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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
Alice Cooper
Super Duper Alice Cooper Shock rocker, golfer, night-time DJ, loving husband and doting father. The former Vincent Furnier is a man at peace with himself. But what a remarkable journey it took young Vincent to reach this point. Super Duper Alice Cooper is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents everywhere as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as frontman for a group of Phoenix freaks in the sixties to the hazy decadence of celebrity in the seventies to the winking comeback as glam metal godfather in the eighties, one will watch in wonder as Alice and Vincent battle for each other’s souls. Super Duper Alice Cooper is told in the form of a “doc opera”, a dizzying blend of documentary and rock opera that combines audio interviews with a bounty of Alice Cooper archive footage. Concerts, TV appearances, movie cameos, newspaper headlines, magazine spreads and many other visual elements have been cut out, layered and collaged like a cinematic View-Master. Alongside the hits that defined an era, overlooked gems of Alice Cooper’s oeuvre have been dug up and melded into montages that soundtrack his life. Footage from old scary movies serve as allegories for Alice’s madness. The film touches on all the major highlights in Alice Cooper’s evolution; the 7am audition for Frank Zappa; the Chicken Incident; posing for Salvador Dali; the Hollywood Bowl triumph where a helicopter dropped “panties” on thousands of fans; his appearance on the Muppets; and many more, including all the choppings, hangings and mutilations that thrilled a generation of kids. -
Extreme Metal: Subculture, Genre, and Structure
Université de Montréal Extreme metal: Subculture, Genre, and Structure par Samaël Pelletier Université de Montréal Faculté de Musique Mémoire présenté en vue de l’obtention du grade de Maîtrise en musique option musicologie avril 2018 © Samaël Pelletier. 2018 Abstract Extreme metal is a conglomeration of numerous subgenres with shared musical and discursive tendencies. For the sake of concision, the focus throughout this thesis will mainly be on death metal and black metal – two of the most popular subgenres categorized under the umbrella of extreme metal. Each chapter is a comparative analysis of death metal and black metal from different perspectives. Thus, Chapter One is historical account of extreme metal but also includes discussions pertaining to iconography and pitch syntax. Subsequently, Chapter Two concerns itself with the conception of timbre in death metal and black metal. More specifically, timbre will be discussed in the context of sound production as well as timbre derived from performance, in particular, vocal distortion. The conception of rhythm/meter will be discussed in Chapter Three which will simultaneously allow for a discussion of the fluidity of genre boundaries between death metal and progressive metal – largely because of the importance placed on rhythm by the latter subgenre. Instead of a focus on musical practices, Chapter Four will instead take a sociological approach with the aim of answering certain issues raised in the first three chapters. Ultimately, this thesis aims to elucidate two questions: What are the different aesthetic intentions between practitioners of death metal and black metal? And, how do fans conceptualize these aesthetic differences? Sarah Thornton’s notion of subcultural capital – which is derived from Pierre Bourdieu’s notion of cultural capital – will help to answer such questions. -
Canadian Tv & Film
why we Canadianlove tv & film annual report 2015 $21.4 million 86 productions 235 program ming hours Tokyo G ir ls tic Secre Arc ts $21.4 million 86 productions 235 program ming hours There are all kinds of reasons to fall in love with Canadian television and film — from absorbing dramas to eye-opening exposés to the real-life series that keep us hooked. At the Rogers Group of Funds, this is no quick fling. We first launched Telefund in 1980 in order to help producers tell the stories that resonate with audiences across the country and reflect distinctly Canadian perspectives in all their diversity. Since then, we’ve deepened that commitment with the addition of our Cable Network Fund, Documentary Fund and Theatrical Robin C. Mirsky Executive Director, Rogers Group of Funds Documentary Program. In 2015 alone, we supported 86 productions with $21.4 million dollars in funding, helping to create more of the Philip B. Lind Vice Chairman, Rogers Communications television and film that we adore. Canadians share our passion. They’re cuddling up to more TV series — both scripted and unscripted. They’re discovering the lure of documentaries, and they’re viewing feature films that have found success at home and abroad. This is a relationship that just keeps getting better, and we invite you to celebrate it with us. ROGERS GROUP OF FUNDS 1 Orph an Bla ck Take one crack-smoking mayor. Add a cross-dressing crime boss and an eco-terrorist turned politician. Put them together in Toronto and you’ve got Filth City: a darkly funny series that borrows heavily from the truth. -
ONTARIO MEDIA DEVELOPMENT CORPORATION Annual Report 2011-2012 Creative Industries – Driving Ontario’S Economy
ONTARIO MEDIA DEVELOPMENT CORPORATION Annual Report 2011-2012 Creative Industries – Driving Ontario’s Economy We’ve got it going Table of Contents Our Mission: What We Do and How We Do It ..........1 The Ontario Media Development Message from the Chair .....................2 Corporation is the central catalyst Message from the President & for Ontario’s cultural media Chief Executive Officer ......................3 cluster. It promotes, enhances Ontario’s Creative Industries ..............4 and leverages investment, jobs Our Information and and original content creation in Electronic Future ..............................6 the province’s book and magazine Creative Collaboration and Cross-Sector Synergies ......................8 publishing, film and television, Ontario’s Creative Media music and interactive digital in the Global Marketplace ................10 media industries. Celebrating Ontario’s Achievements .................................12 Innovative Financial Support............15 Research .......................................19 Doing Business Better .....................20 Strategic Objectives ........................21 24th Annual Trillium Book Award Finalists/Winners ............................22 2011-12 OMDC Program Recipients ........................23 Board of Directors ...........................36 Management’s Responsibility for Financial Statements .................37 Independent Auditor’s Report .........38 Statement of Financial Position .......39 Statement of Operations ..................40 Statement of Changes in Net -
Heavy Metal Under Scrutiny: the Controversial Battle for the Protection of America’S Youth
Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth Master’s Thesis in North American Studies Leiden University Chrysanthi Papazoglou s1588419 Supervisor: Dr. Eduard van de Bilt 1 Contents Introduction ........................................................................................................... 2 Heavy Metal: Origins, Imagery and Values ......................................................... 6 The 1985 PMRC Senate Hearing & Aftermath .................................................. 20 Heavy Metal on Trial: The Cases of Ozzy Osbourne and Judas Priest .............. 41 Conclusion .......................................................................................................... 53 Bibliography ....................................................................................................... 57 2 Introduction During the 1980s, following the steady rise of neo-conservatism, several political and religious groups were formed to fight for what they deemed the loss of true American values. Among their targets was a music genre called heavy metal. Ever since its emergence, the genre met with serious opposition. Accused of promoting violence, suicide, drug and alcohol abuse and distorted images of sex, heavy metal music was considered a threat to the well-being of America’s youth. These accusations were major arguments in the 1980s religious conservatives’ crusade to establish family values. Trying to raise parents’ awareness of the music’s ostensible catastrophic effects on adolescents, -
1 Ernest T Band
OPEN ALL YEAR! Visit us for your next Vacation or Get-Away! Four Rooms Complete 4573 Rt. 307 East with Private Hot Tubs Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 December 4 - 18 2013 Family Holiday Fun! Treat Your Family to This One-Of-A-Kind Holiday Light Display Lights on the Lake featuring lighted local points of interest which includes: Ashtabula Light A CHRIST MAS STORY HOUSE House, Bascule Lift Bridge, Ashtabula’s Flying Saucer and many more. These displays are The house used in the popular holiday featured amongst other animated holiday light displays. Come early and often to share the classic “A Christmas Story” has been magic of the holiday season. Friday, Saturday, and Sundays. 6pm-9:00 pm Thanksgiving restored to its original 1983 movie through New Year’s Eve (Dec. 24 & 25 6 – 8pm). www.aclotl.com , Ashtabula County’s drive- appearance. Purchased and renovated by through holiday lights extravaganza at Ashtabula Township Park, 20 minutes from Geneva on Brian Jones, a true fan of the movie who the Lake. sells leg lamps for a living, the house takes visitors on a nostalgic journey to the sights “A Christmas Carol - Holiday Dinner Theatre” and scenes where Ralphie Parker dreams December 6-22, Fridays and Sundays (Saturday performances SOLD OUT). -
Using Heavy Metal Music to Promote Technological and Socio-Cultural Un- Derstanding
Paper ID #5928 Using Heavy Metal Music to Promote Technological and Socio-cultural Un- derstanding Dr. Brian P Kirkmeyer, Miami University Brian P. Kirkmeyer is the Karen Buchwald Wright Assistant Dean for Student Success and Instructor in the School of Engineering and Applied Science at Miami University in Oxford, Ohio. He specializes in recruitment, advising, retention and placement of undergraduate students. He currently serves as Director At Large of ASEE’s Women in Engineering Division (WIED), and previously served WIED as Secre- tary. He earned his Ph.D. and M.S. degrees in Materials Science and Engineering from the University of Pennsylvania and his B.S. in Materials Science and Engineering from Purdue University. Page 23.1317.1 Page c American Society for Engineering Education, 2013 Using Heavy Metal Music to Promote Technological and Socio-cultural Understanding Abstract Heavy metal is one of the most misinterpreted musical genres in existence, while also arguably one of the most intelligent, insightful and technologically-rich genres. Heavy metal‟s history has facilitated multiple engineering developments in its quest for extremity as well as containing a wealth of commentary about global, social, religious and political cultures. A course has been created to help students explore these engineering developments and social commentary in order to promote understanding of the interplay between the technologies and cultural phenomena. This presentation will provide a synopsis of the course and its success over its developmental period. The course utilizes heavy metal‟s influences and history to examine where culture and music collide. It then goes further to study the music‟s relationship with progress in engineering and design. -
Chris Mcdonald. 2009. Rush, Rock Music and the Middle Class: Dreaming in Middletown
Chris McDonald. 2009. Rush, Rock Music and the Middle Class: Dreaming in Middletown. Bloomington and Indianapolis: Indiana University Press. Reviewed by Bradley Sroka I first heard the rock band Rush in 1990 when a friend in my ninth-grade science class lent me their first greatest hits collection, Chronicles. I was raised in a middle-class suburb of Annapolis, Maryland, and the tastemakers at my high school informed me that Rush was indeed very cool, so I better listen to them. By the tenth grade, all of my friends listened to their music and spoke with great authority about the band's superior musicianship and the deep meaning we were confident was so evident in Peart's lyrics. For us, Rush's albums were not just the soundtracks to our adolescence; we considered them a trusted font of worldly wisdom. Rush is a virtuoso rock trio begun in 1968 in Toronto and best known for the classic-rock staples "Tom Sawyer" (1981), "The Spirit of Radio" (1980), "Closer to the Heart" (1977), and a half-dozen or so others. Each of the musicians in the trio is a perennial poll winner for his respective instrument in magazines such as Guitar Player and Modern Drummer. Geddy Lee (b. Gary Lee Weinrib) sings, plays bass guitar, and, since 1977, also plays various keyboard instruments and synthesizers. His voice is "distinctive," in that he sings in a high register that many consider an acquired taste. Alex Lifeson (b. Aleksandar ZivojinoviC) plays guitar, and Neil Peart is their revered and ostentatious drummer. Lee and Lifeson regularly write the band's music, and, Peart, far more often than not, writes the lyrics.