The Parable of the Prodigal Son
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mist: an Analytical Study Focusing on the Theme and Imagery of the Novel
[ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Mist: An Analytical Study Focusing on the Theme and Imagery of the Novel *Arya V. Unnithan Guest Lecturer, NSS College for Women, Karamana, Trivandrum, Kerala Received: May 23, 2018 Accepted: June 30, 2018 ABSTRACT Mist, the Malayalam novel is certainly a golden feather in M.T. Vasudevan Nair’s crown and is a brilliant work which has enhanced Malayalam literature’s fame across the world. This novel is truly different from M.T.’s other writings such as Randamuzham or its English translation titled Bhima. M.T. is a writer with wonderfulnarrative skills. In the novel, he combined his story- telling power with the technique of stream- of- consciousness and thereby provides readers, a brilliant reading experience. This paper attempts to analyse the novel, with special focus on its theme and imagery, thereby to point out how far the imagery and symbolism agrees with the theme of the novel. Keywords: analysis-theme-imagery-Vimala-theme of waiting- love and longing- death-stillness Introduction: Madath Thekkepaattu Vasudevan Nair, popularly known as M.T., is an Indian writer, screenplay writer and film director from the state of Kerala. He is a creative and gifted writer in modern Malayalam literature and is one of the masters of post-Independence Indian literature. He was born on 9 August 1933 in Kudallur, a village in the present day Pattambi Taluk in Palakkad district. He rose to fame at the age of 20, when he won the prize for the best short story in Malayalam at World Short Story Competition conducted by the New York Herald Tribune. -
Universi^ Aaicronlms Intemationêd
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Busman's Honeymoon
Busman's Honeymoon By Dorothy L. Sayers Busman's Honeymoon CHAPTER I NEW-WEDDED LORD I agree with Dryden, that "Marriage is a noble daring"— samuel johnson: Table Talk. Mr. Mervyn Bunter, patiently seated in the Daimler on the far side of Regent's Park, reflected that time was getting on. Packed in eiderdowns in the back of the car was a case containing two and a half dozen of vintage port, and he was anxious about it. Great speed would render the wine undrinkable for a fortnight; excessive speed would render it undrinkable for six months. He was anxious about the arrangements—or the lack of them—at Talboys. He hoped everything would be found in good order when they arrived—otherwise, his lady and gentleman might get nothing to eat till goodness knew when. True, he had brought ample supplies from Fortnum's, but suppose there were no knives or forks or plates available? He wished he could have gone ahead, as originally instructed, to see to things. Not but what his lordship was always ready to put up with what couldn't be helped; but it was unsuitable that his lordship should be called on to put up with anything—besides, the lady was still, to some extent, an unknown factor. What his lordship had had to put up with from herduring the past five or six years, only his lordship knew, but Mr. Bunter could guess. True, the lady seemed now to be in a very satisfactory way of amendment; but it was yet to be ascertained what her conduct would be under the strain of trivial inconvenience. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Programmagasin 2005
15. oslO INTERNASJONALE FILMFESTIVal 17.-27. november 2005 VELKOMMEN TIL 15. OSLO INTERNASJONALE FILMFESTIVAL 17.-27 NOVEMBER 2005 Velkommen til ny runde med filmfestdager i Oslo. På nytt kan vi tilby et fantastisk program med aktuelle og spennende filmer. Som tidligere vil vi underholde, forarge, skremme og utfordre. Sjekk det beste vi har funnet via godt samarbeid med norske filmimportører. Opplev også filmer som du kanskje aldri seinere får se i Norge. En haug med internasjonale prisvinnere fra Sundance, Berlin, Cannes, Venezia med flere. Vi åpner med en nordisk premiere av George Clooneys filmregi nr. 2: Good Night, and Good Luck. Om legendariske nyhetsjournalister på 50-tallet som ikke vek unna for fokus på rasisme og maktmisbruk. Og hvordan misbruk av frykt som våpen da som nå er en trussel for ethvert demokrati. Kritikerpris, pluss beste manus og skuespiller i Venezia. Åpningsfilm i New York, avslutning i London. Japansk film er på sitt beste i Canary med et gripende portrett av barns verden. Støymusikk lanseres som effektivt middel mot virustrusler i Eli, Eli,..Ny fantasiferd innen japapansk animé med Mind Game. Nordisk festivalpremiere i spesialvisning: Walk the Line, sterkt og vakkert. Suverent tolker Joaquin Phoenix og Reese Witherspoon våre helter Johnny Cash og June Carter. Mer musikk blir det i dypt personlige og inspirerende portretter av unike musikere og kulthelter som Townes Van Zandt, Roky Erickson (regibesøk) og Billy Childish. Og all slags metal får sitt kart og sin fanbegeistrede hyllest i Metal: A Headbanger’s Journey. Fantasifullt, absurd og/eller sprøtt blir møtet med Mirrormask, Bangkok Loco, The District! og Night Watch. -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides -
10,1 MB | 252 S
Sekans Sinema Kültürü Dergisi Aralık 2018, Sayı e9, Ankara © Sekans Sinema Grubu Tüm Hakları Saklıdır. Sekans Sinema Kültürü Dergisi ve sekans.org içeriği, Sekans Sinema Grubu ve yazarlardan izin alınmaksızın kullanılamaz. [email protected] http://www.sekans.org Yayın Yönetmeni Ender Bazen Dosya Editörü A. Kadir Güneytepe Kapak Düzenleme ve Tasarım Cem Kayalıgil [email protected] Tansu Ayşe Fıçıcılar [email protected] Web Uygulama Ayhan Yılmaz [email protected] Kapak Fotoğrafı Güz Sonatı (Höstsonaten, Ingmar Bergman, 1978) Katkıda Bulunanlar Natig Ahmedli, Ahmet Akalın, Nurten Bayraktar, Gülizar Çelik, Gizem Çınar, M. Baki Demirtaş, Ekin Eren, Aleksey Fedorchenko, Ulaş Başar Gezgin, Erman Görgü, Dilan İlhan, Erdem İlic, Süheyla Tolunay İşlek, Erbolot Kasymov, Sertaç Koyuncu, Dila Naz Madenoğlu, İlker Mutlu, Yalçın Savuran, Mine Tezgiden, Seda Usubütün, Rukhsora Yusupova Bu elektronik dergi, bir Sekans Sinema Grubu ürünüdür. ÖNSÖZ Bir derginin en iyi yanı bir sayı içerisindeki birçok farklı başlığın sinemanın zengin dünyası içinde sinemanın bambaşka alanlarına sıçramayı sağlayabiliyor olması galiba. Her yeni sayıda yazarlarımızın ilgi alanlarının katkısıyla bu zengin dünyadaki her araştırma, her keşif bir diğer okumayı da besliyor çoğu zaman. Her sayıda olduğu gibi Sekans Sinema Kültürü Dergisi e-9’da da bu amaçla çalışmalara başlanmış, içeriğin ana hatları belirlenmişti. Sinemamızdan ve dünya sinemasından incelemeler, bir yönetmen söyleşisi, belgesel, akım, tür, anısına gibi bölümler, 50 yaşında bir film, bir ülke sinemasını ele alan dosya ile bu sayıda da farklı coğrafyalara, tarihlere, yönetmenlere, ülkelere ve düşüncelere yolculuk etmek için yola çıkılmıştı. Tüm bu çalışmaları okuyucuya ulaştırmanın yoğun çabası içindeyken sinema dünyasından kötü bir haber geldi. İtalyan yönetmen Bernardo Bertolucci, çokça tartışılmış, üzerine defalarca yazılmış, çizilmiş filmlerini ardında bırakarak bu dünyaya gözlerini kapamıştı. -
University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM in the ENGLISH NOVEL
This dissertation has been microfilmed exactly as received 68-8810 CLEMENTS, Frances Marion, 1927- SOCIAL CRITICISM IN THE ENGLISH NOVEL: 1740-1754. The Ohio State University, Ph.D., 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan SOCIAL CRITICISM IN THE ENGLISH NOVEL 1740- 175^ DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Frances Marion Clements, B.A., M.A. * # * * # * The Ohio State University 1967 Approved by (L_Lji.b A< i W L _ Adviser Department of English ACKNOWLEDGMENTS I wish to thank the Library of Congress and the Folger Shakespeare Library for allowing me to use their resources. I also owe a large debt to the Newberry Library, the State Library of Ohio and the university libraries of Yale, Miami of Ohio, Ohio Wesleyan, Chicago, Illinois, Indiana, Iowa and Wisconsin for their generosity in lending books. Their willingness to entrust precious eighteenth-century volumes to the postal service greatly facilitated my research. My largest debt, however, is to my adviser, Professor Richard D. Altick, who placed his extensive knowledge of British social history and of the British novel at my disposal, and who patiently read my manuscript more times than either of us likes to remember. Both his criticism and his praise were indispensable. VITA October 17, 1927 Born - Lynchburg, Virginia 1950 .......... A. B., Randolph-Macon Women's College, Lynchburg, Virginia 1950-1959• • • • United States Foreign Service 1962-1967. • • • Teaching Assistant, Department of English, The Ohio State University, Columbus, Ohio 1962 ..... -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
The Prodigal Reclaimed
TH B PRODIGAL IIKCLALAIED. OR TIIK SINNER'S III IN AM) RECOVERY. BY SAMUEL IKKX.1TS PRIME, AUTHOR OP "ELIZABETH THORNTON." "RECORDS OP A VILLAGE PASTOR," El •ten for the Mass. Sabbath School Society, and revised by the Committee of Publi- BOSTON: IfASSAt Hi SETTS SABBATH SCHOOL SOt HTV ( N ' IS ornhill. 1843. Entered according to Act of Congress, in the year 1643, by CHRISTOPHER C. DEAN, In the Clerk's Office of the District Court of Massachusetts. Til K PRODIGAL. C BAPTER I The Ston of Chlriei L . The Prodigal's career. Passing up the East River from the city of New York, just before the traveller enters Long Island Sound, he may be tempted to inquire the name of the owner of a fine house and spacious grounds, that attract the e\ and by their elegance and neatness appear to be in the hands of a man of wealth and te. His name is not known to me, but the spot, now ibe abode of strangers, is full of deep and painful interest sa the early home of one whose story I am about to tell. Charles L was the son of a wealthy man of business in the city of New York. 4 THE PRODIGAL RECLAIMED. His parents were neither of them Christians, but their associations were chiefly among religious friends, and their social and domes- tic relations were governed by a rigid regard to sound morals. Charles was an only son. Nursed on the lap of luxury, and in infancy and childhood freely indulged by the fondness of a tender mother and a father who doated on his boy, it is not to be wondered at that he soon dis- played a will of his own, and a disposition to have it gratified without much regard to the feelings or wishes of those around him. -
Search & Rescue Saves Injured Man on Boundary Peak
Hawthorne The Week of June 29, 2017 America’s Patriotic Home Mineral County 75¢ | Vol. 86 • No. 22 | A BattleIndependent-NewsIndependent-News Born Media newspaper The oldest continuous privately owned business in Mineral County. Published in Hawthorne, Nevada, since 1933 community | 2 opinion | 10 Walker Lake Day brings good crowd Dems wrong in effort to gag free speech a boy lost 44 years later, case of missing Hawthorne child remains cold Editor’s note: The Mineral County inches; he had been wearing a dress shirt, the area. The Churchill County Sheriff’s Independent-News takes a look at a tragic white in color with a paisley type design Office would be contacted. cold case from 1973 (fairly common during that time) with blue Upon the body, were the clothes that By Heidi Bunch jeans and shoes that contained a buckle. person had last worn. A white shirt with a MCIN Staff His Mineral County High School photo paisley type design and blue jeans. taken when school started that year shows It would take nearly a month for the state On Nov. 14, 1973, crowds of well-wishers Jones with a large smile on his face. This pathologist to confirm that the body was cheered for Princess Anne and Captain would be the last picture the family of that of a 15-year-old male. He had died of a Mark Phillips as they wed in the Westmin- Jones would have of the missing boy. skull fracture. The Churchill County Sher- ster Abbey in England, but in Hawthorne, Months would go by. -
English and Armenian Languages
FOUNDATION FOR CIVIL AND SOCIAL DEVELOPMENT Authors and Editors Samvel Mkhitaryan Chairman of the Foundation, Project initiator and Guidebook Editor in Chief Working and expert group Mkrtich Anushyan Roman Melikyan Armen Grigoryan Marine Papyan Karine Mkhitaryan Ruben Gasparyan Sonia Hakobyan Sevak Hakobyan Ashot Mirzoyan Tamar Azarbaryan Taguhi Khachatryan Naira Aharonyan POLITICAL PARTIES OF THE REPUBLIC OF ARMENIA PARTICIPATING IN THE NATIONAL ASSASSEEEEMBLYMBLY ELECTIONS 2012 UNDER PROPORTIONAL SYSTEM VOTER’S GUIDEGUIDEBOOKBOOK 2012 YEREVAN “POLITICAL PARTIES OF THE REPUBLIC OF ARMENIA PARTICIPATING IN THE NATIONAL ASSEMBLY ELECTIONS 2012 UNDER PROPORTIONAL SYSTEM” VOTER’S GUIDEBOOK -Yerevan “““FOUNDATION“FOUNDATION FOR CIVIL AND SOCIAL DEVELOPMENTDEVELOPMENT””””,,,, YYYEREVYEREVEREVANANANAN,, 2012 ––– 111321323232 pagespages.... Authors and Editors Samvel Mkhitaryan,, Mkrtich Anushyan,, Roman Melikyan, Armen Grigoryan, Marine Papyan, Karine Mkhitaryan, Ruben Gasparyan, Sonia Hakobyan, Sevak Hakobyan, Ashot Mirzoyan, Tamar Azarbaryan, Taguhi Khachatryan, Naira Aharonyan This Voter’s Guidebook presents brief, unbiased, comparative information on activities, objectives, goals and program fundamentals of political parties participating in RA National Assembly elections 2012 under proportional system. This Guidebook is developed on the basis of responses as provided by political parties in the questionnaire developed within the scope of the grant project ''Political Parties of the Republic of Armenia Directory and Voter's Guidebook''