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MONTHLY GUIDE November 2015 | ISSUE 76 | Eastern
MONTHLY GUIDE NOVEMBER 2015 | ISSUE 76 | EASTERN How We Played the Endless Corridor Revolution Leon Somov & Jazzu Live The Fortress of Sleeping Butterflies Low Lights Conversations on Serious Topics Celebrate Lithuania with a stellar selection of feature films, shorts, documentaries, and music! Vortex Without Letters Live Without Letters Live Euroshorts LithuaniaEUROCHANNEL GUIDE | NOVEMBER 2015 | 1 2 | EUROCHANNEL GUIDE | NOVEMBER 2015 | MONTHLY GUIDE| NOVEMBER 2015 | ISSUE 74 The Fortress of Sleeping Butterflies lithuanian m o n t h n November, Eurochannel pays tribute to Lithuania and celebrates the I Conversations on Serious Topics 25th anniversary of the Day of Restoration of Lithuanian Independence with a curated selection of movies and documentaries that promise to entertain and reveal new knowledge about this enigmatic, fascinating country! Eurochannel’s Lithuanian Month explores the many different, often hidden sides of Lithuanian culture and heritage through provocative documentaries and breathtaking feature films. Never before has Lithuania been the center of the main programming for a whole month on cable TV, and the time has come to discover its thrillingly engaging Leon Somov & Jazzu Live stories, and learn about its nearly forgotten struggles and nearly lost folk culture, as well as the genius of their filmmakers. Don’t miss this one-of-a-kind event! History and modernity blend in this month’s movies and documentaries TABLE OF lineup as we offer you the pieces of the enchanting puzzle that is CONTENTS Lithuania. Their suffering during the Soviet Era, how they gained their independence through a revolution lead by irreverent musicians, the view of Lithuanian children about topics such as divorce, love, 6 Highlights friendship, the future, and much more are on Eurochannel this month. -
NONVIOLENT RESISTANCE in LITHUANIA a Story of Peaceful Liberation
NONVIOLENT RESISTANCE IN LITHUANIA A Story of Peaceful Liberation Grazina Miniotaite The Albert Einstein Institution www.aeinstein.org 2 CONTENTS Acknowledgments Introduction Chapter 1: Nonviolent Resistance Against Russification in the Nineteenth Century The Goals of Tsarism in Lithuania The Failure of Colonization The Struggle for the Freedom of Religion The Struggle for Lithuanian Press and Education Chapter 2: Resistance to Soviet Rule, 1940–1987 An Overview Postwar Resistance The Struggle for the Freedom of Faith The Struggle for Human and National Rights The Role of Lithuanian Exiles Chapter 3: The Rebirth From Perestroika to the Independence Movement Test of Fortitude The Triumph of Sajudis Chapter 4: Towards Independence The Struggle for Constitutional Change Civil Disobedience Step by Step The Rise of Reactionary Opposition Chapter 5: The Struggle for International Recognition The Declaration of Independence Independence Buttressed: the Battle of Laws First Signs of International Recognition The Economic Blockade The January Events Nonviolent Action in the January Events International Reaction 3 Chapter 6: Towards Civilian-Based Defense Resistance to the “Creeping Occupation” Elements of Civilian-Based Defense From Nonviolent Resistance to Organized Civilian-Based Defense The Development of Security and Defense Policy in Lithuania since 1992 Concluding Remarks Appendix I Appeal to Lithuanian Youth by the Supreme Council of the Republic of Lithuania Appendix II Republic in Danger! Appendix III Appeal by the Government of the Republic -
WHAT PRICE LITHUANIAN INDEPENDENCE? By
NOT FOR WITHOUT WRITER'SPUBLICATIOICONSENT INSTITUTE OF CURRENT WORLD ILN AFEAIRS Vilnius Lithuania April ii, 1990 WHAT PRICE LITHUANIAN INDEPENDENCE? by Ina Navazelskis Saturday, March 31, was a beautiful spring day in Vilnius. The sun shone; a gusty, warm breeze blew. People were out shopping or strolling along Gediminas Prospect, Vilnius' central boulevard. Life looked normal. It was, however,-far from that. It was on this balmy spring day that Mikhail Gorbachev delivered his most stinging written rebuke yet to the Lithuanian leadership. Almost three weeks to the day after the Lithuanians declared independence, Gorbachev warned of "grave consequences" if the Lithuanian parliament refused to revoke all the laws, declarations, resolutions and appeals that it had passed in the interim. Gorbachev's primary target, of course, was the declaration of independence itself, or as the Lithuanians call it, the "reestablishment" of the independent statehood of Lithuania. The Lithuanians have been calling for negotiations with Moscow ever since they passed this act on March ii. Gorbachev now stipulated he would sit down at the negotiating table only if the Lithuanians [evoked it. "The current Lithuanian leadership is not listening to the voice of reason, Gorbachev' s ultimatum to the Lithuanian Parliament began. It was totally ignoring the decisions of the extraordinary third session of the Soviet People's Congress held in mid-March (which condemned all the Lithuanian moves) and was "carrying out actions which conflict with the Constitution of the Soviet Union, and which, in the view of the entire Union, are openly provocational and insulting." Ins Navszelskis, a journalist, hes written extensively about East European and Soviet ffairs. -
Man, History and Poetry. Dominant Tendencies in Lithuanian 21St
anna mikonis-railienė Images vol. XV/no. 24 Poznań 2014 Man, History and Poetry. ISSN 1731-450x Dominant Tendencies in Lithuanian 21st-Century Documentary Films In the history of Lithuanian cinema, documentary fi lm has had a dominant role. Th e poetical form of the documentary has built a pic- ture of Lithuanian history in Soviet times resistant to ‘doctoring’, as well as having played an exemplary role in creating the image of Lithuania in Europe in the 1990s. At that time documentary fi lms gained more international recognition than other fi lm genres. Th e most important of the Lithuanian ones were: Earth of the Blind (Neregių žemė, 1992) by Audrius Stonys – awarded the European Felix in 1993; Th e Spring (Pavasaris, 1997) by Valdas Navasaitis – awarded the main prizes at the Cinéma du Réel Festival in Paris, at the L’Alternativa Independent Film Festival in Barcelona, and at Oberhausen; as well as in 2006 the fi lm Before Flying Back to the Earth (Prieš parskrendant į žemę, 2006) by Arūnas Matelis – the fi rst fi lm in the history of Lithuanian cinema to be nominated for an Oscar. Th en there is also the emotional image of children suff ering from leukaemia and their diffi culties in hospital which also received two highly prestigious distinctions: the Silver Wolf award at the Amsterdam Film Festival, and the Grand Prix in Lipsk. Lithuanian documentary fi lm has also found national and international audiences at numerous documentary fi lm festivals in Lithuania. Importantly, the Vilnius Docu- mentary Film Festival organised in Vilnius every year and Vilnius Film Shorts, as well as the Šoble Festival of student productions – derived from the doyen of documentary fi lm, Henrikas Šablevičius – are at the centre of constant interest and have testifi ed to the strengthening of the documentary’s position as one of the most popular and fascinating fi lm genres. -
Lithuanian Jazz in Retrospect 1920S–1980S
Rūta SKUDIENĖ The Lithuanian Composers’ Union Lithuanian Jazz in Retrospect 1920s–1980s ABSTRact This article is a retrospective of the development of jazz in Lithuania from early local jazzy bands in 1920s to Lithuanian jazz masters in the 1980s. The article discusses how till the wave of the “thaw” in the 1960s and immediately after, jazz was considered a phenomenon unacceptable to Soviet ideology and to- tally alien to Lithuanian culture and how the Iron Curtain and long cultural isolation, the turmoil of the perestroika and the years of the national revival did not seem to interrupt the development of jazz. On the contrary, it took root in the realm of Soviet culture. Musicians with academic training began to play jazz, and it came to be identi- fied with a manifestation of extraordinary creativity, entitled to employ even the most radical means of musical expression. This article is devoted to the Jazz festivals in Lithuania and dedicated to the great Lithuanian free jazz musicians, the bands, performers, composers and their works of that period continue to bring fame to Lithuanian jazz worldwide. KEYWORDS: Lithuanian jazz, Lithuanian Orchestra of Popular Music, Juozas Tiškus, Vilnius Jazz Club, Tallinn Jazz Festival, Elektrėnai Jazz Festival Jaunystė, Birštonas Jazz Festival, The Ganelin Trio, Vladimir Chekasin Big Band, The Chekasin Quartet, Oleg Mo- lokoyedov, Petras Vyšniauskas Quartet, Melodiya, Vilnius Recording Studio. Introduction The 20th century jazz history has already been written. The evolution of this genre that lasted more than a century ran parallel with one of the most singlar technologi- cal achievements – sound recording, its reproduction and the advance of music re- cording industry; however, the influence, perception and spread of this music differed from country to country. -
Programming Highlights – November 2015 – Lithuanian Month
Eurochannel Programming Highlights – November 2015 – Lithuanian Month Programming Highlights - November 2015 Lithuanian Month Eurocinema – The Fortress of Sleeping Butterflies – Lithuania – Premiere November 6th – After an accident, a woman decides to change the course of her life forever. – Page 10. Eurocinema – Endless Corridor – Lithuania – Premiere November 14th – A documentary reveals the shocking truth about one of the most condemned tragedies in Europe. – Page 12. Euromusic – Leon Somov & Jazz Live – Lithuania – Premiere November 15th – An exclusive concert with the band that is generating excitement across Europe with their electronic pop. – Page 14. Eurocinema – Low Lights – Lithuania – Premiere November 20th – When darkness falls, driving becomes more interesting, and three adults will make the most of it on a fateful night. – Page 22. Eurocinema – Back to Your Arms – Lithuania – Premiere November 27th – A father and daughter, separated by WWII and ideologies, try to reunite in Berlin before the Wall. – Page 24. 1 235, Lincoln Road #201 33139 MIAMI BEACH, FL USA - +1 305-531-1315 – [email protected] Eurochannel Programming Highlights – November 2015 – Lithuanian Month Programming Highlights November 2015 Lithuanian Month The Fortress of Sleeping Butterflies – Premiere November 6th – Page 6 Euroshorts Lithuania – Premiere November 7th – Page 8 Vortex – Premiere November 13th – Page 11 Endless Corridor – Premiere November 14th – Page 13 Leon Somov & Jazzu Live – Premiere November 15th – Page 16 Low Lights – Premiere November -
The Assault on Culture: Utopian Currents from Lettrisme
THE ASSAULT ON CULTURE Utopian currents fromLettrisme to Class War STEWART HOME A.K. Press • Stirling • 1991 British Library Cataloguing in Publication Data Home, Stewart, 1962- The assault on culture: utopian currents from Lettrisme to class war.-2nd ed. I. Avant garde style. History I. Title 700.904 ISBN 1-873176-35-X ISBN 1-873176-30-9 pbk Typeset by Authority, Brixton. First published by Aporia Press and Unpopular Books, I 988. Second edition published by AK Press 1991. This edition published by AK Press, PO Box 12766, Edinburgh, EH8 9YE. "Our programme is a cultural revolution through atotal assault on culture, which makes use of every tool, every energy and every media we can get our collective hands on ... our culture,our art, the music, newspapers, books, posters, our clothing, our homes, the way we walk and talk, the way our hair grows, the way we smoke dope and fuck and eat and sleep - it's all one message - and the message is FREEDOM." John Sinclair, MinistryOf Information,White Panthers. "Frankly, all he asked fornow was an opportunity to ingratiate himself with the Black Panthers and uncover the man behind the scenes. Hartha d been right about this. There were whites actively engaged in supplying facilities, legal advice, aidfor the 'cell'. Liberals theywere called. Some were honest citizens trying to carry throughthe may or's instructions thatpeace depended upon total, unbiased co-operation between New York's polyglot millions. Others had a stake in anarchy - destruction being their aim, civil strife theirimmediate target. And, too, there were theMafia with tentacles waving fora share of the lucrative drug traffic. -
Sounds of the Singing Revolution: Alo Mattiisen, Popular Music, And
Lawrence University Lux Lawrence University Honors Projects 5-30-2018 Sounds of the Singing Revolution: Alo Mattiisen, Popular Music, and the Estonian Independence Movement, 1987-1991 Allison Brooks-Conrad Lawrence University, [email protected] Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Musicology Commons © Copyright is owned by the author of this document. Recommended Citation Brooks-Conrad, Allison, "Sounds of the Singing Revolution: Alo Mattiisen, Popular Music, and the Estonian Independence Movement, 1987-1991" (2018). Lawrence University Honors Projects. 124. https://lux.lawrence.edu/luhp/124 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. Sounds of the Singing Revolution: Alo Mattiisen, Popular Music, and the Estonian Independence Movement, 1987-1991 Allison Brooks-Conrad April 30th, 2018 Musicology Advisor: Professor Erica Scheinberg Acknowledgements Special thanks to my mother for introducing me to Estonia and for sharing my passion for this fascinating Baltic state. Thank you to both of my parents for their advice, support, and interest in this project. Thank you to Professor Colette Brautigam for making the digital images of Mingem Üles Mägedele that I use in this paper. Thank you to Merike Katt, director of Jõgeva Music School in Jõgeva, Estonia, for graciously sharing her images of Alo Mattiisen with me and for her support of this project. Finally, thank you to my advisor, Professor Erica Scheinberg. I am so grateful to her for her willingness to take on the obscure topics that interest me and for supporting this project from the beginning. -
History of Exchange Vilnius, Lithuania
History of Exchange Vilnius, Lithuania Chicago’s Sister City Since 1993 Chair: Stanley Balzekas 1993 July Focus: Signing Agreement Mayor Richard M. Daley and the Honorable Vytautas Jasulaitis, Mayor of Vilnius, signed a friendship city agreement at the Chicago Cultural Center. Mr. Stanley Balzekas, founder and director of the Balzekas Museum of Lithuanian Culture, was named Chair of the Chicago-Vilnius Sister City Committee. Focus: Arts & Culture A delegation consisting of the Mayor of Vilnius, the President of the Vilnius City Council, the Chief City Architect and the Deputy of City Council met with City of Chicago Departments of International Trade Services, Transportation, Housing, and Urban Development. 1994 Focus: Business Vilnius Committee Chair Stanley Balzekas led a business and investment delegation to Vilnius. 1995 Focus: Government Director of Protocol for the City of Chicago, Rosalie Clark, visited Vilnius with a special message of congratulations to newly elected Mayor Alis Vidunas from Mayor Richard M. Daley. 1996 Focus: Business Mayor and Mrs. Alis Vidunas visited Chicago in honor of the opening of the Chicago-Vilnius Trade Center. Mayor Vidunas met with Mayor Richard M. Daley and the Vilnius Committee, which planned his itinerary. 1997 Focus: Music The Vilnius String Quartet performed at the Chicago Cultural Center in Preston Bradley Hall. Focus: Music Pianist Muza Rubackyte performed in the Lithuanian Youth Center in Chicago. 1998 Focus: Arts & Culture Contemporary Lithuanian textile art was exhibited at the Chicago Cultural Center. 1999 Focus: Culture The Vilnius Committee hosted the Lithuanian Minister of Culture hosted in Chicago. 2000 Focus: Culture The Vilnius Committee planned a concert of the Vilnius String Quartet at the Chicago Cultural Center as a part of a weeklong festival celebrating the life and work of Lithuanian composer and artist Makalojus Konstantinas Ciurlionis on the 125th Anniversary of his birth. -
A History of the East Village and Its Architecture
A History of the East Village and Its Architecture by Francis Morrone with chapters by Rebecca Amato and Jean Arrington * December, 2018 Commissioned by the Greenwich Village Society for Historic Preservation 232 East Eleventh Street New York, NY 10003 Report funded by Preserve New York, a grant program of the Preservation League of New York State and the New York State Council on the Arts Greenwich Village Society for Historic Preservation 232 East Eleventh Street, New York, NY 10003 212-475-9585 Phone 212-475-9582 Fax www.gvshp.org [email protected] Board of Trustees: Arthur Levin, President Trevor Stewart, Vice President Kyung Choi Bordes, Vice President Allan Sperling, Secretary/Treasurer Mary Ann Arisman Tom Birchard Dick Blodgett Jessica Davis Cassie Glover David Hottenroth Anita Isola John Lamb Justine Leguizamo Leslie Mason Ruth McCoy Andrew Paul Robert Rogers Katherine Schoonover Marilyn Sobel Judith Stonehill Naomi Usher Linda Yowell F. Anthony Zunino, III Staff: Andrew Berman, Executive Director Sarah Bean Apmann, Director of Research and Preservation Harry Bubbins, East Village and Special Projects Director Ariel Kates, Manager of Programming and Communications Matthew Morowitz, Program and Administrative Associate Sam Moskowitz, Director of Operations Lannyl Stephens, Director of Development and Special Events The Greenwich Village Society for Historic Preservation was founded in 1980 to preserve the architectural heritage and cultural history of Greenwich Village, the East Village, and NoHo. /gvshp /gvshp_nyc www.gvshp.org/donate Acknowledgements This report was edited by Sarah Bean Apmann, GVSHP Director of Research and Preservation, Karen Loew, and Amanda Davis. This project is funded by Preserve New York, a grant program of the Preservation League of New York State and the New York State Council on the Arts. -
Cashbaugh-Dissertation-2016
Copyright by Sean Francis Cashbaugh 2016 The Dissertation Committee for Sean Francis Cashbaugh Certifies that this is the approved version of the following dissertation: A Cultural History Beneath the Left: Politics, Art, and the Emergence of the Underground During the Cold War Committee: Randolph Lewis, Supervisor Brian A. Bremen John Hartigan Steven D. Hoelscher Donna Kornhaber Julia Mickenberg A Cultural History Beneath the Left: Politics, Art, and the Emergence of the Underground During the Cold War by Sean Francis Cashbaugh, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 Dedication To Cait, Tuli, and whoever comes next. Acknowledgements Rapper Kool A.D. (otherwise known as Victor Vasquez) inadvertently but aptly summarized the experience of writing a dissertation when he said, “I suck very much sometimes and other times I think, ‘Yo, I’m the f---ing man.’” Thankfully, I have had a large community of scholars, teachers, mentors, friends, and family that have made the latter far more frequent than the former as I completed this project. They have reassured me in the face of complex intellectual questions, asinine bureaucracies, the tedium of research, cross-country moves, and everything else one confronts as a late-twenty- something building a life and career while writing what is essentially the rough draft of a book that is far too long. First and foremost, I need to thank Randolph Lewis, the chair of my dissertation committee. -
Dario Martinelli Popular Music, Politics and Social Protest
Dario Martinelli Give Peace a Chant Popular Music, Politics and Social Protest Give Peace a Chant Dario Martinelli Give Peace a Chant Popular Music, Politics and Social Protest 123 Dario Martinelli Kaunas University of Technology Kaunas Lithuania ISBN 978-3-319-50537-4 ISBN 978-3-319-50538-1 (eBook) DOI 10.1007/978-3-319-50538-1 Library of Congress Control Number: 2016959179 © Springer International Publishing AG 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland Preface and Acknowledgements This monograph presents the results of a research path I have conducted (on and off, in the midst of several other scholarly and pedagogical activities at my university) since 2010, plus the early rudiments produced in an old article from 2004.