Medievanor På Åland 2020 Januari 2021 Syfte Och Metod

Total Page:16

File Type:pdf, Size:1020Kb

Medievanor På Åland 2020 Januari 2021 Syfte Och Metod ÅLANDS STATISTIK OCH UTREDNINGSBYRÅ Medievanor på Åland 2020 Januari 2021 Syfte och metod • Underlag för utveckling av Ålands Radio och TV samt för utformning av landskapets framtida mediepolitik • Till viss del uppföljning av studie 2009 • Urval: 13-80 år bosatta på Åland • Svarsfrekvens 51 % (508 svar) Innehåll • Övergripande medievanor • Radiolyssnande inkl. Ålands Radios programutbud • TV-tittande inkl. Ålandskanalen • Internetvanor inkl Ålands Radio och TVs webbplats • Nyhetskonsumtion • Källor för nyheter/information kring covid-19 Förändrat medielandskap Nya plattformar, medieformer och aktörer traditionell digital lokal global Övergripande mediekonsumtion Övergripande mediekonsumtion TV (totalt) Dagstidning (totalt) Radio (totalt) • ”Totalt” avser både Sociala medier traditionell och digital Videoklipp version av mediet Musik (totalt) • Traditionella Dagligen Bok (totalt) medieslag fortfarande Varje vecka Bio vanligast men Mer sällan utmanas av sociala Magasin (totalt) medier Nyhetsbrev Nyhetsapp Text-tv Podcast 0% 20% 40% 60% 80% 100% Urval: alla Mediekonsumtion – en generationsfråga Daglig användning TV (totalt) Dagstidning (totalt) Radio (totalt) • Den yngsta åldersgruppen Sociala medier dagliga mediekonsumtion domineras av sociala Videoklipp medier, videoklipp och musik Musik (totalt) 13-24 år • Den äldsta åldersgruppen Bok (totalt) 65+ år använder främst Magasin (totalt) dagstidning, TV och radio Nyhetsbrev Nyhetsapp Text-tv Podcast 0% 20% 40% 60% 80% 100% Urval: alla Mediekonsumtion – efter kön Daglig användning Sociala medier • Visar de medier där Videoklipp skillnader efter kön finns • Kvinnor: sociala medier, Bok (totalt) böcker, podcast och digital Kvinna radio Text-tv Man • Män: videoklipp och text-tv Podcast Radio - via internet 0% 20% 40% 60% 80% 100% Urval: alla Mediekonsumtion – traditionellt/digitalt Daglig användning Radio (totalt) Radio - radioapparat/bil Radio - via internet • Visar de fyra största dagliga medierna med både Musik (totalt) traditionell och digital version Musik - cd/vinyl Musik - strömmad • Radio i huvudsak traditionell TV (totalt) • Musik i huvudsak digital TV - när det sänds • TV och dagstidning används TV - via internet både traditionellt och digitalt Dagstidning (totalt) Dagstidning - papper Dagstidning - digital 0% 20% 40% 60% 80% 100% Urval: alla Andel traditionella och digitala medier av den dagliga mediekonsumtionen Urval: alla Radio- lyssnande Radiolyssnande • 93 % lyssnar totalt, 77 % varje vecka, 55 % dagligen • Stor variation i åldrar • Majoriteten lyssnar traditionellt (främst 35-54-åringar som lyssnar digitalt) Åldersfördelning (daglig lyssning) Jämförelse Finland (veckolyssning) 100% 100% 80% 80% 60% 60% Radio via internet 40% Både och 40% Traditionell radio 20% 20% 0% Alla 13-24 25-34 35-44 45-54 55-64 65+ 0% Åland Finland Radio - traditionellt Radio - digitalt Urval: alla Radiokanalernas räckvidd Ålands Radio Mix Megapol Steel FM Yle Vega Radiokanalernas rangordning i princip Sveriges Radio P4 oförändrad jämfört Sveriges Radio P1 med 2009 års Yle Extrem undersökning. Sveriges Radio P3 Soft FM Yle Radio Suomi Sveriges Radio P2 0% 20% 40% 60% 80% 100% Dagligen Varje vecka Mer sällan Urval: alla Inställning programutbud • De flesta nöjda eller neutrala • Delade åsikter kring sport och musik ”Jag tycker att Ålands Radio och TV börjar bli lite förlegad, man borde • Mer djupgående reportage, dokumentärer, satsa mer på ungdomar/unga vuxna, personporträtt och nyheter likt P3 i Sveriges Radio. Majoriteten av alla unga vuxna lyssnar på podcasts • Mindre repriser och mellanprat och Ålands Radio borde hänga med i svängen.” 100% 80% 60% 40% 20% 0% Mycket Ganska Varken Ganska Mycket Ej svar nöjd nöjd eller missnöjd missnöjd Urval: de som lyssnar på Ålands Radio TV- tittande TV-tittande • 96 % tittar totalt, 90 % varje vecka, 78 % varje dag • Stor variation i format och tittarandel efter ålder • Generellt lägre andel digitalt tittande på Åland än i Sverige, troligen pga bristen på tillgång till utbudet på de svenska kanalernas playtjänster Åldersfördelning (dagligt tittande) 100% 80% 60% 40% 20% 0% Alla 13-24 25-34 35-44 45-54 55-64 65+ TV - traditionellt TV - digitalt Urval: alla Tillgång till kanaler • Förflyttning från Smedsböle och antennföreningar till internet & IPTV 100% 80% 60% 40% 20% 0% Smedsböle MCA Annan Parabol IPTV Via internet Vet ej antennförening Totalt Mariehamn Landsbygd Skärgård Urval: de som tittar på TV TV-kanalernas räckvidd Sveriges TV4 SVT1 SVT2 TV-kanalernas Sveriges TV3 rangordning i princip Yle Teema Fem oförändrad jämfört Yle TV1 med 2009 års Kunskapskanalen undersökning, dock har Betalkanaler Ålandskanalen fått en Yle TV2 lägre position. Ålandskanalen SVT24/Barnkanalen Mtv3 Nelonen 0% 20% 40% 60% 80% 100% Dagligen Varje vecka Mer sällan Urval: alla Internet- vanor Internettillgång och -användning • 98 % har tillgång till internet • 82 % i åldersgruppen 75+ • 97 % använder internet • 73 % i åldersgruppen 75+ • Digitalt utanförskap Urval: alla Aktiviteter på internet Söker information Tar del av nyheter Tittar på videoklipp för underhållning Spelar Tittar på videoklipp för nyheter Tittar på TV när det sänds Läser bloggar/forum Lyssnar på direktsänd radio Deltar i distansutbildning Handlar/beställer varor/tjänster 0% 20% 40% 60% 80% 100% Dagligen Varje vecka Mer sällan Urval: alla Sociala medier Daglig användning Använder Facebook* Använder Instagram* 13-24 25-34 35-44 Använder TikTok* 45-54 55-64 Använder Snapchat* 65+ Använder Twitter* 0% 20% 40% 60% 80% 100% Urval: alla Ålands Radio och TVs webbplats Syfte med besök Läsa nyheter • Hälften av alla svarande besöker webbplatsen någon gång Lyssna på nyheter Lyssna på korta klipp från radioprogram • En tredjedel besöker varje månad Lyssna på podcasts/poddradio/inspelade radioprogram (35-54 år mest, 13-24 år minst) Ta del av sportnyheter Lyssna på direktsänd radio • Främsta syftet: läsa nyheter Titta på videoklipp Söka information om kommande radioprogram och • 65 % upplever det lätt att hitta, deras sändningstider endast 4 % svårt Ta del av kulturnyheter Söka information om bolaget och dess personal • Önskar: Söka information om kommande tv-program och deras • Utförligare nyheter i text sändningstider • Bättre webbspelare Söka e-postadress till Ålands Radio och TV • Bättre arkiv Annat 0% 20% 40% 60% 80% 100% Urval: de som besöker Ålands Radio och TVs webbplats Nyhets- konsumtion Dagliga nyhetsmedier Ålandstidningen Nya Åland TV4 Sociala medier SVT Yle (radio, tv, digitala kanaler) Ålands Radio och TV Hufvudstadsbladet Sveriges Radio Övriga svenska tidningar/medier Övriga finländska tidningar/medier Övriga internationella… Steel FM 0% 20% 40% 60% 80% 100% Urval: alla Dagliga nyhetsmedier ”Det sättet jag följer nyheter på är genom Ålands Nyheter • 13-34 år: sociala medier och dagstidningar på Facebook och där dyker det upp nyheter från Ålands • 45-64 år: dagstidningar och TV Radio titt som tätt.” • 65+ år: dagstidningar, TV och radio 100% 80% 60% 40% 20% 0% 13-24 25-34 35-44 45-54 55-64 65+ Ålandstidningen Nya Åland TV4 Sociala medier SVT Yle Ålands Radio och TV Urval: alla Förtroende nyhetsmedier • Starkast förtroende för Yle, men högst totalt förtroende för de åländska dagstidningarna • Förtroendet för ÅRTV högre bland kvinnor och lägre i 25-34 år. Yle SVT Ålands Radio och TV Åländska dagstidningar Sveriges Radio TV4 Finländska dagstidningar Svenska dagstidningar Steel FM 0% 20% 40% 60% 80% 100% Mycket stort Ganska stort Varken eller Ganska litet Mycket litet Vet ej/Ej svar Urval: alla Information kring covid-19 Information kring covid-19 • Nyhetskonsumtion ökat i Finland och Sverige under pandemin • Finland: TV, dagstidningar och sociala medier ökade mest • Sverige: public serviceföretagens, TV4:s och morgontidningarnas nyhetssajter samt nationell radio ökade mest • Ålands Radio och TVs webbplats • Antal besök per månad ökat med drygt 70 % (2020 vs 2019) • Mars 2020 tredubblades antalet besök jämfört med mars 2019 Källor för information/nyheter kring covid-19 Ålandstidningen Ålands Radio och TV Jämfört med den vanliga Ålands hälso- och sjukvård nyhetskonsumtionen: Ålands landskapsregering • Ålandstidningen fortsatt den Yle största nyhetskällan THL • Ålands Radio och TVs position Nya Åland förstärkts i samtliga SVT åldersgrupper, främst i 13-24 år TV4 • Finländska medier förstärkt Sociala medier position Hufvudstadsbladet Största medier efter ålder: Folkhälsomyndigheten i Sverige • 13-24: sociala medier Sveriges Radio • 35-44 år: de åländska Övriga finländska tidningar/medier dagstidningarna Övriga svenska tidningar/medier • 65+ år: ÅRTV, Yle, SVT samt Övriga internationella tidningar/medier Ålandstidningen Steel FM 0% 20% 40% 60% 80% 100% Urval: alla Inställning till ÅRTVs rapportering kring covid-19 Tillräcklig Överlag mycket positiv Saklig inställning: • 70-80 % instämmer helt eller Lätt att förstå delvis i de påståenden som klassas som positiva Aktuell • Endast 12 % anser att Tillförlitlig rapporteringen varit sensationssökande Lätt att hitta Sensationssökande 0% 20% 40% 60% 80% 100% Instämmer helt 4 3 2 Instämmer inte alls Vet ej/Ej svar Urval: de som tagit del av covid-19-relaterad information via Ålands Radio och TV www.asub.ax www.facebook.com/AASUB.
Recommended publications
  • Den Fullständiga Listan Över Minutvärdena
    Decemberutbetalning 2016 A(x1) B (x1,5) B(x2) D(x2,5) E(x3) Sveriges Radio P1 10 Sveriges Radio 48,25 72,38 96,50 120,63 144,75 09 Bakgrundsmusik utan rapport 91,50 137,25 183,00 228,75 274,50 17 Privatkopieringsersättning 0,25 0,25 0,25 0,25 0,25 21 Grannland*) 0,00 0,00 0,00 0,00 0,00 140,00 209,88 279,75 349,63 419,50 Sveriges Radio P2 10 Sveriges Radio 48,25 72,38 96,50 120,63 144,75 09 Bakgrundsmusik utan rapport 1,50 2,25 3,00 3,75 4,50 17 Privatkopieringsersättning 0,25 0,25 0,25 0,25 0,25 21 Grannland*) 0,00 0,00 0,00 0,00 0,00 50,00 74,88 99,75 124,63 149,50 Sveriges Radio P2 Lokal 10 Sveriges Radio 3,86 5,79 7,72 9,65 11,58 17 Privatkopieringsersättning 0,02 0,02 0,02 0,02 0,02 3,88 5,81 7,74 9,67 11,60 Sveriges Radio P3 10 Sveriges Radio 48,25 72,38 96,50 120,63 144,75 09 Bakgrundsmusik utan rapport 17,75 26,63 35,50 44,38 53,25 17 Privatkopieringsersättning 0,25 0,25 0,25 0,25 0,25 21 Grannland*) 0,00 0,00 0,00 0,00 0,00 66,25 99,25 132,25 165,25 198,25 Sveriges Radio P4 Riks 10 Sveriges Radio 48,25 72,38 96,50 120,63 144,75 09 Bakgrundsmusik utan rapport 20,50 30,75 41,00 51,25 61,50 17 Privatkopieringsersättning 0,25 0,25 0,25 0,25 0,25 21 Grannland*) 0,00 0,00 0,00 0,00 0,00 69,00 103,38 137,75 172,13 206,50 Sveriges Radio P4 Lokal 10 Sveriges Radio 1,93 2,90 3,86 4,83 5,79 09 Bakgrundsmusik utan rapport 4,08 6,12 8,16 10,20 12,24 14 Närradio 0,58 0,87 1,16 1,45 1,74 17 Privatkopieringsersättning 0,01 0,01 0,01 0,01 0,01 21 Grannland*) 0,00 0,00 0,00 0,00 0,00 6,60 9,90 13,19 16,49 19,78 A(x1) B (x1,5) B(x2) D(x2,5) E(x3)
    [Show full text]
  • Press Release Potsdam Declaration
    Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • Speech by Tony Hall, Director-General of the BBC
    Speech by Tony Hall, Director-General of the BBC Swedish Charter Review Seminar, Stockholm – 23rd August 2018 (Check against delivery) “Safeguarding the democratic ideals of public service” Introduction Good morning. I’m delighted to be able to join you all in Stockholm today. It’s fantastic to see that Swedish Radio has managed to bring together so many people, so engaged with the future of public service media – and from such a wide range of arts and civil society organisations and public authorities. I don’t need to tell you that this is a pivotal moment for public service media. And not just in Sweden. It’s a time of profound change. But it’s also a time of fantastic excitement and opportunity – especially, perhaps, for radio and audio. Five years ago, when I was asked to return to the BBC as Director General, I knew that meant leading the corporation through our Charter Review. And I welcomed that prospect. That’s because I recognised that, while a Charter Review can present great challenges, it can also be a really powerful moment of reinvention for public service media. 1 It’s a chance to listen and to learn, to make sure we are truly responding to the needs and expectations of all our audiences. It’s an opportunity to change as technology changes, and to revitalise ourselves for the latest challenge. Two things struck me about our Charter Review process: First of all, ‘It’s the programmes stupid’. As leader, it is my job to remind everyone that it’s about the content… Creatively backing talent… Boldness and ambition… Originality and pushing boundaries..
    [Show full text]
  • This Is the Published Version of a Chapter
    http://www.diva-portal.org This is the published version of a chapter published in Diversity in theory and practice: news journalists in Sweden and Germany. Citation for the original published chapter: Hultén, G., Graf, H. (2011) Exploring media and ethnic diversity in Sweden and Germany. In: Heike Graf (ed.), Diversity in theory and practice: news journalists in Sweden and Germany (pp. 23-46). Göteborg: Nordicom N.B. When citing this work, cite the original published chapter. CC BY-NC-ND 3.0 Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-7916 Exploring Media and Ethnic Diversity in Sweden and Germany Gunilla Hultén & Heike Graf The way media are organized in both Sweden and Germany falls under the category of democratic corporatist, according to Hallin and Mancini (2004). The publishing sector is an important part of the democratic corporatist model, and both countries have high levels of newspaper readership with Sweden’s being one of the highest in the world. There is a competitive market for print media, but despite this the market is – especially in Sweden – regulated by different measures such as press subsidies. The Swedish and the German media systems are also ‘duopolies’, where public service broadcasters coexist alongside commercially funded companies, with the public service broadcasters still remaining comparatively strong. Both countries also have a high level of journalistic professionalization, including the sharing of professional standards and a tradition of public-sector involvement in the media landscape (Hallin & Mancini 2004: 145). Since the beginning of the 21st century the media companies in both countries face economic constraints due to several media crises, including a structural crisis (new possibilities within Internet communication), a cyclical crisis, that is, a downturn in advertising revenue (Weischenberg et al.
    [Show full text]
  • Public Service Broadcasting – a Fragile, Yet Durable Construction
    PUBLIC SERVICE BROADCASTING – A FRAGILE, YET DURABLE CONSTRUCTION Public Service Broadcasting – A Fragile, Yet Durable Construction OLLE FINDAHL ” veriges Radio is a vulnerable and fragile construction”, wrote Olof Rydbeck, SDirector-General of Sveriges Radio or the Swedish Broadcasting Corpora- tion 1955—1970, in his memoirs (Rydbeck 1990). That was his conclusion after fif- teen years’ experience of defending the integrity of the organization as an inde- pendent public service broadcasting institution. Crucial to the success and viabil- ity of such an organization is the establishment of a recognized position and an ability to stand free of the powers that be. But how is this possible when the or- ganization is ever dependent on concessions that come up for renewal within a year or so, and when one’s strength is dependent on the support of influential or- ganizations, public and private? It is, above all, this shortness of term, this lack of a longer perspective, which has effectively wing-clipped public service broad- casting organizations in Sweden and made them the ”vulnerable and fragile” constructions that they are. Subject to the whims of leading politicians and made to walk a slack rope be- tween conflicting demands, the organizations are ever in the position of having to prove their value: • Although dependent on the Government and Parliament, the radio and television strive to be free, independent and critical. • Although the companies wish to be free and independent and to be able to offer a rich array of programmes, they face chronic shortages of resources and are enticed by the prospect of advertising revenue, which means de- pendence on commercial interests.
    [Show full text]
  • WBU Radio Guide
    FOREWORD The purpose of the Digital Radio Guide is to help engineers and managers in the radio broadcast community understand options for digital radio systems available in 2019. The guide covers systems used for transmission in different media, but not for programme production. The in-depth technical descriptions of the systems are available from the proponent organisations and their websites listed in the appendices. The choice of the appropriate system is the responsibility of the broadcaster or national regulator who should take into account the various technical, commercial and legal factors relevant to the application. We are grateful to the many organisations and consortia whose systems and services are featured in the guide for providing the updates for this latest edition. In particular, our thanks go to the following organisations: European Broadcasting Union (EBU) North American Broadcasters Association (NABA) Digital Radio Mondiale (DRM) HD Radio WorldDAB Forum Amal Punchihewa Former Vice-Chairman World Broadcasting Unions - Technical Committee April 2019 2 TABLE OF CONTENTS INTRODUCTION .......................................................................................................................................... 5 WHAT IS DIGITAL RADIO? ....................................................................................................................... 7 WHY DIGITAL RADIO? .............................................................................................................................. 9 TERRESTRIAL
    [Show full text]
  • Freedom of the Press 2007
    FREEDOM OF THE PRESS 2007 needs updating FREEDOM OF THE PRESS 2007 A Global Survey of Media Independence EDITED BY KARIN DEUTSCH KARLEKAR AND ELEANOR MARCHANT FREEDOM HOUSE NEW YORK WASHINGTON, D.C. ROWMAN & LITTLEFIELD PUBLISHERS, INC. LANHAM BOULDER NEW YORK TORONTO PLYMOUTH, UK ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, MD 20706 www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2007 by Freedom House All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISSN 1551-9163 ISBN-13: 978-0-7425-5435-1 (cloth : alk. paper) ISBN-10: 0-7425-5435-X (cloth : alk. paper) ISBN-13: 978-0-7425-5436-8 (pbk. : alk. paper) ISBN-10: 0-7425-5436-8 (pbk. : alk. paper) Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Table of Contents Acknowledgments, vii The Survey Team, ix Survey Methodology, xix Press Freedom in 2006, 1 Karin Deutsch Karlekar Global and Regional Tables, 17 Muzzling the Media: The Return of Censorship in the Common- wealth of Independent States, 27 Christopher Walker Country Reports and Ratings, 45 Freedom House Board of Trustees, 334 About Freedom House, 335 Acknowledgments Freedom of the Press 2007 could not have been completed without the contributions of numerous Freedom House staff and consultants.
    [Show full text]
  • Broadcasting
    Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo,
    [Show full text]
  • The Political Independence of Public Service Broadcasters
    Department of Political and Social Sciences The Political Independence of Public Service Broadcasters Chris Hanretty Thesis submitted for assessment with a view to obtaining the degree of Doctor of Political and Social Sciences of the European University Institute Florence December 2009 EUROPEAN UNIVERSITY INSTITUTE Department of Political and Social Sciences The Political Independence of Public Service Broadcasters Chris Hanretty Thesis submitted for assessment with a view to obtaining the degree of Doctor of Political and Social Sciences of the European University Institute Examining Board: Prof. Alexander H. Trechsel, European University Institute (Supervisor) Prof. Gianpietro Mazzoleni, Università degli Studi di Milano (External supervisor) Prof. Adrienne Héritier, European University Institute Prof. Anker Brink Lund, Copenhagen Business School © 2009, Chris Hanretty Licensed under a Creative Commons Attribution- Noncommercial-Share Alike licence. Hanretty, Chris (2009), The Political Independence of Public Service Broadcasters European University Institute DOI: 10.2870/13655 Hanretty, Chris (2009), The Political Independence of Public Service Broadcasters European University Institute DOI: 10.2870/13655 ii [ 2nd November 2009 at 18:57 ] ABSTRACT In this thesis, I demonstrate that the degree of political in- dependence that a public service broadcaster has depends on the degree of legal protection given to it, and on the size of the market for news in that country. The latter affects broadcaster independence by creating more standardized
    [Show full text]
  • Broadcasters and the Broadcasters and the Internet
    Broadcasters and the Broadcasters and the Internet Internet EBU Members’ Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 European Broadcasting Union Strategic Information Service (SIS) L’Ancienne-Route 17A CH-1218 Grand-Saconnex Switzerland Phone +41 (0) 22 717 21 11 Fax +41 (0)22 747 40 00 www.ebu.ch/sis European Broadcasting Union l Strategic Information Service Broadcasters and the Internet EBU Members' Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 The Report Staff This report was produced by the Strategic Information Service of the EBU. Editor: Alexander Shulzycki Production Editor: Anna-Sara Stalvik Principal Researcher: Anna-Sara Stalvik Special appreciation to: Danish Radio and Television (DR) Swedish Television (SVT) Swedish Radio (SR) Cover Design: Philippe Juttens European Broadcasting Union Telephone: +41 22 717 2111 Address: L'Ancienne-Route 17A, 1218 Geneva, Switzerland SIS web-site: www.ebu.ch/director_general/sis.php SIS contact e-mail: [email protected] BROADCASTERS AND THE INTERNET TABLE OF CONTENTS INTRODUCTION.............................................................................................................. 1 OVERVIEW .............................................................................................................................1 1. The general Internet landscape: usage, websites, advertising ............................................
    [Show full text]
  • Kanallista.Pdf
    Ålcom kanallista Nr. Kanalnamn Nr. Kanalnamn 1 SVT1 36 SteelFM TV 2 SVT2 37 Nautical Channel HD 3 TV3 38 Outdoor Channel HD 4 TV4 39 Wild TV 5 Ålandskanalen 40 Animal Planet 6 TV6 41 Travel Channel 7 Kunskapskanalen 42 National Geographic 9 SVTB/SVT24 43 Discovery Channel 11 Yle 1 44 Discovery Science 12 Yle 2 45 Discovery World 13 MTV3 46 Discovery ID 14 Nelonen 48 TLC 15 Yle Teema & Fem 49 Nat Geo Wild 16 Kutonen 50 BBC World 17 TV Viisi 51 CNBC 18 SubTV 52 Bloomberg 19 JimTV 53 Euronews 21 FOX 54 Al Jazeera English 22 Liv 55 CBS Reality 23 Disney Channel 56 Fine Living 24 Disney XD 57 CNN 25 Disney Junior 58 MTV 26 Nickelodeon 59 VH-1 27 Nick JR 60 Fjorton 28 Cartoon Network 61 Viasat Film Premiere 29 Boomerang 62 Viasat Film Action 30 BBC Brit HD 63 Viasat Film Hits 31 Eurosport 66 Viasat Film Family 32 Eurosport 2 67 Viasat History 33 Extreme Sports 68 Viasat Nature 34 History 69 Viasat Explorer 35 H2 HD Nr. Kanalnamn Nr. Kanalnamn 70 Viasat Sport 160 Fjorton HD 71 Viasat Sport Premium 161 Viasat Film Premiere HD 72 Viasat Sport Finland 162 Viasat Film Action HD 73 Viasat Fotboll 163 Viasat Film Hits HD 74 Viasat Hockey 167 Viasat History HD 75 Viasat Golf 168 Viasat Nature HD 80 C More First 169 Viasat Explorer HD 81 C More Hits 170 Viasat Sport HD 82 C More Stars 171 Viasat Sport Premium HD 83 C More Series 172 Viasat Sport Finland HD 84 SF-kanalen 173 Viasat Fotboll HD 88 C More Sport 1 174 Viasat Hockey HD 89 C More Sport 2 175 Viasat Golf HD 90 C More Hockey 176 Viasat Fotboll FIN HD 91 C More Fotboll 177 Viasat Hockey FIN HD
    [Show full text]