Council's 3-3 Vote Defeats Zoning
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Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Community and Politics in Antebellum New York City Irish Gang Subculture James
The Communal Legitimacy of Collective Violence: Community and Politics in Antebellum New York City Irish Gang Subculture by James Peter Phelan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics University of Alberta ©James Phelan, 2014 ii Abstract This thesis examines the influences that New York City‘s Irish-Americans had on the violence, politics, and underground subcultures of the antebellum era. During the Great Famine era of the Irish Diaspora, Irish-Americans in Five Points, New York City, formed strong community bonds, traditions, and a spirit of resistance as an amalgamation of rural Irish and urban American influences. By the middle of the nineteenth century, Irish immigrants and their descendants combined community traditions with concepts of American individualism and upward mobility to become an important part of the antebellum era‘s ―Shirtless Democracy‖ movement. The proto-gang political clubs formed during this era became so powerful that by the late 1850s, clashes with Know Nothing and Republican forces, particularly over New York‘s Police force, resulted in extreme outbursts of violence in June and July, 1857. By tracking the Five Points Irish from famine to riot, this thesis as whole illuminates how communal violence and the riots of 1857 may be understood, moralised, and even legitimised given the community and culture unique to Five Points in the antebellum era. iii Table of Contents Introduction ................................................................................................................................... -
Schallplatten
1 Deutsche Musicalarchiv, Sammlung Baberg Schallplatten Titel: Zusatz zum Titel, (Interpr.:). - Signatur: Anzahl Materialart Bemerkung Ersch.-Jahr, Verlag Schallplatte Deutsches Musicalarchiv, Sammlung Hair: From the London Musical Production (Komp.: Galt Baberg MacDermot, Text: James Rado, Gerome Ragni, Interpret.: Vince PL 6052 1 Edward, Oliver tobias, Michael Fest, Peter Straker, Joanne White, etc.) - 1968, Hamburg, Polydor International GmbH Hair: Original Soundtrack Recording of Milos Forman´s Film Schallplatte Deutsches Musicalarchiv, Sammlung (Komp.: Galt MacDermot, Text: James Rado, Gerome Ragni, Baberg PL 6053/1-2 Interpret.: John Savage, Treat Williams, Beverly d´Angelo, Annie 1 Golden, Dorsey Wright, Don Dacus, Cheryl Barnes, Melba Moore). - 1979, Hamburg, RCA Schallplatten GmbH Hallelujah, Baby!: (Komp.: Jule Styne, Text: Betty Comden, Adolph Schallplatte Deutsches Musicalarchiv, Sammlung PL 6054 Green, Interpret.: Leslie Uggams, Robert Hook, Allen Case, etc.) - 1 Baberg 1967, USA, Columbia Records Schallplatte Deutsches Musicalarchiv, Sammlung Hello Dolly: Original motion picture sountrack album of Ernest Baberg Lehman´s production (Komp., Text: Jerry Herman, Interpret.: PL 6055 1 Barbara Streisand, Walter Matthau, Michael Crawford, Louis Armstrong, etc.) - 1969, Hamburg, PHONOGRAM GmbH Schallplatte Deutsches Musicalarchiv, Sammlung Camelot: How to Handle a Woman. If I Would Ever Leave You: Baberg PL 6056 (Komp.: Frederick Loewe, Text: Alan Jay Lerner, Interpret.: Paul 1 Danneman, Pat Michael) - 1967, EMI Records Ltd. High -
Lost in the Stars
REVIEWS Performances Lost in the Stars Washington National Opera and the production rocked the house. In musical terms, the 2016 version is even stronger, especially 12–20 February 2016 the contributions of the orchestra, due in great part to the added forces supplied by the Kennedy Center and WNO, particularly the dark richness of added violas. Conductor John DeMain’s Kurt Weill and Maxwell Anderson’s Lost in the Stars sailed into authoritative command of Weill’s score brought the powerful the Kennedy Center this February captained by Washington music to the forefront. National Opera’s Artistic Director Francesca Zambello. The The sound of the men in the Chorus reminds me of the production was an important event in the nation’s capital, not powerful South African tradition of male ensembles, rooted in only amplifying pressing conversations about race and unequal the practice of corralling Black miners in stockades, with music justice but broadening an artistic question in what has become their only emotional outlet. Through the choral writing, the a rich musical-theater nexus—what is musical theater? Lost nation itself becomes a character, with the first act establishing the in the Stars has been a challenge to define since it debuted on context and letting music invoke the work’s panoramic feel and Broadway, where it met mixed critical response. It has continued grand themes. The audience is challenged to feel the loneliness of to perplex many critics who try ungraciously to fit it into a pre- living in fear of “the other,” and to consider how fear and greed existing genre. -
Live on the Sunset Strip
robert landau Excerpt: Live on the Sunset Strip The street that made music history Robert Landau’s Rock ‘n’ Roll Billboards of the Sunset Strip was published in October 2012 by Angel City Press. Downloaded from http://online.ucpress.edu/boom/article-pdf/2/4/79/381413/boom_2012_2_4_79.pdf by guest on 28 September 2021 The Sunset Strip is that 1.7-mile stretch of Sunset Boulevard that is now part of the city of West Hollywood, connecting Hollywood on the east (where funky Laurel Canyon descends to Sunset and meets Crescent Heights) with Beverly Hills to the west (where Doheny Road climbs to the posh mansions of 90210-land). There are actually many Sunset Strips—versions that live in real time and space, and versions that live in our collective fantasy. The actual landscape of the Strip is typical of Los Angeles, featuring buildings of every imaginable architectural style, a look captured perfectly by artist Ed Ruscha in his 1966 book Every Building on the Sunset Strip. Outdoor advertising permeates the vista, ready to capture the attention of the steady stream of eyeballs that comes with continuously heavy traffic. Billboards of varying sizes are sandwiched between and above colorful hotels, restaurants, offices, gas stations, sleazy strip malls, and trendy retail shops. Now, thanks to digital technology, billboards engulf entire buildings and cover whole city buses, adding even more visual congestion to an already over- saturated urban scene. By day, the Sunset Strip was where the business of the music industry was conducted in the Sixties and Seventies. Both high-rise luxury offices and older, cottage-style buildings have long housed record companies, producers, talent scouts, business managers, personal managers, public relations executives, advertising agencies, design firms, and even a few film, photo, and recording studios. -
Professional Criminals of America
D\\vv Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924096989177 In compliance with current copyright law, Cornell University Library produced this replacement volume on paper that meets the ANSI Standard Z39.48-1992 to replace the irreparably deteriorated original. 2003 CORNELL UNIVERSITY LIBRARY THIS BOOK IS ONE OF A COLLECTION MADE BY BENNO LOEWy I854-I9I9 AND BEQUEATHED TO CORNELL UNIVERSITY Professional Criminals of America. Negative by Andtrson, N. Y. J-TcIiMypc Pn'uiiijg Co., Boston. ^Ut^» PROFESSIONAL CRIMINALS OF AMERICA BY THOMAS BYRNES INSPECTOR OF POLICE AND CHIEF OF DETECTIVES NEW YORK CITY 'PRO BONO PUBLICO' CASSELL & COMPANY, Limited 739 & 741 BROADWAY. NEW YORK Copyright, 1886, By THOMAS BYRNES. All rights reserved. PRESS OF HUNTER & BEACH, NEW YORK. , ^^<DOeytcr-^ /fA.Cri^i.<^Ci^ //yrcpri^t^e^ (^u^ e-^e^.y^ INTRODUCTION. THE volume entitled "Professional Criminals of America," now submitted to the public, is not a work of fiction, but a history of the criminal classes. The writer has confined himself to facts, collected by systematic investigation and verified by patient research, during a continuous, active and honorable service of nearly a quarter of a century in the Police Department of the City of New York. Necessarily, during this long period, Inspector Thomas Byrnes has been brought into official relations with professional thieves of all grades, and has had a most favorable field for investigating the antecedents, history and achievements of the many dangerous criminals continually preying upon the community. -
Once Upon a Time in Hollywood
RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of- theweek drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. SHARON TATE—She left Texas to chase a movie-star dream and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ’n’ roll star. HOLLYWOOD 1969— YOU SHOULDA BEEN THERE COLUMBIA PICTURES PRESENTS A FILM BY QUENTIN TARANTINO LEONARDO DICAPRIO BRAD PITT MARGOT ROBBIE IN ONCE UPON A TIME IN HOLLYWOOD MARGARET QUALLEY TIMOTHY OLYPHANT JULIA BUTTERS DAKOTA FANNING BRUCE DERN AND AL PACINO TECHNICOLOR ® PRODUCED BY DAVID HEYMAN SHANNON MCINTOSH QUENTIN TARANTINO WRITTEN AND DIRECTED BY QUENTIN TARANTINO Dedication This book is dedicated to My Wife DANIELLA and My Son LEO Thanks for creating a happy home from which to write in. ALSO To all the actor Old Timers who told me tremendous stories about Hollywood in this period. And it’s because of them that you hold this book in your hands now. Bruce Dern * David Carradine * Burt Reynolds Robert Blake * Michael Parks * Robert Forster and especially Kurt Russell Contents Cover Title Page Dedication Chapter One: “Call Me Marvin” Chapter Two: “I Am Curious (Cliff)” Chapter Three: Cielo Drive Chapter Four: Brandy, -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
Horne-Part-Ii-A-L.Pdf
J & J LUBRANO MUSIC ANTIQUARIANS Marilyn Horne in Norma by John Foote: National Portrait Gallery, Washington D.C. Autographs, Prints, & Memorabilia from the Collection of Marilyn Horne Part 2: A-L 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. New York State sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. -
Actors' Equity Association
SEPTEMBER “The greater the artist, 2012 the greater the doubt. Perfect confidence is granted Volume 97 to the less talented as a Number 7 consolation prize.” EQUITYNEWS —Robert Hughes A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices First Membership Meeting of the Tom Carpenter is New 2012-2013 Season will be held on Eastern Regional Director/ Monday, October 8, 2012 – Central Region (6 pm) Monday, October 8, 2012 – Western Region (6:30 pm) Assistant Executive Director Friday, October 12, 2012 – Eastern Region (2 pm) homas Carpenter has Tom also has a strong The Central Regional Meeting will convene on been hired as Eastern background in copyright law, Monday, October 8, 2012 at 6 pm in the Regional and as live performance Member Center at the Equity Building, T Director/Assistant Executive increasingly intersects with 557 West Randolph, Chicago, IL Director and General Counsel. recorded media, his expertise The agenda will include: Tom joined the Equity staff in will be instrumental as Equity ● Report of the Central Regional Director. late August, quickly immersing develops new strategies to ● Report of the Central Regional Vice President. himself in the day-to-day protect the intellectual property ● Membership Discussion Period in accordance with the By-Laws. operations of the Eastern rights of its members. His years The Western Regional Meeting will convene on Region. of experience in the government Monday, October 8, 2012 at 6:30 pm at “I have tremendous respect affairs arena will be valuable as Theatre West, 3333 Cahuenga Blvd. -
Assistant Coach Brett Gunning
2002-03 coaching staff coaching staff Head Coach Jay Wright 2002-03 Men’s Basketball Jay Wright t was the program he followed as a youngster growing up in nearby Churchville, Pa. I Now Jay Wright is the caretaker of the very rich tradition that is Villanova basketball. On March 27, 2001 Wright was introduced as only the eighth coach, and fifth since 1936, in the 81-year history of Villanova men’s basketball. “We are delighted to welcome Jay and his family back to Villanova,” said director of athletics Vince Nicastro. “Jay has a real understanding of the val- ues and culture at Villanova, what the tradition is all about.” In Wright’s first season as head coach in 2001-02, the Wildcats were picked to finish sixth in the Big East Conference’s East Division yet reached the National Invitation Tournament quarterfinals. Among the Wildcats 19 wins were triumphs over UCLA, Syracuse (2), Notre Dame and Georgetown. In addition, Wright and his staff attracted a consensus top five recruiting class to the Main Line. This marks Wright’s second stint at the university. From 1987-1992 he served as an assistant to former head coach Rollie Massimino before moving on to the University of Nevada-Las Vegas for two more years. In 1994, Wright landed his first head coaching position. Hofstra hired him to breathe life into a program that had struggled through the late 1980s and early part of the ’90s. Piece by piece, Wright transformed the Pride into The Wright family (clockwise from left): Collin, Jay, Patty, Taylor and Reilly.