JULIUS CAESAR by William Shakespeare
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Teacher Resource Pack I, Malvolio
TEACHER RESOURCE PACK I, MALVOLIO WRITTEN & PERFORMED BY TIM CROUCH RESOURCES WRITTEN BY TIM CROUCH unicorntheatre.com timcrouchtheatre.co.uk I, MALVOLIO TEACHER RESOURCES INTRODUCTION Introduction by Tim Crouch I played the part of Malvolio in a production of Twelfth Night many years ago. Even though the audience laughed, for me, it didn’t feel like a comedy. He is a desperately unhappy man – a fortune spent on therapy would only scratch the surface of his troubles. He can’t smile, he can’t express his feelings; he is angry and repressed and deluded and intolerant, driven by hate and a warped sense of self-importance. His psychiatric problems seem curiously modern. Freud would have had a field day with him. So this troubled man is placed in a comedy of love and mistaken identity. Of course, his role in Twelfth Night would have meant something very different to an Elizabethan audience, but this is now – and his meaning has become complicated by our modern understanding of mental illness and madness. On stage in Twelfth Night, I found the audience’s laughter difficult to take. Malvolio suffers the thing we most dread – to be ridiculed when he is at his most vulnerable. He has no resolution, no happy ending, no sense of justice. His last words are about revenge and then he is gone. This, then, felt like the perfect place to start with his story. My play begins where Shakespeare’s play ends. We see Malvolio how he is at the end of Twelfth Night and, in the course of I, Malvolio, he repairs himself to the state we might have seen him in at the beginning. -
Group Protests Marine Presence , Qu.Wiidnesday, Jan
73. Vol. ,23, Issue 16 THE TRINITY February t£ 1975 Trinity College TRIPOD Hartford, Conn. Student Elections Fill 12 College Committees Student elections were held last Fred Lahey 55 Thursday, Jan. 30, in the lobby of Mather Policy Board (1) Mather Hall. Twenty-three Kim Jonas 28 (write-in* positions on 12 college committees Special Committee on FU»ap» were filled by the winning can- pointment, Tenure, and didates whose names and total Promotions (2) votes received appear below. Total Steve Kayman 127 voter turnout on election day was SheUa Driscoll 109 610. Student Activities Committee (3) Election Results Jim Cobbs 141 Academic Affairs Committee (1) Peter Pieragostini 141 Paul Sachs 176 Ramsay Gross 130 College Affairs Committee (1) Parking Appeals Board (3) Adrienne Mally 147 Stan Goldich 197 Curriculum Committee (1) Ralph Stone 172 Bill Levy 114 Craig Shields 156 Financial Affairs Committee (1) Studeiit Government Association Stan Goldich 159 Library Committee (1) Pat Heffernan 227 • George Stiffler 301 Sheila Driscoll 190 Mather Hall Board of Gover- Richard Chamberlain 140 nors— upperclass position (2) Barbara Husum 130 Mary Desmond 153 Bill O'Brien 117 Jay Morgan 148 Mather Hall Board of Gover- Trinity College Council (1) nors—freshman position (l) Mike Brown 19 (write-in) photo by Al Moore Reaction Mixed Group Protests Marine Presence , Qu.Wiidnesday, Jan. 29, an anti- hearing the parting words of a another location on campus. The tn&tmte {action led by Peter Jessop marine recruiter whom Margolis removal of the Marines might, '76 and John Bach, a 27 year old reported to have said, "I'll see you however, entail more than just a Hartford resident, distributed next year. -
Tv Shows, Feature Films & Documentaries
TV SHOWS, FEATURE FILMS & DOCUMENTARIES TITLES AVAILABLE DUBBED AND SUBTITLED IN SPANISH. INDEX INDEX TITLES AVAILABLE DUBBED ...And It’s Snowing Outside! 6 Grand Torino (The) 27 Storm (The) 14 Angel Of Sarajevo (The) 6 Hidden Vatican (The) 7 Terra Sancta: Guardians Of Salvation’s Source 25 Assault (The) 10 Imperium: Nero 19 Third Secret Of Fatima (The) 27 Bartali, The Iron Man 16 Imperium: Pompeii 19 Third Truth (The) 28 Borsellino, The 57 Days 12 Imperium: Saint Augustine 20 Turin’s Butterfly 11 Boss In The Kitchen (A) 9 Imperium: Saint Peter 20 Wannabe Widowed 12 Bright Flight 13 Lady Of The Camellias 21 Caravaggio 16 Long Lasting Youth 21 Claire & Francis 17 Maria Goretti 28 Countess Of Castiglione (The) 25 Marriage (A) 8 Curfew - Don Pappagallo (The) 26 Mearshes Intrique (The) 22 Displaced Child (The) 11 My House Is Full Of Mirrors 15 Don Zeno 17 Oro Di Scampia (L’) 7 Fear Of Loving 1, 2 9 Over The Shop 13 Francesco 22 Pompeii, Stories From An Eruption 23 Frederick Barbarossa 15 Resurrection 23 Giovanni Falcone, The Judge 18 Saint Bakhita 24 Girls Of San Frediano (The) 26 Scent Of Love 14 Giuseppe Moscati, 18 Song’e Napule 10 Good Season (A) 8 Star Of Bethlehem 24 Credits not contractual Credits INDEX TITLES AVAILABLE SUBTITLED Anija 36 Lonely Hero (A) 42 Away From Me 33 Smile Of The Leader (The) 35 Balancing Act (The) 37 Song’e Napule 34 Black Souls 31 Triplet (The) 39 Caesar Must Die 36 Viva La Libertà 35 Cardboard Village (The) 40 Chair Of Happiness (The) 34 Darker Than Midnight 31 Dinner (The) 32 Easy 40 Entrepreneur (The) 41 -
Lamctott Liu/ Which Was Regarded As the Chief Point of Interest, Not Only of This Day’S Excursion, but of the Whole Meeting
38 Thirty-eighth Annual Meeting, Upon the motion of the President, a vote of thanks was offered to Mr. Green, for the diligence with which he had collected his materials, and the manner in which he had thrown light upon the subject of his paper. Mr. Green then read a paper hy Mr. Kerslake, on Gifla,^’ which is printed in Part II. p. 16. Mr. Green expressed his opinion that the derivation of the name was not from the river Yeo, which was a modern name. The meeting then terminated. The morning was delightfully fine, and at 9.30, the carriages being in readiness, a goodly number of Members left Yeovil for lamctott liU/ which was regarded as the chief point of interest, not only of this day’s excursion, but of the whole meeting. After a pleasant drive, passing by Odcombe, the birth-place of Tom Coryate,^ the cortege entered the camp by “ Bedmore Barn,’^ the site of the discovery of the large hoard of Roman coins in 1882, and drew up at (1) belonging to Mr. Charles Trask. The party having assembled on the edge of one of the deep excavations, at the bottom of (2) which the workmen were engaged in quarrying the celebrated Ham-stone,” Mr. Trask was asked to say a few words about the quarries. He said that the marl stone of the upper Lias was found plentifully along the level land within half a mile of the foot of the hill, on the western side. Above this were the Oolitic — : is . Leland says “ Hamden hill a specula, ther to view a greate piece of the country therabout The notable quarre of stone is even therby at Hamden out of the which hath been taken stones for al the goodly buildings therabout in al quarters.” paper, part ii. -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Julius Caesar © 2015 American Shakespeare Center
THE AMERICAN SHAKESPEARE CENTER STUDY GUIDE Julius Caesar © 2015 American Shakespeare Center. All rights reserved. The following materials were compiled by the Education and Research Department of the American Shakespeare Center, 2015. Created by: Cass Morris, Academic Resources Manager; Sarah Enloe, Director of Education and Research; Ralph Cohen, ASC Executive Founding Director and Director of Mission; Jim Warren, ASC Artistic Director; Jay McClure, Associate Artistic Director; ASC Actors and Interns. Unless otherwise noted, all selections from Julius Caesar in this study guide use the stage directions as found in the 1623 Folio. All line counts come from the Norton Shakespeare, edited by Stephen Greenblatt et al, 1997. The American Shakespeare Center is partially supported by a grant from the Virginia Commission for the Arts and the National Endowment for the Arts. American Shakespeare Center Study Guides are part of Shakespeare for a New Generation, a national program of the National Endowment for the Arts in partnership with Arts Midwest. -2- Dear Fellow Educator, I have a confession: for almost 10 years, I lived a lie. Though I was teaching Shakespeare, taking some joy in pointing out his dirty jokes to my students and showing them how to fight using air broadswords; though I directed Shakespeare productions; though I acted in many of his plays in college and professionally; though I attended a three-week institute on teaching Shakespeare, during all of that time, I knew that I was just going through the motions. Shakespeare, and our educational system’s obsession with him, was still a bit of a mystery to me. -
Study Guide 2016-2017
Study Guide 2016-2017 by William Shakespeare Standards Theatre English Language Arts Social Studies TH.68.C.2.4: Defend personal responses. LAFS.68.RH.1.2: Determine central ideas. SS.912.H.1.5: Examine social issues. TH.68.C.3.1: Discuss design elements. LAFS.910.L.3.4: Determine unknown words. TH.68.H.1.5: Describe personal responses. LAFS.910.L.3.5: Demonstrate figurative language. TH.912.S.1.8: Use research to extract clues. LAFS.1112.SL.1.1: Initiate collaborative discussions. TH.912.S.2.9: Research artistic choices. TH.912.H.1.4: Interpret through historical lenses. Content Advisory: Antony and Cleopatra is a political drama fueled by intimate relationships. There are battle scenes. If it were a movie, Antony and Cleopatra would be rated “PG-13.” !1 Antony and Cleopatra Table of Contents Introduction p. 3 Enjoying Live Theater p. 3 About the Play p. 6 Plot Summary p. 6 Meet the Characters p. 7 Meet the Playwright p. 8 Historical Context p. 11 Elizabethan Theater p. 11 Activities p. 12 Themes and Discussion p. 17 Bibliography p. 17 !2 Antony and Cleopatra An Introduction Educators: Thank you for taking the time out of your very busy schedule to bring the joy of theatre arts to your classroom. We at Orlando Shakes are well aware of the demands on your time and it is our goal to offer you supplemental information to compliment your curriculum with ease and expediency. What’s New? Lots! First, let me take a moment to introduce our new Children’s Series Coordinator, Brandon Yagel. -
Bacon-Shakespeare Timeline
Bacon-Shakespeare Timeline Chart of the dates of the Francis Bacon and William Shakespeare literary works together with key dates in Bacon’s life. Author: Peter Dawkins The following chart gives the dates of composition and publication of the Francis Bacon and William Shakespeare literary works together with key dates in Francis Bacon’s life. The dates are given as accurately as possible, although some of these (such as for the writing of the Shakespeare plays) can only be approximate. Key to the Chart: Bacon Ph = Philosophical & Literary Ph# = Great Instauration, # referring to which Part of the G.I. the writings belong. Po* = Poetic L = Legal O = Other Shakespeare Po† = Poetic underlined = publications during Bacon’s lifetime Blue text = other important events Dates of Francis Bacon’s Life and Works and the Shakespeare Works 22 Jan. 1561 Birth of Francis Bacon (FB) 25 Jan. 1561 Baptism of Francis Bacon 1572-4 Supernova in Cassiopeia April 1573-1575 FB student at Trinity College, Cambridge – left Dec 1575 July 1575 The Kenilworth Entertainment Aug. 1575 The Woodstock Tournament 27 June 1576 FB admitted de societate magistrorum at Gray’s Inn 25 Sept.1576 FB departs for Paris, France, as an attaché to Sir Amyas Paulet, the new English ambassador to the French Court – besides studying French culture, politics and law, works as an intelligencer Dec 1576 FB moves with the embassy and French Court to Blois March 1577 FB moves with the embassy and French Court to Tours, then Poitiers Aug 1577 FB moves with the embassy and French Court to Poitiers Aug-Sept 1577 FB travels to England to deliver a secret message to the Queen Oct. -
The Public and Private Life of Lord Chancellor Eldon
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ThepublicandprivatelifeofLordChancellorEldon HoraceTwiss > JHEMPMEyER ,"Bequest of oAlice Meyer 'Buck, 1882-1979 Stanford University libraries > I I I Mk ••• ."jJ-Jf* y,j\X:L ij.T .".[.DDF ""> ». ; v -,- ut y ftlftP * ii Willi i)\l I; ^ • **.*> H«>>« FR'iM •• ••.!;.!' »f. - i-: r w i v ^ &P v ii:-:) l:. Ill I the PUBLIC AND PRIVATE LIFE or LORD CHANCELLOR ELDON, WITH SELECTIONS FROM HIS CORRESPONDENCE. HORACE TWISS, ESQ. one op hkr Majesty's counsel. IN THREE VOLUMES. VOL. III. Ingens ara fuit, juxtaquc veterrima laurus Incumbcns ane, atque umbra complexa Penates." ViRG. JEn. lib. ii. 513, 514. Hard by, an aged laurel stood, and stretch'd Its arms o'er the great altar, in its shade Sheltering the household gods." LONDON: JOHN MURRAY, ALBEMARLE STREET. 1844. w3 London : Printed by A. Spottiswoode, New- Street- Square. CONTENTS THE THIRD VOLUME CHAPTER L. 1827. Letter from Lord Eldon to Lady F. J. Bankes. — Mr. Brougham's Silk Gown. — Game Laws. — Unitarian Marriages. — Death and Character of Mr. Canning. — Formation of Lord Goderich's Ministry. — Duke of Wellington's Acceptance of the Command of the Army : Letters of the Duke, of Lord Goderich, of the King, and of Lord Eldon. — Letters of Lord Eldon to Lord Stowell and to Lady Eliza beth Repton. — Close of the Anecdote- Book : remaining Anec dotes ------- Page 1 CHAPTER LI. 1828. Dissolution of Lord Goderich's Ministry, and Formation of the Duke of Wellington's : Letters of Lord Eldon to Lady F.