Moviola Autumn Films Menu 2016 September October November December
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About the Production
Alliance Communications presents a Redeemable Features Production a film by everyone who worked on it 94 Minutes Rated PG-13 A Redeemable Features Release Press Contact: Jeremy Walker Jeremy Walker Associates (212) 595-6161 Page 2 SYNOPSIS "All I Wanna Do" is a comedy about a closely-knit group of friends set at a traditional New England all-girls boarding school in 1963. But at its core, "All I Wanna Do" is also the story of young women who recognize their own value and potential when their all- female sanctuary becomes threatened by the specter of men. The film was written and directed by Sarah Kernochan, an established screenwriter making her feature directorial debut. For Odie (Gaby Hoffmann), a pretty but moody teenager, being sent to Miss Godard's Prep School for Girls midway through the year is a little bit like being sent to prison. Miss Godard's has all kinds of rules, and a lot is expected of the girls there. But Odie soon discovers that the girls at Miss Godard's also have a lot of fun, and most important, the school is something of a haven where girls can behave, well, just like girls since there are no boys in sight. After a tour of the campus guided by Abby (Rachael Leigh Cook), an uptight, brown- nosing "monitor" on the Self-Government Committee, Odie just wants to cry. But things start looking up when Odie meets her new roommates, Verena (Kirsten Dunst) and Tinka (Monica Keena). Verena is a schemer who likes to break the rules. -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated. -
Underaged Fundamentalists Patricio Amerena
Underaged Fundamentalists Patricio Amerena Independent Study Final Project Professor: Kristie Hamilton They say we are of evolution, they say we are relatives of the monkey, they say we are nothing! [...] a few men, liars, know-it-alls, creators of fallacies! [long applause] I want to tell all those persons who are thinking like this, or who are speaking like this... that the male monkey and the female monkey produce little monkeys to this day! [...] I was not brought here by the stork, I am not from evolution! [...] I was created by God in my mother’s womb! Nezareth Casti Rey Castillo Valderrama His slicked black hair glistens as his finger points towards the heavens and his business coat droops, noticeably large for him as he pounces about the stage à la Freddy Mercury, delivering his penetrating speech in a voice that is as self-assured as it is shrill. The megachurch is located in San Juan, Puerto Rico, yet this Peruvian six-year- old’s career had, as family legend maintained, already occupied half of his life. I stared into the computer screen and translated for my amused college roommates what this YouTube sensation was screeching, yet I grimaced internally upon recollecting that I had once regurgitated a variation of Nezareth’s arguments to refute evolutionary theory (or rather a childish misunderstanding of it) when I was about that age. Exposure to this viral phenomenon was my earliest glimpse into the grotesque world of child evangelism. Originally a euphemism for “fundamentalists”, the Evangelists or Evangelical Christians eventually adopted “Born-Again” as their moniker, and among their ranks are counted a staggering number of U.S. -
A Travel Writer in Brazil
Striving for Honesty: A Travel Writer in Brazil Frances Bryson Department of English and Creative Writing University of Adelaide Thesis submitted as a Major Work (Volume One) and Exegesis (Volume Two) for the degree of Doctor of Philosophy in English and Creative Writing, School of Humanities, University of Adelaide, December 2016. Table of Contents: Striving for Honesty: A Travel Writer in Brazil (PhD Thesis in two volumes) Volume One Table of Contents (overall thesis) ii Table of Contents (volume one) iv Abstract vi Candidate Statement viii Acknowledgements ix Major Work: ‘In Good Faith’ Prologue 1 The North and the Northeast 15 The Central West 89 The Southeast 145 Back to the North and the Northeast 187 ii Epilogue 251 References 258 Volume Two Table of Contents (volume two) ii Abstract iv Candidate Statement vi Acknowledgements vii Exegesis: Playing God: The Travel Book and its Potential to (Re)design the World Introduction 1 Chapter One: Categories and Clues: Sending the (Right) Message 7 Chapter Two: Fictions, Fabrications and Lies: Exceptions to the Promise 23 Chapter Three: Flying the Flag: Sending (mixed) Messages 39 Chapter Four: Bruce Chatwin: Legitimate Creativity or (Re)designing the 53 World? In Conclusion 71 Works Cited 73 iii Table of Contents Volume One: Major Work In Good Faith Table of Contents: Striving for Honesty: A Travel Writer in Brazil ........................................ ii Table of Contents ..................................................................................................................... -
Golden Glow Hollywood
YOlUMf 14 - ~IRST QUARHR 2002 ca e QUARTERLY REP Oscar brings a golden glow ba(~ to Hollywood Starts on Page 12 FRO M THE PRESIDENT We're taking the Academy Report, this periodic newsletter for members, in a new direction with this issue. We're going to publish four quarterly issues that will concentrate on providing a historical record of the Academy's activities during each quarter, and which, taken together, will constitute a calendar year annual report. Each first-quarter report will include a complete review of the annual Academy Award activities; the second quarter's will highlight the Student Academy Awards; the third will feature board elections and the financial reports from the end of the fi scal year, June 30; LAST YEAR, THE ENTRANCE TO THE we'll hear about the Nicholl Fellowship presentations PLAYERS DIRECTORY'S NEW OFFICES AT and updates in board committees and Academy staff in 1313 VINE STREET LOOKED LIKE THIS. the fourth quarter and, of course, each issue will include reports on the myriad public and educational activities The Academy Players Directory, the that take place year-round at the Academy as well as any additional information of interest to the membership. casting bible of the industry since its We'll try to include each event and we'll try to continue to be photo-intensive, because that is what inception in 1937, moved its offices in you've seemed to enjoy in the past. But we won't be very January from the headquarters building timely. We're not a newspaper and we don't have the staff or other resources to turn this thing around quickly. -
Drag Queens and Farting Preachers: American Televangelism, Participatory Media, and Unfaithful Fandoms
Drag Queens and Farting Preachers: American Televangelism, Participatory Media, and Unfaithful Fandoms by Denis J. Bekkering A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in Religious Studies Waterloo, Ontario, Canada, 2015 © Denis J. Bekkering 2015 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Studies of religion and fandom have generally considered sincere devotion a fundamental point of contact between the two cultural phenomena, an assumption not reflected in fan studies proper. This dissertation aims to expand the scope of research on religion and fandom by offering cultural histories of “unfaithful” fan followings of three controversial American televangelists – Robert Tilton, Tammy Faye Bakker/Messner, and Jim Bakker – dating from the 1980s to 2012, and consisting of individuals amused by, rather than religiously affiliated with, their chosen television preachers. It is argued that through their ironic, parodic, and satirical play with celebrity preachers widely believed to be religious fakes, these unfaithful fans have engaged in religious work related to personal and public negotiations of authentic Christianity. Additionally, it is demonstrated that through their activities, and in particular through their media practices, these fans have impacted the brands and mainstream representations of certain televangelists, and have provoked ministry responses including dismissal, accommodation, and counteraction. iii Acknowledgements Family comes first. My wife Erica is the main reason that this project has been completed. -
March 1, 2019 NEW YORK “CURRICULUM
https://www.artforum.com/picks/curriculum-spaces-of-learning-and-unlearning-78807 March 1, 2019 NEW YORK “CURRICULUM: spaces of learning and unlearning” EFA Project Space 323 West 39th Street 2nd Floor January 16-March 16 Sarah Zapata, To Teach or Assume Authority, 2018–19, natural and synthetic fibers, pine, dimensions variable. Self-care is not what it used to be. Before it was a neoliberal mantra, it was a demand—for the recuperative space and time necessary for the reclamation of those subjectivities that have historically been erased. Mining affects such as color, atmosphere, and ritual, the works in “CURRICULUM: spaces of learning and unlearning” offer alternative networks of care and collectivity in response to, and in place of, institutions. Christen Clifford’s sculpture WE ARE ALL PINK INSIDE: Interiors, 2018, resembles a halved tent. Its soft-pink video projections of corporeal interiors and smooth surfaces offer fleeting respite. Those who crawl inside might feel momentarily secure, but they remain exposed—to the rest of the gallery, yes, but also to themselves, as their reflections are distorted in the work’s Plexiglas sheets. Sarah Zapata’s shaggy, handwoven monument, To Teach or Assume Authority, 2018–19, looks like an edifice overtaken by Technicolor moss. It invokes ancient Peruvian ceremonial architecture and engages with ideas surrounding collective making, feminized labor, and precolonial spirituality. Lukaza Branfman-Verissimo’s Altar Objects, 2017, an arrangement of items including candles, dice, and a stack of manifestos, is a shrine to the joy and salubriousness of the color yellow, which, for the artist, also conjures a brightness capable of blotting out the murkier aspects of structural violence. -
TRASUNTOS-DE-CINE.Pdf
1 Directorio Miguel Márquez Marquez Sarah Hoch Gobernador Fundadora y Directora Ejecutiva ESTADO DE GUANAJUATO FESTIVAL INTERNACIONAL DE CINE GUANAJUATO Fernando Olivera Rocha Ernesto Herrera Secretario Co Fundador SECRETARÍA DE DESARROLLO DIRECTOR GENERAL DE IMAGEN Y PROMOCIÓN TURÍSTICO FESTIVAL INTERNACIONAL DE CINE GUANAJUATO Presidente FUNDACIÓN EXPRESIÓN EN CORTO A.C. Jesús Herrera Luz Adriana Pérez Martínez Diseño Editorial zonagrafca.com.mx Créditos fotográfcos: Las imágenes que acompañan el texto son fotogramas y afches que pertenecen y distribuyen las casas productoras para su difusión en me- dios y publicaciones especializadas. Foto portada: Manhattan, Woody Allen. Imprenta Coloristas y Asociados León, Gto., México Julio 2013 Tiraje 1000 ejemplares 2 Indice Epígrafes 5 Derrota/Masacre 82 Reconocimientos 6 Doctor Insólito 84 Introducción 7 Éxodo 88 El Abigeo 8 Fargo 90 Adiós a las armas 12 El francotirador 94 Agenda Oculta 14 Fuegos artifciales/Flores de fuego 98 El Albergue Español 18 El hechizo del halcón 100 Alta fdelidad 22 Historia de una mujer 104 El Asesino del taladro 26 ¡Hola, mamá! 106 Atrévete a amar 28 La hora fnal 110 Ave del paraíso 30 Humos del vecino 112 La aventura es la aventura 34 El Jorobado de Nuestra Señora 116 Banquete de bodas 36 Kalifornia 120 La Biblia de neón 38 El knack…y cómo lograrlo 122 Bienvenido/Welcome 2 40 Lenny 126 Boda Real 42 Madeinusa 130 Bugsy 46 Mala mujer 132 El camino del samurái 50 Las mantenidas sin sueño 136 Camino sin retorno 54 La boda de María Braun 138 Carrington 56 Mujeres apasionadas -
AFF 2009 Katalog
Poďakovanie • Acknowledgements Ďakujeme • Special thanks to Slovenský filmový ústav Eva Zaoralová, Karlovy Vary IFF Markéta Okezz, Atypfilm Slovak Film Institute Jan Harlan Zdeňka Barcalová, Vapet Production Radovan Holub Evelyna Koublová, Vapet Production Rudolf Biermann, InFilm Praha Jarmila Outratová, OutCome Ivan Lacho, Intersonic Orlow Seunke, ECCO Films Indonesia Slovenská filmová a televízna akadémia Michal Drobný, Continental Film Joko Anwar, Life Like Pictures Slovak Film and Television Academy Ivan Hronec, SPI International Geraldine Higgins, Hollywood Classics Ivan Sollár, Tatrafilm Nicholas Varley, Park Circus Dana Freyerová, Intersonic Sarah Hack, Magnolia Pictures Taliansky kultúrny inštitút v Bratislave Dana Pfeiferová, Tatarafilm Jack Stevenson Istituto Italiano di Cultura di Bratislava Zuzana Mistriková, Miro Janura, AVI Studio Slovenská filmová a televízna akadémia/ Cory McAbee Slovak Film and Television Academy Gunnar Almer, Swedish Film Institute Peter Dubecký, Andrew Youdell, British Film Institute Ministerstvo obrany Slovenskej republiky Slovenský filmový ústav/Slovak Film Institute Thilde Kallerup, Danish Film Institute The Ministry of Defence of the Slovak Republic Alexandra Strelková, Eduard Ferrer, Cooper Film Slovenský filmový ústav/Slovak Film Institute Laurence Berbon, Tamasa Distribution Hana Válková, Nicki Adams, Warner Bros. Intersonic Slovenský filmový ústav/Slovak Film Institute Helena Dametka, Filmoteka Narodowa Silvia Dubecká, Asociácia slovenských filmových Saadia Karim, MK2 klubov/Association of Slovak -
Suspense Magazine February 2012/Vol
Suspense, Mystery, Horror and Thriller Fiction February 2012 Exclusive Interviews with Robin Cook Lisa Gardner Jamie Freveletti Lisa Unger Darynda Jones Sarah Kernochan Debut Author KirA PeiKoff Is "LIvIng Proof" Contributor highlight: Amy lignor & Many more SurpriSeS inSide The new thriller from the author of Final Price C r e di t s John Raab From the editor President & Chairman Shannon Raab I’m calling 2012 the year of the unknown. The Creative Director reason is because I don’t know—and really nobody Romaine Reeves else does—what is going to happen with the state of CFO publishing. The volatility of publishing in the last Starr Gardinier Reina eighteen months has been nothing short of a roller Executive Editor coaster, and with the news that Barnes & Noble is in trouble, we are in a black hole. Since you can Terri Ann Armstrong Executive Editor go on a hundred different websites and listen to a hundred different opinions on the subject, let’s J.S. Chancellor talk about something else, and that is independent Associate Editor bookstores. Jim Thomsen If you have not noticed, the small bookseller is making a comeback and this is Copy Editor exciting. I’ve mentioned before, while I love the idea of getting my music with the click Contributors of a mouse on Amazon.com and the ability to buy my books that way, there is still a hole Donald Allen Kirch that just can’t be filled by letting a computer give you recommendations. Again, I’m in Mark P. Sadler favor of e-books, but I also know that printed books will never go away and that is a great Susan Santangelo DJ Weaver thing. -
Learning to Drive
LEARNING TO DRIVE Von Isabel Coixet Mit Patricia Clarkson, Ben Kingsley 90 Minuten, Englisch, USA, 2013 Verleih: Praesens-Film AG Münchhaldenstrasse 10 Postfach 919 CH-8034 Zürich Tel.: 044 422 38 32 Pressebetreuung: Anna-Katharina Straumann [email protected] SYNOPSIS Wendy (Patricia Clarkson), eine viel beschäftigte Literaturkritikerin aus Manhattan, fällt aus allen Wolken, als Ted (Jake Weber) ihr nach 21 Jahren das Aus ihrer Ehe verkündet. Bislang liess sich Wendy von ihrem Mann überall hinchauffieren. Auf einmal sieht sie sich gezwungen, sich selbst hinters Steuer zu setzen. Nur fehlt ihr der Führerschein. So fragt sie den Sikh Darwan (Ben Kingsley), Taxi-Chauffeur am Abend, Fahrlehrer am Tag, ob er ihr das Autofahren beibringt. Während Wendy lernt, sich alleine durch die Strassen New Yorks - und durch ihr neues Leben - zu steuern, entwickelt sich eine innere Verbundenheit zwischen den beiden, die über kulturelle Grenzen hinwegsieht und die ihre Gefühle in ungeahnte Bahnen lenkt. Basierend auf einem Kurzessay, verwandelt Regisseurin Isabel Coixet (ELEGY) die Geschichte in eine augenzwinkernde Romantic Comedy mit einem Twist über kleinere und grössere Krisen und deren Bewältigung sowie über eine aussergewöhnliche Freundschaft. DIRECTOR STATEMENT I first became involved with Learning to Drive when I was shooting Elegy with Patricia Clarkson and Ben Kingsley, 8 years ago! Patricia gave me the script and I was completely fascinated by it and it moved me very deeply. At that moment I was going through a separation with my daughter's father and I didn't have a driver’s license. The script gave me the strength to move forward and the push I needed to learn to drive.