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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
ROGERS COMMUNICATIONS INC. ANNUAL INFORMATION FORM (For
ROGERS COMMUNICATIONS INC. ANNUAL INFORMATION FORM (for the fiscal year ended December 31, 2007) March 4, 2008 ROGERS COMMUNICATIONS INC. ANNUAL INFORMATION FORM INDEX The following is an index of the Annual Information Form of Rogers Communications Inc. (“RCI”) referencing the requirements of Form 51-102F2 of the Canadian Securities Administrators. Certain parts of this Annual Information Form are contained in RCI’s Management’s Discussion and Analysis for the fiscal year ended December 31, 2007, and RCI’s 2007 Annual Audited Consolidated Financial Statements, each of which is filed on SEDAR at www.sedar.com and incorporated herein by reference as noted below. Page reference / incorporated by reference from Annual Information 2007 Form MD&A Item 1 — Cover Page p. 1 Item 2 — Index p. 2 Item 3 — Corporate Structure 3.1 — Name and Incorporation p. 3 3.2 — Intercorporate Relationships pgs. 3-5 Item 4 — General Development of the Business 4.1 — Three Year History pgs. 6-10 4.2 — Significant Acquisitions p. 10 Item 5 — Narrative Description of the Business 5.1 — General — Business Overview p. 11 p. 2 — Rogers Wireless pgs. 10-12 — Rogers Cable pgs. 16-19 — Rogers Media pgs. 25-26 — Employees p. 9 — Properties, Trademarks, Environmental and Other Matters pgs. 10-11 5.2 — Risk Factors p. 11 Item 6 — Dividends 6.1 — Dividends p. 12 Item 7 — Description of Capital Structure 7.1 — General Description of Capital Structure p. 12 7.2 — Constraints pgs. 12-13 7.3 — Ratings pgs. 13-14 Item 8 — Market for Securities 8.1 — Trading Price and Volume p. -
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Igniting Growth at a Glance Highlights for 2015
Rogers Communications Inc. 2015 Annual Report Igniting growth At a glance highlights for 2015 Rogers Communications Inc. Wireless Rogers Communications (TSX: RCI; NYSE: RCI) Wireless is Canada’s largest provider of voice and data is a diversified Canadian communications and communications services. We provide these services to media company. We report our results of approximately 9.9 million customers under the Rogers, Fido, chatr and Mobilicity brands. We provide customers operations in the four segments of Wireless, with the best and latest wireless devices, applications and Cable, Business Solutions and Media. leading network speeds. Our far-reaching LTE network covers approximately 93% of all Canadians. Our strategic spectrum investments position us well to provide the network connectivity, speed and reliability our customers Operating revenue Adjusted operating profit have come to enjoy and expect. Wireless also provides (In billions of dollars) (In billions of dollars) seamless wireless roaming across the U.S. and more than 200 other countries and is the Canadian leader in the 2015 13.4 2015 5.0 deployment of machine-to-machine communications and Internet of Things applications. 2014 12.9 2014 5.0 2013 12.7 2013 5.0 Free cash flow Annualized dividend Operating revenue Adjusted operating profit (In billions of dollars) rate at year end ($) (In billions of dollars) (In billions of dollars) 2015 1.7 2015 $1.92 2015 7.7 2015 3.2 2014 1.4 2014 $1.83 2014 7.3 2014 3.2 2013 1.5 2013 $1.74 2013 7.3 2013 3.2 2015 Operating revenue 2015 Operating revenue $13.4 Billion $7.7 Billion Wireless 56% $13.4 Cable 26% $7.7 Network 90% Billion Billion Media 15% Business Solutions 3% Equipment 10% Cable and Business Solutions Media Cable is a leading Canadian cable services provider whose Media is Canada’s premier destination for category-leading service territory covers approximately 4.2 million homes sports entertainment, digital media, television and radio in Ontario, New Brunswick and Newfoundland representing broadcasting and publishing properties. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Gail Taylor CV
GAIL TAYLOR DESIGNER FILM & TELEVISION- PRODUCTION DESIGN o THE BACHELORETTE CANADA PRODUCTION DESIGNER W Network / Good Human Productions o LOVE IT OR LIST IT VACATION HOMES BEHIND THE SCENES DESIGNER W Network / Big Coat Productions West o LOVE IT OR LIST IT VANCOUVER (season 1) BEHIND THE SCENES DESIGNER W Network / Big Coat Productions West o CONSUMED (2 seasons) BEHIND THE SCENES DESIGNER W Network / Paperny Entertainment o THE STAGERS (second season) ON - CAMERA & BEHIND THE SCENES DESIGNER HGTV / Great Pacific Media o CHUCK CLEARS OUT (Pilot) ON - CAMERA & BEHIND THE SCENES DESIGNER HGTV / Great Pacific Media o ANIMAL NEWS NOW (Pilot) PRODUCTION DESIGNER Knowledge Network / Bag Media o JUICE (short film) PRODUCTION DESIGNER Point Blank Creative FILM & TELEVISION (continued) page 2 O MARY ZILBA - MUSIC PRODUCTION DESIGNER Point Blank Creative o COLD FRONT (film) ON-SET DRESSER Dir: Allan A. Goldstein O HARD TARGET (film) SCENIC ARTIST Dir: John Woo o TALES FROM THE CRYPT (TV) SCENIC ARTIST HBO PRODUCER / DIRECTOR / CHOREOGRAPHER o SPEAKEASY (TV pilot) DESIGNER / CO- PRODUCER & DIRECTOR A pilot for a one-hour issue oriented teen TV show. o TWO CHICKS W/ CAMERAS (music videos) DESIGNER / CO- PRODUCER, DIRECTOR & CHOREOGRAPHER Independent music videos and documentaries. MAKE-UP ARTIST o 21 JUMP ST. (TV – 1 season) KEY MAKE-UP o WISE GUY (TV ) ASS’T MAKE-UP o BOOKER (TV) ASS’T MAKE-UP MAKE-UP ARTIST (continued) page 3 o FRIDAY THE 13TH – PART VI (film) SPECIAL EFX LAB – Raleigh Studios o EVIL DEAD – PART II (film) SPECIAL EFX LAB – Mark Showstrom o THE OUTING (film) SPECIAL EFX LAB – Raleigh Studios o NICE GIRL’S DON’T EXPLODE (film) KEY MAKE-UP / HAIR Ex Prod: John Wells o BEN STILLER SHOW (TV) ASS’T MAKE-UP Ex. -
Long-Time Cable Shows Come to End of the Line
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Optik TV Channel Listing Guide 2020
Optik TV ® Channel Guide Essentials Fort Grande Medicine Vancouver/ Kelowna/ Prince Dawson Victoria/ Campbell Essential Channels Call Sign Edmonton Lloydminster Red Deer Calgary Lethbridge Kamloops Quesnel Cranbrook McMurray Prairie Hat Whistler Vernon George Creek Nanaimo River ABC Seattle KOMODT 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 Alberta Assembly TV ABLEG 843 843 843 843 843 843 843 843 ● ● ● ● ● ● ● ● ● AMI-audio* AMIPAUDIO 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 AMI-télé* AMITL 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 AMI-tv* AMIW 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 APTN (West)* ATPNP 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 — APTN HD* APTNHD 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 — BC Legislative TV* BCLEG — — — — — — — — 843 843 843 843 843 843 843 843 843 CBC Calgary* CBRTDT ● ● ● ● ● 100 100 100 ● ● ● ● ● ● ● ● ● CBC Edmonton* CBXTDT 100 100 100 100 100 ● ● ● ● ● ● ● ● ● ● ● ● CBC News Network CBNEWHD 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 CBC Vancouver* CBUTDT ● ● ● ● ● ● ● ● 100 100 100 100 100 100 100 100 100 CBS Seattle KIRODT 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 CHEK* CHEKDT — — — — — — — — 121 121 121 121 121 121 121 121 121 Citytv Calgary* CKALDT ● ● ● ● ● 106 106 106 ● ● ● ● ● ● ● ● — Citytv Edmonton* CKEMDT 106 106 106 106 106 ● ● ● ● ● ● ● ● ● ● ● — Citytv Vancouver* -
Annual Report |2016
Annual report | 2016 $500 million Commitment worth celebrating! Marking our $500,000,000 milestone in financing for Canada’s independent television & film community Proud to support Canadian television & film — and even prouder of the results Half a billion … and counting As industry insiders, we know just how much work — and money — it takes to create great television and film. So in 1980, we launched our first fund to support Canada’s independent producers. Since then, we’ve invested a total of $532,039,665 in nearly 2,000 productions via four different funds and programs. And while we’re tremendously proud of that contribution, we’re even prouder of the results. Many of these productions have attracted critical acclaim and awards, including Emmys, Rockies and fistfuls of Geminis, Genies and Canadian Screen Awards. They’ve premiered at Cannes, TIFF and Sundance and been broadcast around the world. Most importantly, they’ve contributed to a rich and diverse Canadian culture. In 2016, we committed $28.2 million in 113 productions that ran the gamut from serious to seriously entertaining: from exposés and insight-packed documentaries to edgy comedy and absorbing dramas. Now, thanks to recent changes to the CRTC rules governing Certified Independent Producer Funds, we’ll have the flexibility to support an even broader range of productions, including co-ventures. At the Rogers Group of Funds, we believe in supporting great television and film. It’s why we’ve invested more than half a billion dollars to date. And it’s why we’ll continue to offer Canadian independent producers a vital source of funding in the years to come. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
Reality TV Star Michelle Money on Relationship and Love with Cody Sattler
‘Bachelor in Paradise’ Reality TV Star Michelle Money on Relationship and Love with Cody Sattler I nterview by Lori Bizzoco. Written by Sarah Batcheller. If you’ve been watching Bachelor in Paradise, you’ve most likely declared Michelle Money as your spirit animal by now. The witty, warm-hearted Utah native originally appeared on Brad Womack’s season of The Bachelor and later on Bachelor Pad 2. Now, in paradise, this single celebrity mom has swept away audiences with her humor and impeccable style (we mean impeccable). On the show, she’s the resident beauty guru, getting the girls beautified for their dates. At home, Money is mother to nine-year-old Brielle and works as a hair stylist while filming her YouTube show, MMandL. Michelle Money Talks About Looking for a Relationship and Love on Reality TV Again This Salt Lake City lady was determined to find a relationship and love this time around, even though she was initially apprehensive. But true to her fearless form, Double-M decided to take the leap, affirming, “When they approached me with the show, I was pretty skeptical about going back on television for a third time, but they presented the format to me as being a lot more realistic in terms of finding a relationship.” Money also admits, “After going onThe Bachelor, it was appealing to me to find someone who has had the same experiences that come with reality TV, like being recognized in public and having to deal with the editing.” Related Link: ‘Bachelor in Paradise’ Drama: AshLee Frazier Says She Wishes She Could Take Back Quarrel With Clare Crawley When it comes to love, fans still swoon over the heartwarming relationship between Money and Bachelor Pad 2 teammate and ex- boyfriend Graham Bunn, hoping that “MoneyBunn’s” love will prevail.