New Nordic Films Catalogue 2015
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Becoming Astrid
Music Box Films Presents BECOMING ASTRID 123 MINUTES | SCANDINAVIA | 2018 | NOT RATED | IN SWEDISH AND DANISH WITH ENGLISH SUBTITLES PRESS NOTES Publicity Contacts New York: Los Angeles: Regional/Marketing: Sophie Gluck & Associates Marina Bailey Film Publicity Music Box Films Sophie Gluck Marina Bailey Kathleen Sachs [email protected] [email protected] [email protected] 212-595-2432 323-962-7511 312-508-5362 Aimee Morris Dina Makhlouf [email protected] [email protected] 212-595-2432 Music Box Films Contacts Theatrical Bookings: Marketing/Social Media: Kyle Westphal Becky Schultz [email protected] [email protected] 312-508-5359 312-508-5360 BECOMING ASTRID | PRESS NOTES LOGLINE The poignant true story of a character-defining period in the life of Pippi Longstocking author Astrid Lindgren, BECOMING ASTRID follows a teenaged Astrid as she struggles with being a young, unwed mother. SYNOPSIS Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. SUMMARY Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen). -
10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Stenastiftelsens Arsbok 2019-1.Pdf
STEN A OLSSONS KULTURSTIPENDIUM 2019 2 0 1 9 INDEX FÖRORD 08 RYGGMÄRGSSKADECENTRUM 12 DAVID DENCIK 28 SARAH KLANG 50 MASAYOSHI OYA 72 MATTIAS NORDKVIST 94 MARTHA OSSOWSKA PERSSON 120 MALIN WÄTTRING 142 EVA LÖFDAHL 164 CLAES ERIKSSON 186 MOTIVERINGAR 214 CURRICULUM VITAE 218 MOTTAGARE AV STEN A OLSSONS KULTURSTIPENDIUM 226 08 FÖRORD 09 NYA FORMER FÖR LÄRANDE, kunskapsförmedling och innova- Men 2019 års utan jämförelse största investering är stödet om tioner fortsätter att vara något av en röd tråd i Stenastiftelsens sammanlagt 50 miljoner kronor till uppbyggandet av Universeums satsningar. 3 juni 2019 invigdes, under högtidliga och festliga visualiseringslabb, under ledning av professor Anders Ynnerman, former, Ryggmärgsskadecentrum Göteborg, som under en upp- världsledande inom sitt område. Här sammanfaller fera av stiftel- byggnadsperiod av fem år beviljats stöd om cirka 34 miljoner sens fokusområden: satsningar på nya innovativa lärandeprocesser, kronor från Stenastiftelsen. Sedan etableringen 2017 har arbetet nydanande teknik och mångdisciplinära samarbeten. Den nya fortskridit i snabb takt. Målet är att detta än så länge unika visualiseringstekniken blir tillgänglig för publik i labbstationer projekt skall bli självfnansierande efter 2021. Centrets utveck- och kommer att kunna användas och utnyttjas i fera olika syften lingspotential är stor och arbetet mycket lovande. I årets katalog och sammanhang. Med hjälp av tekniken kan en djupare förstå- fnns en längre intervju med centrets projektledare Gunilla else och insikt uppnås – om mikrokosmos och makrokosmos, om Åhrén, där syfte och framtidsplaner belyses. rymden, människokroppen, stadsmiljön eller klimatet – för att Det är alltid lika glädjande att ta del av de framgångar som bara ge några exempel. På sikt kommer säkert samarbeten mellan såväl de tidigare kulturstipendiaterna som forskningsprojekten olika institutioner och discipliner att etableras för att dra nytta röner, samt hur stiftelsens uttalade ambition – att stödet skall av de nya upptäckter som avtäcks. -
Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Baltasar Kormákur
THE DEEP EEN FILM VAN BALTASAR KORMÁKUR WILD BUNCH WILLEMSSTRAAT 24B – 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx THE DEEP – BALTASAR KORMÁKUR PROJECT SUMMARY EEN PRODUCTIE VAN BLUEEYES PRODUCTIONS, FILMHUSET AS TAAL IJSLANDS LENGTE 95 MINUTEN ORIGINELE TITEL DJUPID GENRE DRAMA LAND VAN HERKOMST IJSLAND FILMMAKER BALTASAR KORMÁKUR HOOFDROLLEN ÓLAFUR DARRI ÓLAFSSON, JÓHANN G. JÓHANNSSON, BJÖRN THORS RELEASEDATUM 25 APRIL 2013 FESTIVALS TORONTO INTERNATIONAL FILMFESTIVAL – SPECIAL PRESENTATION KIJKWIJZER SYNOPSIS Als op een koude nacht in 1984 een vissersboot met zijn gehele bemanning aan boord zinkt, is er slechts één iemand die de schipbreuk op miraculeuze wijze weet te overleven. Het is wetenschappelijk onverklaarbaar aangezien Gulli zes uur in het ijskoude water heeft gelegen. Terwijl zijn bovennatuurlijke wil om te overleven hem tot nationale held van IJsland heeft gebombardeerd, herinnert Gulli de zwarte nacht als het moment waarop hij zijn vrienden en collega’s verloor. Gebaseerd op een waargebeurd verhaal. CAST GULLI ÓLAFUR DARRI ÓLAFSSON PALLI JÓHANN G. JÓHANNSSON HALLA PORBJÖRG HELGA PORGILSDÓTTIR GULLI’S FATHER THEODÓR JÚLÍUSSON GULLI’S MOTHER MARÍA SIGURDARDÓTTIR HANNES BJÖRN THORS LÁRUS PRÖSTUR LEÓ GUNNARSSON ERLINGUR GUDJÓN PEDERSEN RAGGI WALTER GRÍMSSON JÓN STEFÁN HALLUR STEFÁNSON CREW DIRECTOR BALTASAR KORMÁKUR SCREENPLAY BALTASAR KORMÁKUR JÓN ATLI JÓNASSON PRODUCER BALTASAR KORMÁKUR AGNES JOHANSEN EXECUTIVE PRODUCER LILJA PÁLMADÓTTIR DAVID LINDE CINEMATOGRAHER BERGSTEINN BJÖRGÚLFSSON EDITOR SVERRIR KRISTJÁNSSON ELÍSABET RONALDSDÓTTIR SOUND KJARTAN KJARTÁNSSON INGVAR LUNDBERG PRODUCTION DESIGNER ATLI GEIR GRÉTARSSON THE DEEP – BALTASAR KORMÁKUR THE DEEP - DIRECTOR’S NOTES I was just a teenager when this actually happened. Like everyone else in our small country I felt for all the people of the Westmann Islands who again had lost men at sea, but I was also fascinated by the news on the sole survivor. -
Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new. -
Ringin Och Vardig Själv För En Liten Stund …
Ring in och vardig själv för en liten stund … Ring nu! Prata med killar GRATIS 0200–292 293 Prata med tjejer 0939-204 00 88 4,55/min Inget abonnemang, inga månadsavgifter – bara kul när du själv vill. Drömdejten är som Heta Linjen men mycket tryggare. Du spelar in din presentation, lyssnar på killarnas meddelanden, svarar och sen är du igång! Du ringer alltid anonymt och din inspelning försvinner direkt när du lägger på. Det är alltid någon som vill prata – dygnet runt. Har du frågor kontakta kundtjänst: 08-611 96 00 Talli, Box 34, 263 21 Höganäs eller besök www.dromdejten.se. www.dromdejten.se. Trots corona SÖNDAG ä / – / Endast:- TORSDAG ALLA MOT ALLA Direkt från SPÄNNANDE Gyllene salen FINAL VICTORIASTORSDAG NOBELFEST FREDAG ONSDAG e ge TIDSAM 4075-51 HUDIK-EMMAS Inte bara lussebulle REVANSCH TORSDAG TINAS JULBA FILMGUIDEN 10 - 16 december Torsdag WANTED Fredag PULP FICTION 21.00 THRILLER (2008) 21.45 ACTION (1994) TV3 Wesleys liv ändras drastiskt när han introduceras till SVT2 En boxare blåser en fruktad maffiaboss, ett desperat Brödraskapet. Med hjälp av Fox (Angelina Jolie) ska Wesley kärlekspar rånar en restaurang och två torpeder pratar fotmassage (James McAvoy) avslöja Brödraskapets mörka hemligheter och och hamburgare. Många personers vägar korsas i detta dråpliga, hitta sin fars mördare. brutala och inflytelserika kriminaldrama av Quentin Tarantino. BETYG: ★★★ BETYG: ★★★★ Fredag OUR CHRISTMAS Fredag MITT STORA Fredag JURASSIC Lördag GOODBYE LOVE SONG FETA GREKISKA WORLD CHRISTOPHER 18.15 KOMEDI (2019) 21.00 BRÖLLOP 2 21.00 ACTION (2015) 18.45 ROBIN Sjuan När Melody blir TV3 KOMEDI (2016) Kanal 5 Jurassic Park kol- TV3 DRAMA (2017)R oskyldigt anklagad för att ha När det uppdagas att Toulas lapsade för 22 år sedan och nu Relationen mellan författaren A. -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
Kongen Og Dronningen Av Norske Talkshow
KONGEN OG DRONNINGEN AV NORSKE TALKSHOW - EN SAMMENLIGNENDE ANALYSE AV SKAVLAN OG LINDMO Foto: NRK/Mette Randem Foto: NRK/Evy Andersen AV: LINDA CHRISTINE STRANDE Masteroppgave i medievitenskap Institutt for informasjons- og medievitenskap Universitetet i Bergen Våren 2013 Forord Det er mange som fortjener en takk for å ha hjulpet meg i arbeidet med denne masteroppgaven. Først og fremst vil jeg benytte anledningen til å takke min fantastiske veileder, Jostein Gripsrud. Med dine gode råd, din faglige kompetanse og, ikke minst, ditt upåklagelig gode humør har du ikke bare gjort arbeidet med oppgaven lettere, men også hyggeligere. Jeg er utrolig takknemlig for det. En stor takk vil jeg også rette til Fredrik Skavlan, Anne Lindmo og deres nære medarbeidere Marianne Torp Kierulf, Jan Petter Saltvedt og Stine Traaholt. Jeg setter veldig stor pris på at dere velvillig stilte opp til intervjuer. Jeg opplevde å bli utrolig godt tatt imot av dere, og fikk mange gode svar som har vært til stor nytte for meg i dette forskningsprosjektet. Jeg vil også takke mine kjære medstudenter som har sittet sammen med meg på rom 539. Vi døpte tidlig vårt kontorfellesskap GOE DAGA. Et navn som spesielt de siste, intense månedene har fremstått som mer og mer ironisk. Likevel er jeg sikkert på at vi, etter hvert når skuldrene senker seg, vil se tilbake på tiden som har vært med glede og savn. Vinterning og bråkebøter er begreper jeg alltid vil minnes med et smil om munnen. Sist, men ikke minst, vil jeg også rette en stor takk til familie og venner. Spesielt takk til verdens beste mamma og pappa. -
BROTHERHOOD [Broderskab]
Presents A FILM BY NICOLO DONATO BROTHERHOOD [Broderskab] STARRING THURE LINDHARDT DAVID DENCIK NICOLAS BRO MORTEN HOLST Country of Origin: Denmark / In Danish with English Subtitles Running time: 90 minutes Shot On: RED1 Sound: Dolby SR Digital Screen Ratio: 1:2:35 Rating: Not Rated PRESS CONTACT SASHA BERMAN SHOTWELL MEDIA TEL: 310.450.5571 [email protected] Please download photos from our website: www.olivefilms.com New York Premiere August 6, 2010 SYNOPSIS When Lars (Thure Lindhardt) is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars runs into a small radical group of neo-Nazis led by the charismatic Michael ‘Fatso’ (Nicolas Bro). Initially, Lars distances himself from their ideology and methods, but fuelled by defiance against the system in general – and his parents in particular – Lars decides to join the group. Fatso immediately spots the potential in the intelligent eloquent Lars, even though his right-hand man, Jimmy (David Dencik), does not agree. Lars rapidly advances through the ranks and is nominated as an A member, despite the fact that this promotion should really have gone to Jimmy’s younger brother, Patrick (Morten Holst). Lars moves out of his parents’ house and into board chairman Ebbe’s remotely situated summer cottage, which Jimmy is in the process of renovating. Despite their initial dislike of each other, the attraction between the two men soon becomes too strong to ignore, and even though they feel torn between ideology and emotions, they begin a secret relationship.