Fun Facts: Coming Next

Total Page:16

File Type:pdf, Size:1020Kb

Fun Facts: Coming Next FUN FACTS: 1. Pasternak’s Nobel prizing-winning novel had been a huge international success and Carlo Ponti bought the rights as a vehicle for his wife, Sophia Loren. David Lean did not want to use Loren claiming she was “too tall” for the role. 2. As with the novel itself, the film was banned in the Soviet Union. It was not shown in Russia until 1994. 3. Winter scenes of the family travelling to Yuriatin by rail were filmed in Canada. The life of a Russian doctor/poet who, 4. According to Guinness, Lean was 'acting the part although married, falls for a political of a superstar director' and frequently insulted activist's wife and experiences Guinness' performance and him personally. Their quarrelling caused a rift to develop between the hardships during the Bolshevik two and they would not work again until A Passage Revolution. to India almost twenty years later. Release date December 22, 1965 5. Maurice Jarre’s score—particularly “Lara’s Theme”—became one of the most famous in Directed by David Lean cinematic history. It won the Grammy in 1967 for Produced by Carlo Ponti Best Original Score , beating among others John Screenplay by Robert Bolt Barry and Henry Mancini. Based on the novel Doctor Zhivago by 6. Doctor Zhivago was awarded Oscars for Art Boris Pasternak Direction/Set Direction, Cinematography, Costume Music by Maurice Jarre Design, Music and Screenplay. Cinematography by Freddie Young, BSC and Nicolas Roeg 7. Trains/locomotives are a trademark of David Lean’s and play a significant role in his film's plot STARRING: (e.g., Brief Encounter (1945), The Bridge on the River Omar Sharif....Dr. Yuri Andreyevich Zhivago Kwai (1957), Summertime (1955), Doctor Zhivago Julie Christie.....Lara Antipova (1965), Lawrence of Arabia (1962), A Passage to Geraldine Chaplin.....Tonya Gromeko India (1984) etc. Rod Steiger.....Victor Komarovsky Alec Guinness….General Yevgraf Zhivago COMING NEXT: Tom Courtenay.....Pasha Antipov 2010-2011 Classic Film Series continues Ralph Richardson…..Alexander Gromeko in March with The Wizard of Oz (1939) Tarek Sharif…..Yuri at 8 years old presented in HD! Wednesday, March 16, at 7:00 p.m. Sunday, February 27, at 1:00 p.m. Tickets are now on sale!.
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • An Actor's Life and Backstage Strife During WWII
    Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful.
    [Show full text]
  • Pilot Season
    Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography.
    [Show full text]
  • A Devastating Time Bomb Arab Women Turn Trash Into Artistic Works
    lifestyle SUNDAY, DECEMBER 27, 2015 Feature This photo provided by Twentieth Century Fox shows, Jennifer Lawrence, from left, Robert De Niro, and Edgar Ramirez, in a scene from the film, “Joy.” Miracle Mops to movie stars: The real Joy dishes on ‘Joy’ o then there was that time that Joy ing. He knows more about me than anybody in Mangano, “Miracle Mop” inventor and the world - I would never need therapy!” Shome shopping entrepreneur, was sitting at a meeting wedged between Jennifer AP: What do you think he found unique Lawrence and Robert De Niro. And De Niro about your story? leaned over and said: “Joy, I have to talk to you. I Mangano: I’ve always had this inner resiliency. I have such a great idea for a product!” grew up in an Italian family in an era where it Mangano continues the story, laughing: was, ‘When are you gonna get married and Arab women turn trash “And Jennifer is on the other side and she says, have children?’ And throughout life, I was ‘Bob, you can’t ask her that. Everybody asks her always taking care of everyone around me. And that!’” She won’t say what the product idea was, through the course of that, I lost ... I think we but allows that when things eventually calm lose what we ARE. And then to find that again, down with the movie, she and Bob will proba- and to go against all odds and have the into artistic works bly get around to discussing it. Late-night courage to keep doing that - I wish everybody meetings with movie stars - oh yes, Bradley could be able to find that space within them- Photo feature by Wassim Haidar Cooper was there, too - isn’t something selves.
    [Show full text]
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • 12 Big Names from World Cinema in Conversation with Marrakech Audiences
    The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction.
    [Show full text]
  • DICKENS on SCREEN, BFI Southbank's Unprecedented
    PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars.
    [Show full text]
  • L'œuvre Unique
    Les Bibliothèques d’Amiens Métropole présentent Le 7ème jour pour le 7ème art L’ŒUVRE UNIQUE Leur premier film fut aussi le dernier Du lundi 8 février au samedi 7 mai 2016 Sélection de films à emprunter ou à visionner à l’Espace Image et Son et projections publiques dans l’auditorium Charles Pinsard (entrée libre et gratuite dans la limite des places disponibles) Projection le lundi Projection le jeudi Projection le samedi 7 mars, 7 avril, 7 mai, à 17h45 à 16h30 à 14h30 Un seul film à la réalisation, et puis s'en va... Par envie ou par défi, nombreux sont ceux qui réalisent un premier...et parfois un unique film. Expérience douloureuse, difficultés financières, désintérêt, désir de revenir à son métier d'origine, échec commercial, mort prématurée, raisons politiques, circonstances historiques... Ce ne sont pas les explications qui manquent. Voici quelques exemples connus, d'autres beaucoup moins. Quartet / Dustin Hoffman (2013) Avec Maggie Smith, Tom Courtenay, Billy Connolly… A 76 ans, Dustin Hoffman s'est enfin lancé. L'homme aux deux Oscars, l'acteur à la filmographie éblouissante, est passé derrière la caméra pour raconter l'histoire de quatre anciennes gloires anglaises de l'opéra, retirées dans une maison de retraite pour artiste. Un "Quartet" qui va accepter de rechanter d'une même voix malgré les brouilles du passé, pour sauver l'établissement. Rendez-vous l'été prochain / Philip Seymour Hoffman (2010) Avec Philip Seymour Hoffman, Amy Ryan, John Ortiz… Découvrir l’unique film de Philip Seymour Hoffman réalisateur, après sa mort, à 46 ans, a quelque chose de troublant.
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Hdnet Movies February 2012 Program Highlights
    February 2012 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times HDNet Movies Sneak Previews – Experience exclusive broadcasts of new films before they hit theaters and DVD Tim and Eric’s Billion Dollar Movie Premieres Wednesday, 29th at 8:30pm followed by encore presentations at 10:15pm and 12:00am An all new feature film from the twisted minds of cult comedy heroes Tim Heidecker and Eric Wareheim ("Tim and Eric Awesome Show, Great Job")! Tim and Eric are given a billion dollars to make a movie, but squander every dime... and the sinister Schlaaang corporation is pissed. Their lives at stake, the guys skip town in search of a way to pay the money back. When they happen upon a chance to rehabilitate a bankrupt mall full of vagrants, bizarre stores and a man-eating wolf that stalks the food court, they see dollar signs-a billion of them. Featuring cameos from Awesome Show regulars and some of the biggest names in comedy today! SPOTLIGHT FEATURES – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times Demolition Man – premieres Saturday, February 11th at 7:00pm Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock. Directed by Marco Brambilla Heat – premieres Thursday, February 9th at 8:00pm Starring Al Pacino, Robert De Niro, Val Kilmer, Jon Voight. Directed by Michael Mann Mr. Brooks – premieres Thursday, February 2nd at 9:05pm Starring Kevin Costner, Demi Moore, Dane Cook, William Hurt.
    [Show full text]
  • Contemporary Film Music
    Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]