International Journal of Languages' Education and Teaching
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Sehara 2008-Final2
Sehara, maj 2008. Dragi èitatelji! Bliži se kraj školske godine i vrijeme je kada izlazi drugi broj našeg lista u ovoj školskoj godini. Maj je, kažu mnogi, najljepši mjesec u godini. Vrijeme kada se budi priroda, ljudi postaju radišni, poletni. Školska godina, s druge strane, ulazi u završnicu i vodi se rovovska bitka za ocjenu. Izvlaèe se iz ormara, ispod kreveta, iza frižidera i èega sve ne, zaboravljeni udžbenici i išarane sveske. Da li su svi krenuli u tu odsudnu bitku? Jeste li se spremili za bezbrižno ljeto? Kako ko, reæi æete. Naši maturanti polako završavaju svoje srednjoškolske obaveze. Odlazi još jedna generacija MSŠ Sapna, doæi æe nova koja æe krenuti njihovim stazama. Maturantima dolaze druge životne brige pa smo im pripremili informacije o nekoliko moguæih visokoškolskih ustanova za nastavak školovanja. Nadamo se da æe informacije biti od koristi, ali i da æe se veliki broj naših maturanata odluèiti da nastavi sa obrazovanjem èime æe i rad profesora naše škole biti još svrsishodniji. Ovaj broj je 'narastao' za èetiri stranice. Na tim stranicama æe biti objavljene umanjene verzije panoa svakog odjeljenja maturanata a u uredništvu smo dugo dogovarali šta æemo postaviti sa druge strane. Na kraju smo se odluèili za raspored odigravanja utakmica Europskog prvenstva u Švicarskoj i Austriji koje æe se održati ove godine. Tome je doprinijelo to što kvalitetne fotografije Elvira Lakoviæa Lake nema dostupne na internetu a posteri Toše Proeskog su objavljivani u desetine drugih novinskih izdanja. U ovom broju smo posebno posvetili pažnju dešavanjima u školi i u Sapni a tu su uvijek prisutne rubrike o sportu, filmu, muzici.. -
1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
Official Song List
OFFICIAL SONG LIST 1. 4ASA Ružica 2. 4ASA Ana 3. 4ASA Digni me visoko 4. 4ASA Kockar 5. 4ASA Motori 6. ALEN NIZETIC MJESANO-SAMO TI 7. Alen Nižetić Samo ti 8. Alen Nižetić Hrabro srce 9. Alen Vitasović Ja ne gren 10. Alka Vuica Ej šta mi radiš 11. Alka Vuica Laži me 12. Alka Vuica Ola e 13. Alka Vuica Od kad te nemam 14. Andrea Vjerujem ti sve 15. Anita Horvatić Dobro bolje najbolje 16. Azra A šta da radim 17. Baruni Pada snijeg, Ana 18. Bastardz Tvoja Ljubav 19. Bebek Željko Oprosti mi što te volim 20. Bijelo dugme Ima neka tajna veza 21. Bijelo dugme Ponekad poželim neko pismo 22. Bijelo dugme Na zadnjem sjedištu moga auta 23. Bijelo dugme Tako ti je mala moja 24. Boris Novković Oprostit ćemo sve 25. Boris Novković Koja gora Ivo 26. Boris Novković Koja gora Ivo.mp3 27. Boris Novković Oj ora je 28. Boris Novković Oj ora je.mp3 29. Boris Novković Pjevaj mi sok 30. Boris Novković Pjevaj mi sokole 31. Colonia C est la vie 32. Colonia Za tvoje snene oči 33. Colonia Svijet voli pobjednike 34. Colonia Lady blue 35. Colonia Ljubav ne stanuje tu 36. Colonia Sve oko mene je grijeh 37. Colonia U ritmu ljubavi 38. Colonia Vatra i led 39. Crveni Koralji Mnogo značiš za moj život draga 40. Daleka obala Sa mi je ža 41. Dalmatinski mix Source: Croatian Studies Foundation. Page 1 of 7 OFFICIAL SONG LIST 42. Daniel Levisice 43. Daniel Ma ma Maria 44. Daniel Ne pitaj 45. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Border Thinking
Publication Series of the Academy of Fine Arts Vienna VOLUME 21 Border Thinking Marina Gržinić (Ed.) Border Thinking Disassembling Histories of Racialized Violence Border Thinking Disassembling Histories of Racialized Violence Marina Gržinić (Ed.) Publication Series of the Academy of Fine Arts Vienna Eva Blimlinger, Andrea B. Braidt, Karin Riegler (Series Eds.) VOLUME 21 On the Publication Series We are pleased to present the latest volume in the Academy of Fine Arts Vienna’s publication series. The series, published in cooperation with our highly com- mitted partner Sternberg Press, is devoted to central themes of contemporary thought about art practices and theories. The volumes comprise contribu- tions on subjects that form the focus of discourse in art theory, cultural studies, art history, and research at the Academy of Fine Arts Vienna and represent the quintessence of international study and discussion taking place in the respective fields. Each volume is published in the form of an anthology, edited by staff members of the academy. Authors of high international repute are invited to make contributions that deal with the respective areas of emphasis. Research activities such as international conferences, lecture series, institute- specific research focuses, or research projects serve as points of departure for the individual volumes. All books in the series undergo a single blind peer review. International re- viewers, whose identities are not disclosed to the editors of the volumes, give an in-depth analysis and evaluation for each essay. The editors then rework the texts, taking into consideration the suggestions and feedback of the reviewers who, in a second step, make further comments on the revised essays. -
Yugosphere Tim Judah
LSEE Papers on South Eastern Europe Tim Judah Good news from the Western Balkans YUGOSLAVIA IS DEAD LONG LIVE THE YUGOSPHERE TIM JUDAH Tim Judah Good news from the Western Balkans YUGOSLAVIA IS DEAD LONG LIVE THE YUGOSPHERE TIM JUDAH Yugoslavia is Dead . Long Live the Yugosphere LSEE – Research on South Eastern Europe European Institute, LSE Edited by Spyros Economides Managing Editor Ivan Kovanović Reproduction and Printing Crowes Complete Print, London, November 2009 Design & Layout Komshe d.o.o. Cover Photograph Tim Judah Tim Judah LSEE Papers LSEE, the LSE’s new research unit on South East Europe, wel- comes you to the first of the LSEE Papers series. As part of the ac- tivities of LSEE we aim to publish topical, provocative and timely Papers, alongside our other core activities of academic research and public events. As part of our commitment to quality and impact we will commission contributions from eminent commentators and policy-makers on the significant issues of the day pertaining to an ever-important region of Europe. Of course, independent submissions will also be considered for the LSEE Paper series. It is with great pleasure that the LSEE Papers are launched by a hugely stimulating contribution from Tim Judah whose knowledge and expertise of the region is second to none. Tim Judah worked on this paper while with the LSE as a Senior Visiting Fellow in 2009 and we are delighted to inaugurate the series with his work on the ‘Yugosphere’. Dr Spyros Economides Yugoslavia is Dead . Long Live the Yugosphere Tim Judah v Tim Judah Preface In general terms good news is no news. -
Monitor 5. Maí 2011
MONITORBLAÐIÐ 18. TBL 2. ÁRG. FIMMTUDAGUR 5. MAÍ 2011 MORGUNBLAÐIÐ | mbl.is FRÍTT EINTAK TÓNLIST, KVIKMYNDIR, SJÓNVARP, LEIKHÚS, LISTIR, ÍÞRÓTTIR, MATUR OG ALLT ANNAÐ SIA.IS ICE 54848 05/11 ÍSLENSKA GÓÐIR FARÞEGAR! ÞAÐ ER DJ-INN SEM TALAR VINSAMLEGAST SPENNIÐ SÆTISÓLARNAR OG SETJIÐ Á YKKUR HEYRNARTÓLIN. FJÖRIÐ LIGGUR Í LOFTINU! Icelandair er stolt af því að Margeir Ingólfsson, Hluti af þessu samstarfi er sú nýjung að DJ Margeir, hefur gengið til liðs við félagið heimsfrumflytja í háloftunum nýjan tónlistardisk og velur alla tónlist sem leikin er um borð. Gus Gus, Arabian Horse sem fer í almenna Sérstök áhersla verður lögð á íslenska tónlist sölu þann 23. maí næstkomandi – en þá hafa og þá listamenn sem koma fram á Iceland viðskiptavinir Icelandair haft tæpa tvo mánuði Airwaves hátíðinni. til að njóta hans – fyrstir allra. FIMMTUDAGUR 5. MAÍ 2011 Monitor 3 fyrst&fremst Monitor Ber Einar Bárðarson ábyrgð á þessu? mælir með FYRIR VERSLUNARMANNAHELGINA Margir bíða æsispenntir eftir Þjóðhátíð í Eyjum og margir hafa nú þegar bókað far þangað. Nú gefst landanum gott tæki- færi til að tryggja sér miða á hátíðina á góðu verði því forsala miða hefst á vefsíðu N1 föstudaginn 6. maí og fá korthafar N1 miðann fjögur þúsund krónum ódýrari. FYRIR MALLAKÚTINN SÓMI ÍSLANDS, Hádegishlaðborð VOX er eitt það allra besta í bransanum. SVERÐ ÞESS OG... SKJÖLDUR! Frábært úrval af heitum og köldum réttum ásamt dýrindis eftirréttum og einstaklega Dimmiterað með stæl góðu sushi. Það kostar Nemendur FSU 3.150 krónur á fögnuðu væntanlegum Í STRÖNGU VATNI ER hlaðborðið svo skólalokum á dögunum með því að dimmit- STUTT TIL BOTNS maður fer kannski ekki þangað á hverjum degi en svo era. -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski pped My Rating Because The Beatles Abbey Road Pop 4149082 165 1969 02.07.2011 13:37 02.07.2011 13:31 192 44100 MPEG audio file , AG# DF7AFDAC Carry That Weight The Beatles Abbey Road Pop 2501496 96 1969 02.07.2011 13:37 02.07.2011 13:31 192 44100 MPEG audio file , AG# 74 DF4189 Come Together The Beatles Abbey Road Pop 6431772 260 1969 02.07.2011 13:37 02.07.20 11 13:31 192 44100 MPEG audio file , AG# 5081C2D4 The End The Beatles Abbey Road Pop 3532174 139 1969 02.07.2011 13:37 02.07.2011 13:31 192 44100 MPEG audio file , AG# 909B4CD9 Golden Slumbers The Beatles Abbey Road Pop 2374226 91 1969 02.07.2011 13:37 02.07.20 11 13:31 192 44100 MPEG audio file , AG# D91DAA47 Her Majesty The Beatles Abbey Road Pop 731642 23 1969 02.07.2011 13:37 02.07.20 11 13:31 192 44100 MPEG audio file , AG# 8427BD1F 1 02.07.2011 13:33 Here Comes The Sun The Beatles Abbey Road Pop 4629955 185 1969 02.07.2011 13:37 02.07.2011 13:31 192 44100 MPEG audio file , AG# 23 6DC926 3 30.10.2011 18:20 4 02.07.2011 13:34 I Want You The Beatles Abbey Road Pop 11388347 467 1969 02.07.2011 13:38 02.07.20 11 13:31 192 44100 MPEG audio file , AG# 97501696 Maxwell's Silver Hammer The Beatles Abbey Road Pop 5150946 207 1969 02.07.2011 13:38 02.07.2011 13:31 192 44100 MPEG audio file , AG# 78 0B3499 Mean Mr Mustard The Beatles Abbey Road Pop 1767349 66 1969 -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal). -
Tikros Ir Nenusisekusios Beatos Molytės Meilės
J/b savitaRna MAISTAS Irmanto Sidarevičiaus ir Sauliaus Venckaus nuotr. Liudmila Petkevičiūtė ir VISKAS Iš Kopūstų pyragus, ir duoną kepasi pati Raudonųjų kopūstų sriuba Jums reikės: “Respublikos” leidinys Nr.18 (855) 2011 m. gegužės 7 d. ● 1 ir 1/2 l mėsos ir daržovių sultinio, ● 150 ml raudonojo vyno, ● 150 g citrinų, ● 1/2 kg raudonųjų kopūstų, TRUPMENOS ● 300 g nuluptų bulvių, ● 80 g svogūnų, LIETUVOS sėkMės RAKTAS ● 40 g riebalų, PAGAL NUMEROLogę ● 20 g miltų, auliaus Venckaus nuotr. auliaus S ● druskos, pipirų. Numerologinį kubą išradu- Citrinas nuplaukite, nuplikykite ver- si matematikė Galina šmidt dančiu vandeniu, nulupkite ir supjausty- apskaičiavo, koks yra Lietuvos kite griežinėliais. Kopūstą supjaustykite skaičiukas, kokios verslo sritys mažais kubeliais, išpjovusi šerdį ir lapų būtų pelningos mūsų šaliai, kurie sustorėjimus, užpilkite ant jo dalį sultinio politikos veikėjai čia turi perspek- ir išvirkite. Kai kopūstas išvirs, pašlaksty- tyvų, o kurie - ne. kite citrinų sultimis. Bulves supjaustykite kubeliais, užpilkite likusiu sultiniu, išvirki- 2 te ir sudėkite į kopūstų sriubą. Svogūnus supjaustykite kubeliais, pakepinkite, su- ISTORIJA dėkite miltus, truputį pakepkite ir įmai- šykite į sriubą, užvirkite, sudėkite citrinas CŽV sukūrė BIN Ladeną ir pagardinkite pagal skonį. IR PATI jį NUŽudė Kopūstų ir ryžių troškinys Jums reikės: ● garbanotojo kopūsto galvutės, ● 1 morkos, 1 ryšelio petražolių, ● 600-700 g mėsos faršo, ● 100 g ryžių, ● 50 g lašinių, ● 2 kiaušinių, ● 1-2 šaukštų miltų, KAS PER "PADARAS" TAS RAUGAS? Dešimt metų nesėkmingai ● 2 svogūnų, medžiotas garsiausias pasaulio ● 200 g grietinės, ● pipirų, mairūnų, paprikos, rozmarinų, druskos, ašytoja Liudmila PETKEVIČIŪTĖ paprastai aplenkia teroristas nužudytas. Amerikiečiai ● 50 g tarkuoto sūrio. maisto prekių parduotuves, daržovių užsiaugina gegužės 1-osios naktį 12-metės dukros akivaizdoje sušaudė O.bin Kopūstą nuplaukite ir supjaustykite sode. -
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less. -
Escinsighteurovision2011guide.Pdf
Table of Contents Foreword 3 Editors Introduction 4 Albania 5 Armenia 7 Austria 9 Azerbaijan 11 Belarus 13 Belgium 15 Bosnia & Herzegovina 17 Bulgaria 19 Croatia 21 Cyprus 23 Denmark 25 Estonia 27 FYR Macedonia 29 Finland 31 France 33 Georgia 35 Germany 37 Greece 39 Hungary 41 Iceland 43 Ireland 45 Israel 47 Italy 49 Latvia 51 Lithuania 53 Malta 55 Moldova 57 Norway 59 Poland 61 Portugal 63 Romania 65 Russia 67 San Marino 69 Serbia 71 Slovakia 73 Slovenia 75 Spain 77 Sweden 79 Switzerland 81 The Netherlands 83 Turkey 85 Ukraine 87 United Kingdom 89 ESC Insight – 2011 Eurovision Info Book Page 2 of 90 Foreword Willkommen nach Düsseldorf! Fifty-four years after Germany played host to the second ever Eurovision Song Contest, the musical jamboree comes to Düsseldorf this May. It’s a very different world since ARD staged the show in 1957 with just 10 nations in a small TV studio in Frankfurt. This year, a record 43 countries will take part in the three shows, with a potential audience of 35,000 live in the Esprit Arena. All 10 nations from 1957 will be on show in Germany, but only two of their languages survive. The creaky phone lines that provided the results from the 100 judges have been superseded by state of the art, pan-continental technology that involves all the 125 million viewers watching at home. It’s a very different show indeed. Back in 1957, Lys Assia attempted to defend her Eurovision crown and this year Germany’s Lena will become the third artist taking a crack at the same challenge.