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The Protrepticus of Clement of Alexandria: a Commentary
Miguel Herrero de Jáuregui THE PROTREPTICUS OF CLEMENT OF ALEXANDRIA: A COMMENTARY to; ga;r yeu'do" ouj yilh'/ th'/ paraqevsei tajlhqou'" diaskedavnnutai, th'/ de; crhvsei th'" ajlhqeiva" ejkbiazovmenon fugadeuvetai. La falsedad no se dispersa por la simple comparación con la verdad, sino que la práctica de la verdad la fuerza a huir. Protréptico 8.77.3 PREFACIO Una tesis doctoral debe tratar de contribuir al avance del conocimiento humano en su disciplina, y la pretensión de que este comentario al Protréptico tenga la máxima utilidad posible me obliga a escribirla en inglés porque es la única lengua que hoy casi todos los interesados pueden leer. Pero no deja de ser extraño que en la casa de Nebrija se deje de lado la lengua castellana. La deuda que contraigo ahora con el español sólo se paliará si en el futuro puedo, en compensación, “dar a los hombres de mi lengua obras en que mejor puedan emplear su ocio”. Empiezo ahora a saldarla, empleándola para estos agradecimientos, breves en extensión pero no en sinceridad. Mi gratitud va, en primer lugar, al Cardenal Don Gil Álvarez de Albornoz, fundador del Real Colegio de España, a cuya generosidad y previsión debo dos años provechosos y felices en Bolonia. Al Rector, José Guillermo García-Valdecasas, que administra la herencia de Albornoz con ejemplar dedicación, eficacia y amor a la casa. A todas las personas que trabajan en el Colegio y hacen que cumpla con creces los objetivos para los que se fundó. Y a mis compañeros bolonios durante estos dos años. Ha sido un honor muy grato disfrutar con todos ellos de la herencia albornociana. -
Flowers in Greek Mythology
Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow. -
MONEY and the EARLY GREEK MIND: Homer, Philosophy, Tragedy
This page intentionally left blank MONEY AND THE EARLY GREEK MIND How were the Greeks of the sixth century bc able to invent philosophy and tragedy? In this book Richard Seaford argues that a large part of the answer can be found in another momentous development, the invention and rapid spread of coinage, which produced the first ever thoroughly monetised society. By transforming social relations, monetisation contributed to the ideas of the universe as an impersonal system (presocratic philosophy) and of the individual alienated from his own kin and from the gods (in tragedy). Seaford argues that an important precondition for this monetisation was the Greek practice of animal sacrifice, as represented in Homeric epic, which describes a premonetary world on the point of producing money. This book combines social history, economic anthropology, numismatics and the close reading of literary, inscriptional, and philosophical texts. Questioning the origins and shaping force of Greek philosophy, this is a major book with wide appeal. richard seaford is Professor of Greek Literature at the University of Exeter. He is the author of commentaries on Euripides’ Cyclops (1984) and Bacchae (1996) and of Reciprocity and Ritual: Homer and Tragedy in the Developing City-State (1994). MONEY AND THE EARLY GREEK MIND Homer, Philosophy, Tragedy RICHARD SEAFORD cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521832281 © Richard Seaford 2004 This publication is in copyright. -
1-Pgi-Apuleius6634 Finl
Index This online index is a much fuller version than the index that was abbre - viated for print. Like the print index, the online index has a number of goals beyond the location of proper names. For some names and technical terms it serves as a glossary and provides notes; for geograph - ical items it provides references to specific maps. But it is primarily de - signed to facilitate browsing. Certain key terms (sadism/sadistic, salvation/salvific/savior, sticking one’s nose in) can be appreciated for the frequency of their occurrence and have not been subdivided. Certain plot realities have been highlighted (dogs, food, hand gestures, kisses, processions, roses, shackles and chains, slaves, swords); certain themes and motifs have been underlined (adultery, disguise, drama, escape, gold, hair, hearth and home, madness, suicide); some quirks of the translation have been isolated (anachronisms, Misericordia! ); minu - tiae of animals, plants, language have been cataloged (deer, dill, and der - ring-do). The lengthy entry on Lucius tries to make clear the multiplicities of his experience. By isolating the passages in which he ad - dresses himself, or speaks of “when he was Lucius,” I hope to make the difficult task of determining whether the man from Madauros is really the same as Lucius the narrator, or the same as Apuleius the author, a little bit easier. abduction, 3.28–29, 4.23–24, 4.26; Actium (port in Epirus; site of Augus - dream of, 4.27 tus’ naval victory over Antony and Abstinence (Sobrietas, a goddess), 5.30; Cleopatra; Map -
Sappho: Sappho’S ‘After-Life’ in Early Modern England, 1550-1735
1 SAPPHO: SAPPHO’S ‘AFTER-LIFE’ IN EARLY MODERN ENGLAND, 1550-1735 SAPPHO (fl. 630 BCE), GREEK POET. For a brief biography of Sappho, selections from her own works, an introduction to her early modern reception, reputation, and translation, as well as further texts concerning her early modern ‘after-life,’ see the print anthology, pp. 153-87. EDITIONS: For early modern and modern translations of Sappho’s verse, see the essay ‘Sappho’ in “Classical Writers, their Early Modern Reputations and Translations” (Online Companion). ANACREONTEA (FIRST PUBLISHED, 1554). The Anacreontea is a volume of approximately sixty lyric poems that was long attributed to the Greek poet Anacreon (c. 575-490 BCE), and was certainly believed to constitute his work in the early modern period. The first edition of the Anacreontea appeared in 1554 from the press of Henri Estienne; its verse was translated into a number of languages throughout the Renaissance and into the eighteenth century. For a brief biography of Anacreon and selections from his verse (i.e., largely from the Anacreontea), see the print anthology, pp. 187-90. EDITIONS: For selected early modern and modern translations of Anacreon and the Anacreontea, see the accompanying essay ‘Anacreon’ in “Classical Writers, their Early Modern Reputations and Translations” (Online Companion). 1 THE WORKS OF PETRONIUS ARBITER […] TO WHICH IS ADDED SOME OTHER OF THE ROMAN POETS (1714) SAPPHO’S VINDICATION By Anacreon2 Come golden-locks, come god of love,3 And take me up from this low crowd, Carry me through the orbs above, 1 st Petronius Arbiter Petronius Arbiter (fl. 1 c. -
The Australasian Society for Classical Studies NEWSLETTER
The Australasian Society for Classical Studies NEWSLETTER NUMBER TWENTY-NINE: SEPTEMBER 2011 Contact addresses: President Honorary Treasurer Honorary Secretary Professor John Davidson Mr William Dolley Bruce Marshall Classics, SACR 1 Mount Pleasant Road 3 Lorna Close Victoria University of Wellington Belmont VIC 3216 Bundanoon NSW 2578 Wellington 6140 New Zealand Australia Australia [email protected] [email protected] [email protected] Newsletter Editors Dr Marguerite Johnson ([email protected]) Mr John Penwill ([email protected]) ASCS website: http://www.ascs.org.au FROM THE PRESIDENT The wonderful Auckland conference is fast becoming a distant memory, as we look forward to ASCS 33 which is to be held in the Hellenic Museum in Melbourne from Sunday 4th to Thursday 9th Febru- ary 2012, hosted by the Classical Studies Program of Monash University with Dr Eva Anagnostou- Laoutides as conference convenor. As you will have seen, there is a slightly different system for paper submission this time round, so please follow the instructions carefully. An advertisement for the con- ference follows. My term as President terminates at the Monash conference. Unfortunately, I won‘t be able to be there, since I‘ll be spending three months of research at the Free University in Berlin, commencing in De- cember. I would therefore like to take this opportunity to thank all of you for your support for me as President. I have very much enjoyed the experience, and am heartened to see ASCS in such good shape, despite so many pressures on so many members. I would like to thank members of the Commit- tee of Management in particular, and especially Bruce Marshall and William Dolley for their tireless dedication to the cause. -
Ammianus Marcellinus on the Geography of the Pontus Euxinus
Histos () – AMMIANUS MARCELLINUS ON THE GEOGRAPHYOF THE PONTUS EUXINUS “Das eitle Bemühen um Allwissenheit, wie es der Fluch aller encyclo- pädischen Bildung ist, und vor allem der Fluch jener unseligen, auch auf dem geistigen Gebiet, in der Trümmerwelt einer grössern Vergang- enheit kümmerlich hausenden Generationen war, zeigt sich bei Ammian … auf diesem Gebiet …” This quotation of more than a century ago by Theodor Mommsen expresses a harsh verdict on Ammianus Marcellinus’ acquaintance with the geogra- phy of the world as it was known in his days (it is geographical knowledge which is meant by “diesem Gebiet”). In this field Ammianus had a “schein- haftes Bescheidwissen” and empty words had to conceal his “Unkenntniss”, according to the same Mommsen. Mommsen’s article, written in reaction to V. Gardthausen’s Die geographischen Quellen Ammians , which expressed a more positive opinion, had a great impact. Soon Mommsen’s unfavourable view of Ammianus’ knowledge of geography was widely accepted and has for a long time not been seriously disputed. The Res Gestae of the fourth-century historian Ammianus Marcellinus started where Tacitus had left off, that is in the year C.E. with the reign of Nerva, and ended at the year . The work originally consisted of books, but the first books have unfortunately been lost. The extant books cover only some twenty-five years of Roman history, namely the years from to . Thus Ammianus wrote the history of his own time, of which he himself was not only a part but also an eyewitness, since he was present at several important events of this period. -
A Bibliography on Posidippus
A BIBLIOGRAPHY ON POSIDIPPUS COMPILED BY Martine Cuypers Trinity College Dublin [email protected] SECTION 1 – PUBLICATIONS 2007–2010 2007 Angiò, Francesca. ‘Epigr. 10 Austin-Bastianini (P.Mil.Vogl. VIII 309, col.II 7-16).’ ZPE 160, 2007, 50. Angiò, Francesca. ‘Il nuovo Posidippo 2006.’ SEP 4, 2007, 41-66. Bing, Peter. The Scroll and the Marble. Studies in Reading and Reception in Hellenistic Poetry. Ann Arbor: Uni- versity of Michigan Press, 2007. 352 pp. Bremen, Riet van. ‘The entire house is full of crowns: Hellenistic agônes and the commemoration of victory.’ In: Simon Hornblower & Kathryn Morgan (edd.). Pindar’s Poetry, Patrons, and Festivals: From Archaic Greece to the Roman Empire. Oxford: OUP, 2007, 345-75. De Stefani, Claudio. CW 100, 2007, 316-18. Di Nino, Margherita Maria. ‘Posidippo e l’ekdosis omerica.’ ARF 9, 2007, 83-8. Durbec, Yannick. ‘Trois notes de philologie. Philitas de Cos (fr. 10 Pow.), La Lesbou ktisis, Apollonios de Rhodes (?) (fr. 12 Pow.), Posidippe (Epigr. 21 AB).’ ZPE 160, 2007, 33-6. Faraone, Christopher A. ‘Notes on Four Inscribed Magical Gemstones.’ ZPE 160, 2007, 158-9. Ferrari, Franco. ‘Posidippo, il papiro di Milano e l’enigma del soros.’ In: Jaakko Frösén, Tiina Purola & Erja Salmenkivi (edd.). Proceedings of the 24th International Congress of Papyrology. Helsinki, 1-7 August, 2004. Volume 1. Helsinki: Societas Scientiarum Fennica, 2007 (Commentationes Humanarum Litterarum 122.1), 331-40. Gärtner, Thomas. ‘Elysische Schau oder unterirdische Grabwohnung? Ein neuer Rekonstruktionsversuch zu Poseidipp (?) epigr. 52 = col. VIII 25-30.’ ZPE 163, 2007, 37-9. Gronewald, Michael. ‘Bemerkungen zu Poseidippos.’ ZPE 161, 2007, 32-4. -
University of Nottingham Sunday 13Th - Wednesday 16Th April 2014
THE CLASSICAL ASSOCIATION ANNUAL CONFERENCE UNIVERSITY OF NOTTINGHAM SUNDAY 13TH - WEDNESDAY 16TH APRIL 2014 CONFERENCE INFORMATION We invite you to attend the 2014 Classical Association Annual Conference, which will be hosted by the University of Nottingham. We look forward to welcoming you to Nottingham and the green and spacious University Park Campus. We hope the programme will be academically stimulating, as well as reflecting the breadth of Classics and the interests and specialisms of the Department of Classics at Nottingham. The conference will run from late afternoon on Sunday 13th April until lunch on Wednesday 16th April and will take place on University Park Campus in Nottingham. The campus is home to a lake, and a number of wildfowl, and is situated to the South-West of the city centre of Nottingham. The city itself combines medieval streets with modern night-life, and is located close to the Peak District National Park. Plenary lectures will take place in the Coates Road auditorium, and panels will be there or in the Pope building. Two halls of residence will provide accommodation (Hugh Stewart and Cripps), and registration, along with tea and coffee, will take place in Cripps. Highlights of the conference will include: the Presidential Address, delivered by Martha Kearney, presenter of The World at One on Radio 4 two interactive plenary sessions on 'The Spatial Turn', consisting of two twenty minute papers followed by discussion: o ‘Touching Space: Turning on the Limits of Word and Image', featuring Dr Alex Purves (UCLA) and Dr Katharina Lorenz (Nottingham) o ‘The Ancient City’, featuring Prof. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Magee, Bruce Robert, "The Amazon Myth in Western Literature." (1996). LSU Historical Dissertations and Theses. 6262. https://digitalcommons.lsu.edu/gradschool_disstheses/6262 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tmct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.