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ABC CBS Fox NBC UPN WB 7:00 Still Standing One on One 7:30 Listen

ABC CBS Fox NBC UPN WB 7:00 Still Standing One on one Extreme Makeover Trading Spouses Fear Factor 7th Heaven 7:30 Listen Up Cuts 8:00 Everybody Loves Ray Girlfriends Mon Boss Swap 24 Las Vegas Everwood 8:30 Two and a Half Men Half & Half 9:00 That 70's Show SuperNanny CSI Miami News Medium News 9:30 King of the Hill 7:00 My Wife and kids Will and Grace All of us NCIS American Idol Gilmore Girls 7:30 George Lopez Will and Grace Eve 8:00 According To Jim Scrubs Tue Amazing Race House Committed/(The Office - Veronica Mars One Tree Hill 8:30 According To Jim March 29) 9:00 That 70's Show Blind Justice Judging Amy News Law and Order SVU News 9:30 King of the Hill 7:00 That '70s show Americas Next top Lost 60 Minutes Simple Life/ (Life on a American Dreams Smallville 7:30 Model/Road to Stardom Stick - April 13) 8:00 The King of Queens West Wed. Alias American Idol Wing/(Relevations - Kevin Hill Jack and Bobby 8:30 Yes Dear April 13) 9:00 Wife Swap/ (Eyes - That 70's Show CSI NY News Law and Order News March 30) 9:30 King of the Hill 7:00 Jake in Progress Joey Jeff Foxworthy Blue Survivor The O.C. 7:30 Jake in Progress Will and Grace Collar TV WWE Smackdown Thur 8:00 Extreme Makeover CSI Point Pleasant The Apprentice Starlet 8:30 9:00 That 70's Show PrimeTime Live Without a Trace News ER News 9:30 King of the Hill 7:00 8 Simple Rules Bernie Mac What I like about You Joan of Arcadia Dateline Enterprise 7:30 8 Simple Rules Bernie Mac Living with Fran - April 8 8:00 Hope and Faith Americas Next top Reba Fri Numbers Johnny Zero Medical Investigation 8:30 Less than Perfect Model Blue Collar TV 9:00 Law & Order: Trial By That 70's Show 20/20 CSI News News 9:30 Jury King of the Hill 7:00 Cops Wickedly Perfect Law & Order 7:30 Cops 8:00 Law & Order: Criminal Sat ABC Saturday Movie Without a Trace America's Most Wanted Intent 8:30 9:00 48 Hours News Law & Order: SVU The Practice News 9:30 7:00 The Simpsons Extreme Makeover Cold Case Contender Fear Factor Starlet 7:30 Arrested Development 8:00 Family Guy Sun Law & Order: Criminal Desperate Housewives Kelsey Grammer -March Fear Factor Steve Harvey 8:30 13/(American Dad - May Intent CBS Sunday Movie 1) 9:00 Boston Legal/(Grey's News Crossing Jordan Enterprise News 9:30 Anatomy - March 27)).

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The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions.
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Full House Free Download
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EMPOWERMENT JOURNAL Gogo Bebe Great!Great!
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Blacks Reveal TV Loyalty
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By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
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Veronica Mars, Spinster...Old Maid
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Lesley Stahl - 60 Minutes - CBS News
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Inside Tv Pg 7 01-03
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Chapter 12 LILLIAN FRANCES CHINN 1885–1968 1
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PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
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AD AGE MAIN 05-19-03 a 141 AADB 5/16/03 7:55 PM Page 1
AD AGE MAIN 05-19-03 A 141 AADB 5/16/03 7:55 PM Page 1 May 19, 2003 | Advertising Age | 141 AD AGE’S ’03-’04 NETWORK HOUSEHOLD SHARE ESTIMATES Few new shows wow SUNDAY 7 p.m. (ET) 8 p.m. 9 p.m. 10 p.m. America’s Funniest Home Videos 10-8 Alias The Practice 10.3 8.5 8.5 11.3 60 Minutes Cold Case CBS Sunday Movie buyers in TV upfront 15.8 13.0 10.4 Dateline American Dreams Law & Order: Criminal Intent The Lyon’s Den 10.5 10.0 13.8 12.5 Star vehicles shine;Fox makes inroads on NBC Oliver Beene King of the Hill The Simpsons The Ortegas Malcolm Arrested Dev. No Fox programming 8.0 8.5 11.0 9.0 9.0 8.0 By WAYNE FRIEDMAN p.m. Monday show, “Skin,” is about Smallville: Beginnings Charmed Tarzan & Jane No WB programming and RICHARD LINNETT the romance between the children of 4.0 4.0 3.3 a politician and a porn mogul. MONDAY8 p.m. 9 p.m. 10 p.m. media buying executives don’t ex- “There might be some advertisers Prime Time / Movie of Week Monday Night Football pect many breakout shows from the who are skittish about ‘Skin,’” said 8.0 18.4 broadcast networks’ next season, as Brad Adgate, senior VP-audience re- Yes, Dear Still Standing Raymond Two & Half Men CSI: Miami 12.5 14.0 18.5 15.5 17.3 few shows struck them as instant hits.
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