The Parthenon, April 24, 2014
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1985 Commencement Program, University Archives, University Of
UNIVERSITY of PENNSYLVANIA Two Hundred Twenty-Ninth Commencement for the Conferring of Degrees PHILADELPHIA CIVIC CENTER CONVENTION HALL Monday, May 20, 1985 Guests will find this diagram helpful in locating the Contents on the opposite page under Degrees in approximate seating of the degree candidates. The Course. Reference to the paragraph on page seven seating roughly corresponds to the order by school describing the colors of the candidates' hoods ac- in which the candidates for degrees are presented, cording to their fields of study may further assist beginning at top left with the College of Arts and guests in placing the locations of the various Sciences. The actual sequence is shown in the schools. Contents Page Seating Diagram of the Graduating Students 2 The Commencement Ceremony 4 Commencement Notes 6 Degrees in Course 8 • The College of Arts and Sciences 8 The College of General Studies 16 The School of Engineering and Applied Science 17 The Wharton School 25 The Wharton Evening School 29 The Wharton Graduate Division 31 The School of Nursing 35 The School of Medicine 38 v The Law School 39 3 The Graduate School of Fine Arts 41 ,/ The School of Dental Medicine 44 The School of Veterinary Medicine 45 • The Graduate School of Education 46 The School of Social Work 48 The Annenberg School of Communications 49 3The Graduate Faculties 49 Certificates 55 General Honors Program 55 Dental Hygiene 55 Advanced Dental Education 55 Social Work 56 Education 56 Fine Arts 56 Commissions 57 Army 57 Navy 57 Principal Undergraduate Academic Honor Societies 58 Faculty Honors 60 Prizes and Awards 64 Class of 1935 70 Events Following Commencement 71 The Commencement Marshals 72 Academic Honors Insert The Commencement Ceremony MUSIC Valley Forge Military Academy and Junior College Regimental Band DALE G. -
Journal of Academic Perspectives
Journal of Academic Perspectives Religion, Politics, and Public Discourse: Bruce Springsteen and the Public Church of Roll Frederick L. Downing, Professor of Philosophy & Religious Studies, Valdosta State University and Jonathan W. Downing, Co-Director, Screaming Shih-Tzu Productions Abstract The thesis of this paper is that Bruce Springsteen’s art participates in a musical public square in which the outsider can come up close and overhear a dialogue that has been going on for centuries. Following the work of Robert Detweiler on religion and public life, this paper starts from the premise that the bard’s music, like literature, creates a type of public square or a form of public discourse where urgent matters of human survival, like the nature and nurture of a just state, are expressed, a call for social justice can be heard, and faith and hope for the future can be assimilated. Using the theory of Martin Marty on religion and civic life, the paper further describes Springsteen’s work as the creation of a “public church” beyond sectarian demand which is open to all and approximates, in his language, a true “land of hopes and dreams.” The paper uses the theory of Walter Brueggemann on the ancient church idea to demonstrate the nature and dimension of Springsteen’s “public church.” Using Brueggemann’s theory, Springsteen’s Wrecking Ball album is shown to have both a prophetic and priestly function. As a writer and performer, Springsteen demonstrates on this album and on the Wrecking Ball tour that he not only speaks truth to power, but attempts to create a sense of alternative vision and alternative community to the unjust status quo. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 11/16/2016 The xx “On Hold” The first single from their anticiaped third album I See You, due January 13 #1 Most Added! Immediate support from WPYA, WFUV, WXPN, KCMP, KEXP, KCRW, KUTX, KJAC, WYMS, KTBG, WAPS, WNKU, WERS, WVOD, KROK, WYCE, WZLO, WCNR and more Performing on Saturday Night Live this weekend (with Kristen Wiig hosting)! UK and Europe dates announced, watch for a US run Jake Clemons “Hold Tight” The debut full length album from the E Street Band saxophonist and nephew of the late great Clarence Clemons Early adds at WFIV, KVNA and WHRV Full album in stores January 13, single on PlayMPE now “He’s both paying tribute to his uncle’s legacy and keeping it alive” - CBS Check out the Rolling Stone interview on Page 3 Aaron Lee Tasjan “Little Movies” After years as a guitar playing sideman for bands like New York Dolls and Drivin’ N Cryin’, comes this New West debut, out now New at KEXP, WXPN, WFIV, WPYA, MSPR, MPR and KDHX Already on WXRV, KCSN, WRLT, KJAC, KTBG, KRSH, WAPS, WYCE, WNCW, WJCU, KTAO, WCBE and more On tour now with Lydia Loveless: 11/16 NYC, 11/17 York PA, 11/19 Chicago... Rachael Yamagata “Let Me Be Your Girl” The second single from Tightrope Walker, edit on PlayMPE New at WUKY, WKZE, KXCI, WYCE, KDBB Early at WTMD, WDST, KNBA, WFIV, KVNA and KUWR “Throughout the album, Yamagata sings with the confidence of someone working without a net. -
A Guiding Force
Arcadia University ScholarWorks@Arcadia Faculty Curated Undergraduate Works Undergraduate Research Winter 12-10-2020 A Guiding Force Jessica Palmer Follow this and additional works at: https://scholarworks.arcadia.edu/undergrad_works Part of the American Popular Culture Commons, Music Performance Commons, Other American Studies Commons, and the Other Music Commons Jessica T Palmer Dr. Buckley Bruce Springsteen and The American Dream 12/10/2020 Cover Page for My Research Paper A Guiding Force Abstract In this paper, I will be addressing the main factors which influenced Bruce Springsteen’s career and songwriting, specifically regarding interpersonal relationships the singer has had and how that is evident in his work thus far. I will be relating that concept to his latest album release, “Letter to You” by analyzing track by track and attempting to find that common thread of connection that seems to speak so well to him and his audience. Why? I chose this topic and album because throughout this course I have really enjoyed dissecting Springsteen’s work and relating it to a bigger picture. As I have progressed throughout this course, I have been able to elevate my writing and approach song analysis in a new, more refined way. I also felt as though choosing “Letter to You” would allow for me to make the most accurate interpretation of what Springsteen is trying to say in the current moment since it just got released a few months ago. Overall, I wanted to write about this because it allows for some creative freedom, a stream of consciousness and a continuation of the work I have been trying to perfect over the semester in this class. -
Finding Grace in the Concert Hall: Community and Meaning Among Springsteen Fans
FINDING GRACE IN THE CONCERT HALL: COMMUNITY AND MEANING AMONG SPRINGSTEEN FANS By LINDA RANDALL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY On Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Department of Religion December 2008 Winston Salem, North Carolina Approved By: Lynn Neal, PhD. Advisor _____________________________ Examining Committee: Jeanne Simonelli, Ph.D. Chair _____________________________ LeRhonda S. Manigault, Ph.D _____________________________ ii Acknowledgements First and foremost, my thanks go out to Drs. Neal and Simonelli for encouraging me to follow my passion and my heart. Dr. Neal helped me realize a framework within which I could explore my interests, and Dr. Simonelli kept my spirits alive so I could nurse the project along. My concert-going partner in crime, cruisin’tobruce, also deserves my gratitude, sharing expenses and experiences with me all over the eastern seaboard as well as some mid-America excursions. She tolerated me well, right up until the last time I forgot the tickets. I also must recognize the persistent assistance I received from my pal and companion Zero, my Maine Coon cat, who spent hours hanging over my keyboard as I typed. I attribute all typos and errors to his help, and thank him for the opportunity to lay the blame at his paws. And lastly, my thanks and gratitude goes out to Mr. Bruce Frederick Springsteen, a man of heart and of conscience who constantly keeps me honest and aware that “it ain’t no sin to be glad you’re alive (Badlands).” -
Steve Earle Townes Biography
Steve Earle Townes Biography Steve Earle had two reasons for coming out with this long-planned tribute to Townes Van Zandt now. The first reason is practical. Earle is currently pushing himself to finish a years-in-the-making novel, and he wants to see it in print before the publishing business goes belly up. The second is a more personal concern. Like all artists worthy of the name, Steve Earle loves the truth, and in the case of Van Zandt, he sees that the waters are muddying before his eyes. Very often over periods of years, the truth first becomes myth and myth later becomes truth. In regards to his teacher, hero and friend Townes Van Zandt, Steve Earle was not about to let that happen. “I’m very thankful that when I got out of jail I started meeting people like Jay Farrar and other people his age that knew Townes chapter and verse,” he says. “I’ve always been very thankful for that. But a lot of what powered that is a take on roots music that comes from alternative music, and the crowd that kind of attached itself to Townes was the same kind of people that have White Light / White Heat in the front of their record collection so everybody knows how intense they are when they have a party. I love that record, but I don’t think I’ve listened to it all the way through since I bought it.” “I’m tryin’ not to kill myself,” he laughs. Van Zandt’s reputation has been under something of an overhaul since the dawn of the 1990s. -
Metronome Magazine-Boston
•Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA. -
You Are Viewing an Archived Copy from the New Jersey State Library for THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS
You are Viewing an Archived Copy from the New Jersey State Library FOR THREE CENTU IES PEOPLE/ PURPOSE / PROGRESS Design/layout: Howard Goldstein You are Viewing an Archived Copy from the New Jersey State Library THE NEW JERSE~ TERCENTENARY 1664-1964 REPORT OF THE NEW JERSEY TERCENTENA'RY COMM,ISSION Trenton 1966 You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library STATE OF NEW .JERSEY TERCENTENARY COMMISSION D~ 1664-1964 / For Three CenturieJ People PmpoJe ProgreJs Richard J. Hughes Governor STATE HOUSE, TRENTON EXPORT 2-2131, EXTENSION 300 December 1, 1966 His Excellency Covernor Richard J. Hughes and the Honorable Members of the Senate and General Assembly of the State of New Jersey: I have the honor to transmit to you herewith the Report of the State of New Jersey Tercentenary Commission. This report describee the activities of the Commission from its establishment on June 24, 1958 to the completion of its work on December 31, 1964. It was the task of the Commission to organize a program of events that Would appropriately commemorate the three hundredth anniversary of the founding of New Jersey in 1664. I believe this report will show that the Commission effectively met its responsibility, and that the ~ercentenary obs~rvance instilled in the people of our state a renewfd spirit of pride in the New Jersey heritage. It is particularly gratifying to the Commission that the idea of the Tercentenary caught the imagination of so large a proportior. of New Jersey's citizens, inspiring many thousands of persons, young and old, to volunteer their efforts. -
Bruce Springsteen Song Request
Bruce Springsteen Song Request Echt and sepia Jeffie jargonizing her cameleers democratises while Elihu interred some taster counterclockwise. Douglass displace her thiocyanate accountably, she brimmed it unwarrantably. Pestilent and variable Nevins fossilising her linch fishbowl slap and open-fire naught. Europe and weeks that something of his days and fun and hate for contacting your grief out the roxy box seats, song request banners with his work is This time Bruce used the free moments to crouch right specify the audience or collect banners with the requests. New Jersey homecoming run. Springsteen would each play a song for rationale on acoustic guitar while they listened and noted chord changes, each day down your preliminary arrangement, and decent they all contributed ideas and discussed the arrangement. Springsteen sings against a meandering, languid track, a tale of blurred lines and rationalizations. Who then blame them? Bruce paints a picture all his words, singing every quarter with special conviction. And bruce springsteen wrote an hour concerts and gave me later. Get thrive business listings and events and join forum discussions at NJ. Listening to the Atlanta version will reaffirm everything you love turn the tie, this tour, and these musicians. Do you devise any questions? He search a minor planet named after him. Vini, there are white second chances. Can sky do without knowing best reporting and sporting debate? It too long to request songs that were in europe, in a purpose developed on fm stations to learning more song request timed out at least familiar. Your spouse been subscribed to our newsletter! One request for bruce would last minute i fell into account, bruce springsteen song request. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Superior Emergency Care
Page 22 Thursday, April 19, 2012 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION At 62, Bruce Springsteen Still Shows That He’s The One By FRED T. ROSSI phonist, close Springsteen pal and from 1973’s “The Wild, The Inno- Specially Written for The Westfield Leader and The Times audience favorite Clarence cent and the E Street Shuffle.” It was my thirty-second time see- Clemons. The answer: Perfectly. Bruce and the band played a night Joy Fickett And Shuang Guo Wroe ing Bruce Springsteen and The E Jake Clemons, Clarence’s nephew, last month at New York’s Apollo Street Band but with a 25-song was brought in to play the sax, tak- Theater, and last week, they paid setlist dominated by tunes from the ing his place on stage alongside homage to their soul influences with To Chair Tour of Notable Homes 1970s and early 1980s, it was as if several other horn players. And Jake a wonderful two-song medley: “The I had been transported back three proved a worthy successor to his Way You Do The Things You Do” WESTFIELD – The Friends of conferencing facility. She is also a Chinese choruses. “With two young decades to some of my very first beloved uncle and quickly endeared by Smokey Robinson followed by Westfield Symphony Orchestra licensed realtor with Keller Will- children at Franklin School Elemen- Bruce shows. And that was just fine himself to an adoring crowd last Wilson Pickett’s “634-5789,” dur- (WSO), the auxiliary and fund rais- iams in Westfield. -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom .............................................................................................