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7 Lions Fungonewrong Psychostick 9electric Gemini Syndrome Randy Bachman Ace Frehley** Glamour Of The Kill** RED Acidic Grinder Blues Red Dragon Cartel Adrenaline Mob GWAR ** Rev Theory Alien Ant Farm Hank 3 Revoker Altitudes & Attitude Hardcore Superstar Righteous Vendetta American Head Charge Hatchet Robby Krieger of The Doors Angra Headcat** Robin Zander Band Anthrax Heaven’s Basement* Santa Cruz Armored Saint Heavygrinder Saxon Avatar Hed PE Scar Symmetry Beyond Threshold Hinder** Scott Ian Bachman and Turner Hoobastank Seasons After Billy Squier IDIOM Sevendust Black Tide Ill Nino Sister Blue Oyster Cult INC. Sister Sin Breed 77* Islander Skid Row Brokencyde* It Dies Today Skindred** Buckcherry Janus Skyharbor Buffalo Summer Jason Bonham Led Zeppelin Slaves On Dope Burton Cummings Experience* Slim Jim Phantom of The Butcher Babies* John5 Stray Cats Cali Swag District* Karnivool Snocore Tour California Breed Kelley James Soil Cherie Currie of The Kill Devil Hill Spineshank* Runaways** Kittie** Still Remains* Clint Lowery Kris Roe* Suicide Girls Cold Life of Agony Superjoint Ritual Crobot Like Monroe Tantric Darkest Hour Letters From The Fire The Alarm Death Angel** Mest* The Ataris* Diamond Plate Metal Allegiance The Bosshoss Diecast Michael Monroe The Coffis Brothers Dope Motörhead The Damned Things Double Vision Tour Motörboat The Graveltones* Drowning Pool Mudvayne The Letter Black Duff McKagan’s Loaded Mushroomhead The Missing Letters Earthtone9* MXPX* Thomas Nicholas Band* Eddie Money* New Years Day* Threat Signal Even the Dead Love a Parade Nonpoint Ugly Kid Joe Eyes Set to Kill One Eyed Doll Uriah Heep Fates Warning Orgy Warbeast Fear Factory Otherwise Wayne Static of Static X Fireball Ministry P.O.D** With One Last Breath Flaw Pat Travers Band With Our Arms To The Sun Flotsam & Jetsam Pearl Xerath Framing Hanley Phil Campbell’s All Starr Band Fuel Powerman 5000 Contact TKO » NEW YORK: +1 (914) 346-8938 LOS ANGELES: +1 (310) 273-9200 LONDON: +44 (0)207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] » .

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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance.
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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BA Oppgave.Pages
! ! ! ! ! ! ! ! ! «…It’s nothing but torture» It’s time for a serious reaction to music torture ! Inger-Maren Helliksen Fjeldheim May 18th! 2018 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "1 av "17 !Abstract For years music has been used as a method of torture in American run prisons such as Bagram and Guantanamo. The American government calls it harsh interrogation and claim the music torture is kinder and less severe as it does not inflict physical damage on the prisoner. ! It is not within our power to know whether death is worse a fate for humans than a life of trauma. !Before we know this for certain, we cannot to claim that one fate is better or worse than the other. Musicians have known for a long time that their music is used for torture, and yet there as been little to no reaction. As musicians and music lovers we cannot sit idly by while what is supposed to be a source of comfort and happiness, is used for such deplorable purpose. It is time for a serious reaction to music torture. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "2 av "17 Index ! Abstract 2 ! I Introduction 3 ! II Music and Torture- What it is and where it comes from 4 ! III The Use of a Song- Drowning Pool and their song Bodies 5 ! IV What happens in Guantanamo 8 ! V Discussion- Time to react 8 ! VII Bibliography 11 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "3 av "17 Introduction Music as a phenomenon is universal to all humans and can be found in every human culture past and present.1 It has been used through history for pleasure, and for sorrow, in religion and everyday life alike.
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Hed Pebroke Full Album Zip
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Fixmil M COMMERCIAL
8 WEVV 1UJUK HEltALD, TUESDAY, 5jjfirrJSMBEK 16, 1879..TRIP]uE SHEET. were aud to new fouri, 108'4' for and 108»i for now Area lonoo 81 LASF 2d,cl B 58 200 do. b60 8'< """ » irregular.generally higher at the opeulr.g, but Kant Imlia, in bond, 80c. a Rjc. per gallon, arrive, limm SlL J6 IM.ArU br ml 1 H"0 do«? IS £ JSa-lteiilHI |S I closing easier. Tho sales. including 4.V».<JOt> bushels for 75c. u HOc. securities at 27for Erie com t% future wore American railway Sirm l.ouAXolt lKt.bc lot 2O0 do o deliverv. 725.<MMJ busbwls. at If I l."»a$A l« for . 8J5 No. for preferred. 7«¥ tor the new seconiI Bllt pit* American Ex.. 47K jr. K * Dop Moliien.bc 14 S& 2rud.$l 15a$l 10 for do. do. ror September, $1 IV4 m men, 50lj Atlmij* ' do 10 a #1 IB for do. do. tor a for do. do. DOMESTIC MARKETS. COMMERCIAL Km do III) fIXMIL i'» KipNM.be 102.S 14\ * HS>, lU>Chw*OJdpr....«. £; October. #1 15;\ $1 IB>4 for consols, 74U for funded lives. 114V, for confcolidateiI luut'mitoii. 42 Km <o do KM 10O MhiiUhUdu. -M'k November. SI IB a *1 17 for No. 1 white. $1 1"»?£ a Oalvkston. Kept 13, 1X79. do be 42 Km } *!' Uo * 10 X Y Klevatad la.> $1 UV\ tor do. do. tor for J IB lutr 10\c.; firsts, 44 for 1'oimaylvalue,1 54 for New Jersey Cen im) do 14' ' H8J, October, $1 14 No.
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APRIL 13-14 Evening Date Night: Pizza.” Lu Buckcherry Morris and Susan Lloyd of the BROWN THEATRE Cooking with Christie’Scooking Tues
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Music 1000 Songs, 2.8 Days, 5.90 GB
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