TIFFANY MORGAN 5’8” | Green Eyes | Brown Hair | Tiffmorgan.Com

Total Page：16

File Type：pdf, Size：1020Kb

TIFFANY MORGAN 5’8” | Green Eyes | Brown Hair | tiffmorgan.com SAG/AFTRA CONTACT: Brenda Pauley // [email protected] // 404-874-6448 TELEVISION ROLE PRODUCER Containment Recurring My So Called Co./CW Network The Walking Dead Recurring Stalwart Films/AMC Television Hindsight Recurring POP Films/VH1 Television Nashville Recurring Lionsgate/ABC Studios The Vampire Diaries Recurring Alloy/Warner Brothers Resurrection Recurring Plan B Productions/ABC Studios Nora Roberts “Tribute” Principal Tandem/Lifetime Television Behind The Movement Guest Star Swirl Films/TV One One Tree Hill Guest Star Tollin & Robbins/Warner Bros The People vs. Leo Frank Guest Star Loeterman Productions/PBS Drop Dead Diva Guest Star Woodridge/Sony Pictures Turn: Washington’s Spies Co-Star Stalwart Films/AMC Television Good Girls Co-Star MN Logging Co./NBC FILMS ROLE PRODUCER/DIRECTOR Prisoners Supporting Warner Bros/ Denis Villeneuve Parental Guidance Supporting 20th Century Fox/Andy Fickman The Green Lantern Supporting Warner Bros. Pictures/Martin Campbell Father of Invention Supporting Trigger Street Productions/Trent Cooper The Jone$es Supporting Echo Lake Productions/Derrick Borte Stephen King’s The Mist Supporting Dimension Films/Frank Darabont The Adventures of Ociee Nash Supporting CineVita Productions/Kristen McGary Exclusive Lead Cougar Films/Michael Friedman THEATRE ROLE THEATRE/DIRECTOR Maple & Vine Lead (Ellen) Actor’s Express/Kate Warner In The Next Room, or The Vibrator Play Lead (Mrs. Daldry) Synchronicity/Rachel May One Flew Over the Cuckoo’s Nest Lead (Nurse Ratched) Dad’s Garage/Kate Warner Macbeth (Touring Company) Various Georgia Shakespeare/Richard Garner Theatre Sportsâ Improv Improviser Dad’s Garage/Sean Daniels (PARTIAL LIST OF REGIONAL SELECTS // FULL LIST AVAILABLE UPON REQUEST) COMMERCIALS & VOICE-OVER (DEMO & CLIENT LIST AVAILABLE UPON REQUEST // NARRATOR 100+ AUDIOBOOKS) TRAINING AND EDUCATION SKILLS Sam Christensen // Los Angeles, CA Music - Soprano; sight-reading ability, range of styles The Groundlings // Los Angeles, CA Dialects - Various American & European (quick study) Shakespeare Conservatory //New York, NY Other - Improv, Teleprompter, Runway & Print Modeling, Certified Yoga The School for Film & Television//New York, NY Teacher, Swimmer, Roller-Blade, Snow & Water-Ski, Rock-Climb & Rappel, Seattle Pacific University // Seattle, WA Great with animals (including horseback riding) .

Copy Link

Recommended publications

Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer.
[Show full text]
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr.
[Show full text]
Download Guidelines and Role Descriptions For
Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab 1 Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab TorinoFilmLab has reached its fifth edition this year, Now that we are 5 years old, I must think of and it is a pleasure to celebrate together with those what I hope we can achieve for our 10th birthday. who have supported us since the very beginning: TorinoFilmLab is on the map now, but what is most Regione Piemonte, Comune di Torino and Ministero important is that we become, more and more, a per i Beni e le Attività culturali. community of filmmakers from all around the world, sharing experiences, knowledge, successes, failures, In these years, TorinoFilmLab has grown steadily, friendships, collaborations, projects, ideas…. adding programmes, activities and partners from all TorinoFilmLab works to offer opportunities, to create over Europe and the world. What in 2008 started a space were professionals in the cinema and media with 2 training activities, a co-production market and world can - if not find all they need, at least find a production fund, now runs 6 training activities that useful directions. We have worked hard and will try still all come together (except Interchange, that finds even harder in the next years. I say we, not because I a dedicated platform at the DFC during the Dubai deserve pluralis maiestatis, but because TorinoFilmLab International Film Festival) for the TFL Meeting Event is already a community, where staff, tutors and in Torino, during the Torino Film Festival.
[Show full text]
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.
[Show full text]
12YAS Notes FINALX
ABOUT THE FILMMAKERS STEVE M cQUEEN (Directed by, Produced by) is a British artist and filmmaker. In 2008, M cQueen’s critically acclaimed first feature HUNGER won the Camera d’Or at the Cannes Film Festival among countless other international prizes. He followed with 2011’s incendiary film experience, SHAME, a provocative drama about addiction and secrecy in the modern world. The film received numerous accolades and awards with M cQueen winning the CinemAvvenire Award and FIPRESCI Prize at the Venice Film Festival as well as nominations from BAFTA, the British Independent Film Awards, the London Film Festival, Evening Standard British Film Awards and the Independent Spirit Awards. In 1996, M cQueen was the recipient of an ICA Futures Award, in 1998 he won a DAAD artist’s scholarship to Berlin and in 1999 - besides exhibiting at the ICA and at the Kunsthalle in Zürich - he also won the Turner Prize. McQueen has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta (2002 and 2007) and at the 53rd Venice Biennale in 2009 where he represented Britain. His work is held in museum collections around the world including Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq war by the Imperial War Museum and subsequently produced the poignant and controversial project Queen and Country, which commemorated the deaths of British soldiers who died in the Iraq War by presenting their portraits as a sheet of stamps. In 2002, he was awarded the OBE and the CBE in 2011.
[Show full text]
Crimson Peak – Pressbook Italiano
Crimson Peak – Pressbook Italiano ! !1 Crimson Peak – Pressbook Italiano LEGENDARY PICTURES e UNIVERSAL PICTURES Presentano Una produzione LEGENDARY PICTURES / DDY PRODUCTION Un film di GUILLERMO DEL TORO ! MIA WASIKOWSKA JESSICA CHASTAIN TOM HIDDLESTON CHARLIE HUNNAM JIM BEAVER Scritto da GUILLERMO DEL TORO & MATTHEW ROBBINS Prodotto da THOMAS TULL, P.G.A., JON JASHNI, P.G.A., GUILLERMO DEL TORO, P.G.A., CALLUM GREENE, P.G.A. Produttore Esecutivo JILLIAN SHARE Direttore della Fotografia DAN LAUSTSEN, DFF Scenografie di TOM SANDERS Montaggio di BERNAT VILAPLANA Musiche di FERNANDO VELÁZQUEZ Costumi di KATE HAWLEY Distribuzione: UNIVERSAL PICTURES Uscita Italiana: 22 Ottobre 2015 Durata del Film: 119 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com http://www.CrimsonPeak-IlFilm.it twitter: # /CrimsonPeakI facebook: www.facebook.com/ /CrimsonPeakIT ! Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Simone Raineri – [email protected] !2 Crimson Peak – Pressbook Italiano ! Introduzione "Benvenuti a Crimson Peak". "Questo film segna il mio tentativo di riportare in auge l’antico stile classico del genere romanzesco gotico delle grandi produzioni Hollywoodiane. Il Periodo d'Oro del cinema ha prodotto film come Il Castello di Dragonwyck, Rebecca – La Prima Moglie; La Porta Proibita (Jane Eyre), e Grandi Speranze (Great Expectations) , capolavori che sono poi finiti nel dimenticatoio negli anni '50, '60 e '70. Di fatto, sono passati circa 30 anni da quando è uscito un romanzo gotico di questa portata, e sono orgoglioso di presentarlo nuovamente sugli schermi. "Si tratta di un genere fiorito alla fine del 18° secolo, nato come reazione romantica all'Età della Ragione.
[Show full text]
Kcfringe18.Pdf
PRODUCED BY 3 IS PROUD TO PRESENT WELCOME TO FR!NGE Welcome to the 14th Annual KC Fringe Festival! KANSAS CITY The KC Fringe showcases local, national, and international artists in a ARTS diverse melting pot of performing and visual arts. Whether you’re a first- EXPERIENCE timer or a veteran Fringer, welcome to our favorite time of year! 2018 The Fringe Festival is a stage for the diversity, innovation, and creativity AUG 25–OCT 28 that can be found throughout our community. This event is an example of Kansas City’s contemporary visual and performing artists join their national and how the arts bring people from all walks of life together, inspiring partici- international counterparts in transforming the city into an ever-evolving arts pants and attendees to embrace creativity and dare to be different. experience. For nine weeks, in spaces familiar and new, in parks and urban spaces, in galleries, performance halls and outdoor stages — Open Spaces The KC Fringe has something for everyone. The youngest members of will transform Kansas City into a living cultural tapestry into which the best of the your family can find their Fringe during our opening weekend. Our YOUth world’s collective imagination can be woven. Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum. Our regular Fringe shows span across 14 venues and feature 76 different producers with over 630 par- ticipating artists. Our galleries showcase 35 Visual Artists across multiple CONTENTS mediums.
[Show full text]
ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
ID name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY 10 ENTERTAINMENT 119140 100.000VOLTS.TV 119962 101ST STREET ENTERTAINMENT 114635 101ST STREET PRODUCTIONS 118840 101ST STREET TELEVISION 113543 11TH STREET PRODUCTIONS 119499 127 WALL PRODUCTIONS 115680 13 PRODUCTION 106472 1492 PICTURES 100008 1492 PRODUCTIONS 106474 18 HUSKY 119951 1895 FILMS 117848 18TH STREET FILM 106475 19 ENTERTAINMENT 100010 19 TELEVISION 110681 1OP1 TV EN VIDEO PRODUCTIES BV 113969 2 ROOSTERS MEDIA 112499 21 LAPS ENTERTAINMENT 119887 211 PRODUCTIONS 118463 22 PLATES 117840 24 DOC 104567 24FPS FEAUTURES 108082 24FPS PRODUCTIONS 110683 26 FILMS 118974 2LE MEDIA 109600 2MEDIA PRODUCTIONS 109601 3 ART ENTERTAINMENT 100018 3 ARTS ENTERTAINMENT 119967 3 BALL ENTERTAINMENT 110687 3 BALL PRODUCTIONS 113973 3 DOGS AND A PONY 113947 3 IN THE BOX 100022 3 SISTERS ENTERTAINMENT 119621 333 PRODUCTIONS 117690 343 INDUSTRIES 117595 360 PICTURES 119197 3DD ENTERTAINMENT LIMITED 112504 3J S ENTERTAINMENT 112505 4 BY 2 119495 4 EVER CHRISTMAS PRODUCTIONS 100026 4 TO 6 FOOT 106483 40 ACRES AND A MULE FILMWORKS Videma: unknown rightsholders as per June 30, 2020 1 118263 43 FILMS 113199 44 BLUE PRODUCTIONS 119462 5STAR BROADCASTING LTD 118045 72 PRODUCTIONS 106485 777 FILMS CORPORATION 114377 7ATE9 ENTERTAINMENT 118343 8:38 PRODUCTIONS 119790 87ELEVEN 118206 8816522 CANADA INC. 117620 9 STORY MEDIA GROUP 119415 9.14 PICTURES 119682 93 METROS 118591 9STORIES 100050 A BAND APART 119060 A BETTY PRODUCTION 116506 A GRAND ELEPHANT 118201 A PLUS IMAGE 3 119777 A RED ARROW STUDIOS COMPANY 104576 A S PANORAMA FILM INT 115151 A SCHOOL PRODUCTIONS 119436 A SINGLE SHOT PRODUCTIONS 104581 A SMITH AND CO 112509 A SON OF NATE AND JILL PRODUCTIONS 104578 A TEAM PRODUCTIONS 110698 A VERY GOOD PRODUCTION INC 117624 A&E INDIEFILMS 119788 A&E NETWORK 119722 A+E NETWORKS 116416 A.
[Show full text]
Tv Shows - 2019 Drama
TV SHOWS - 2019 DRAMA SHOW TITLE GENRE NETWORK SEASON STATUS STUDIO / PRODUCTION COMPANIES SHOWRUNNER(S) EXECUTIVE PRODUCERS 68 Whiskey Episodic Drama Paramount Network Ordered to Series CBS TV Studios / Imagine Television Roberto Benabib Fox TV Studios / 20th Century Fox Television, 911 Episodic Drama Fox Renewed Ryan Murphy Productions Timothy P. Minear, 20th Century Fox TV / 9-1-1: Lone Star Episodic Drama Fox Ordered to Series Ryan Murphy Productions Ryan P. Murphy Brad Falchuk; Timothy P. Minear A Million Little Things Episodic Drama ABC Television Renewed ABC Studios / Kapital Entertainment DJ Nash James Griffiths A Teacher Drama FX Network Ordered To Series FX Productions Hannah M. Fidell Jed Whedon; Maurissa Tancharoen; Agents of S.H.I.E.L.D. Episodic Drama ABC Television Renewed ABC Studios / Marvel Entertainment; Mutant Enemy Jeffrey Bell Alive Episodic Drama CBS Entertainment Not Picked Up CBS TV Studios Jason Tracey Robert Doherty All American Episodic Drama CW Network Renewed Warner Bros Television / Berlanti Productions Nkechi Carroll, Gregory G. Berlanti Greg Spottiswood; Leonard Goldstein; All Rise Episodic Drama CBS Entertainment Ordered to Series Warner Bros Television Michael Robin; Gil Garcetti Almost Paradise Episodic Drama WGN America Ordered to Series Electric Entertainment Gary Rosen; Dean Devlin Marc Roskin Amazing Stories Episodic Drama Apple Ordered To Series Universal Television LLC / Amblin Television Adam Horowitz; Edward Kitsis David H. Goodman Amazon/Russo Bros Project Episodic Drama Amazon Ordered To Series Amazon Studios / AGBO Anthony Russo; Joe Russo American Crime Story Episodic Drama FX Network Renewed Fox 21; FX Productions / B2 Entertainment; Color Force Ryan Murphy Brad Falchuk; D V.
[Show full text]
Check out Our Viewbook!
DEPARTMENT OF THEATRE, DRAMA, AND CONTEMPORARY DANCE Bachelor of Arts and Bachelor of Fine Arts at INDIANA UNIVERSITY Bloody, Bloody Andrew Jackson (2016) The story begins long before There is design down to different backgrounds to create Stories the lights come on for the first the very last stitch in a a bond found nowhere else. time. It starts with creation, costume. There is intentional The only thing missing is you. begin here conception, writing. There is manipulation of light to convey influence from the outside emotion. There are long hours Take your place. world and from the imagination. spent rehearsing with people There is research. who come together from PROGRAMS Choose your role LINDA PISANO Department Chair and Professor of Costume Design Bachelor of Arts Linda is an award-winning costume designer who chairs in Theatre & the IU Department of Theatre, Drama Drama, and Contemporary Dance and directs the Theatre This degree gives you a and Drama Department’s Study strong foundation in the study Abroad Program in London. She of drama as a humanistic is a member of the United Scenic discipline, and is founded Artists Local 829 and her work has on the belief that theatrical covered a broad range of theatre, production and classroom dance, musical theatre, ballet, and study complement each opera throughout the United States. other. You will be involved Her work has been featured in the in the practice of theatre Quadrennial World Design Expo in as an art, preparing you for Prague and the World Stage Design exhibition. Several of her ballet postgraduate work in the designs continue to tour through performing arts and related Canada, England, and the United fields.
[Show full text]
Report 2020 Corporate Social Responsibility
2020 CORPORATE SOCIAL RESPONSIBILITY REPORT Table of Contents 3 LETTER FROM OUR CHIEF EXECUTIVE OFFICER 31 WORKFORCE 4 OUR BUSINESS 38 ENVIRONMENT 5 OUR APPROACH AND GOVERNANCE 46 SUPPLY CHAIN LABOR STANDARDS 8 RESPONDING TO COVID-19 49 LOOKING AHEAD 11 ADVANCING SOCIAL EQUITY 51 DATA AND PERFORMANCE FY20 Highlights and Recognition ........ 50 14 CONTENT & PRODUCTS FY20 Data Table ..................................... 53 Sustainable Development Goals ......... 55 22 SOCIAL IMPACT Sustainability Accounting Standards Board and Global Reporting Initiative Index ... 59 Intro Our Approach And Governance Responding To COVID-19 Advancing Social Equity Content & Products Social Impact Workforce Environment Supply Chain Labor Standards Looking Ahead Data And Performance 2 LETTER FROM OUR CHIEF EXECUTIVE OFFICER our employees. We continue to invest in these areas, while Meanwhile, our commitment to environmental stewardship a multi-faceted plan to bring about important changes taking appropriate steps to adhere to our high standards focuses on using resources wisely and protecting the planet across our company, comprised of six pillars: Transparency, and to leverage our unique assets and capabilities to benefit as we operate and grow our businesses. Our teams worked Representation, Accountability, Community, Content, and our workforce, communities and planet. This commitment to hard to meet our 2020 target to reduce net greenhouse gas Culture. As part of this important work, we’ve launched a corporate social responsibility is a priority for our
[Show full text]
You Are Viewing an Archived Copy from the New Jersey State Library
You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library TABLE OF CONTENTS INTRODUCTION..................................................3 CHAIRMAN'S MESSAGE............................................5 EXECUTIVE DIRECTOR'S REPORT...................................9 "Production Totals and Percentage Increases: 2010 vs. 2009" Chart....................................13 "Production Totals, 1978-2010" Chart....................15 "Number of Film and Video Projects Using New Jersey Locations, 1978-2010" Graph.............................17 ECONOMIC IMPACT..............................................23 "Economic Impact Statistics, 1978-2010" Chart...........29 “Revenue Breakdown by Production Category, 2010” Chart..31 "Millions of Dollars Contributed to New Jersey Economy by Filmmaking Activity, 1978-2010" Graph........33 PRODUCTION SERVICES..........................................35 INTERNSHIP PROGRAM...........................................39 PRODUCTION LIST..............................................41 Features................................................43 Telefilms/Mini-Series...................................51 Television Series and Specials..........................53 Music Videos............................................69 Industrial, Educational, Documentary and Short Films....71 Commercials/Stills......................................89 Webcasts/Web Series....................................107
[Show full text]