Indian Metaphysics in Lawrence Durrell's Novels
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Richard Pine, Lawrence Durrell's Endpapers and Inklings 1933-1988
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 21 | 2020 Modernism and the Obscene Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes One and Two Isabelle Keller-Privat Electronic version URL: http://journals.openedition.org/miranda/30517 DOI: 10.4000/miranda.30517 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Isabelle Keller-Privat, “Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes One and Two”, Miranda [Online], 21 | 2020, Online since 13 October 2020, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/30517 ; DOI: https://doi.org/10.4000/miranda.30517 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes On... 1 Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes One and Two Isabelle Keller-Privat REFERENCES Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes One and Two (Newcastle upon Tyne: Cambridge Scholars Publishing, 2019), vol 1 452 p, ISBN 978-1-5275-3847-4, vol 2 430 p, 978-1-5275-3898-6 Miranda, 21 | 2020 Richard Pine, Lawrence Durrell’s Endpapers and Inklings 1933-1988. Volumes On... 2 1 To all those who thought they were done with Lawrence Durrell after having fallen in love reading The Alexandria Quartet, gone hitchhiking on Cyprus with Bitter Lemons tucked in their rucksack, and laughed with The Durrells in Corfu (Christopher Hall, ITV comedy-drama, 2016-2019), Richard Pine proves that they were rash and careless: “it is […] only a beginning” (Prospero’s Cell, Faber, 1962, 17). -
Characters and Characterisation in Durrell's the Alexandria Quartet
CHARACTERS AND CHARACTERISATION IN DURRELL'S THE ALEXANDRIA QUARTET Dr. Anna Pratt When The Alexandria Quartet appeared in the late fifties (Justine 1957; Balthazar 1958; Mountolive 1958; Clea 1960) it was given a very mixed reception. Some critics were enthusiastic, making sometimes exaggerated claims for Durrell's originality and greatness; others were more sceptical. George Steiner for instance praised the richness of Durrell's style, saying : "No one else writing in English today has a comparable command of the light and music of language ... Who is to say ... that The Alexandria Quartetwill not lead to a 1 renascence of prose" ? ( ) , while Angus Wilson disagreed, claiming that "Durrell's aims are magnificent, but his execution is often slipshod and pretentious, and the language floridly vul 2 gar" . ( ) It is interesting to note that Durrell's most severe critics tended to be British, and his popularity was much greater in America and on the Continent than in his own country. Dur rell's biographer, G.S. Fraser, says that the prevailing view in England was that the Alexan dria Quartet "is a most impressive but in some ways flawed or imperfect work, extraordinarily 3 vivid, but too rich, too gaudy" . ( ) A similar difference of opinion can be noticed in critical comments on Durrell's methods of characterisation and his ability to create convincing characters. Here again, most British critics were not impressed by characters in The Quartet . The following quotations illustrate the dominant attitude : "For the most part the characters in these novels remain flat surfaces . .. they never become three-dimensional figures .. -
37I TIME in the ALEXANDRIA QUARTET THESIS Presented to The
37I TIME IN THE ALEXANDRIA QUARTET THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Gayle P. Marechal, B. A. Denton, Texas August, 1976 Marechal, Gayle P., Time in The Alexandria Quartet. Master of Arts (English), August, 1976, 105 pp., biblio- graphy, 36 titles. Any study of The Alexandria Quartet would be incomplete without a discussion of Durrell's concept of time. His space- time relativity proposition is central to the work and, there- fore, must be fully understood if The Alexandria quartet is to be appreciated. This investigation proposes to examine Durrell's relativity proposition as it is presented in The Alexandria Quartet. The study will begin with a general discussion of time from both a scientific and philosophical point of view. This introduction will focus on the modern cyclic view of time, or mind-time, as opposed to the more traditional linear concept of time. After the introductory presentation, the study will deal with the view of time as presented by Durrell in The Alexandria Quartet and will concentrate on time and setting, on time and modern love, on time and reality as seen from the varying points of view of the many characters, and finally on time and the artist. TABLE OF CONTENTS Chapter Page I. TIME: A MODERN VIEW . 1 II. TIME AND SETTING . .!.." . 21 III. TIME . AND LOVE . * 0 . 39 IV. TIME AND REALITY: CHARACTER AND POINT OF VIEW IN THE ALEXANDRIA QUARTET . .. * . 68 V. ART AND THE CREATIVE PROCESS IN THE ALEXANDRIA QUARTET . -
THE ALEXANDRIA QUARTET: LOVE AS METAPHYSICAL ENQUIRY By
THE ALEXANDRIA QUARTET: LOVE AS METAPHYSICAL ENQUIRY by ELIZABETH LEE JOHNSTON 3.A., Sir George Williams University, 1974 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1976 (fc\ Elizabeth Lee Johnston, 1976 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of <f-K gj 1 > < U The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V.6T 1W5 Date cTcx.,x tl ^ 1% n 1 1 ABSTRACT This thesis is based on a conviction that Lawrence Durrell's The Alexandria Quartet is a metaphysical romance in a truly modern sense; a parable which uses the terminology of modern psychology and romantic love to describe a search for gnosis, or self-knowledge. The characters are prototypes whose enemies are the warring forces within the psyche: the romantic imagination, which manufactures the Illusions of love, and the intellectual examination which may destroy the illusion, but leaves nothing in its place. Durrell shows that his prototype characters must learn to value the naked experience of an emotional moment with a balanced spontaneity of perception divorced from the extremes of both the romantic imagination and the intellect. -
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Near East University Graduation Thesis Department of English Language and Literature Trnc,1996 ·
A critical analysis of Lawrence Durrell' Bitter Lemons of Cy-12±~~ "from the eyes of a Turkish Cypriot student who solely sought facts" Prepared by: Okan Yurdakul Supervised by: Prof.Dr.Gu! Celkan NEAR EAST UNIVERSITY GRADUATION THESIS DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE TRNC,1996 ·---- TABLE OF CONTENTS Preface Towards an Eastern Landfall A Geography Lesson Voices at the Tavern.Door How to Buy a House The Tree of Idleness The Swallows Gather A telling of Omens The Winds of Promise The Satrap Point of No Return "rhe F@a~t o.C UnnH:1r:ion The Vanishing Landmarks A Pocketful of Sand 'Bitter LemonA' S~l@ct Rjhlioqr~phy Index BIBLIOGRAPHY: SELECT BIBLIOGRAPHY: NEWMAN,PHILIP.A short History of Cyprus (London,1940) Handy, condensed history LUKE,H.C Cyprus under the Turks (London,1921). Information on the Turkish Period. DIXON,W.HEPWORTH. British Cyprus (London,1887) LEWIS,Mrs. A Lady's Impressions of Cyprus (1893). BROWN,SAMUEL,M.I.C.E. Three Months in Cyprus : during the winter of 1878-9 (1879) • ORR, C.W.J. Cyprus under British Rule (Loudon, 19Ul) Informr1tion on t.he Rri.t-.:iAh P.Ad.nci GUNNIS, RUPERT. Histor:Lc Cyprus (Lo11d0111 .J.9](i) Comp;t"Ql.\i!:l11r;i:l.vQ 1911:ltll:"\ lmok' l:n 1·110 A11t·lr111·ltlr::it::l. COBHAM,C.D.EXCE).L'f)lfl Cypd .. A: Mf\Lt1LLfllB For R fl IHI rny (Jr Cyp.ru s (Cambridge, 1908), Selected extracts from Iiooka and travel- d La r Le s on Cyprus,J\.U.2.-\ l::o J.B4~J. -
Lawrence Durrell's Alexandria Quartet As a Transitional Work in Twentieth Century Literature Tyler John Niska Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2008 Bridging the gaps: Lawrence Durrell's Alexandria Quartet as a transitional work in twentieth century literature Tyler John Niska Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons, and the Modern Literature Commons Recommended Citation Niska, Tyler John, "Bridging the gaps: Lawrence Durrell's Alexandria Quartet as a transitional work in twentieth century literature" (2008). Retrospective Theses and Dissertations. 15361. https://lib.dr.iastate.edu/rtd/15361 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Bridging the gaps: Lawrence Durrell’s Alexandria Quartet as a transitional work in twentieth century literature by Tyler John Niska A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Leland Poague, Major Professor Geoffrey Sauer David Zimmerman Iowa State University Ames, Iowa 2008 Copyright © Tyler John Niska, 2008. All Rights Reserved 1453897 1453897 2008 ii Table of Contents Acknowledgements iv A Note -
Mountolive Booklet
Lawrence Durrell Mountolive Read by CLASSIC Nigel Anthony FICTION MODERN CLASSICS NA306112D THE ALEXANDRIA QUARTET • III 1 Across the waters of Mareotis 7:49 2 Leila – lips brush wrist 5:36 3 The home of the Coptic squire 9:35 4 The love of the inexperienced 10:00 5 Itinerant diplomacy – and letters from Egypt 9:06 6 The writer, Ludwig Pursewarden 8:44 7 Promotion – and the long-awaited posting 5:10 8 Berlin: a malignant euphoria 5:07 9 The Foreign Office – a warning 11:06 10 Deep in snow, the memories 7:17 11 A briefing from Pursewarden 10:32 12 Nessim’s discourse on Coptic politics 12:15 13 Ambassador David Mountolive 9:09 14 Arrival in Alexandria 9:03 2 15 Alexandrian images as Clea paints 5:40 16 In the bubble of the Etoile – Melissa 9:04 17 An unexpected liaison 11:59 18 Mystery or simply a betrayal? 10:17 19 A very private understanding 12:08 20 The conspirators at home 5:13 21 Narouz – treading on quicksand 7:28 22 Proof from Maskelyne 10:14 23 Memlik – incurably venal 5:36 24 According to plan 8:38 25 An invitation from Leila 7:58 26 A stiff whisky 5:34 27 ‘The day of his death’ 13:51 Total time: 3:52:21 3 Lawrence Durrell Mountolive Mountolive is the third volume of Lawrence and carries a letter of introduction to the Durrell’s The Alexandria Quartet. Here he Hosnani family. This brings him into the deals with Mountolive, the young British rambling old-fashioned house, built upon a diplomat coming into contact with Egypt, network of canals and embankments close and with Alexandria – the experience is to Alexandria, where he falls in love with central to his life. -
CURRICULUM VITAE Ph.D., M.A., P.B.Dipl.Hum., B.A., Dipl.Mus
JAMES GIFFORD – CURRICULUM VITAE Ph.D., M.A., P.B.Dipl.Hum., B.A., Dipl.Mus. Address: Fairleigh Dickinson University – Vancouver Campus 842 Cambie Street Vancouver, British Columbia, V6B 2P6, Canada email: <[email protected]> web: <https://sites.ualberta.ca/~gifford/> EDUCATION • PhD, English, University of Alberta, Edmonton, Alberta • P.B.Dipl, Humanities, Simon Fraser University, Burnaby, British Columbia • MA, Humanities, California State University, Carson, California • BA, English, Simon Fraser University, Burnaby, British Columbia • Dipl, Music, Kwantlen Polytechnic University, Langley, British Columbia ACADEMIC POSITIONS HELD 2018–current Professor, Fairleigh Dickinson University 2014–2018 Associate Professor, Fairleigh Dickinson University 2008–2014 Assistant Professor, Fairleigh Dickinson University 2017 Visiting Professor, Université Toulouse – Jean Jaurès 2011 Visiting Professor (graduate program), Simon Fraser University 2006–2008 Assistant Professor, Limited Term, University of Victoria ADMINISTRATIVE POSITIONS HELD 2017–current Director of Fairleigh Dickinson University Press 2017–current Director of the University Core, Fairleigh Dickinson University, Vancouver Campus, Wroxton College, & Chengdu American Center for Study Abroad 2008–2017 Director of the University Core, Fairleigh Dickinson University, Vancouver 2008–2009 Interim Academic Coordinator (Vancouver Campus), Fairleigh Dickinson University 2009–2012 Director of the Global Scholars Program, Fairleigh Dickinson University 2010–2011 Coordinator, BA in Individualized -
Modern Language Association Convention Supplement
9 I+"'a- Tr-t A. A Edited & Produced by: Gregory Dickson Susan S. MacNiven Lawrence W. Markort MODERN LANGUAGE ASSOCIATION CONVENTION SUPPLEMENT MEWS OF LAWRENCE DURRELL THE LAXREKC3 DTORELL SOCIETY Lawrence D-drrell has finished the fifth The beginnings of t:ie Lawrence Durrall volume of what is becoming kr.ovn a? the Society date back to Se.?cen-ber 1977 when Aviqron Quintet. Cuirix, or The Ripper's the first nmiiber of Deus Loci: The 'Yale is scheduled to appear in the U. K. -Lawrence Currell, X~ewslet-ter, edited by ?scar and Faber) in May, and i-i the U. S. James A. Erighan and Ian S. XacNivei~, ap- (Vikii.9) in the Call. Durrell claims this t?. pared. Quarterly issues of ---.--Us'-is Loci, novel will prove to be his last. series of KLA Special Sessions on Durreli For the 18 November 1984 Telegraoh and his circle (one in 1978 and two in Sunday Maqazine-- (London), Durrell wrote 1980), and a conference devoted to Durrell It T~a?.ias in & French Forest," an article in April 1980 attracted others interes'ted about the chateau de Plaige near Dijon. in Durrell and led to the formal astab- Plaiqe was purchased in 1974 to be a lishment of the Society on 29 Oecember center for some of the Buddhist holy men 1980 in Houston, Texas, by unanimous vote who had f:.ed Tibet in 1950 when the of the twelve people present. Chinese invadec. Lawrence Durrell is the An XLA Special Session on figures re- head of a committee thst has been raising lated to Durrell was orqanized by Society funds to build a temple at Plaice; the new members in 1981. -
The International Lawrence Durrell Society the Herald Editors: Peter Baldwin Volume 43; April 2020 [NS-4] Steve Moore Founding Editor: Susan Macniven
The International Lawrence Durrell Society The Herald Editors: Peter Baldwin Volume 43; April 2020 [NS-4] Steve Moore Founding Editor: Susan MacNiven Michael Haag 1943 - 2020 In Memoriam: Michael Haag The Herald editorial page 2 Peter Baldwin Michael Haag obituary page 3 Mark Ellingham Michael Haag and Lawrence Durrell page 5 Peter Baldwin Remembering Michael Haag page 7 Charles Sligh with Isaac Sligh Michael Haag: The Man in Love with a City . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. page 9 Ian MacNiven Lawrence Durrell: A Life Abroad page 11 Michael Haag A Brief Reader’s Guide to Michael Haag’s Books . .. .. .. .. .. .. .. .. .. .. .. .. .. .. page 15 Peter Baldwin Notice of OMG XXI Cancellation . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. page 16 * The above photo of Michael was taken by his brother, Anton, on the island of Faial, in the Azores, in 2014. All photos in this edition of The Herald, unless otherwise attributed, are property of the estate of Michael Haag. 1 The Herald Editorial: In Memory and Celebration of Michael Haag I think that most of our readers will have heard about the untimely death of Michael Haag last January It took but an instant to decide, as editors, that this edition of The Herald should be put over entirely to our memories and celebrations of Michael and his work, particularly as editor, friend and would-be biographer of Lawrence Durrell I first met Michael to speak to one to one at his home in north London in 2006 My own copy of his major work, Alexandria: City of Memory, published -
The End of Books—Or Books Without End? Front.Qxd 11/15/1999 9:04 AM Page Ii Front.Qxd 11/15/1999 9:04 AM Page Iii
front.qxd 11/15/1999 9:04 AM Page i The End of Books—or Books without End? front.qxd 11/15/1999 9:04 AM Page ii front.qxd 11/15/1999 9:04 AM Page iii The End of Books—Or Books without End? Reading Interactive Narratives J. Yellowlees Douglas Ann Arbor The University of Michigan Press front.qxd 11/15/1999 9:04 AM Page iv Copyright © by the University of Michigan 2000 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2003 2002 2001 2000 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data applied for ISBN 0-472-11114-0 (cloth: alk. paper) front.qxd 11/15/1999 9:04 AM Page v Acknowledgments In 1986 John McDaid, then a fellow graduate student at New York University, suggested I meet Jay Bolter, who arrived bearing a 1.0 beta copy of Storyspace. When he opened the Storyspace demo document to show McDaid and I a cognitive map of the Iliad represented as a hypertext, my fate was clinched in under sixty seconds. I had seen the future, and it consisted of places, paths, links, cognitive maps, and a copy of afternoon, a story, which Jay also gave us.