadline. IREX, 1616 H St., NW, Washington, phies published 1993-97 in serial, monographic, Blvd., Tucson, AZ 85701; 520/623-5883. accepting submissions of contemporary on art exhibited with public funding and/or art DC 20006; 202/628-8188j fax 202/628-8189; book, or electronic format are invited. The prize Deadline: February 1, 1998. paintings, works on paper, and sculpture for its exhibited in. the public domain. The collection [email protected];www.irex.org. Deadlines: February will be given to a work in any language, as long 23rd annual juried exhibition, Birds in Art. All would address the problems of public art and 1,1998; June 1, 1998. as it falls within the subject scope of modern 1998 Annual New York Lesbian and Gay Film works must interpret birds and related subject the philosophical problems concerned with the languages and literatures, composition theory, Festival, June 1998. Awards for best narrative matter. Entry fee: $30. For prospectus, contact: activity and its description/ criticism. Essays will Newberry Library Center for Renaissance folklore, or linguistics. Prize: $1,000 and a feature, best documentary feature, and best 700 N. 12th St., Wausau, WI 54403-5007; 715/ include the best art criticism on public art along Studies annoUl}ces the Audrey Lumsden­ Opportunities certificate presented at the annual MLA 845-7010; fax 715-845-7103; museum@lywam. with commentaries by writers informed by a Kouvel Fellowship in Renaissance Studies for short will be awarded. Submissions of films / convention. For information,. Richard Brod, videos by, about, or of interest to lesbians, gay com. Postmarked deadline: April 15, 1998. knowledge of the practice of contemporary postdoctoral scholars conducting extended Director of Special Projects, MLA; 212/614-6406; men. bisexuals, or transgendered people are painting. The series also seeks proposals for a research in late medieval or Renaissance studies. [email protected]. Send 4 copies and a letter now being accepted. The festival is also AIR Gallery Biennial Exhibition of Women book on contemporary painting. Both books will Stipend: up to $3,000. Applicants must be in identifying the work to: MLA Prize for a soliciting works by makers under 25 years of Artists, December 1998. Open to all women consist of an editor's introduction, a selection of continuous residence at the library for at least 3 Distinguished Bibliography, 10 Astor Pl., New age for a curated program of films/videos by artists working in all media who live in the u.s. 10 essays, and a commentary addressed to peer months during the academic year. The Awards York, NY 10003-6981. Deadline: May 1,1998. queer youth. Entry fee: $20. For submission Work must be wall-hung. Entry fee: $15. For groups in the fields. They will be published by fellowship is a good opportunity for scholars forms and entry information: NY Lesbian and prospectus, send SASE to: AIR 'Gallery, 40 G+B Arts International. Richard Woodfield, 74 who would be able to COme for longer periods Gay Film Festival, 47 Great Jones St., 6th Fl., Wooster St., 2nd Fl., New York, NY 10013; Lorimer Ave., Gedling, Notts NG4 4WA, during the academic year, or who may wish to Architectural History Foundation offers the New York, NY 10012; 212/254-7228; fax 212/ www.airnyc.org.Postmarkeddeadline:June12, England; 159523320; work 15 9418418, ext. 2208; use the award to extend a sabbatical. For Vincent Scully Research Grant, a $10,000 Calls for Entries 254-8655; [email protected]; www.newfestival. 1998. fax 15 9486403. information: Newberry Library Center for biannual award to facilitate the publication of a org. Deadline: February 9, 1998. Renaissance Studies, 60 W. Walton St., Chicago, monograph on American architecture. Submit 4 2nd Minnesota National Print Biennial. All IL 60610-3380; 312/255-3514; renaissance@ copies of: 1- to 2-page, double-spaced proposal, printmaking media completed within last 2 1998 Print Biennial international print newberry.org; www.uic.edu/orgs/newberry. including projected date of publication; I-page l years. Fee: $20 for 2 slides. Approximately $5000 exhibition with nontoxic component and Calls for Manuscripts Grants and Fellowships Deadline: March 1, 1998. outline of how the award would be utilized; cash/ purchase awards. For prospectusl send nontoxic solo / invitational shows. Tour is sample of the applicant's writing, not longer SASIl to: Minnesota National Print Biennial, .planned for June 1998-April1999; $1000 "Acts of Possession: Practices of Collecting and Rockefeller Foundation Residential Fellow­ American Research Institute in Turkey is than 10 typed pages; a c.v., including past and University of Minnesota, Dept. of Art, 208 Art awards. Application categories include juried Connoisseurship." The editor of a proposed ships in Gender Studies in Medieval and Early continuing the Andrew W. Mellon Foundation present grants; if relevant, documentation on the Bldg., 216 21st Ave. S., Minneapolis, MN 55455. bierurial: $25 for 3 slides; juried and curated book on collecting as a cultural and symbolic Modem Europe, Newberry Library Center for research fellowship program. The fellowships degree of publishers' interest in or commitment Deadline: January 16, 1998. nontoxic solo/invitational: $30 for 6 slides. For practice in America invites· essays and abstracts. Renaissance Studies, are granted annually for are intended to bring scholars from Eastern to the manuscript; 3 sealed letters of reference; prospectus, send SASE to: Hand Workshop, 1812 Papers may be on any aspect of collecting, II-month residential fellowships on topics Europe into the broader research community, and a stamped, self-addressed postcard. The W. Main St., Richmond VA 23220; 804/353- ( connoisseurship, hoarding, or archiving and appropriate to the library's collections. Two specifically Turkey. The countries involved are winner will be announced at the annual meeting l 0094. Deadline: February 15, 1998. ' may consider the collectio~ as a structure for fellowships will be granted each year over the Hungary, Czech Republic, Slovakia, and Poland,

CAA NEWS JANUARY 1998 18 CAA NEWS JANUARY 1998 19 and, for the coming year, Bulgaria and Romania. possible to work more hours to receive flUther Getty Research Institute for the History of Art The 2-3~month postdoctoral fellowships cover all discounts on workshops. 6-month internship and the Humanities has a website at areas of the humanities and social sciences. program: learn various facets of hand paper­ www.getty.edu/gri that contains a complete CAAAT Survey Applications should include a 3-5-page project making through observation and participation. online catalogue of the Getty Center library statement, c.v., and 2 letters of reference from Some prior experience with hand papermaking collections and information on Getty fellow­ scholars in the field commenting on the value is encomaged. Interns work from 10 A.M.--liI'.M. 1 ships, the Getty publications program, and feasibility of the project (may be sent day per week for an 8-week trial period. During exhibitions, and Los Angeles-based public he College Art Association Advocacy Team is seeking information on advocacy fr?lll CAA members. separately). For information: ARlT, University of the rest of the 6 month internship, hours worked programming. T This information will be used to serve our mem~ers and conduct advoc~cy on their behalf. Please help Pennsylvania Museum, 33rd and Spruce, may be applied toward studio time and/ or us by completing the survey and returning by fax, e-maIl, or post. Thank you m advance for your feedback. Philadelphia, PA 19104-6324; 215/898-3474; fax classes. For infonnation: Melissa Potter, Dieu The International Center of Medieval Art has a 215/898-0657; [email protected]. Donne Papermill, 433 Broome St., New York, web site at www.medievalart.org. Deadline: March 5,1998. NY 10013; 212/226-0573; fax 212/226-6088; Are you a melll.ber of College Art Association Advocacy Team (CAAAT)? DYes DNo [email protected]. Medici Archive Project has a website at Center for Advanced Study in the Visual Arts, nanle: ______www.jhu.eduJ~medici. If yes: National Gallery of Art, announces a program addre.~s: ______for the Samuel H. Kress/Ailsa Mellon Bruce Miscellaneous National Gallery of Canada has a website at Paired Fellowships for Research in Conservation national.gallery .ca. and Art History/Archaeology. Applications are Cristo Negro de Portobelo Symposium will be invited from teams of 2 scholars: 1 in the field of held at Spelman College in Atlanta, in the fall of n.paradoxa is a new, international feminist art art history, archaeology, or another related phone/fax/e-m.ail: ______1998. The conference is centered on the Cristo journal. Subscriptions to bi-annual journal are discipline in the humanities or social sciences Negro de Portobelo, a 17th-century stame of a $12 plus $8 postage. KDpress, 38 Bellot St., and 1 in the field of conservation or materials black Christ believed to have miraculous powers London SElO OAQ England; web.ukonIine.co. science. The fellowship includes a 2-month and located in Portobelo, Panama. International ukJn.paradoxalindex.hhn. Would you like to be a CAA ~dvocacy Team 111ember? DYes DNo period for field, collections, and/or laboratory scholars and specialists in the areas of Latin (If so, include your membershIp number.) research, followed by a 2-month residency American art and history, religious studies, Resources in Art History for Graduate period. Th.ey are open to those who have held sociology, and anthropology may submit papers Students, www.eden.rutgers.edu/~acdT lists Do YOll currently conduct advocacy activities? DYes DNo the appropriate terminal degree for 5 years or on the statue as well as on 17th- and 18th­ opportunities of interest to graduate students in more conducting smdy in the history and century fabrication of religious statues in Europe art history, history of architecture, visual If so, what type of activities? conservation of the visual arts of any geographi­ for export to the colonies, Latin American studies, and the humanities. cal area and of any period. Awards will be made colonial art and religious folk art, manifestations writing letters 0 without regard to the age or nationality of the of black Christian religious artifacts, socio­ Society of Architectural Historians (SAH) has a meeting with representatives 0 applicants. Submit 7 copies of application fonn, historical impact of miraculous objects, racial/ new website at www.sah.org. sending e-mail to representatives 0 proposal, a tentative schedule of travel ethnic representation of Christ in Western art, calling representatives 0 indicating the site(s), collection(s), or insti­ pilgrimage, etc. Conference proceedings will be pubic speaking 0 mtion(s) most valuable, copies of selected published. Send a 1~2-page abstract and resume Residencies publications, and 2 letters of reference. For in Spanish or English to: Arturo Lindsay, Are YOll willing to write letters on behalf of CAA memb~rship? DYes DNo infonnation: Center for Advanced Study in the Spelman College, 350 Spelman Lane, SW #296, Visual Arts, National Gallery of Art, Washing­ 5-College Women's Studies Research Center, Atlanta, GA 30314-4399; 404/223-7653; fax 404/ Are YOll willing to make phone calls on behalf of CAA 111enlbership? DYes DNo ton, DC 20565; 202/842-6482; fax 202/842-6733; composed of Amherst, Hampshire, Mount 215-7771; [email protected]. Deadline: April Holyoke, and Smith Colleges and the University [email protected]; www.nga.gov/resources/ 1,1998. Are you willing to attend meetin!S8 with elected officials casva.htm. Deadline: March 21, 1998. of Massachusetts invites applications from at their district ollices and/ or natIOnal offices? DYes DNo scholars, artists, community organizers, and Museum Assessment Program (MAP), Lawrence and Isabel Barnett Fellowships in political activists for research associate positions. sponsored by the American Association of Are you willing/able to acknowledge your institutional Arts Policy and Administration. Ohio State Associates are provided with office space and Museums (AAM), is designed to help museums affiliation in your advocacy efforts? DYes DNo University College of the Arts announces the access to computer facilities and libraries at the 5 establish institutional priorities and frameworks availability of 2-year fellowships for M.A.- or institutions for either semester- or year-long for advancement, to prepare for initial or What issues most interest you? Please rate your interest/priority Ph.D.-level smdents in its arts policy and residencies. The center supports projects in all subsequent accreditation, to enhance board from 1 (high) to 5 Oow). administration program. For information: Jen disciplines; projects must be centrally focused on effectiveness, to upgrade policies and proce~ Taylor, Ohio State University, Dept. of Art women. For information: Women's Studies dures, and to increase services to communities. copyright Education, 258D Hopkins Hall, N. Oval Mall, Research Center, Dickinson House, Mount Assessments include: I: Institutional Assess­ visual arts Columbus, OR 43210-1363; 614/688-4346; Holyoke College, 50 College St., South Hadley, ment; IT: Collections Management Assessment; humanities [email protected];www.arts.ohio-state.edu/ MA 01075-6406; 413/538-2022; 413/538-2275; fax ill: Public Dimension Assessment. Eligible first arnendlllent ArtEducation/ APA. 413/538-2082; [email protected]. the Internet museums may receive a single, noncompetitive edu; persephone.hampshire.edu/ ~fcwsrc. other ____ .::. ______grant for each assessment through the Institute Deadline: February 10, 1998. of Museum and Library Services. For infonna­ tion: American Association of Museums; 202/ Internships Oregon College of Art and Craft: 4-month Do you favor national funding for the arts and hWllanities? DYes DNo 289-9118. Deadlines: MAP III: February 27, 1998; residencies for emerging artists. Selection based MAP I: April 24, 1998; MAP II: March 13, 1998. Internships at the Philadelphia Museum of on the quality of portfolio and proposed Have you ever visited the CAAAT web site Art. 9-week, volunteer summer museum studies residency project, plus ability to work well in a (www.collegeart.org/caa/profession!CAAAT/)? DYes DNo internship for graduate and undergraduate community. Residency includes housing, studio shtdents, June 15, 1998-August 14, 1998. Interns Online use, exhibition, and up to $2,600. Periods and Would you visit again, knowing it has been updated? DYes DNo are placed in either administrative, curatorial, or media are: mid-September 1998--mid-January education departments. For information: 215/ Americas Society has a new website at 1999 for drawing/mixed media, drawing and Please give your suggestions on how CAA could be a more effective ceramics; mid-January-mid-May 1999 for book 864-7925; [email protected] for www.americas-society.org. advocate for its membership (attach extra sheets as necessary). ______~ ______infonnation. Deadline: February, 271998. arts/printmaking, metals. For information, send Art Teacher Connection: www.primenet.coml SASE to: Junior Residencies, Oregon College of Dieu Donne Papermill. Work-exchange ~artedl is a website designed for visual art Art and Craft, 8245 S.W. Barnes Rd., Portland, program: work 1 day a week for 8 weeks, 10 teachers and art students looking for art OR 97225. Deadline: April 15, 1998. A.M.--li P.M., for "Basic Papennaking" workshop education resources, images, Internet art lessons, and $50 towards a second workshop. It is and helpful tips on how to integrate computer Return to: Katie Hollander, Manager of Governance and Advocacy; 275 7th Ave., New York NY, 10001; technology into a visual arts curriculum. 212/627-2381; [email protected].

20 CAA NEWS JANUARY 1998 CAANEWS JANUARYl998 21 Professional Slide Dupes for as low as 49 cents Maurice Poirson (1850-82). The Stirling Smith Classifieds per slide. At David Allen Fine Art, we specialize Information Wanted Art Gallery and Museum seeks information on THE BARD GRADUATE CENTER CAA News accepts classified ads of a professional in artist's slides at bargain prices. We also print the artist. Contact: Maria Devaney, Stirling or semiprofessional Hature. $1.25/word for members, text on slide mounts. Other services available. Smith Art Gallery and Museum, Dumbarton $2/word for nonmell/bers; $15 minimum. In addition, 718/624-7504. Rd., Stirling FK8 2RQ Scotland; 01786 471917; boxed display advert is illS is now available through­ fax 01786 449523. M.AAND out the publication. Contact the advertising manger: Provence: available January to June 1998. 212/691-10Sl, ext. 213; [email protected]. Beautifully restored 17th-century village house, Richard Linder catalogue raisonne, edited by "Reconstructing a Feminist Figuration." All ads must be prepaid. 2 bedrooms, fully furnished, enclosed garden, Werner Spies and compiled by Claudia Loyall in PH.D. PROGRAMS Seeking information on women figurative garage, located between Aix and A vignon. cooperation with Anouk Papadiamandis, is painters working from a feminist perspective for IN THE HISTORY OF THE $1,500/ month plus utilities. Security / references going to press. Owners of Linder's paintings, a presentation at a CAA conference panel on required. Barry Miller, 301/263-0179; watercolors, or drawings that are not yet currentissues in represcntationfll painting. Send DECORATIVE ARTS, DESIGN, [email protected]. induded or changed provenance may contact slides and information with sa~e to: Diane Claudia Loyall, Klarastr. 1, 80636 Munich, Sophrin, 28 Foster St., Montpelier, VT 05602. AND CULTURE Art Workshop International, Assisi, Italy. June Rome Rental. Completely furnished apartment: Germany. Deadline: JanuanJ 1998. living, dining, 2 bedrooms. Central location near 23-August 3, 1998, Live/ work in a 12th-century William Emile Schumacher (1870-1931). In Septpmber 199H. lhe Bard Craduale Cpnter will hilltown sunounded by tbe Umbrian landscape. stores, busses, subway. Security deposit, CAA Committee on Cultural Diversity requests Seeking information on painter's period in oner the nation's firs! I'h.D. program in lIlt-' History Instructional courses: painting, drawing, art­ references required. 508/877~2139. reviews of textbooks used in survey courses. Chicago and Taos. Herbert Schutz, 46 Dewart making; all-media, art history, opera seminar, Reviews should focus not only on art and artists, Rd., Greenwich, CT 06830; 203/629-3387. of the Dc-corative Arts, Dpsign. and Culture. Seeking Video Media Paper sold by Arthur but on multiple world views and ideas about the creative writing. Three-, 4-, 5-, and 6-week Both the Ph.D. and (llt:' M.A. progr,lllls encourage sessions. Hotel, most meals, studio space, Brown Art Supplies and others. Was used for meaning of "art" for diverse peoples. Word Ellis Wilson (1899-1977), Seeking the where­ ,,11I<1t'llls 10 think critically and contcxtually about critiques, lectures, visiting artists. Art Work­ silverpoint drawing. Artist desperate to buy any limit: 500 or less. Submit to: Melanie Herzog, about.., of this African American artist from shop, 463 West St., 1028H, New York, NY 10014; quantity available. Contact Susan Schwalb, 10 Edgewood College, Dept. of Art, 855 Woodrow, Kentucky. A retrospective exhibition, catalogue, ohjt:'cts and design as t'xprt'ssions of (1](-' human tel/fax 800/835-7454; www.vacation-inc. Winsor Ave., Watertown, MA 02172. Madison, WI 53711; [email protected] and catalogue raisonne are planned for 2000. aesthetic sense and as It'llst'!'i through which to study (copy to [email protected]). artworkshop.hhnL Albert Sperath, Murray State University, PO Box society and culture. 9, Murray, KY 42071-0009; 502/762-6734; fax Frederic Crowninshield (1845-1918), painter of 502/762-3920; albert.sperath«.vmurraystate.edu. Chicago Lakeview. 2-bedroom, 2-bath vintage Application df'adlillt' for the 19~)K-99 acadelllic year is February 1;). rt'l1owships murals, oils, and watercolors; stained glass apartment (new rehab) for rent, academic year and Scholarships afC

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CAA NEWS JANUAll:Y 1998 22 eAA NEWS JANUARY 1998 23 ..