40Th Land Rights Anniversary
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Just Not Australian Cultural Mediation Training Pack
JUST NOT AUSTRALIAN Just Not Australian brings CULTURAL MEDIATION TRAINING PACK together 20 artists across generations and diverse cultural backgrounds to deal broadly with the origins and implications of contemporary Australian nationhood. The show engages with the moral and ethical undertones of the loaded rejoinder ‘un- Australian’ – a pejorative now embedded in our national vocabulary that continues to be used to further political agendas and to spread nationalistic ideals of what it means to be Australian. This training pack outlines how the practice of Cultural Mediation can be engaged to translate the broad themes and manage the difficult conversations that this exhibition may ignite, as well as provide a vocabulary and further reading to encourage an inclusive and culturally safe space. Liam Benson, Black Flag, 2016, sequins, seed beads, cotton thread, cotton poplin, 30 x 59 cm. Courtesy the artist and Artereal Gallery, Sydney. Photos: Zan Wimberley Just Not Australian was curated by Artspace and developed in partnership with Sydney Festival and Museums & Galleries of NSW. The exhibition is touring nationally with Museums & Galleries of NSW. UQ ART MUSEUM Museums & Galleries of NSW (M&G NSW) has been ABOUT ANESHKA MORA ABOUT THIS researching and providing training on the practices of Cultural Mediation with the aim to equip gallery and museum staff with the tools to implement this Aneshka Mora is queer, scholar of colour living on TRAINING PACK engagement strategy across the sector. Cultural Cameraygal Country in the Eora Nation, who is broadly Mediation is about deepening the engagement of interested in contemporary art strategies of decoloniality audiences at a peer-to-peer level through personal within the limits of institutions and settler-colonialism. -
Ready Lajamanu Emerged of Families Going Without Food and Some It’S Hurting
FREE November 2016 VOLUME 6. NUMBER 3. PG. ## MARLENE’S FUTURE P.22 IS IN HER HANDS ROYAL COMMISSION WATARRKA POKIES? BREAK OUT YEAR FOR WORRIES WIYA! PRISONER TEAM P. 4 PG. # P. 5 PG. # P. 26 ISSN 1839-5279ISSN NEWS EDITORIAL Want our trust? This time, keep your promises. Land Rights News Central Australia is published by the Central Land Council three We’ll hold you to these election promises: times a year. Aboriginal Hand control to local organisations, develop The Central Land Council workforce training plans and leadership courses with 27 Stuart Hwy organisations them and provide “outposted” public servants to help. Alice Springs Housing $1.1 billion over 10 years for 6500 “additional NT 0870 living spaces”, locally controlled tenancy management and repairs and maintenance, tel: 89516211 capacity development support for local housing www.clc.org.au organisations. email [email protected] Outstations Increase Homelands Extra funding and work with outstation organisations to provide jointly funded Contributions are welcome new houses. As opposition leader, Michael Gunner pleaded with CLC delegates to give Labor a chance to regain their trust. Education Create community led schools with local boards, plan education outcomes for each school region SUBSCRIPTIONS THE MOST extensive return recognises the critically with communities, back community decisions about bilingual education, expand Families as Land Rights News Central of local decision making to important role that control Aboriginal communities since over life circumstances plays First Teachers program, $8 million for nurse Australia subscriptions are self-government, overseen by in improving indigenous home visits of pre-schoolers, support parent $22 per year. -
Presentation Tile
Authentic and engaging artist-led Education Programs with Thomas Readett Ngarrindjeri, Arrernte peoples 1 Acknowledgement 2 Warm up: Round Robin 3 4 See image caption from slide 2. installation view: TARNANTHI featuring Mumu by Pepai Jangala Carroll, 2015, Art Gallery of South Australia, Adelaide; photo: Saul Steed. 5 What is TARNANTHI? TARNANTHI is a platform for Aboriginal and Torres Strait Islander artists from across the country to share important stories through contemporary art. TARNANTHI is a national event held annually by the Art Gallery of South Australia. Although TARNANTHI at AGSA is annual, biannually TARNANTHI turns into a city-wide festival and hosts hundreds of artists across multiple venues across Adelaide. On the year that the festival isn’t on, TARNANTHI focuses on only one feature artist or artist collective at AGSA. Jimmy Donegan, born 1940, Roma Young, born 1952, Ngaanyatjarra people, Western Australia/Pitjantjatjara people, South Australia; Kunmanara (Ray) Ken, 1940–2018, Brenton Ken, born 1944, Witjiti George, born 1938, Sammy Dodd, born 1946, Pitjantjatjara/Yankunytjatjara people, South Australia; Freddy Ken, born 1951, Naomi Kantjuriny, born 1944, Nyurpaya Kaika Burton, born 1940, Willy Kaika Burton, born 1941, Rupert Jack, born 1951, Adrian Intjalki, born 1943, Kunmanara (Gordon) Ingkatji, c.1930–2016, Arnie Frank, born 1960, Stanley Douglas, born 1944, Maureen Douglas, born 1966, Willy Muntjantji Martin, born 1950, Taylor Wanyima Cooper, born 1940, Noel Burton, born 1994, Kunmanara (Hector) Burton, 1937–2017, -
The Essential Introduction to Aboriginal Art (25 Facts)
INTRODUCTION TO ABORIGINAL ART INTRODUCTION TO THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) Authors Jilda Andrews, Fenelle Belle, Nici Cumpston and Lauren Maupin The Art Gallery of South Australia acknowledges and pays respect to the Kaurna people as the Traditional Custodians of the land on which the Gallery stands. Aboriginal and Torres Strait Islander people are respectfully advised that this publication may contain the names of people who have passed away. INTRODUCTION TO ABORIGINAL ART ABORIGINAL TO INTRODUCTION THE ESSENTIAL INTRODUCTION TO ABORIGINAL ART (25 FACTS) artgallery.sa.gov.au/learning There’s a lot of misinformation out there about Aboriginal and Torres Strait Islander peoples and art. That’s why this guide was created, in collaboration with leading Aboriginal curators. | Learning at the Gallery | Art Gallery of South Australia Aboriginal and Torres Strait Islander art and culture is In our increasingly globalised world, this ability to the oldest continuous tradition on the planet. In recent speak across cultural borders without forsaking decades it has also emerged as one of the world’s most any of its distinctive identity makes Aboriginal and important contemporary art movements. Whether on Torres Strait Islander art some of the most innovative bark, canvas or in new media, Aboriginal and Torres and challenging contemporary art being produced Strait Islander artists have used art to express the power anywhere today. and beauty of their culture, across cultures: to show their enduring connection to, and responsibility for, ancestral lands and the continuity of their identities and beliefs. image: Daniel Boyd, Kudjla/Gangalu peoples, far north Queensland, born 1982, Cairns, Queensland, Treasure Island, 2005, Canberra, oil on canvas, 192.5 x 220.0 cm; Purchased 2006, National Gallery of Australia, Canberra, Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney. -
Vincent Namatjira Unveils His Largest Commission at the Mca
VINCENT NAMATJIRA UNVEILS HIS LARGEST COMMISSION AT THE MCA [Sydney, 25 February 2021] The Museum of Contemporary Art Australia (MCA) has revealed the Image: Vincent seventh iteration of the Circular Quay Foyer Wall Commission by renowned Western Arrernte Namatjira, P.P.F. painter Vincent Namatjira. (Past-Present- Future), 2021, Namatjira hand-painted directly onto the Museum’s 15-metre-long wall over a two-week period, synthetic polymer paint, commissioned creating the artist’s largest work to date. The work titled P.P.F. (Past-Present-Future) depicts a group by the Museum of seven Aboriginal male figures, including a self-portrait, painted on the desert landscape of the of Contemporary artist’s home community of Indulkana in the Anangu Pitjantjatjara Yankunytjatjara (APY) region in Art Australia, 2021, South Australia. supported by Veolia Environmental Each portrait has been painted in Namajtira’s signature-style caricature, and Namatjira has Services, image incorporated influential figures, some well-known and others less so, who have been important in courtesy the the artist’s life. These portraits include former AFL football player and 2014 Australian on the Year, artist; Museum of Adam Goodes; land-rights campaigner, Eddie Koiki Mabo; famous bantamweight boxer, Lionel Rose; Contemporary Art Australia, Sydney; and his great-grandfather, Albert Namatjira; the artist’s late father-in-law and musician, Kunmanara Iwantja Arts, South (Jimmy) Pompey; and an Aboriginal stockman who represents male elders from his community. Australia © the artist, photograph Daniel For the foyer wall commission, the artist has responded directly to the unique dimensions, location, Boud. and history of this site, in particular its significance in Australian colonial history as the site of first contact between Aboriginal and Torres Strait Islander and British peoples. -
To Nuclear Waste
= FREE April 2016 VOLUME 6. NUMBER 1. TENANTSPG. ## HIT THE ROOF ABOUT REMOTE HOUSING FAILURE BIG ELECTION YEAR 2016 “NO” TO NUKE DUMP CRICKETERS SHINE P. 5 PG. # P. 6 PG. # P. 30 ISSN 1839-5279ISSN NEWS EDITORIAL Land Rights News Central Australia is published by the Central Land Council three Pressure rises as remote tenants take government to court times a year. AS A SECOND central The Central Land Council Australian community has 27 Stuart Hwy launched legal action against the Northern Territory Alice Springs government and an Alice NT 0870 Springs town camp is following tel: 89516211 suit, the Giles government is under increasing pressure to www.clc.org.au change how it manages remote email [email protected] community and town camp Contributions are welcome houses. Almost a third of Papunya households lodged claims for compensation through SUBSCRIPTIONS the Northern Territory Civil Land Rights News Central Administrative Tribunal in Australia subscriptions are March, over long delays in $20 per year. emergency repairs. A week later, half of the LRNCA is distributed free Larapinta Valley Town Camp Santa Teresa tenant Annie Young says the state of houses in her community has never been worse. to Aboriginal organisations tenants notified the housing and communities in Central department of 160 overdue water all over the front yard, sort told ABC Alice Springs. “Compensation is an Australia repairs, following a survey of like a swamp area,” Katie told “There’s some sort of inertia entitlement under the To subscribe email: by the Central Australian ABC. Some had wires exposed, or blockage in the system that [Residential Tenancies] Act,” [email protected] Aboriginal Legal Aid Service air conditioners not working, when tenants report things he told ABC Alice Springs. -
Aboriginal Art Festival, Australia: New Generation of Central Desert Artists Captivating the Art World by Kathy Marks
Aboriginal art festival, Australia: New generation of Central Desert artists captivating the art world By Kathy Marks Traveller, 11 September 2015 http://www.traveller.com.au/aboriginal-art--a-new-generation-of-central-desert-artists-gjeapv The sun-bleached scene is straight out of an Albert Namatjira painting: a dry creek bed in an ochre landscape dotted with rocky outcrops and stately ghost gums. But we’re not at Hermannsburg, the former Lutheran mission near Alice Springs where the celebrated Aboriginal artist produced his pastel-hued watercolours, but 500 kilometres to the south, where Namatjira’s great-grandson, Vincent, has settled after a turbulent early life marked by family tragedy and cultural dislocation. The 32-year-old is among a new generation of Central Desert artists whose work will be one of the highlights of the inaugural Festival of Contemporary Aboriginal and Torres Strait Islander Art in Adelaide next month. He lives at Indulkana, one of a dozen communities sprinkled across the remote, beautiful and troubled Anangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia’s far north-west. It’s an area which, as a lover of Aboriginal desert art, I’ve been hankering to visit for years. Now I’m rattling along a rough gravel road with the manager of Indulkana’s art centre, Beth Conway, who whips up clouds of red dust as she expertly dodges potholes and a pack of wild horses skittering across our path. We’re travelling with Nici Cumpston, the festival’s artistic director, and Nick Mitzevich, director of the Art Gallery of South Australia. -
1 Family Violence in Aboriginal Australian Communities: Causes
1 Family Violence in Aboriginal Australian Communities: Causes and Potential Solutions Political Science Thesis April 25th 2014 Eden Littrell ‘14 I would like to express my gratitude to Carolyn Whyte, Director of Criminal Research and the Statistics Unit in the Northern Territory, and Kevin Schnepel, Lecturer at the University of Sydney, for a couple very informative email conversations. I would also like to thank Professor William Joseph for his advice and my father, Charles Littrell, for proof reading and emotional support. Last, but not least, thank you to my thesis advisor, Professor Lois Wasserspring, for her advice, support and constant feedback throughout this past year. 2 Prologue This thesis is an investigation into why family violence in Aboriginal Australian communities is so severe, and an examination of ways in which this violence might be decreased. I engage with the two competing narratives around violence in Aboriginal communities. The political left typically tells a story about the legacy of violent colonization, and the consequent need to improve Aboriginal legal rights. On the political right the narrative is less well defined, but the argument typically focuses on the importance of personal responsibility, or on the role of traditional culture in creating violence. I argue that competition between these narratives is harmful for actually reducing family violence, and that we should pursue evidence-based policy, such as alcohol restrictions, in addition to trialing and evaluating new policies. In Chapter 1, I briefly outline the higher rates of family violence in Indigenous communities. I also summarize the history of Aboriginal Australians and the contemporary argument around Aboriginal Australians and violence. -
Indigenous Languages in Parliamentary Debate, Legislation and Statutory Interpretation
1006 UNSW Law Journal Volume 43(3) LEGISLATING IN LANGUAGE: INDIGENOUS LANGUAGES IN PARLIAMENTARY DEBATE, LEGISLATION AND STATUTORY INTERPRETATION JULIAN R MURPHY* There are signs that Australia is beginning a long-overdue process of incorporating Indigenous languages into its parliamentary debates and legislation. These are significant developments in Australian public law which, to date, have attracted insufficient scholarly attention. This article begins the process of teasing out the doctrinal implications of this phenomenon. The article is in four Parts, the first two of which describe and normatively defend the trend towards Indigenous language lawmaking in Australia. The third Part looks abroad to how other countries facilitate multilingual parliamentary debate and legislation. Finally, the article examines the interpretative questions that multilingual legislation poses for Australian courts. Potential answers to these questions are identified within existing Australian and comparative jurisprudence. However, the ultimate aim of this article is not to make prescriptions but to stimulate further discussion about multilingual legislation, which discussion ought to foreground Indigenous voices. I INTRODUCTION Ngayulu kuwari kutju wangkanyi ngura nyangangka, munuṉa nguḻu nguwanpa ngaṟanyi. Ngayulu alatji watjaṉu aṉangu tjuṯa electionangka: ngayulu mukuringanyi tjukurpa katintjakitja aṉangu nguṟu kamanta kutu, kamanta nguṟu aṉangu kutu; ngayulu mukuringanyi nguṟurpa nguwanpa ngarantjakitja.1 In 1981, Neil Bell, newly elected member -
Northern Gas Pipeline Project ECONOMIC and SOCIAL IMPACT ASSESSMENT
Jemena Northern Gas Pipeline Pty Ltd Northern Gas Pipeline Supplement to the Draft Environmental Impact Statement APPENDIX D ECONOMIC & SOCIAL IMPACT ASSESSMENT Public NOVEMBER 2016 This page has been intentionally left blank Supplement to the Draft Environmental Impact Statement for Jemena Northern Gas Pipeline Public— November 2016 © Jemena Northern Gas Pipeline Pty Ltd Northern Gas Pipeline Project ECONOMIC AND SOCIAL IMPACT ASSESSMENT PUBLIC Circle Advisory Pty Ltd PO Box 5428, Albany WA 6332 ACN 161 267 250 ABN 36 161 267 250 T: +61 (0) 419 835 704 F: +61 (0) 9891 6102 E: [email protected] www.circleadvisory.com.au DOCUMENT CONTROL RECORD Document Number NGP_PL002 Project Manager James Kernaghan Author(s) Jane Munday, James Kernaghan, Martin Edwards, Fadzai Matambanadzo, Ben Garwood. Approved by Russell Brooks Approval date 8 November 2016 DOCUMENT HISTORY Version Issue Brief Description Reviewer Approver Date A 12/9/16 Report preparation by authors J Kernaghan B 6/10/16 Authors revision after first review J Kernaghan C 7/11/16 Draft sent to client for review J Kernaghan R Brooks (Jemena) 0 8/11/16 Issued M Rullo R Brooks (Jemena (Jemena) Recipients are responsible for eliminating all superseded documents in their possession. Circle Advisory Pty Ltd. ACN 161 267 250 | ABN 36 161 267 250 Address: PO Box 5428, Albany Western Australia 6332 Telephone: +61 (0) 419 835 704 Facsimile: +61 8 9891 6102 Email: [email protected] Web: www.circleadvisory.com.au Circle Advisory Pty Ltd – NGP ESIA Report 1 Preface The authors would like to acknowledge the support of a wide range of people and organisations who contributed as they could to the overall effort in assessing the potential social and economic impacts of the Northern Gas Pipeline. -
Aboriginal People, Bush Foods Knowledge and Products from Central Australia: Ethical Guidelines for Commercial Bush Food Research, Industry and Enterprises
Report 71 2011 Aboriginal people, bush foods knowledge and products from central Australia: Ethical guidelines for commercial bush food research, industry and enterprises Merne Altyerre-ipenhe (Food from the Creation time) Reference Group Josie Douglas Fiona Walsh Aboriginal people, bush foods knowledge and products from central Australia: Ethical guidelines for commercial bush food research, industry and enterprises Merne Altyerre-ipenhe (Food from the Creation time) Reference Group Josie Douglas Fiona Walsh 2011 Contributing author information Merne Altyerre-ipenhe (Food from the Creation time) Reference Group: V Dobson, MK Turner, L Wilson, R Brown, M Ah Chee, B Price, G Smith, M Meredith JC Douglas: CSIRO Sustainable Ecosystems, PO Box 2111, Alice Springs, Northern Territory, 0871, Australia. Previously, Charles Darwin University, Alice Springs. [email protected] FJ Walsh: CSIRO Sustainable Ecosystems, PO Box 2111, Alice Springs, Northern Territory, 0871, Australia. [email protected]. Desert Knowledge CRC Report Number 71 Information contained in this publication may be copied or reproduced for study, research, information or educational purposes, subject to inclusion of an acknowledgement of the source. ISBN: 978 1 74158 200 8 (Online copy) ISSN: 1832 6684 Citation Merne Altyerre-ipenhe (Food from the Creation time) Reference Group, Douglas J and Walsh F. 2011. Aboriginal people, bush foods knowledge and products from central Australia: Ethical guidelines for commercial bush food research, industry and enterprises. DKCRC Report 71. Ninti One Limited, Alice Springs. This report is one output of DKCRC Core Project ‘Sustainable bush products from desert Australia’. The Merne Altyerre-ipenhe Reference Group was funded through DKCRC, and its members also gave in-kind support to the research team, Douglas and Walsh. -
Annual Report 2016–17
CENTRAL LAND COUNCIL ANNUAL REPORT 2016–17 CENTRAL LAND COUNCIL Creative Commons licence With the exception of the Commonwealth Coat of Arms and where otherwise noted, all material presented in this report is provided under a http://creativecommons.org/licences/byl3.0/licence. The details of the relevant licence conditions are available on the Creative Commons website at: http://creativecommons.org/licences/byl3.0/legalcode. The document must be attributed as the Central Land Council Annual Report 2016–17. Third party copyright for publications This organisation has made all reasonable effort to: • clearly label material where the copyright is owned by a third party • ensure that the copyright owner has consented to this material being presented in this publication. ISSN 1034-3652 All photos Central Land Council, unless otherwise credited. 20 September 2017 Senator Nigel Scullion Minister for Indigenous Affairs Senate Parliament House Canberra ACT 2600 Dear Minister In accordance with the Aboriginal Land Rights (Northern Territory) Act 1976, the Native Title Act 1993 and the Public Governance, Performance and Accountability Act 2013, I am pleased to approve and submit the 2016-17 Annual Report on the operations of the Central Land Council. I am authorised by the Central Land Council to state that the Accountable Authority is responsible under section 46 of the PGPA Act for the preparation and content of the report. Yours faithfully Mr Francis Kelly Chair Central Land Council CLC ANNUAL REPORT 2016–17 1 OVERVIEW OF THE CLC Chair’s report