DOCSLIB.ORG

The Wörld Is Ours Vol 1 - Everywhere Further Than Everyplace Else

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Wörld Is Ours Vol 1 - Everywhere further than Everyplace Else VÖ: 18. November 2011 Motörhead Music / UDR / EMI Ein anderes Land, eine andere Stadt, und wieder eine ausverkaufte Show. Motörhead, eine Band, die mehr als nur Konzerte gibt, eine Band, die Kultstatus hat - jede Show ist ein Ereignis. Eine unglaubliche Atmosphäre: das letzte Einstimmen der Instrumente und alle warten gespannt auf den Moment, an dem Lemmy ans Mikrofon tritt: “WE ARE MOTÖRHEAD ... … AND WE PLAY ROCK'N'ROLL!” Diese DVD dokumentiert nicht nur das 35-jährige Jubiläum, sondern auch die Einzigartigkeit dieser Band. Motörhead Music / UDR ist stolz, mit The Wörld Is Ours Vol 1 – Everything Further Than Everyplace Else ein Meisterwerk zu präsentieren. Aufgenommen von Banger Films und Sam Dunn (Iron Maiden Flight 666, Rush: Beyond The Lighted Stage) und gemixt vom langjährigen Motörhead Produzenten Cameron Webb. The Wörld Is Ours Vol 1 ist gespickt mit ‘old time Motörhead Classics’ von Ace Of Spades bis hin zu Overkill, von Killed By Death bis Over The Top aber auch mit Songs aus dem letzten Album ‚The Wörld is Yours‘. Neben dem kompletten Konzert in Santiago de Chile aus dem Teatro Caupolican gibt es Aufnahmen des Konzertes in New York’s Best Buy Theatre und aus dem Apollo in Manchester. Ausführliche Interviews mit der Band und ein herausragend gestaltetes Booklet , das die Fans begeistern wird und natürlich wird die DVD Dokumentation wird mit Vol 2 im nächsten Jahr fortgesetzt…. The Wörld Is Ours Vol 1 - Everywhere further than Everyplace Else Santiago de Chile 1.We Are Motörhead 2.Stay Clean 3.Get Back In Line 4.Metropolis 5.Over the Top 6.One Night Stand 7.Rock Out 8.The Thousand Names of God 9.I Got Mine 10. I Know How to Die 11.The Chase Is Better Than The Catch 12.In the Name of Tragedy 13.Just 'Cos You Got the Power 14.Going to Brazil 15.Killed by Death 16.Ace of Spades 17.Overkill New York 1.Rock Out 2.The Thousand Names of God 3. Killed By Death (feat. Doro & Todd Youth) Manchester 1.We Are Motörhead 2.Stay Clean 3. Be My Baby 4. Get Back In Line 5. I Know How to Die 6.Born to Raise Hell (feat. Michael Monroe) The Wörld Is Ours Vol 1 – Everywhere further than Everyplace Else Formate 1. DVD + Doppel Audio CD (3 Disc Set) Digipack 8 panel / 24 page booklet / CD format DVD Inhalt: Santiago full concert 90 min - 17 Songs aufgenommen in Santiago, Chile , Teatro Caupolican (April 9, 2011) Interview 9 Min Manchester Songs 25 min Interview 12 Min NY Songs 20 Min Atlantic City Interview 23 Min Plus 2 Bonus Audio CDs mit dem kompletten Santiago Konzert und Ausschnitte aus den Konzerten von New York und Manchester 2. BluRay – Amaray box (single disc) BluRay Inhalt: Santiago komplettes Konzert 90 Min - 17 Songs aufgenommen in Santiago, Chile, Teatro Caupolican (April 9, 2011) Interview 9 Min Manchester Songs 25 Min Interview 12 Min NY songs 20 Min Atlantic City Interview 23 Min Plus Bonus Material: “Get Back In Line” Video Clip 3:45 Min “I Know How To Die” Video Clip 4:00 Min EPK “The Wörld Is Yours” 23 Min 3. DVD – Amaray box (single disc) DVD Inhalt: Santiago komplettes Konzert 90 Min - 17 Songs aufgenommen in Santiago, Chile, Teatro Caupolican (April 9, 2011) Interview 9 Min Manchester Songs 25 Min Interview 12 Min NY Songs 20 Min Atlantic City Interview 23 Min 4. Vinyl LP – Gatefold sleeve (double disc) LP Inhalt: Santiago komplettes Konzert 90 Min - 17 Songs aufgenommen in Santiago, Chile, Teatro Caupolican (April 9, 2011) 5. Digital Audio Santiago komplettes Konzert 90 Min - 17 Songs aufgenommen in Santiago, Chile, Teatro Caupolican (April 9, 2011) + Ausgewählte Songs von den Konzerten in New York und Manchester Motörhead im TV: Motörhead live – ein Song & Talk bei Harald Schmidt, Late Show, 22.11.2011 , SAT 1 Motörhead on tour: Oktober 10/21/2011 CH Zurich - Club Hallenstadion 10/23/2011 FR Toulouse - Zenith 10/25/2011 FR Clermont Ferrand - Zenith D' Auvergne 10/26/2011 FR Nantes - Zenith 10/28/2011 BE Brussels - Forest-National 10/29/2011 NL Zwolle - Meerhal 10/31/2011 FR Lille - Zenith Grand Palais November 11/02/2011 UK Wolverhampton - Civic Hall 11/03/2011 UK Newcastle - City Hall 11/05/2011 UK Glasgow - O2 Academy 11/06/2011 UK Liverpool - University Mountford Hall 11/08/2011 UK Bristol - Colston Hall 11/11/2011 UK Norwich - UEA 11/12/2011 UK London - Hammersmith Apollo 11/14/2011 UK Plymouth - Pavilions 11/15/2011 UK Southampton - Guildhall 11/17/2011 UK Nottingham - Royal Centre 11/18/2011 UK Manchester - O2 Apollo 11/21/2011 FR Paris - Zenith 11/23/2011 DE Berlin - Columbiahalle 11/24/2011 DE Leipzig - Haus Auensee 11/26/2011 DE Munich - Zenith 11/27/2011 DE Stuttgart - Schleyerhalle 11/29/2011 DE Dusseldorf - Phillipshalle 11/30/2011 DE Hamburg - Sporthalle Dezember 12/02/2011 DK Aalborg - Skraeen Multi 12/04/2011 DK Copenhagen - Vega Main Hall 12/05/2011 NO Oslo - Sentrum Scene 12/07/2011 NO Bergen - Peer Gynt Salen 12/09/2011 SE Gothenburg - Lisebergshallen 12/10/2011 SE Stockholm - Arenan 12/12/2011 SE Orebro - Conventum 12/13/2011 SE Sundsvall - Sporthallen 12/15/2011 SE Lulea - Pontushallen 12/17/2011 FI Tampere - Pakkahuone 12/18/2011 FI Helsinki - Cable Factory MOTÖRHEAD: The Wörld Is Ours Vol 1 – Everywhere further than Everyplace Else Verschiedene DVD Formate, BluRay, Vinyl Edition und Digital Audio DVD / BluRay Info Dolby digital stereo and 5.1 FSK 6 NTSC DVD 9 Region Code 0 Total Running Time: 179 Minutes (DVD) Total Running Time: 210 Minutes /(BluRay) VÖ-Datum: 18.11.2011 Coverabbildung & Fotos sind unter www.medienagentur-hh.de erhältlich medienAgentur Hamburg, im Oktober 2011.
Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson

    “Grunge Killed Glam Metal” Narrative by Holly Johnson

    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
  • 1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte

    1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte

    1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture.
  • Alice Cooper

    Alice Cooper

    Super Duper Alice Cooper Shock rocker, golfer, night-time DJ, loving husband and doting father. The former Vincent Furnier is a man at peace with himself. But what a remarkable journey it took young Vincent to reach this point. Super Duper Alice Cooper is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents everywhere as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as frontman for a group of Phoenix freaks in the sixties to the hazy decadence of celebrity in the seventies to the winking comeback as glam metal godfather in the eighties, one will watch in wonder as Alice and Vincent battle for each other’s souls. Super Duper Alice Cooper is told in the form of a “doc opera”, a dizzying blend of documentary and rock opera that combines audio interviews with a bounty of Alice Cooper archive footage. Concerts, TV appearances, movie cameos, newspaper headlines, magazine spreads and many other visual elements have been cut out, layered and collaged like a cinematic View-Master. Alongside the hits that defined an era, overlooked gems of Alice Cooper’s oeuvre have been dug up and melded into montages that soundtrack his life. Footage from old scary movies serve as allegories for Alice’s madness. The film touches on all the major highlights in Alice Cooper’s evolution; the 7am audition for Frank Zappa; the Chicken Incident; posing for Salvador Dali; the Hollywood Bowl triumph where a helicopter dropped “panties” on thousands of fans; his appearance on the Muppets; and many more, including all the choppings, hangings and mutilations that thrilled a generation of kids.
  • Extreme Metal: Subculture, Genre, and Structure

    Extreme Metal: Subculture, Genre, and Structure

    Université de Montréal Extreme metal: Subculture, Genre, and Structure par Samaël Pelletier Université de Montréal Faculté de Musique Mémoire présenté en vue de l’obtention du grade de Maîtrise en musique option musicologie avril 2018 © Samaël Pelletier. 2018 Abstract Extreme metal is a conglomeration of numerous subgenres with shared musical and discursive tendencies. For the sake of concision, the focus throughout this thesis will mainly be on death metal and black metal – two of the most popular subgenres categorized under the umbrella of extreme metal. Each chapter is a comparative analysis of death metal and black metal from different perspectives. Thus, Chapter One is historical account of extreme metal but also includes discussions pertaining to iconography and pitch syntax. Subsequently, Chapter Two concerns itself with the conception of timbre in death metal and black metal. More specifically, timbre will be discussed in the context of sound production as well as timbre derived from performance, in particular, vocal distortion. The conception of rhythm/meter will be discussed in Chapter Three which will simultaneously allow for a discussion of the fluidity of genre boundaries between death metal and progressive metal – largely because of the importance placed on rhythm by the latter subgenre. Instead of a focus on musical practices, Chapter Four will instead take a sociological approach with the aim of answering certain issues raised in the first three chapters. Ultimately, this thesis aims to elucidate two questions: What are the different aesthetic intentions between practitioners of death metal and black metal? And, how do fans conceptualize these aesthetic differences? Sarah Thornton’s notion of subcultural capital – which is derived from Pierre Bourdieu’s notion of cultural capital – will help to answer such questions.
  • Adam-Bomb-Epk.Pdf

    Adam-Bomb-Epk.Pdf

    THE HISTORY ADAM BOMB The History 1 THE HISTORY THE OFFICIAL BIOGRAPHY ADAM BOMB The History 2 CONTENTS Chapter 1: Biography 4 Chapter 2: Discography 18 Chapter 3: St ories 23 Copyright © 201 5 by Adam “Bomb” Brenner 2nd edition 2016 No reproduction without permission. All rights reserved. www.adambomb.com Research and design: Gernotte Frickenberger ADAM BOMB The History 3 Chapter 1 Biography Chapter 1 1963 Adam was born as Adam Brenner in Seattle, Washington USA. Adam formed the cover band TYRANT with singer GEOFF TATE who later formed QUEENSRŸCHE . First the band was called Spectrum and they 1979 played Judas Priest, UFO or Rush songs. Normally, they had gigs at High Schools. After a ‘battle of bands’ the band broke up. One of the first gigs Adam met EDWARD VAN HALEN in a hotel in Tacoma Washington. He asked Eddie to sign his guitar and wound up getting a three hour guitar lesson. Those three hours changed his life forever. Later he joined the band TKO from Seattle. Adam co-wrote 1980 most of the new material of the band and recorded the album IN YOUR FACE . But TKO couldn’t get a record deal. The album was too heavy for the current music market, Disco was still the main thing. Without a deal, Adam eventually left and was re- placed. TKO ended up with a record deal releasing In Your Face on Combat Records in 1984. Reissue 2008 with Adam on back cover Adam was asked to audition for KISS . Ace Frehley, the original guitar player, left the band before.
  • Dancing on the Edge: Hanoi Rocks Live Concert DVD Coming!

    Dancing on the Edge: Hanoi Rocks Live Concert DVD Coming!

    Dancing On The Edge: Hanoi Rocks live concert DVD coming! http://www.thatdevilmusic.com/Dancing/2008/04/hanoi-rocks-live-concer... SEARCH BLOG Next Blog» Create Blog | Sign In DANCING ON THE EDGE DISPATCHES FROM THE FRINGES OF ROCK & ROLL KULTURE. .. THURSDAY, APRIL 17, 2008 "DANCING" CD REVIEW INDEX Hanoi Rocks live concert DVD coming! "Dancing" CD Review Index Hanoi Rocks was one of CONTACT THE REVEREND: the great lost bands of the Rev.Gordon 1980s. The band's mix of CONSPIRACY M.E.D.I.A BLOGS glam, metal and punk became known as Trademark of Quality audioblog "sleaze-rock" and proved Alt.Culture.Guide Archive to be influential on a That Devil Music Dot Com generation of Aquanetted TMQ Zine Archive nerf-metal outfits later in The Other Side Of Nashville blog the decade. Chart-toppers That Devil Music Storefront like Guns N' Roses and the Manic Street Preachers are direct descendants of the PREVIOUS POSTS Hanoi Rocks sound. Why April Wine likes to rock! Hanoi Rocks never made it Javelina tour dates announced! to the big time while inferior third-generation carbon copy Leverage - Blind Fire CD review bands made major bank with their sound is one of the great Burzum - Anthology CD review mysteries of the era.... Candlemass Tour Dates Confirmed! Formed in 1979 in Helsinki Finland, the Hanoi Rocks sound was Spiritual Beggars debut to be a revved-up cross between the Stooges and the New York Dolls, reissued! with a hint of Chuck Berry and the Sweet thrown in for good Bangkok Five release new CD, measure.
  • Strutter Magazine January 10, 2001

    Strutter Magazine January 10, 2001

    SCHPAYBO 'LONG WAY BACK' (INDEPENDENT) Schpaybo are a hard rock outfit from the US fronted by talented multi-musician Steve Spirko. The material of Schpaybo rocks in a kind of southern boogie way a’la AC/DC and Aerosmith mixed with the melodic hard rock of Nightranger This makes for an interesting release as the songs here are often catchy and singable, like track three, ’Won’t You Be My Girl’ which is so goddamn infectious it’s silly. Vocally Steve sounds across between Stephen Tyler and Nightanger’s Jack Blade’s, thus ’Won’t You Be My Girl’ comes across in the similar vein and is my favourite track of the whole album, hard to ignore and very catchy, ‘Won’t You Be My Girl’ is well classy. Other good songs are track two ‘For Barbara’s Love’, this song like ‘Won’t You Be My Girl’ is very catchy and similar in style to Motley Crue, Nightranger and Michael Monroe, and has a sleazy edge to it. Also check out the ballad ‘Fall In Love Eyes’ which reminds me of Molly Hatchet. ‘Stress’ is a weaker song with a silly chorus that doesn’t hold up against the likes of ‘Won’t You Be My Girl’, and ‘Out Of Time’ is another song with that classic rock vibe a’la Aerosmith and Ted Nugent. At the end of the album there is a hidden instrumental piece that is pretty good, which is in the style of Ted Nugent and Slash. Overall Schypaybo definitely have potential and most of the songs are fun and catchy but fail to top the class of ‘Won’t You By My Girl’ a song that I will be playing to death for the rest of the year.
  • Heavy Metal Under Scrutiny: the Controversial Battle for the Protection of America’S Youth

    Heavy Metal Under Scrutiny: the Controversial Battle for the Protection of America’S Youth

    Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth Master’s Thesis in North American Studies Leiden University Chrysanthi Papazoglou s1588419 Supervisor: Dr. Eduard van de Bilt 1 Contents Introduction ........................................................................................................... 2 Heavy Metal: Origins, Imagery and Values ......................................................... 6 The 1985 PMRC Senate Hearing & Aftermath .................................................. 20 Heavy Metal on Trial: The Cases of Ozzy Osbourne and Judas Priest .............. 41 Conclusion .......................................................................................................... 53 Bibliography ....................................................................................................... 57 2 Introduction During the 1980s, following the steady rise of neo-conservatism, several political and religious groups were formed to fight for what they deemed the loss of true American values. Among their targets was a music genre called heavy metal. Ever since its emergence, the genre met with serious opposition. Accused of promoting violence, suicide, drug and alcohol abuse and distorted images of sex, heavy metal music was considered a threat to the well-being of America’s youth. These accusations were major arguments in the 1980s religious conservatives’ crusade to establish family values. Trying to raise parents’ awareness of the music’s ostensible catastrophic effects on adolescents,
  • 1 Ernest T Band

    1 Ernest T Band

    OPEN ALL YEAR! Visit us for your next Vacation or Get-Away! Four Rooms Complete 4573 Rt. 307 East with Private Hot Tubs Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 December 4 - 18 2013 Family Holiday Fun! Treat Your Family to This One-Of-A-Kind Holiday Light Display Lights on the Lake featuring lighted local points of interest which includes: Ashtabula Light A CHRIST MAS STORY HOUSE House, Bascule Lift Bridge, Ashtabula’s Flying Saucer and many more. These displays are The house used in the popular holiday featured amongst other animated holiday light displays. Come early and often to share the classic “A Christmas Story” has been magic of the holiday season. Friday, Saturday, and Sundays. 6pm-9:00 pm Thanksgiving restored to its original 1983 movie through New Year’s Eve (Dec. 24 & 25 6 – 8pm). www.aclotl.com , Ashtabula County’s drive- appearance. Purchased and renovated by through holiday lights extravaganza at Ashtabula Township Park, 20 minutes from Geneva on Brian Jones, a true fan of the movie who the Lake. sells leg lamps for a living, the house takes visitors on a nostalgic journey to the sights “A Christmas Carol - Holiday Dinner Theatre” and scenes where Ralphie Parker dreams December 6-22, Fridays and Sundays (Saturday performances SOLD OUT).
  • Hanoi Rocks Hanoi Rocks Mp3, Flac, Wma

    Hanoi Rocks Hanoi Rocks Mp3, Flac, Wma

    Hanoi Rocks Hanoi Rocks mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hanoi Rocks Country: Finland Released: 2001 Style: Glam MP3 version RAR size: 1102 mb FLAC version RAR size: 1386 mb WMA version RAR size: 1205 mb Rating: 4.5 Votes: 311 Other Formats: MP3 VQF ADX DMF MPC APE MOD Tracklist A. Lost In The City 1-1 –Hanoi Rocks I Want You 1-2 –Hanoi Rocks Kill City Kills (Namilo Remix) 1-3 –Hanoi Rocks Tragedy 1-4 –Hanoi Rocks Café Avenue (Original Version) 1-5 –Hanoi Rocks Stop Cryin' 1-6 –Hanoi Rocks 11th Street Kids 1-7 –Hanoi Rocks Village Girl 1-8 –Hanoi Rocks Cheyenne 1-9 –Hanoi Rocks Malibu Nightmare 1-10 –Hanoi Rocks Do The Duck 1-11 –Hanoi Rocks Love's An Injection (Demo) 1-12 –Hanoi Rocks Desperados 1-13 –Hanoi Rocks Devil Woman 1-14 –Hanoi Rocks Dead By X-Mas 1-15 –Hanoi Rocks Don't Follow Me 1-16 –Hanoi Rocks No Law Or Order 1-17 –Hanoi Rocks Mc Baby 1-18 –Hanoi Rocks Suberian Theme (Instrumental) 1-19 –Hanoi Rocks Fallen Star B. Million Miles Away 2-1 –Hanoi Rocks Self Destruction Blues 2-2 –Hanoi Rocks In The Year 79 / It's Too Late 2-3 –Hanoi Rocks Problem Child 2-4 –Hanoi Rocks Hometown Breakdown 2-5 –Hanoi Rocks Rebel On The Run 2-6 –Hanoi Rocks Back To Mystery City 2-7 –Hanoi Rocks Tooting Bec Wrecked 2-8 –Hanoi Rocks Until I Get You 2-9 –Hanoi Rocks Lick Summer Love 2-10 –Hanoi Rocks Never Get Enough (Demo) 2-11 –Hanoi Rocks High School 2-12 –Hanoi Rocks Two Steps From The Move 2-13 –Hanoi Rocks Up Around The Bend 2-14 –Hanoi Rocks Don't You Ever Leave Me 2-15 –Hanoi Rocks Million Miles Away 2-16 –Hanoi Rocks Underwater World (Edit) 2-17 –Hanoi Rocks Shakes 2-18 –Hanoi Rocks Boulevard Of Broken Dreams 2-19 –Hanoi Rocks Magic Carpet Ride C.
  • Michael Monroe Horns and Halos Mp3, Flac, Wma

    Michael Monroe Horns and Halos Mp3, Flac, Wma

    Michael Monroe Horns And Halos mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Horns And Halos Country: Argentina Released: 2013 MP3 version RAR size: 1882 mb FLAC version RAR size: 1270 mb WMA version RAR size: 1806 mb Rating: 4.3 Votes: 612 Other Formats: MOD MMF TTA XM WAV FLAC DMF Tracklist Hide Credits Tnt Diet 1 2:28 Written-By – Dregen, Monroe*, Yaffa*, Conte* Ballad Of The Lower East Side 2 3:16 Written-By – Conte* Eighteen Angels 3 3:28 Written-By – Dregen, Yaffa*, Conte* Saturday Night Special 4 2:13 Written-By – Conte* Stained Glass Heart 5 4:21 Written-By – Dregen, Conte* Horns And Halos 6 3:29 Written-By – Dregen, Rockfist*, Monroe*, Yaffa*, Conte* Child Of The Revolution 7 Backing Vocals [Additional] – Christian Casagrande, Zia ContePiano – Michael 3:47 MonroeWritten-By – Dregen, Conte* Soul Surrender 8 2:56 Written-By – Monroe*, Yaffa*, Conte* Half The Way 9 2:33 Written-By – Monroe*, Yaffa*, Conte* Ritual 10 4:02 Written-By – Monroe*, Yaffa*, Conte* Hands Are Tied 11 3:52 Piano – Michael MonroeWritten-By – Dregen, Rockfist*, Yaffa*, Conte* Bonus Tracks: Happy Neverafter 12 Keyboards – Steve ContePercussion – DregenWritten-By – Monroe*, Yaffa*, 2:45 Conte* Don't Block The Sun 13 3:30 Written-By – Conte* Companies, etc. Phonographic Copyright (p) – Money Cash Flow Oy Phonographic Copyright (p) – Spin-Farm Oy Copyright (c) – Money Cash Flow Oy Copyright (c) – Spin-Farm Oy Recorded At – Park Studio Recorded At – 4th Street Recording Recorded At – Seawolf Studios Recorded At – Nosturi Engineered At – Park Studio Engineered At – 4th Street Recording Engineered At – Nosturi Engineered At – Seawolf Studios Mixed At – Seawolf Studios Mastered At – Chartmakers Designed At – T.R.I.M.