Wildlife World Number 6
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The Secret Crimes of the Cuckoo
springwatch the con is on The CON isON Cavan Scott investigates the crimes of the star of this year’s Springwatch David Kjaer /naturepl.com Photo: may 2009 COUNTRYFILE 49 springwatch the con is on such extraordinary lengths, and worldwide only around 1 percent “Within hours of hatching of all birds share its methods. the blind and naked cuckoo After 23 years studying the cuckoo’s sinister plans in Wicken chick pushes any remaining Fen, Britain’s foremost expert on cuckoo behaviour, Dr Nicholas eggs from the nest” Davies of the University of Cambridge, is able to shed some light on the matter. 1 “Foisting your parental duties on somebody else may seem to be a wonderful thing to do,” he explains. “But over evolutionary time, the hosts fight back so that the poor cuckoo has to work 2 3 incredibly hard to be lazy, simply because it has to overcome all of these defences. What we witness is a fantastic arms race between parasite and host.” 4 5 This titanic battle commences with that famous bird call. In May, A host of hosts the blue-grey male cuckoo arrives In Britain, five main hosts account for on our shores from Africa and 90 percent of the parasitised nests. booms out his distinctive ‘cuc-coo’, In heathland the cuckoo will choose thereby establishing himself as the dunnock (1), in marshland it picks God’s gift to the slightly browner the reed warbler (2), while in open female. Nature takes its course and country it’s the pied wagtail (3). The meadow pipit (4) falls foul of the the female’s work begins. -
Future of Public Service Media: Open University Response Summary
Ofcom – Future of Public Service Media: Open University Response Summary 1. Education is a crucial part of the Public Service Broadcasting (PSB) requirements. Several of the statutory requirements set out in Section 264 of the Communications Act 2003 relate to educational objectives. There are opportunities to strengthen these requirements as part of the new Public Service Media (PSM) offer. 2. The Open University (OU) plays a key role in supporting the delivery of PSB requirements around education through its partnership with the BBC. The partnership co-produces high-quality factual content across several channels and platforms, which is developed in collaboration with academic experts and closely linked to related educational materials hosted by the OU. A key objective of the partnership is to encourage people to embark on learning journeys from the informal, factual content produced with the BBC, through online and printed educational resources which enhance and enrich their broadcast/digital experience, to taking up formal learning opportunites inspired by watching, listening to and engaging with the content produced as part of the partnership. 3. In 2019/20: • A total of 257 hours of content produced via the OU/BBC partnership was broadcast by the BBC. • This resulted in a combined total of 308 million viewing/listening “events” and digital engagement interactions. • The three most popular television programmes broadcast – A Perfect Planet, Springwatch and Hospital (Series 5) all saw viewing figures in excess of 22 million. • There were 765,000 unique visitors to the online educational content related to the OU/BBC partnership hosted on the OU’s free online learning platform, OpenLearn. -
Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned. -
Status and Development of Old-Growth Elements and Biodiversity During Secondary Succession of Unmanaged Temperate Forests
Status and development of old-growth elementsand biodiversity of old-growth and development Status during secondary succession of unmanaged temperate forests temperate unmanaged of succession secondary during Status and development of old-growth elements and biodiversity during secondary succession of unmanaged temperate forests Kris Vandekerkhove RESEARCH INSTITUTE NATURE AND FOREST Herman Teirlinckgebouw Havenlaan 88 bus 73 1000 Brussel RESEARCH INSTITUTE INBO.be NATURE AND FOREST Doctoraat KrisVDK.indd 1 29/08/2019 13:59 Auteurs: Vandekerkhove Kris Promotor: Prof. dr. ir. Kris Verheyen, Universiteit Gent, Faculteit Bio-ingenieurswetenschappen, Vakgroep Omgeving, Labo voor Bos en Natuur (ForNaLab) Uitgever: Instituut voor Natuur- en Bosonderzoek Herman Teirlinckgebouw Havenlaan 88 bus 73 1000 Brussel Het INBO is het onafhankelijk onderzoeksinstituut van de Vlaamse overheid dat via toegepast wetenschappelijk onderzoek, data- en kennisontsluiting het biodiversiteits-beleid en -beheer onderbouwt en evalueert. e-mail: [email protected] Wijze van citeren: Vandekerkhove, K. (2019). Status and development of old-growth elements and biodiversity during secondary succession of unmanaged temperate forests. Doctoraatsscriptie 2019(1). Instituut voor Natuur- en Bosonderzoek, Brussel. D/2019/3241/257 Doctoraatsscriptie 2019(1). ISBN: 978-90-403-0407-1 DOI: doi.org/10.21436/inbot.16854921 Verantwoordelijke uitgever: Maurice Hoffmann Foto cover: Grote hoeveelheden zwaar dood hout en monumentale bomen in het bosreservaat Joseph Zwaenepoel -
JACOB PARISH – OFFLINE EDITOR AVID/FCP/PREMIERE PRO 07708965258 Ja [email protected]
JACOB PARISH – OFFLINE EDITOR AVID/FCP/PREMIERE PRO 07708965258 ja [email protected] I’ve cut feature length documentaries for cinema, long and short form T.V programs for major broadcasters, commercials, promos and award-winning shorts. I pride myself on the relaxed atmosphere that I bring to an edit, my fast technical skills and my experience of working on a wide variety of genres. With a strong understanding of music and sound, I have an instinctive ability to create engaging harmonious audio visual scenes that take audiences on emotional, entertaining and thought provoking journeys. 2015 Mikado 'Dummy' Music Video Director – Oliver Zimmermann 2015 BBC - Weird World (8X60') – Lead Editor Doc Series Producer – Aaron Paul 2015 Bellbird Pictures - Sonics from Scratch (1x80') Indie Feature Doc / Premiere at NZ International Film Festival Director Simon Ogston / Orlando Stewart 2015 Porthcawl’s Elvis Festival (1x60’) Indie Ob Doc Producer/Director – David Barnes 2013 BBC NHU – Wild Brazil (3x10') Nominated for best editing RTS Awards 2015 Doc - End of program diaries Producer – Joe Stevens / Ted Giffords 2013 BBC ONE / BBC WORLDWIDE - 24 Hours on Earth (1x60' & 1x50') Doc Producer – Chloe Pearns 2013 Zim Media - The King and the People (1x60') Ob doc Director – Simon Bright 2013 BBC Factual – Wastemen (1x5') Pilot Producer – Rachel Williams 2013 Optima Films - Scratching the Surface (1x30') Ob Doc Director – Nathan Hughes 2013 Optima Film - Hidden Fields Teaser Trailer - RTS Winner 2013 Producer/DOP/Editor 2012 BBC NHU – Africa Intro -
New Species of Shrew Is a Force to Be Reckoned with Snow Leopards
ISSN 2051-6703 November 2013 WILDLIFE Number 4 wpeople’s trust for endangeredrld species | LIVING ROOM SAVING CATS & DOGS NUMBER GAMES How much space Latest news from some How to count does a hedgehog of our large carnivore wildlife – tips from population need? projects an expert FROM THE EDITOR It’s not in my nature to be a pessimist – which is part and while it’s tempting to just hold a finger to the of the reason I appreciate the ‘can-do’ attitude of wind and go, our mission is too important and the PTES – as an organisation it puts its weight behind risk of casualties is too high. people whose expertise, passion and hard work We feature PTES supporters in various sections really can make a difference. But this has been a of the magazine – if ever there was a reason for difficult year for conservationists in Britain, and for optimism, it’s seeing the pictures and reading the much of the time achieving the necessary support reports you send in of fundraisers, awareness events, for wildlife has felt even more of an uphill struggle class projects and magical wildlife encounters. Word than usual. Certainly the political wind is against of mouth is powerful, and wildlife needs advocates us. But the thing about wind is that it changes. Like in all walks of life and in every home, every city seasoned sailors, we have to be ready and willing to park and farming community, every classroom and make maximum headway when we can. This might boardroom, every pub and coffee shop, every social mean taking a longer route. -
A Quantitative Analysis of Red Button Television Content in the UK
Pushing the button: A quantitative analysis of red button television content in the UK Submitted in partial fulfilment of the Requirements of the Degree of Doctor of Philosophy. July 2014 Andrew Fox 1 Table of Contents Abstract p. 8 Chapter 1: Introduction 1.1 Introduction p. 10 1.2 Technohype p. 11 1.3 Internet Television p. 13 1.4 Television and Interactivity p. 14 1.5 Research Aims p. 17 1.6 Field Interviews p. 18 1.7 Thesis Structure p. 18 Chapter 2: Theoretical framework and literature review 2.1 Introduction p. 20 2.2 Has the sociological position of television changed? p. 20 2.2.1 ‘The Death of Television’ p. 21 2.2.2 Convergence p. 23 2.2.3 Uncertain future p. 26 2.3 Is interactive television happening and if so why? p. 29 2.3.1 Institutional attitudes p. 29 2.3.2 Regulatory policy p. 33 2.4 What does interactivity mean for television? p. 38 2.4.1 Participatory experience p. 39 2.4.2 Individualistic experience p. 43 2.5 What does interactivity mean for television content? p. 46 2.5.1 Enhanced content p. 46 2.5.2 Freedom of choice p. 48 2 2.6 What does interactive television mean for the audience? p. 50 2.6.1 A more questioning audience p. 51 2.6.2 An everyday experience? p. 52 2.6.3 Choice means responsibility p. 55 2.7 What does interactive television actually offer? p. 57 2.7.1 Defining ‘interactivity’ p. 58 2.7.2 Forms of interactive TV p. -
Managing Deadwood in Forests and Woodlands
Practice Guide Managing deadwood in forests and woodlands Practice Guide Managing deadwood in forests and woodlands Jonathan Humphrey and Sallie Bailey Forestry Commission: Edinburgh © Crown Copyright 2012 You may re-use this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit: www.nationalarchives.gov.uk/doc/open-government-licence or write to the Information Policy Team at The National Archives, Kew, London TW9 4DU, or e-mail [email protected]. This publication is also available on our website at: www.forestry.gov.uk/publications First published by the Forestry Commission in 2012. ISBN 978-0-85538-857-7 Jonathan Humphrey and Sallie Bailey (2012). Managing deadwood in forests and woodlands. Forestry Commission Practice Guide. Forestry Commission, Edinburgh. i–iv + 1–24 pp. Keywords: biodiversity; deadwood; environment; forestry; sustainable forest management. FCPG020/FC-GB(ECD)/ALDR-2K/MAY12 Enquiries relating to this publication should be addressed to: Forestry Commission Silvan House 231 Corstorphine Road Edinburgh EH12 7AT 0131 334 0303 [email protected] In Northern Ireland, to: Forest Service Department of Agriculture and Rural Development Dundonald House Upper Newtownards Road Ballymiscaw Belfast BT4 3SB 02890 524480 [email protected] The Forestry Commission will consider all requests to make the content of publications available in alternative formats. Please direct requests to the Forestry Commission Diversity Team at the above address, or by email at [email protected] or by phone on 0131 314 6575. Acknowledgements Thanks are due to the following contributors: Fred Currie (retired Forestry Commission England); Jill Butler (Woodland Trust); Keith Kirby (Natural England); Iain MacGowan (Scottish Natural Heritage). -
Awardsin ASSOCIATION WITH2021
WEST OF ENGLAND AwardsIN ASSOCIATION WITH2021 THE JUDGES’ NOMINATIONS 2021 TALENT SUPPORTED BY ON SCREEN TALENT Award for outstanding on-screen talent featured in a production • Presenter • Journalist • Show Host • Interviewer • Commentator • Cast Member Tom Kerridge Saving Britain’s Pubs with Tom Kerridge Megan McCubbin Springwatch 2020 Tala Gouveia McDonald & Dodds Nadiya Hussain Nadiya’s American Adventure PRODUCTION SCRIPTED SUPPORTED BY Award for best scripted content – for example serial or single drama, comedy, comedy-drama, one off special and returning series McDonald & Dodds Mammoth Screen The Spanish Princess Playground and New Pictures The Trial of Christine Keeler Ecosse Films The Cure Story Films Pale Horse Mammoth Screen THE JUDGES’ NOMINATIONS 2021 NATURAL HISTORY SUPPORTED BY Award for excellence in the production of Natural History Programme or Series Earth at Night in Colour Offspring Films Primates BBC Studios Natural History Unit Waterhole BBC Studios Natural History Unit Meerkat: A Dynasties Special BBC Studios Natural History Unit FACTUAL SUPPORTED BY Award for excellence in the production of Factual Programme/Content or Series including Popular and Specialist Factual • Science • Religion • History • Adventure • Arts Saving Britain’s Pubs with Tom Kerridge Bone Soup Productions Cornwall with Simon Reeve Beagle Media Nadiya’s American Adventure Wall to Wall West DOCUMENTARY SUPPORTED BY Award for excellence in the production of Documentary Programme/Content or Series Murder in the Car Park Indefinite Films Locked -
BBC Springwatch 'End of Term' Final Report
BBC Springwatch ‘End of Term’ final report Temperature in Spring 2005 2005 has been a warm spring, despite the cold snap in late February. Average Jan-Apr temperature has been over 1ºC above the 30-year average (1961-1990) across the UK. Central England temperature (CET), a good gauge for the rest of the UK, has actually been 1.4ºC above the average over the same period. See Figure 1. 2005 spring temperature (CET) compared to the 30-year average (1961-1990) 10 9 8 30-year 7 average 6 2005 5 Temperature 4 3 2 Jan Feb March April Month Figure 1: Spring 2005 temperatures compared to the 30-year average This followed Nov & Dec 2004 temperatures also being approx 1ºC above average. So, from temperate alone, we would expect to see events earlier than normal in 2005, just as we have in other recent warm years when temperatures have been above average. The exception to this was 2001, when average temperature was very close to the 30-year average. Figure 2. Variation of mean Jan-Apr CET above 30-year average 2.5 2.0 1.5 1.0 0.5 Temperature above 30-year average above 30-year Temperature 0.0 1999 2000 2001 2002 2003 2004 2005 Figure 2: Recent years, except spring 2001, have Years been well above average temperature Nick Collinson 18/05/05 Springwatch record numbers Total springwatch records, at the time of the first Springwatch programme on Monday 30 May, amount to nearly 150,000. The bulk of these are made up of the first three Springwatch events. -
Claire Berry CV Sept 2016
CLAIRE BERRY Freelance Offline Editor Phone: (07714) 627 526 – E-Mail: [email protected] I am an organised and creative editor with a strong passion for story telling. I enjoy collaborating with producers and directors to produce fun, entertaining, thought-provoking and moving programmes that take viewers on a journey. I am extremely motivated with a hard working ethic and a dedication to any project I undertake. I am proficient using Avid, Final Cut Pro and Adobe Premiere. I have worked across a range of genres including Natural History, Children’s TV, presenter-led adventure, observational documentary and cookery and I’m always keen to diversify my experience by working on a varied range of output. Offline Editor Programme Credits WILDEST EUROPE (WILD WATERS / FORESTS & WOODLANDS) (2 x 1hr) Natural history programmes discovering the wildlife and habitats that span the European continent. Off The Fence for Discovery / Series Producer: Colin Collis / Executive Producer: Alison Bean WILDEST INDONESIA (VOLCANOES / DRAGONS) (2 x 1hr) Natural history programmes about the remote and extreme lands of Indonesia and the animals that live there. Off The Fence for Discovery / Series Producer: Colin Collis / Executive Producer: Alison Bean STRANGE WORLDS: SPOOKLIGHTS (1 x 1 hr) Alex Hannaford travels the globe, investigating claims of the strangest phenomena of our times, while searching for an explanation. Off The Fence for Tern / Producer: Hannah Gibson / Series Producer: Ceri Rowlands / Executive Producer: Alison Bean JOURNEY TO THE CENTRE OF YOUR PLATE Series following the journeys made by Britain’s best-loved foods; from field, farm, harbour and river to supermarket shelves, dinner tables, shops, restaurants and a few very surprising destinations Keo Films for Channel 4 / Series Producer: Michelle Crowley / Executive Producer: Matt Cole WILD INDIA (WESTERN GHATS / THAR DESERT) (2 x 1 hr) Natural history programmes exploring what makes these areas unique & how the extreme climate impacts the life forms there. -
High Weald Anvil2008 a Free Guide to the Area of Outstanding Natural Beauty LA
High Weald Anvil2008 A free guide to the Area of Outstanding Natural Beauty LA Find Out About • Explore • Enjoy • Be Proud Of • Take Action • www.highweald.org Unique Heritage • Land Management • Sustainable Living • Attractions • Map Horsham • East Grinstead • Haywards Heath • Crowborough • Heathfield • Battle • Wadhurst • Royal Tunbridge Wells • Cranbrook • Tenterden • Rye 2 High Weald Anvil The High Weald Area of Outstanding Natural Beauty elcome to the latest Wedition of the Anvil – the annual newspaper for both the residents of, and Living sustainably visitors to, the High Weald Area of Outstanding Natural Beauty (AONB). Jennifer Stuart-Smith looks at the issues… Complaining about the ustainable living. It’s hardly a term making a difference. tal impact, public attitudes – and govern- activities and attitudes of young Sthat sells itself. For many people the And that’s what it’s all about. As David ment policy. How we choose to live people is something that has gone on since time immemo- concept sounds highly unappealing, or Brower, founder of Friends of the Earth influences not only those around us, but rial but in recent years it has become a matter of more they’ve heard the term so often, from said, the key is to “think global, act local”. also ‘the powers that be’. general concern and has aroused, in some quarters, a par- politicians and the like, they’re fed up to If we can keep our own house in order, i.e. So, what can we do, and where do we ticular antipathy towards the children and youth of today. the back teeth with it.