(2018-19) List of Candidates (Marks Wise) Marks Sr

Total Page:16

File Type:pdf, Size:1020Kb

(2018-19) List of Candidates (Marks Wise) Marks Sr Lala Lajpat Rai University of Veterinary and Animal Sciences Entrance Test Result of B.V.Sc.&A.H. (2018-19) List of Candidates (Marks Wise) Marks Sr. Roll obtained Name Father Name Mother Name Category No. No out of 200 1 1325 AJAY SINGH LAXMAN SINGH KAMLESH BCB 173 2 5814 RACHITA RAKESH KUMAR SARITA GENERAL 173 3 6388 MOHIT SONI PAWAN KUMAR SANTOSH BCA 173 4 8341 SUNITA RAMKESH RANI GENERAL 173 5 3836 KAPIL SHARMA RAMCHANDER KAMLESH SHARMA GENERAL 172 6 4720 NEERAJ SUBHASH CHANDER REKHA GENERAL 171 7 5173 PANKAJ KARAN SINGH BRASHPATI BCA 169 8 6421 MOHIT PRASHANT ROSHAN LAL PAPPI KANTA GENERAL 169 9 7010 ROOPALI HARENDER SINGH SUSHEELA BCA 168 10 3566 JATIN MINOCHA RAM PARKASH KANCHAN GENERAL 167 11 7708 SHEKHAR GOYAL HARISH KUMAR MANJU BALA GENERAL 166 12 8769 VIKAS KUMAR SUBHASH CHANDER ROSHNI DEVI GENERAL 165 13 1680 ANCHAL KRISHAN ANCHAL BCA 164 14 2408 AVNI CHAUHAN JIWAN LAL GEETA GENERAL 164 15 7048 SACHIN SHARMA RAJKUMAR DEVI RANI GENERAL 164 16 4180 LAKSHAY RAJESH SUNITA DEVI GENERAL 163 17 5651 PRITAM SINGH YUDHVIR SINGH SAVITRI DEVI GENERAL 163 18 6124 RAVI KOTHARI RAJESH KOTHARI ANITA KOTHARI GENERAL 163 19 3025 GARBHIT SHAKTIDHAR SHARMA MADHU SHARMA GENERAL 162 20 4860 NIKHIL MUDGIL JAIKUMAR MUDGIL BABLI DEVI GENERAL 162 21 6726 REMAN MOR VIRENDER SINGH SAROJ BALA GENERAL 162 22 7529 SARITA SUBHASH CHAND SANTOSH BCA 162 23 8379 SURBHI RAJESH SAROJ GENERAL 162 24 1122 ABHISHEK CHAUHAN ADISH CHAUHAN SUKHA DEVI GENERAL 161 25 2145 ANUPRIYA MUKESH KUMAR SUMAN DEVI BCB 161 26 3860 KARAMVIR DHOOP SINGH KAVITA GENERAL 161 27 5503 PRADEEP KUMAR OMPRAKASH MEENA DEVI GENERAL 161 28 5756 PRIYANKA VED PARKASH LAXMI BCA 161 29 7143 SACHIN KUMAR BIRENDER RAJESH GENERAL 161 30 7968 SIMRAN KAUR GULAB SINGH HARWINDER KAUR GENERAL 161 31 1577 AMIT SURAJMAL SUNITA BCA 160 32 3755 KAJAL CHANDBIR SARLA GENERAL 160 33 3861 KARAN SINGH SURESH KUMAR REENA DEVI GENERAL 160 34 4469 MANJEET SINGH PARDEEP KUMAR MEENA DEVI GENERAL 160 35 1427 ALKA OM PRAKASH PROMILA GENERAL 159 36 1881 ANKIT HARIOM SUDESH GENERAL 159 37 2826 DEVANKIT NARWAL ASHOK KUMAR SUDESH GENERAL 159 38 3046 GARV SADHURAM ASHA GENERAL 159 39 5008 NITESH KUMAR CHHATARPAL SUNITA DEVI BCB 159 40 5337 PAYAL RAMESH KUMAR SUNITA GENERAL 159 41 8256 SUMIT RANBIR SINGH RAJWANTI GENERAL 159 42 1004 AADIL HUSSAIN JAMIL AHMED HUMERA BCB 158 1 Marks Sr. Roll obtained Name Father Name Mother Name Category No. No out of 200 MANDEEP KUMAR 43 4363 PARDEEP KUMAR SHEORAN MUKESH SHEORAN GENERAL 158 SHEORAN 44 6029 RAJPAL RAWTA RAM KITABO BAI GENERAL 158 45 6260 MEHAK VINOD KUMAR SANTOSH DEVI GENERAL 158 46 1200 ADETI VERMA PAWAN KUMAR RENU VERMA GENERAL 157 47 1725 ANITA SURESH KUMAR SHARMILA DEVI BCB 157 48 1829 ANKIT KUMAR RAMPHAL DARSHAN DEVI BCA 157 49 2832 DEVANSHI VIVEK KUMAR SUDHA GENERAL 157 50 3081 GAURAV SINGH HARENDER SINGH SUSHILA DEVI SC 157 51 4594 NARESH JAI BHAGWAN OMPATI BCA 157 52 5752 PRIYANKA RAM KUMAR SAINI SUSHILA RANI BCB 157 53 5767 PRIYANSHU YADAV ASHOK KUMAR SUNITA DEVI BCB 157 54 5968 RAJANI YADAV RANVIR SINGH LALITA DEVI BCB 157 55 6062 RAMAN SAINI SHYAM SINGH AARTI DEVI BCB 157 56 6119 RAVEENA KUMARI MAHENDER SINGH SAROJ DEVI GENERAL 157 57 6408 MOHIT DHARAMBIR SUMITRA GENERAL 157 58 8540 TARUN ANIL KUMAR CHANCHAL GENERAL 157 59 1505 AMAN POONIA SUBE SINGH POONIA SUMAN GENERAL 156 60 1529 AMANDEEP SAINI ANAND PARKASH POOJA SAINI BCB 156 61 1615 AMIT SANGWAN JANGBIR SANGWAN RENU BCA 156 62 2991 EKTA RAJENDER SINGH SHARMILA BCB 156 63 3543 JASMIN GREWAL SANJAY GREWAL AMITA GREWAL GENERAL 156 64 3575 JATIN RAJINDER SINGH URMILA GENERAL 156 65 4188 LAKSHAY SANDEEP ANGURI DEVI GENERAL 156 66 4928 NISHA ASHOK KUMAR MEENA DEVI BCB 156 67 5441 POOJA VINOD SUNITA GENERAL 156 68 5532 PRAPHUL KIRAN BALJEET SINGH SUNITA GENERAL 156 69 6316 MOHIT JAKHAR RAMESH KUMAR SUSHILA GENERAL 156 70 6949 ROHIT KUMAR SATYABIR SINGH SUNITA GENERAL 156 71 6985 ROHIT BAMBEL KULDEEP SINGH INDRO DEVI GENERAL 156 72 7592 SAVITA PRITHVI SINGH RAJBALA GENERAL 156 73 8697 VARSHA RANI KAILASH BABITA GENERAL 156 74 8956 VISHAL BALVINDER DHILLAN SUNITA DEVI GENERAL 156 75 2599 CHANKIT OMPARKASH KELAWATI DEVI FF-GENERAL 155 76 2767 DEEPAK DAGAR TEK SINGH SHEELA DEVI GENERAL 155 77 2886 DIKSHA BALHARA DEVENDER SINGH SUDESH KUMARI GENERAL 155 78 3976 KIRAN LUHACH SUKH DARSHAN RAJBALA GENERAL 155 79 4079 KRISHAN SATISH KUMAR KRISHNA BCA 155 KUMARI MANU 80 4143 DHARMENDER SINGH RAJBALA DEVI BCB 155 YADAV 81 5311 PAWAN CHANDER BHAN RAJWANTI GENERAL 155 82 5436 POOJA RAJENDER BALA GENERAL 155 83 5939 RAHUL LAXMI NARAYAN KAMLESH GENERAL 155 84 6929 ROHIT PORIA MAHIPAL PORIA NIRMLA PORIA GENERAL 155 ESM- 85 7425 SANJANA SIKKA SANJAY SIKKA MEENAKSHI SIKKA 155 GENERAL 2 Marks Sr. Roll obtained Name Father Name Mother Name Category No. No out of 200 86 8176 SUKHBIR DALBIR SINGH MAYA DEVI BCA 155 87 8592 UJJAWAL ASHOK KUMAR MUKESH GENERAL 155 88 8666 VANDANA BANSI LAL SUMAN MEHTA GENERAL 155 89 8748 VIJAY KUMAR JASWANT RAJO GENERAL 155 90 8783 VIKAS TUSHIR JAIPARKASH SHARDA GENERAL 155 91 1087 AAYUSHI WADHWA DHARAMPAL POONAM WADHWA GENERAL 154 92 1600 AMIT SHARMA SATYABIR SINGH SUMITRA DEVI GENERAL 154 93 2646 CHIRAG SETH VINAY SETH SUMAN SETH GENERAL 154 94 2675 DEEKSHA SATYABEER SINGH SUMITRA GENERAL 154 95 2952 DISHANT DHINGRA SUNIL DHINGRA MINI DHINGRA GENERAL 154 96 3246 HARPREET KAUR GURTEJ SINGH JASWINDER KAUR GENERAL 154 97 4859 NIKHIL MAHENDRA SHARMA SUNITA SHARMA GENERAL 154 98 5043 NITIN NAND KUMAR SUSHMA GENERAL 154 99 5559 PRATIBHA SURAJMAL SUNITA DEVI GENERAL 154 100 6226 MEENAKSHI YADAV RAJ SINGH ANITA YADAV BCB 154 101 7088 SACHIN SACHIN RAJESH SAROJ GENERAL 154 102 8238 SUMIT PAWAN KUMAR KAMLESH DEVI GENERAL 154 103 1037 AANCHAL SURENDER KUMAR PARMOD GENERAL 153 104 1446 AMAN DHILLON RAJESH DHILLON BABITA GENERAL 153 105 2293 ASHISH KUMAR ISHWAR SINGH BIMLA DEVI GENERAL 153 106 2323 ASHISH KUMAR SATYENDER KUMAR SANTOSH DEVI BCA 153 107 2518 BHAWNA ATMA RAM SUMAN BALA BCA 153 108 3258 HARSH INDERSAIN PREM KUMARI GENERAL 153 109 3542 JASMER SINGH PRITAM SINGH KRISHNA DEVI GENERAL 153 110 3561 JATIN KUMAR RAJESH KUMAR GITA DEVI BCB 153 111 3564 JATIN MEHTA DEVENDER MEHTA MANORAMA MEHTA GENERAL 153 NEERAJ KUMAR 112 4761 VED PARKASH YADAV SURAJ MUKHI BCB 153 YADAV 113 6797 RITESH PANCHAL RAMESH KUMAR CHANDA DEVI BCA 153 114 7571 SAURABH TELFIYAR SANDEEP KUMAR MAYA DEVI BCA 153 115 7997 SOHAN JAGDISH SANTOSH GENERAL 153 116 8487 TANISHQ NARENDER KUMAR USHA RANI BCA 153 117 8923 VIPIN OM PARKASH SUNITA GENERAL 153 118 9174 YOGITA SANJAY KUMAR SURESH GENERAL 153 119 1067 AASHISH SATPAL SAVITRI GENERAL 152 120 1969 ANKUR GIANI RAM LALITA DEVI BCB 152 121 2075 ANSHU RANI SATISH KUMAR BABITA RANI GENERAL 152 122 2344 ASHU KULDEEP SINGH RAJNESH BCA 152 123 2863 DHEERAJ KANWAL SINGH SHEELA DEVI BCB 152 124 3003 EKTA RAMESH KUMAR MUKESH DEVI GENERAL 152 125 3089 GAUTAM SINGH YADVIRENDER SINGH SAVITRI DEVI GENERAL 152 126 3434 HRITIK AHUJA SURESH KUMAR PARVEEN GENERAL 152 127 3449 INDU YADAV SANJAY KUMAR SARLA DEVI BCB 152 128 3747 KAJAL SUNIL KUMAR POOJA BCA 152 3 Marks Sr. Roll obtained Name Father Name Mother Name Category No. No out of 200 129 3840 KAPIL MUKESH RAJPATI GENERAL 152 130 4237 LOHITAKSH JOHAR SANJEEV NIRMALA GENERAL 152 131 4715 NEELMANI CHAWLA VED PRAKASH CHAWLA SARITA CHAWLA GENERAL 152 132 6310 MOHIT RAJPAL SINGH SUNITA DEVI GENERAL 152 133 6472 MONIKA JAGBIR SINGH POONAM GENERAL 152 134 6728 RENU VERMA SATISH KUMAR ARCHANA DEVI BCA 152 135 8100 SOURABH RAJINDER SINGH BOORA SUSHILA DEVI GENERAL 152 136 8893 VINAY KUMAR RAM KISHAN SANTOSH RANI BCA 152 137 2311 ASHISH POONIA VED PRAKASH SAROJ DEVI GENERAL 151 138 2834 DEVANSHU RATHEE SUKHBIR SINGH SUMAN LATA GENERAL 151 139 3515 JAI PARKASH BALRAJ BHATRI DEVI GENERAL 151 140 3737 KAILASH SHARMA DHARAM SINGH SUNITA BCA 151 141 4113 KULDEEP SAJJAN KUMAR SEEMA RANI GENERAL 151 142 4195 LAL KRISHAN ROOP RAM VIMLA GENERAL 151 143 4342 MANDEEP SAME SINGH RAJRANI GENERAL 151 144 5291 PARVEENA KUMARI PAWAN KUMAR SUNITA DEVI GENERAL 151 145 5523 PRAMOD KUMAR KARAMBIR SINGH KHAJANI DEVI GENERAL 151 146 5795 PURVASHI JASBIR SUDESH GENERAL 151 147 6025 RAJNI OM PARKASH NIRMALA DEVI BCA 151 148 7452 SANJAY SHARMA RATTAN SHARMA PUSHPA DEVI GENERAL 151 149 8249 SUMIT DAL SINGH SUDESH DEVI GENERAL 151 150 8257 SUMIT RAI SINGH SAHARAN INDERAWATI GENERAL 151 151 8373 SURAJ PAL GANGA RAM HARWATI BCA 151 152 8525 TARUN SHARMA MR KARAMBIR SHARMA BABITA GENERAL 151 153 8888 VINAY NARENDER SUNITA GENERAL 151 154 1336 AKANKSHA RAJBIR SINGH BIMLA DEVI GENERAL 150 155 1349 AKASH SURENDER KUMAR SAROJ YADAV ESM-BCB 150 156 3028 GARIMA BALJOR SINGH RAJESH GENERAL 150 157 3422 HITESH KUMAR LAXMI NARAYAN KAMLA DEVI GENERAL 150 158 3633 JITENDER DHARMVIR SAROJ DEVI GENERAL 150 159 3991 KIRAN ISHWAR SINGH PARWATI DEVI GENERAL 150 160 4271 LUXMI RAM RATTAN NEELAM GENERAL 150 161 4547 MANPREET BLOUR SINGH GURMEET KAUR BCA 150 162 4717 NEENA SHARMA KULWANT SHARMA SUDESH SHARMA GENERAL 150 163 4793 NEHA SANJAY SHANTI BCA 150 164 5847 RAHUL SATISH KUMAR POONAM DEVI BCA 150 165 6018 RAJNEESH BANSI LAL ROSHANI DEVI GENERAL 150 166 6481 MONIKA YADAV DHRAMVEER SINGH YADAV NIRMALA YADAV BCB 150 167 6590 MUSKAN SHARMA RAMKESH SHARMA SUNITA SHARMA GENERAL 150 168 7397 SANDEEP KUMAR RAJBIR SINGH ANGURI DEVI GENERAL 150 ESM- 169 8196 SUMAN SHAMSHER SINGH SUMITRA DEVI 150 GENERAL 170 8816 VIKASH KUMAR GHADSI RAM SHARADA DEVI BCA 150 171 1678 ANCHAL SHARMA SUSHIL KUMAR KAVITA SHARMA ESM-BCA 149 4 Marks Sr.
Recommended publications
  • Copyright by Gwendolyn Sarah Kirk 2016
    Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work.
    [Show full text]
  • A Drama of Saintly Devotion Performing Ecstasy and Status at the Shaam-E-Qalandar Festival in Pakistan Amen Jaffer
    A Drama of Saintly Devotion Performing Ecstasy and Status at the Shaam-e-Qalandar Festival in Pakistan Amen Jaffer Figure 1. Dancing the dhama\l in Sehwan in front of Shahbaz Qalandar’s tomb, 7 February 2011. (Photo by Saad Hassan Khan) On the evening of 16 February 2017, the dhamal\ 1 ritual at the shrine of Lal Shahbaz Qalandar in Sehwan, Pakistan, was tragically cut short when a powerful bomb ripped through a crowd of devotees, killing 83 and injuring hundreds (Khan and Akbar 2017).2 Seven years prior, in January 2010, I was witness to another dhama\l performance in the same courtyard of this 13th- century Sufi saint’s shrine (fig. 2). On that evening, the courtyard, which faces Qalandar’s tomb, 1. Dhama\l is a ritualized expression of love, desire, and connection with a saint as well as a celebration of the saint’s powers and miracles. It can take the form of dance or music. For treatments of the ritual sensibilities of this genre see Frembgen (2012) and Abbas (2002:33–35). For an analysis of its musical form and style see Wolf (2006). 2. Sehwan is a small city in the southeast province of Sindh that is best known as the site for Shahbaz Qalandar’s tomb and shrine. TDR: The Drama Review 62:4 (T240) Winter 2018. ©2018 New York University and the Massachusetts Institute of Technology 23 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram_a_00791 by guest on 24 September 2021 was also crowded with human bodies — but those bodies were very much alive.
    [Show full text]
  • Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
    I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12.
    [Show full text]
  • Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan
    Syracuse University SURFACE Dissertations - ALL SURFACE June 2014 Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan Faris Ahmed Khan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Khan, Faris Ahmed, "Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan" (2014). Dissertations - ALL. 56. https://surface.syr.edu/etd/56 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract In 2009, the Pakistani Supreme Court began granting rights to gender ambiguous people who are locally known as khwaja siras. The Court organized this population into taxonomic groups and ordered the government to ‘mainstream’ them. These actions were based on certain cultural assumptions and occurred amid uncertainties about who khwaja siras really were. Meanwhile, khwaja siras began to mobilize in an effort to control their public image. Based on fourteen months of ethnographic fieldwork on the identity politics of khwaja siras in Karachi, this dissertation seeks to understand the ways in which gender ambiguous people constructed, negotiated and represented themselves both within their social networks and in the wider society, as well as the factors underpinning their public portrayals. I conceive khwaja sira politics as a ‘game’, that is, as the art of manipulation and concealment. I argue that the games of secrecy and deception in which this minority population engaged were responses to the stigma they experienced in everyday life.
    [Show full text]
  • Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz Ur Rehman Niazi
    Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz ur Rehman Niazi Abstract This paper discusses the introduction and evolution of color film technology in Pakistani cinema. It focuses on the transitional period from the 1960s to the 1980s and highlights the major technological and practical changes in the production of films in Pakistan, contextualizing the semiotics and importance of color for this film industry. While discussing this transition from black and white to color film in Pakistan, it also connects this shift with the evolution and introduction of color film technology on a global level, including earlier technologies of color and colorization. The research is supported by a short analysis of some early Pakistani color films. Field research at Evernew Studios, one of Pakistan's oldest film studios, also sheds some light on how the industry transitioned to color film and how technology and filmmaking was affected. Keywords: Color Film Technology, Development of Pakistani Film, Pakistani Film Studios, Film Technology and Infrastructure Introduction Color films have evolved greatly since they were first introduced in Pakistan in the 1960s. Unfortunately, there is little literature available that can address the questions of the technology and techniques that were used to make color films in the country at that time. Azra (dir. Munshi Dil, 1962) is known to be the first Pakistani color film. However, color was not new to the subcontinent. Azra came out twenty-five years after the first Hindi color film Kisan Kanya (dir. Moti B. Gidwani, 1937). Early color films in the subcontinent were either hand painted or used color film stock, like those is western countries.
    [Show full text]
  • Nauman Ijaz by Mairas on December 17, 2012 I
    Famous actor of Pakistan TV industry: Nauman Ijaz by MairaS on December 17, 2012 i In 1992 Pakistan television, Lahore center, introduce a new chapter of talent and perfection. Yes, I am talking about Nouman Ijaz. He is talented, gorgeous and classy. The celebrity earned fame in a very short time span. Today, he is renowned for his acting talent, and humble nature. He is mainly known for his acting in TV serials but he did modeling too. He also worked as anchor person for some TV shows. Some of his super hit TV serials were,Aansoo, dasht, Mann-o-salewa, Nur pur ki Rani and yeh zindagi. Mann-o-salwa went very well. Written by Umaira Ahmed, the TV serial earned a lot of popularity and business. He mainly did the main leads. His most recent play was Meera Saain a private production by ARY. In this TV serial he was portrayed as a lusty and cruel politician. He also played in a Pakistani movie: Ramchand Pakistani. Personal Life: Born in Lahore, the talented celebrity spent his childhood in Ichra, Lahore. His father was employed as a manager by a theater company. He was raised in a very simple and humble environment. His early schooling was from Cathedral High school Lahore. Later he went to Punjab University. He earned a degree in Law. But he didn’t practice. He knew his hidden talent well. So, he joined showbiz. Today he is a married man, enjoying a joyous family life with his wife Rabia and 3 kids. Awards and Achievements: The celebrity won Lux style award 2009 in the category of Best actor.
    [Show full text]
  • The Portrayal of the Historical Muslim Female on Screen
    THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION........................................................................................................
    [Show full text]
  • Pir Mehr Ali Shah Arid Agriculture University
    Degree Year Of Student Selection Campus Department Title Study Full Name Father Name CNIC Degree Title CGPA Status Merit Status Main campus Information Technology Bachelors 2 Moiz Ahmer Mirza Muhammad Asif Mirza 3740514897813 BS (Hons) 3.71 Selected Student Eligible Main campus Economics Bachelors 1 sumbal naz malik muhammad resham khan 3740544999138 BS (Hons) 3.58 Selected Student Eligible Main campus Management Sciences Masters 1 Hina Saleem Muhammad Saleem 6110132042658 MBA (16 Year) 4 Selected Student Eligible Main campus Computer Science Masters 2 Aqsa zeb Muhammad aurangzeb 1350111982478 MCS (16 year) 3.35 Selected Student Eligible Main campus Information Technology Bachelors 1 MAHAM IFTIKHAR IFTIKHAR AHMED 3740675904900 BS (Hons) 3.66 Selected Student Eligible Main campus Information Technology Bachelors 1 Muhammad Ashfaq Muhammad Aslam 3720327475399 BS (Hons) 4 Selected Student Eligible Main campus Computer Science Bachelors 1 KAMRAN HAYYAT MUHAMMAD HAYAT 3740570457409 BS (Hons) 3.61 Selected Student Eligible Main campus Agriculture Bachelors 1 Muhammad Azeem Muhammad Saleem 3540150906527 BS (Hons) 3.62 Selected Student Eligible Main campus Information Technology Bachelors 1 Rabita Majeed Abdul Majeed 6110124459459 BS (Hons) 3.59 Selected Student Eligible Main campus Information Technology Bachelors 1 USMAN SIKANDER SIKANDER HAYAT 3440237810719 BS (Hons) 3.84 Selected Student Eligible Main campus Information Technology Bachelors 1 FURQAN KHALIL KHALIL AHMED 3630294234439 BS (Hons) 3.51 Selected Student Eligible Main campus Computer
    [Show full text]
  • Globalizing Pakistani Identity Across the Border: the Politics of Crossover Stardom in the Hindi Film Industry
    DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Winter 3-19-2018 Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry Dina Khdair DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Khdair, Dina, "Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry" (2018). College of Communication Master of Arts Theses. 31. https://via.library.depaul.edu/cmnt/31 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. GLOBALIZING PAKISTANI IDENTITY ACROSS THE BORDER: THE POLITICS OF CROSSOVER STARDOM IN THE HINDI FILM INDUSTRY INTRODUCTION In 2010, Pakistani musician and actor Ali Zafar noted how “films and music are one of the greatest tools of bringing in peace and harmony between India and Pakistan. As both countries share a common passion – films and music can bridge the difference between the two.”1 In a more recent interview from May 2016, Zafar reflects on the unprecedented success of his career in India, celebrating his work in cinema as groundbreaking and forecasting a bright future for Indo-Pak collaborations in entertainment and culture.2 His optimism is signaled by a wish to reach an even larger global fan base, as he mentions his dream of working in Hollywood and joining other Indian émigré stars like Priyanka Chopra.
    [Show full text]
  • Unclaimed Deposit 2014
    Details of the Branch DETAILS OF THE DEPOSITOR/BENEFICIARIYOF THE INSTRUMANT NAME AND ADDRESS OF DEPOSITORS DETAILS OF THE ACCOUNT DETAILS OF THE INSTRUMENT Transaction Federal/P rovincial Last date of Name of Province (FED/PR deposit or in which account Instrume O) Rate Account Type Currency Rate FCS Rate of withdrawal opened/instrume Name of the nt Type In case of applied Amount Eqv.PKR Nature of Deposit ( e.g Current, (USD,EUR,G Type Contract PKR (DD-MON- Code Name nt payable CNIC No/ Passport No Name Address Account Number applicant/ (DD,PO, Instrument NO Date of issue instrumen date Outstandi surrender (LCY,UFZ,FZ) Saving, Fixed BP,AED,JPY, (MTM,FC No (if conversio YYYY) Purchaser FDD,TDR t (DD-MON- ng ed or any other) CHF) SR) any) n , CO) favouring YYYY) the Governm ent 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 PRIX 1 Main Branch Lahore PB Dir.Livestock Quetta MULTAN ROAD, LAHORE. 54500 LCY 02011425198 CD-MISC PHARMACEUTICA TDR 0000000189 06-Jun-04 PKR 500 12-Dec-04 M/S 1 Main Branch Lahore PB MOHAMMAD YUSUF / 1057-01 LCY CD-MISC PKR 34000 22-Mar-04 1 Main Branch Lahore PB BHATTI EXPORT (PVT) LTD M/S BHATTI EXPORT (PVT) LTD M/SLAHORE LCY 2011423493 CURR PKR 1184.74 10-Apr-04 1 Main Branch Lahore PB ABDUL RAHMAN QURESHI MR ABDUL RAHMAN QURESHI MR LCY 2011426340 CURR PKR 156 04-Jan-04 1 Main Branch Lahore PB HAZARA MINERAL & CRUSHING IND HAZARA MINERAL & CRUSHING INDSTREET NO.3LAHORE LCY 2011431603 CURR PKR 2764.85 30-Dec-04 "WORLD TRADE MANAGEMENT M/SSUNSET LANE 1 Main Branch Lahore PB WORLD TRADE MANAGEMENT M/S LCY 2011455219 CURR PKR 75 19-Mar-04 NO.4,PHASE 11 EXTENTION D.H.A KARACHI " "BASFA INDUSTRIES (PVT) LTD.FEROZE PUR 1 Main Branch Lahore PB 0301754-7 BASFA INDUSTRIES (PVT) LTD.
    [Show full text]
  • List of Mbbs Graduates for the Year 1997
    KING EDWARD MEDICAL UNIVERSITY, LAHORE LIST OF MBBS GRADATES 1865 – 1996 1865 1873 65. Jallal Oddeen 1. John Andrews 31. Thakur Das 2. Brij Lal Ghose 32. Ghulam Nabi 1878 3. Cheytun Shah 33. Nihal Singh 66. Jagandro Nath Mukerji 4. Radha Kishan 34. Ganga Singh 67. Bishan Das 5. Muhammad Ali 35. Ammel Shah 68. Hira Lal 6. Muhammad Hussain 36. Brij Lal 69. Bhagat Ram 7. Sahib Ditta 37. Dari Mal 70. Atar Chand 8. Bhowani Das 38. Fazi Qodeen 71. Nathu Mal 9. Jaswant Roy 39. Sobha Ram 72. Kishan Chandra 10. Haran Chander Banerji 73. Duni Chand Raj 1874 74. Ata Muhammad 1868 40. Sobhan Ali 75. Charan Singh 76. Manohar Parshad 11. Fateh Singh 41. Jowahir Singh 12. Natha Mal 42. Lachman Das 1879 13. Ram Rich Pall 43. Dooni Chand 14. Bhagwan Das 44. Kali Nath Roy 77. Sada Nand 15. Mul Chand 45. Booray Khan 78. Mohandro Nath Ohdidar 16. Mehtab singh 46. Jodh Singh 79. Jai Singh 47. Munna Lal 80. Khazan Chand 48. Mehr Chand 81. Dowlat Ram 1869 49. Jowala Sahai 82. Jai Krishan Das 17. Taboo Singh 50. Gangi Ram 83. Perama Nand 18. Utum Singh 52. Devi Datta 84. Ralia Singh 19. Chany Mal 85. Jagan Nath 20. Esur Das 1875 86. Manohar Lal 21. Chunnoo Lal 53. Ram Kishan 87. Jawala Prasad 54. Kashi Ram 1870 55. Alla Ditta 1880 22. Gokal Chand 56. Bhagat Ram 88. Rasray Bhatacharji 57. Gobind Ram 89. Hira Lal Chatterji 90. Iktadar-ud-Din 1871 1876 91. Nanak Chand 23. Urjan Das 58.
    [Show full text]
  • Bsc-List-2021.Pdf
    Serial NO USER ID APPLICANT NAME FATHER NAME MOTHER NAME SSC ROLL SSC GPA HSC ROLL HSC GPA STATUS PROGRAM 1 PROGRAM 2 1 BWLBIAR ABDUL KARIM ABDUL JALIL ASRAFUN NAHAR PANNA 151941 5.00 135304 5.00 ELIGIBLE Avionics Aerospace 2 BCKZIWW MD. SADEKUZZAMAN NISHAT MD. NURUL ISLAM MOST. SAFURA BEGUM 197415 5.00 133445 5.00 ELIGIBLE Aerospace Avionics 3 BOZTVVP SYED JISAN KABIR SYED HUMAUN KABIR MST. SOHELA PARVIN 122848 4.78 117454 5.00 ELIGIBLE Aerospace Avionics 4 BTOYUFQ JUBAER AL- AMIN EMON MD. NURUL AMIN KHADIZA BEGUM 112310 5.00 134312 5.00 ELIGIBLE Aerospace Avionics 5 BQEEWWA KHONDOKER AMIMUL AHASAN KHONDOKER SHAHJAHAN HAIDER MOHUA AKTER RUMI 113572 5.00 126831 5.00 ELIGIBLE Aerospace Avionics 6 BAXLYGI NAZYA MUSTAFIZ MD. HASAN MUSTAFIZ MST. JEBUN NAHAR 132195 5.00 115611 5.00 ELIGIBLE Avionics Aerospace 7 BAHFMZO NOOR-E-TAOHEED ALAMIN NOOR-E-KHAJA ALAMIN SABRINA QUADIR 106558 4.94 144405 5.00 ELIGIBLE Aerospace Avionics 8 BKALAXP FAHMIDA YASMIN NISHI MD. RAFIQUL ISLAM MOSD. ROWSHAN ARA 116688 5.00 108880 4.50 ELIGIBLE Aerospace Avionics 9 BBQMHFL SAYERIN NURESHA ORTHI MD. JAHANGIR ALAM SABINA YASMIN 229105 5.00 120540 5.00 ELIGIBLE Avionics Aerospace 10 BSGBVMD AL IMRAN JAHID HASAN MD. DULAL UDDIN MOST. ZOLEKHA BEGUM 181532 5.00 607569 5.00 ELIGIBLE Aerospace Avionics 11 BYXRDVN TITHY RANI DAS MANILAL DAS RADHA RANI DAS 108244 5.00 105730 5.00 ELIGIBLE Aerospace Avionics 12 BOXPDSY MD. AWAL HADI MD. A. HAMID MST. ANJUARA BEGUM 134159 4.89 102828 5.00 ELIGIBLE Aerospace Avionics 13 BJNCFYD NOSHIN NAWAR MOHAMMAD SHAHJAHAN FARZANA MAINUDDIN 116353 5.00 100538 5.00 ELIGIBLE Avionics Aerospace 14 BAXBRUP MD RAFIUL ISLAM MD AMINUL ISLAM MST.
    [Show full text]