University of Namibia (Unam)

Total Page:16

File Type:pdf, Size:1020Kb

University of Namibia (Unam) , ... .... * TODAY: WALVIS ELECTIONS ON CARDS * READERS' LETTERS * RUGBY CLASH * "'" Bringing Africa South Vol.3 No.413 N$1.50 (GST Inc.) Friday May 20 1.994 Princess Diana to the rescue Improve your chess LONDON: The Princes of Wales (left) helped skills and ~ \Vin N$100 save the life of a drown­ ing tramp in a dramatic rescue in London's Re­ THIS week The Namibian already an 'expert' -check it out gent's Park, the Daily launches a new weekly Chess too. Mail reported yesterday. competition . in the popular It could win you N$I 00. The incident happened Weekender supplement. The Don-t miss out out on the new ~ late on Sunday after Prin­ City Savings and Investment The Namibian/CSIB competi­ cess Diana had been jog­ Bank - "the bank we can call tion. You can also still win N$I SO ging and was being our own--- has kindly agreed to in the Spot the Word competi­ driven home by her .s ponsor a prize of N$I 00 each tion. chauffeur, when a tour­ week. Today's W eekender is back ist leapt out and shouted: Chess is a fast-growing sport to its full fo rmat with all your "Quick, there's a man in in Namibia with many young regular favourites, plus articles the water." people and schools taking it onJackson Kaujeua's new book_ Diana jumped out of up. If you haven't caught on to alternative technology, music her car and told the the latest craze check page 10 reviews, an arts round-up and of The Weekender. If you're much more! Muluzi CERTAIN members ofthe former SWA sweeps to Police had been paid extra money from a secret fund, a witness told the Lubowski inquest in the High Court yesterday. victory Warrant Officer Linus Neumbo, who worked for the former Security Branch and now works for Nampol's Security Branch, also al1eged members CHRISTOF of Swapol had arranged the escape of the Outjo 3. MALETSKY AND AFP Neumbo is an investigating officer in the Lubowski case. MALA WI'S President­ To back his claims on the secret fund, Neumbo elect, Bakili Muluzi, said read a statement obtained from Charles Dippenaar, yesterday national rec­ who was employed as the secretary of the Tender onciliation will be the Board in the former government. key to success for his Dippenaar alleged there had been people who had new democratic govern­ been paid extra money from a secret fund. ment. Payments had ranged from R3 000 to R7 000 a Moslem businessman, person. He claimed that those who had benefited Muluzi, said his priori­ from the secret fund had included: Deputy Com­ ties will be tackling pov­ missioner Jumbo Smit, Colonel Des Radmore, erty, poor social services, Warrant Officer Riaan Wh ite, a Colonel Bronkhorst, educati on, population HUGE HAUL ... Nampol spokesperson Edwin Kanguatjivi (left) and Inspector Louis Mensah I cont. on page 2 growth, land re-d istribu­ display 25 823 Mandrax tablets seized last week in the Caprivi at police headquarters yesterday. tion and the environ­ This is the biggest Mandrax bust in Namibia. ment. .- Outgoing President ~ Hastings Band a con­ ceded victory early yes­ Biggest ever Mandrax bust terday as interim results Sue Ansrevlf\REAL ESTATE indicated Muluzi would ment Bureau with the co-operation of the Zambian We would like to congratulate be the clear winner. CHRIS NDIVANGA News of Muluzi's police. BEN ANSTEY Kanguatjivi said police had also seized Mandrax e lectoral triumph SIX PEOPLE were arrested at Kongolo in on passing the Estate Agents brought thousands of tablets valued at approximately N$190 000 earlier Caprivi in possession of 25 823 Mandrax this year. Exam and joining Sue in our chanting and car-hoot­ tablets with a street value of N$645 000 in ing United Democratic Three South African citizens were arrested last Agency. What a team Sue and the biggest Mandrax bust in Namibia. Front supporters on to November in the biggest cocaine bust. Ben will make! the streets of Blantyre, The six included two Namibian citizens, Edwin Kanguatjivi said all these drugs were being trans­ the economic capital of Modibedi and Regina Mojakie, and four South ported to South Africa, adding that Namibia had no We give you tHe friendliest and Malawi. Africans Pretty Kondlo, Beauty Jacobs, Charles market for such quantities of drugs. In his concession ad­ Pietersen and Immanuel Murrulhna .. Asked whether drug traffickers considered best service in Town. dress on state radio They appeared in court last Friday at Katima Namibian security poor, Kanguatjivi said Namibia Banda promised his Mulilo and were refused bail. The case was re­ happened to be on a recognised drug route. So, DON'T FORGET! Whether Malawi Congress Party manded to June 14. Nampol 's Inspector Louis Mensah said the tab­ you are buying or selling would work with Muluzi The six had passed undetected through a border lets were manufactured in Bombay, India, and, property, ours is the post with Zambia. according to information, also in Zambia. " in building a better FIRST AGENCY TO CALL! democratic Malawi." Nampol spokeperson Edwin Kanguatjivi yester­ He said the drug was banned in South Africa in day told reporters that the six were arrested by 1976. Previously it was prescribed as sleeping tab­ . cont. on page 3 CONTACT: SUE 52038 or 52222 members of the Namibian Police Drug Enforce- lets. ~ - 2 ,Friday M~Y2r 2Q r~ 9,94 TH~ f~Mt9IA~ ' 7 Dirty tricks and secret funds URGENT NOTICE FROM PAGE 1 dent in which a police of­ been part of Security Po­ ficer, John Lourence Platt, lice tactics to neutralise some traffic officers and had allegedly been asked Swapo and its allies. "other unknown black peo­ by a Lieutenant Schroeder The policeman again told ple", to break into the CCN of­ the court that the activities Neumbo also claimed the fices to steal documents. of the Security Police had police had organised the Plait had refused. Later not been fair and cited ex­ • escape of three men held in Plait had allegedly been amples of how the police Namibia for the bombing requested to burn down a ha,d bee" involved in vio­ of Un tag's Outjo offices. Lutheran church at lent' activities and had The Ministry of Education and Culture To substantiate his alle­ Mariental. Although he had bhimed other groups. gations, Neumbo quoted a refused, the church had Yesterday J\!dg~ Harold diary belonging to Inspec­ been torched and the blame Levy, who is presiding at Invitation tor Hermie van Zyl. put on a worker. This had the ,inquest, accused According to the diary's been part of a bid to neu­ Neumbo of negligence for contents, VanZylhadover­ tralise CCN projects which failing to pass on informa­ to heard a telephone conver­ assisted Swapo. tion "of vital importance" sation between Riempies Neumbo recalled an in­ to assist the previous inves­ Grobler and a certain cident involving Maria tigator into Lubowski's interested Graube on March' 9 1990. Boois and Talita Schmidt, death. On Wednesday During the conversation both members of the then Neumbo tol~ the court he Grobler had toltJ Graube ParentsCommiltee, who he had read a report written by , fumishersl that General Thomasse was alleged had been recruited his colleague, Riaan Smit, looking for somebody who by the police and trained at stating that on the night , could take the three (Outjo Osire in how to handle fire­ Lubowski had been gunned You -are'inv.ited to-take.part in a .furnittJJe 3) out of Namibia. arms. They had later been down, Lubowski had . .~t"' ..t,. ~.. ~ t: Grobler had added that is~ued with licenced pis­ phoned somebody and told he regarded this as a trap tols "to defend themselves". himlher that he had to pick display for the requirements ~6fJhe and had warned Graube not According to Neumbo, up Michaela (his girlfriend) to offer his assistance. at one stage the two women to go and have dinner with The Outjo 3 had then had gone abroad and while Hage Geingob (now Prime been 'freed' on their way there a report had been car­ Minister). National Institute for Education from Otjiwarongo and a ried in the Afrikaans daily, Neumbo said he had policeman, Ricardo van Die Republikein, that Talita found it strange that the Develo'pment (NIED) to be established Wyk, had been shot dead in Schmidt had allegedly been conversation about dinner the process. slapped in the face by had been reported as it was Elaborating on police Swapo President Sam not the type of information in Okahanaia, activities at that time, Nujoma. that had normally been re- Neumbo recOllnt_________ .. ct lIn _inl'i-____ Neumbo_ ___ ____ said_____ this_____ had corded, .;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;~ill Judge Levy asked why • • Neumbo had not passed on For further details contact: Looking for something the information to Jumbo Smit, who had been the in­ sDeCial? vestigating officer. The Tel.: 29332281 29332401 Judge felt this could have /" helped Smil in his investi- gations. ' , In response, Neumbo 2933161 said when he had worked for the former Security Po­ lice he had been bound to COUNCIL OF THE MUNICIPALITY OF WINDHOEK the "Act Of Revealing Of WhAT AN ExciTiNG TiM E 10 COME FOR Secret". He had never been allowed to pass on infor­ TENDER DPP 6/94 YOUR dREAM WEddiNG dRESS. mation to anybody other than his superior. Accord­ ing to Neumbo, the conver­ TENDER: SALE OF BUSINESS ERVEN SITUATED IN MAdElEiNE will dESiGN YOUR sation abou't the dinner had been passed in to another WINDHOEK AND DORADO PARK AND A SERVICE dREAM dRESS officer and he did not know whether he had informed STATION ERF 292, DORADO PARK.
Recommended publications
  • Feature • the Worst Movie Ever!
    ------------------------------------------Feature • The Worst Movie Ever! ----------------------------------------- Glenn Berggoetz: A Man With a Plan By Greg Locke with the film showing in L.A., with the name of the film up line between being so bad that something’s humorous and so on a marquee, at least a few dozen people would stop in each bad it’s just stupid. [We shot] The Worst Movie Ever! over The idea of the midnight movie dates back to the 1930s night to see the film. As it turned out, the theater never put the course of two days – a weekend. I love trying to do com- when independent roadshows would screen exploitation the title of the film up on the marquee, so passers-by were pletely bizarre, inane things in my films but have the charac- films at midnight for the sauced, the horny and the lonely. not made aware of the film screening there. As it turned out, ters act as if those things are the most natural, normal things The word-of-mouth phenomenon really began to hit its only one man happened to wander into the theater looking to in the world.” stride in the 50s when local television stations would screen see a movie at midnight who decided that a film titled The Outside of describing the weird world of Glenn Berg- low-budget genre films long after all the “normal” people Worst Movie Ever! was worth his $11. goetz, the movie in question is hard to give an impression of were tucked neatly into bed. By the 1970s theaters around “When I received the box office number on Monday, I with mere words.
    [Show full text]
  • American Independent Cinema 1St Edition Pdf, Epub, Ebook
    AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • Science Fiction/San Francisco Issue 46 Date: June 13, 2007 Editors: Jean Martin, Chris Garcia Email: [email protected] Copy Editor: David Moyce Layout Editor: Eva Kent
    Science Fiction/San Francisco Issue 46 Date: June 13, 2007 Editors: Jean Martin, Chris Garcia email: [email protected] Copy Editor: David Moyce Layout Editor: Eva Kent TOC News and Notes .......................................................... Christopher J. Garcia ............................................................................................................... 2-4 Letters Of Comment .................................................. Jean Martin and Christopher J. Garcia ................................................................................... 5-9 Editorial ..................................................................... Christopher J. Garcia ............................................................................................................... 10 BayCon Survives, Thrives ........................................... Christopher J. Garcia ........................... Photos by Jim Bull and Jean Martin ........................... 11-16 BayCon Relocates, Rocks ........................................... España Sheriff ...................................... Photos by Jim Bull ...................................................... 17-20 Advice for the Convention Bound .............................. Dr. Noe ............................................... Photos by Jim Bull and Howeird ................................ 21-25 Space Cowboys Ball .................................................... Glenn D. “Mr. Persephone” Martin ..... Photos by Patrick White, Mike Smithwick, Jim Bull ... 26-28 BASFA Minutes:
    [Show full text]
  • Science Fiction/San Francisco Issue 25 Date: July 5, 2006 Editors: Jean Martin, Chris Garcia Email: [email protected] Copy Editor: David Moyce Layout: Eva Kent
    Science Fiction/San Francisco Issue 25 Date: July 5, 2006 Editors: Jean Martin, Chris Garcia email: [email protected] Copy Editor: David Moyce Layout: Eva Kent TOC News and Notes ...........................................Christopher J. Garcia ....................................................................................................3 Letters of Comment .....................................Jean Martin and Chris Garcia ....................................................................................4-6 Editorial .......................................................Jean Martin ................................................................................................................... 7 Ghosts and Surreal Art in Portland ...............Jean Marin ................................Photos Jean Martin ................................................8-11 Nemo Gould Sculptures ...............................Espana Sheriff ...........................Photos from www.nemomatic.com ......................12-13 Reading at Intersection for the Arts ..............Christopher J. Garcia ............................................................................................14-15 Klingon Celebration .....................................Jean Marin ................................Photos by Jean Martin .........................................16-21 BASFA Minutes ..........................................................................................................................................................................22-24
    [Show full text]
  • Press-File-2017.Pdf
    MENU 2017 Edito ................................................................................................................................... 4 BIFFF Fun Facts ................................................................................................................... 5 Program ............................................................................................................................. 6 BIF Market .......................................................................................................................... 7 ArtBIFFF Expo .................................................................................................................... 8 2nd International Art Contest ............................................................................................ 9 Pimp My Chair .................................................................................................................. 10 34th Makeup Contest ....................................................................................................... 11 Gaming Madness day ....................................................................................................... 12 Magyar Movie Madness ................................................................................................... 13 Tromarathon .................................................................................................................... 14 Panorama .......................................................................................................................
    [Show full text]
  • Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
    Asian Extreme as Cult Cinema: The Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies, Wilfrid Laurier University MA Film Studies, University of British Columbia A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Communications and Arts Hughes 2 Abstract This thesis investigates the way Western audiences respond to portrayals of excess and otherness in Japanese Extreme cinema. It explores the way a recent (2006-2016) cycle of Japanese Splatter (J-Splatter) films, including The Machine Girl (Noboru Iguchi, 2008) and Tokyo Gore Police (Yoshihiro Nishimura, 2008), have been positioned as cult due to their over-the-top representations of violence and stereotypes of Japanese culture. Phenomenological research and personal interviews interrogate Western encounters with J-Splatter films at niche film festivals and on DVD and various online platforms through independent distributors. I argue that these films are marketed to particular Western cult audiences using vocabulary and images that highlight the exotic nature of globally recognised Japanese cultural symbols such as schoolgirls and geisha. This thesis analyses J-Splatter’s transnational, cosmopolitan appeal using an approach informed by the work of Ernest Mathijs and Jamie Sexton, Matt Hills, Henry Jenkins, and Iain Robert Smith, who read the relationship between Western audiences and international cult cinema as positive and meaningful cultural interactions, demonstrating a desire to engage in more global experiences. The chapters in this thesis use textual analysis of J-Splatter films and case studies of North American and Australian film festivals and distribution companies, which include interviews with festival directors and distributors, to analyse the nature of the appeal of J- Splatter to Western audiences.
    [Show full text]
  • Open Access in Order to Make a Midnight Movie
    This was the original script outline for the live podcast taping of Political Theater, which took ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ place on October 19, 2017, at the University of Pennsylvania Law School. The show was ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ recorded for Open Access Week 2017 as part of Penn Libraries’ OA Week events and ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ co-sponsored by Penn IP Group (PIPG). ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ This script may not reflect the final recording. Slides were mostly basic images - any movie clips ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ are linked to from here. All episodes of Political Theater are available for streaming or download ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ on iTunes, from the Political Theater page, under the "podcasts" tab at Front Row Central, or ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ from the podcast catcher of your choice. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Copyright © 2017 Martin Schneider & Marta Rusek. Some rights reserved. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ This and all other episodes of Political Theater are licensed under a Creative Commons ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Attribution-NonCommercial-ShareAlike (CC BY-NC-SA) 4.0 International license. For any other ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ re-use, please contact [email protected] ​ ​ ​ ​ ​ ​​ This episode can also be downloaded at ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​
    [Show full text]
  • 2013 PROGRAMMING GUIDE Celebrating the 20Th Anniversary of Babylon 5
    2013 PROGRAMMING GUIDE Celebrating the 20th Anniversary of Babylon 5 Art by Joe Corroney (Table 2237) and Hi Fi (Table 2235). Babylon 5 is copyright Warner Bros. 2 PHOENIX COMICON 2013 • PROGRAMMING GUIDE • PHOENIXCOMICON.COM PHOENIX COMICON 2013 • PROGRAMMING GUIDE • PHOENIXCOMICON.COM 3 TABLE OF CONTENTS Hyatt Regency Map .....................................................6 Renaissance Map ...........................................................7 Exhibitor Hall Map .................................................. 8–9 Programming Rooms ........................................... 10–11 Phoenix Comicon Convention Policies .............12 Exhibitor & Artist Alley Locations .............14-15 Welcome to Phoenix Comicon, Guest Locations...........................................................16 Guest Bios .............................................................. 18–22 the signature pop-culture event of Programming Schedule ................................. 24–35 the southwest! Gaming Schedule ..............................................36–42 If you are new to us, or have never been to a “comicon” before, we welcome you. Programming Descriptions.........................44–70 This weekend is the culmination of efforts by over seven hundred volunteers over the past twelve months all with a singular vision of putting on the most fun convention you’ll attend. Festivities kick off Thursday afternoon and continue throughout the weekend. Spend the day checking out the exhibitor hall, meeting actors and writers, buying that hard to
    [Show full text]
  • Abstract Cult Movies Are a Collection of Movies So Poorly Defined That It Is
    Abstract Cult movies are a collection of movies so poorly defined that it is uncertain whether we can speak of cult movies as a genre. This essay uses Jonathan Haidt’s theory on morality to explore how the characteristics of cult films have attracted a disproportionate response from thinkers who are open to experience and have low sensitivity to disgust. Those thinkers are, on average, to be found on the left side of the political spectrum, and the philosophies associated with liberal politics have resulted in a problematic definition of the movies. Those philosophies (Marxism and postmodernism) have failed to properly demarcate the borders around cult movies, making it unclear what movies belong to said category. This problem is in large part analogous to the problem that Thomas Szaz identifies as the problem of defining mental illness. That in failing to give due empirical evidence for a phenomena, one is at liberty to invent phenomena. Conservative thinkers who are, by definition, better at putting borders around concepts have written little on the subject. The latter part of the essay uses Camille Paglia’s theory of the chthonic to situate cult movies in the category of Dionysian literature, as opposed to Apollonian literature. This accounts for why an Apollonian movie, such as Star Wars: Episode IV – A New Hope, is a dubious contestant for cult film status, while The Rocky Horror Picture Show is a prototypical cult movie, even though the two films have similar story structures. Lastly, the essay disentangles people’s interest in cult movies from politics using Eric Neumann’s theory of consciousness and his variation on the hero principle to explain said interest.
    [Show full text]
  • Retro Movies Flourish in Miami August 14, 2015 by Rene Rodriguez
    Retro movies flourish in Miami August 14, 2015 By Rene Rodriguez As recently as five years ago, luring Miami moviegoers away from their home theaters, Heat tickets and jet skis to see older films with an audience was an impossible mission. Today, with the advent of Netflix, iTunes, online streaming and video on demand, the challenge might sound even harder. Instead, Miami’s moviegoing habits are thriving, buoyed by the success of seven stand-alone arthouses that have cultivated their own audiences. Nearly every documentary, independent and foreign-language movie released in the U.S. now plays here, which has helped nurture and grow Miami’s filmgoing habit. “Over the past decade, we’ve seen an exciting trend of new theaters coming on line with a clear mandate to provide more specialized film programming,” said Mark Boxer, senior vice-president of sales and distribution for IFC Films. “There’s a theatrical renaissance taking place that is benefitting Miami’s adventurous filmgoing community. The market has become a very important one [for us] when opening a film.” And much like music lovers have rediscovered the vinyl LP, Miami movie buffs are in the throes of an ardent love affair with retro films — from popular hits to esteemed art films, projected on 2K digital or, whenever possible, 35mm film. On any given week, you can choose to see cult favorites (Pink Floyd: The Wall, Heavy Metal), popular hits (Taxi Driver, Saturday Night Fever, Blade Runner) and classic art fare (Rebels of the Neon God, The Wages of Fear, the esteemed Apu trilogy) on the big screen in the company of like-minded fans.
    [Show full text]
  • Movie Riffing at B-Fest: an Exploration of Unscripted In-Theater Audience Participation As Embodied Performance of Film Criticism
    . Volume 18, Issue 1 May 2021 Movie riffing at B-Fest: An exploration of unscripted in-theater audience participation as embodied performance of film criticism Matt Foy, Upper Iowa University, USA Abstract: An increasingly rich area of interest in audience and media studies is the cultural practice of movie riffing: the performance of verbally or physically responding to a film with conspicuously critical and/or humorous observations. Riffing, a model of media consumption innovated and popularized by the cult television program Mystery Science Theater 3000, is a prominent feature of participatory audiencing rituals by which filmgoers and fan communities publicly engage in struggle over the meaning and value of mediated texts. Drawing on scholarship from cult audience, cultural and performance studies, this essay explores the state of ritual movie riffing at B-Fest, Northwestern University’s long- running annual twenty-four-hour celebration of ‘bad movies’ and the culture surrounding their public consumption. After riffing alongside B-Fest’s enthusiastic attendees, the author presents rhetorical strategies and discursive themes from B-Fest and considers movie riffing as a participatory, communal model of media criticism. Keywords: movie riffing, audiencing rituals, cult audiences, midnight movies One need only gaze across the landscape of McCormick Auditorium on the final weekend of January to know the attendees of B-Fest take their bad movies seriously. By 6:00 p.m. Friday each of McCormick’s 200-plus seats will be occupied with festival attendees and their belongings: winter coats, backpacks, blankets and pillows, knotted plastic grocery sacks of provisions, and hundreds of thin white paper plates.
    [Show full text]