"T.SES~AR WARS HOLIDAY SPECIAL"

Star-r..1ng

BEATR! CE AR'l'E-IUH ART' CARNEY DIAHANNCARROLL

THE , EPFERSO>J ST ""C.,H":"::" and HARVEYKORMAN

'11t h. epeoia. 1 appearances by : MARKEiAM'J:LL HAM.IOOH lPORt11 CAMI£ '.PISHn ANTHONYDANIE. LS PETE:HMAYHEW

R2D2 and the voice ot JAMESBARt JONES ~.. .

:16

MILLENNIUM

1: 00

5 .05 o ·

C

' REV. g/13/78

11STAH W'ARSHOLIDAY SP 'EC!AL" SHO'P.TRUNDOWN _{CONT•:)) 2.

21+

22.

la Trade r 55

2 •

5

30.

:05 Muaic) ~05

- ER- 0- :0 (T1tle CardJ v.o.) - (71 : 5

} 72 REV. 9/1 3/78

SHORT rmNDOWN COHTf D) ~. 9

PARTI

Guard

4o. 1 AL 13

. B ER {Title caro, v .o . ) NEWSlm.EA l:00 {l; oo5 l3. CTN PROMO l l: .2· N'ETWO1RK I •V" l : . scum . 1 lT. L-IVlNG ROOM (Mall a; Lumpy. Itchy, Ouattd gm,,~1~---~.,,..,_+---4----,-+---+---i i5'• ~IMif?&i• 'PAR'!' I I PRE-TAPED

"DROMBOID

2:05

51.

5.

a. SCENE l59 THE,.REEOF L1~E (Chew1e~ Malla, Itch:y. Lumpy, Luk,e SJ:cywal ker " f ri .nc@S l!I ~~la ~ c; ~t . R~C~J ~ ~ ~~~~~ Extl"as) 1 •

2 ..

:5'0 C'OURTES,Y ANHOU:JGE'!ElllT

COUR1:'ESY AHNOU:ICB~mliT (: 16) l. l. TEASER

(EXTERIOR MILL!tiKIUM FALCO~fOVERHEAD Al'lD AWAY FOLLOWEDBY .STAR DES'l'HoYER) (EXTERIORMILLENNIUM PALC,ON 'l'O CAf\EllA AND OVERHEAD)

(EXTERIOR lMFEflIAL STAR DESTH01YER TO CAM2M FI.JUNO LASERS) (IMTHRIORCOCKPIT MILLENNIUM FALCON)

~ lli..t-.AND CHElrIE Mi.t: AT 'l'HE C0:tfl'ROL.S,; STlUJtiGLINOT'O KEEP CONTROLOF THE SHIP . A BRIGHT F'LASH AND A HEAVY EXPLOSIONROCKS THE COCKPIT}

HAN That's it. I'm turning back~

I set sbo rt coo rd:1 rnit e:, • We wo.n '' t

I jUJ!:IP fa_r: Don t wor-ey J I aan stil l get you home on ti~e. Tru.st me.,;::::,, • 41 p. mzw.. ,our only ~ is to outrun that Imperial garbage ~cow~ l'~ go1ng into J..1ght speed. C'liEWIE ( BARKSHI-:S SKEPTl C'AL APPROVAL) (HANLAUaHS AND PATS HIS PAITHPUtCO- PI-LOT OH THS SHOULDER), 2 .. HAN

'I'hat' s. the sp ,:1r1 t, You~11 be home with your ram1ly oelebrating Life Day tefor& you know 1 t ., 5 ta.nd-by • where we s,a.J gootlhye to our

(HANPULLS BACK ON THE 'BYPERDRIVE LEVERAND THE fWOBENGINES SU RGE)

( P .,o •T/. OVER HAN AND CHEWIE t S SHODLDER... THE S,TARS STBEAJ:)

(EX'l'ERIOR THE PIRATE S~ARSHIP Z,OOMS IM THE STAB PIBLD )

MUSIC; CRESCENDO 1N O usTAR WARS~• THmllE 2 * SHOWTITtE.S AND GUE_S'TBILLBOAftD - SP'ACB

(A TI~LE CARDAPPEARS}

Alon@ time ago, in a galuy far,

far, 8.WaY • • • • {CARD lf ,2)

STAR WARS

l CARD '3, -- F I'r a ~..BOVE Al'iD BELOW: LETTEitING OH CARD12) The STJ\R WARS Holiday Special v ..o. The Star Wars Holiday Special ....

Starring ;. ,(CAH:D f~) v.o. BEA'l'R!CE ARTHUR Beatrioe Arthur .• ~ (CARD15)

AH CAR~Y Art Carney .•• (CARD16)

DI AHJUfflCARROLL Diahann Carroll .• : (CARD #7)

THE JEPPERSON S'!'AR-S fil P 'me Jet feraon-s t 19.iC"a,h.1.p.. . . (CMID #8)

HARVEYKORi'IA. , and Harvey Koman •••

(~tORE) v . o . ccmrr 1 o)

W1th Special Appearances by •.. ( C.!\FD 19) V.O. {CONT'D) t.YARKHAMILL Mark Hamill as Luke SlcyWalker (CA-RD610)

HARJU.SON FORD Harrison Ford as Han Solo •.. (CARD I ll}

CARRIEFISHER Carrie 1isher a~ Princess Leia .. (CARD112) AYTYONYDANIELS Anthony Dani~ls a~ C3PO,•• (CARD 113)

P~TER PUYHEW Pet er r ayhew as Che'/li::Iac ca ... (CARD 11'1)

R202 R2D2 as H1mself ... (CARD 115) JAMES EARL JOMES And Jame! Earl Jones as the vo1ce or Darth Vader

(INTO: COMMERCIAL.,,1) 5. C'OMiimRCI AL BILLBOARD ,( ;10}

COMMERCIAL BILLBOARQ

( : 10) 7.

3 • IN'I' . KifCHEN SINK - A.QTJAlUtrM

MUSIC: "~A'l"EJU' SPACE 11

SPX: WATERSOPNDS

,(WE AM AP.PARENTtY IN SPACE. OVING SLOWLYAND ETHEREALLY PAST O.S A_RE ABSTRACTAND CURVED SHAP !S4 WESEE THEIRBDGES AND COBNERS AND TRAVEL 1 A.ST THE.rJ • ~!OT S -HE OP WHJ..~ T~-;,:y Aftti)

(T,i/£DESCEND UPOM WHAT SBEMS TO BE THE GRASSYSURFACE OP A PLANET)

{l-lE TRAVEL THE GRASSi S LTRPAC! REVEALIRGIT TO BE:) (A HUGE:-FURRY HANDtORA.SPINO THE OBJECT PROMOf ABOVE)

CUT TO: 4, r IN'!' . W0OKIEE KlTCHEN

MUSIC; COtl'l'IITTJES UNDER,

( OVERHEADSHOT -- OP A SIHK PUL!, OF DI RTY DI.SHES. MALLA-- HER PULL NAMEIS "MALLATOBUCK"SHE IS

CHEWBACC.A ' S WI:PB, A SHORTEHI HE.AVY SET I K11ID , IDfOERSTANDINQ HOME.BODY- - IS IN THE MIDST OP PREPARING A Dil.fNBR. UNCOOKED.roQD IS AROUND T'!m: COURTER AREA -- A BOWLWI'TH BATTER,LARGE;., PECOLIAR SHAPED t rt'~-GL~S ., E'!'C. ~:·:. :. :t1~Af -( " ~0 B PREOCCUPIED)

(BEHIND HER., IN THE MIDDLE OP THE WO0ICHEWBACCA'SFA~HER. A GRAY­ HAIRED.,,CRANKY, 00-IEAR-OLD CUSS - ­ SITTING IN A CHAIRA.ND LOVINGLY CARVINGA WOODENHEPLJCA OF THE X-VINGPI'GHTSR A.BOUT 1 THE SIZE' OP A MODELA IRPLAME , BE IS INTENT ml HIS TASK) (WITH A GREATCLAT'!'ERING~ LUMPY-- 1 11LUMWAMtf ', CHEWEACCAI S SON., A SHOR""• P'LUMP, FE!S'i'Y.,, 10-YEAR-OLD _ __,BOUNDS omm THE STAI.RS. HE CARRIES 4 FINISHEDVERSION OF THE MODELITCHY I S CARVING. BE DIPS IT AROC1NDA~HJ MAKESCIRCLES WITH IT IN THEAIR . HE .MAKES~ ET SOU;i,OS. HE I s PI GHTING HIS OWN-YAR . HE CIRCLES lTCHY'S READ) (ITCHYRAISES A RANDTO INDICATEHE 'S BUSY AND NOT TO BOTHER HIM) (MALLA TORMSAND SEES '?HE AC'.t'IVITY. SBE BECKONSLUMPY WI1!' H HER HAND) MALLA

1 11 ( COMEHERE") (LUMPY PLIES Tim Pt.A.NEo ,nra ~o HER) (MALLAINDICATES A HEAPINGCAN OP GARBAGE.,, I NTO VHICH SHE THROWSA VEGETABLESKIN) MALLA ( "TAKE I T OUT") 9 . 1tJC1P?

11 (WHINE:S '' NOW? ) MALLA

( nR IGH'I.' NOW!n )

-m!PY

(PETULANT "LAT!R ••. n)

r TN TH'£ LIVING ~ao J. I'l"C ~,. ~.Ol)~S ~~ ihuM Hl:S CAkvING AM-01 I~ A STERN, GRUPP' TONE:) .• ITCHY

(LUMP?DEJECTE'Dt? GOES OVER TO 'rffE KlT-C!-m.N, STILL CAHRYnlO r:t.HEP LA1ffi. HE FLIE:3 I'!' A SIT :Ml'D LANDS ON A SMALL .PIECE OP !OOD, WK'ICH HE PAWS) ( MALLASEES THIS AND SLAPS KI.S HAND; BUT LUMPY KEEPS THE Ii'OOD• HE TIIE'N PICKS UP THE GARBAGEAND EXr~s)

CUT TO: 10. 5, . EXT. VOOKIEE HOUSE ( LUMPY COJ1ES ,OUT TO BALCONY) SPPX: WIDESHOT H_DUSE

(d ·LASS PAINTIN G tl!TH umPY KEYED INTOBALCO~)

(LUMPYDROPS GARBAGE IN A LAROBWOODEN CYLINDERSHA'.R'T.,, WHICH IS GARBAtlE DISPOSE!il.)

(LUMP'!EATS THE FOODSTOLE~ PROHMALLA .um WH!:RLS H.I s p LANE IN TH! Al R) CUTTO: ll,

6. IN-I'. LIVING ROOM

( MALLA WIPES HER HANDS Oli A ROUGH CLOTH~CH SHE FOLDSAND fLACES NEXT TO THE sTO'IJE I SHE CROSSE:S INW THE LIVING ROOMAND FOttDLY WATCHESITCHY AT HIS C.AHVI HG.

Slfi THEN LOOKS OP AT A SHELP 1 WHICHHAS A E~L-OGRAPHICPIC TURE OJ.I C'IBEWI.) (MALLAAPPEARS TO TREMBLE,AND f ?JTS ! HJlNP IT!:- HT:Jt ft!'OTITPT ltJ t, Ii .c:~ SHE MIGHT CRY OUT. SEi :S RUNS HER R':ANDACR05 S HER FOREHEADIN A GESTUREOF CONCERNAND APPREHENSION.) ~SSE TUR.NS. ITCHY HAS BEEN WATCaINO HER. HE RISES, PUTSA COMPORTINO ARM .ABOUT HER SHOULDERS. HE INDI- CATES LUMPY,WHO .WE CA~ SEE OUTSIDE. THEY WA'l'CH lt.mtPY.. LUMPY'S OEN'l'LE­ NES! AND CURIOSITY WARMSMALLA. HER CO(lCERN IS MUTEDFOR THE MOMENT, SHE GIVES I'l'CHY A NOD AS IF TO 11 1 SAY I • M liLL RIGHTr MALLA CBOSSES TC ~ITCHENJ

CUT TO-: 12.

1 7 • INT ~ LIV_ING ROO ( LUMPYE~TTER THE LIVING' ROOMFROM OUTSIDE. ITCHY GESTURESFOR LUMPY TO l'fAITA SECOND. FROMON "MP OF THE FrREPLAC'EBE TAKES DOWNA CASSETTE . HE HOLDS I 'l' 11P QUESTIONINGLY.)

ITCHY

LUMP! (VERY EXCITEI>", JUr'PING UP AND DOWH)

(LUMPYGRABS ~OR THE CASSET-TE.BE WARTSTO IiSERT l T.)

ITCHY

( GE~TLY PATS LUHPY AUD PUTS ARJT AF'OTJKOHII~) ( "C·AL~t DOWN") (KE IS ABOUTTO INSERTTHE CASSETTE IN THEHOLOGRAPH ~N MALLASPEAKS 'I'O LUMPY.) MALLA ( cor~ HERE 1" )

LUMPY

11 ( "NOW? ) MALLA ( "YES I "' )

( I TC'HY INTERCEDES.. PUTS HIS HANDS UP. ) ITCHY

0 ( WAIT")i (MALLA GIVES A SIOil ANDGOES BAC-X TO HER KITCHENDUTIES.) (ITCHY INSERTS ?HE CASSETTE.) (PRE- TAPED ' 13. 8 • . HOT....OGRAPHlC rCIRCU S ACT

MUSIC: CIRCUSY AJID ELECTRONIC .

( ,S PI HNING WHILEi1E MATERI ALI ZEB ON'OO THEC ENTER10P THE TABLEISTRE 11 HOLOGRAPHICIMAGE OF A RINO-HASTER11 •

PETITE., PERHAPS ORIENTAL, BALD11 WITB A S fGClESTIOH OP FE.ATriEJIB , AND A TAIL WiEIICHHE USES AS A WHIP• THE 1 • ~I~G-•M'°!.STEP.'' =~t::~::.D:5 :. r.l~.. TJE -r EiO~ C PERFORMBRS-- A GYMNAST, TWO JUGGLERS; PM Tt.TMBLERS- - EACB COSTUMEDAND MADE-UPI~! A OOMIC­ BOOK-TY-PECOLOR., OIVINGEACH AN UNUSUALLYW.Mi:HED-OUT BLECTRONlC GWW4)i

CBY PRESSING A co :wrROL BUTTO?l' LUMPYCAUS ES TUE ,. RIKG-MASTETi:111 ro JUMP on 'rHE TABLE,., I N'IIOLIPB- 11 SIZE I STI LL I!J HotOGPA'"f'."''"RlNn !fJI..ST!tR ?!CK .S UP A T.IBIIIDLY-SHAPEO NIRE MEGA PI! ONE • )

MtTSIC : CONTI NUBS UNDER;

R.Urn-MASTEB ( I N AN ALIEil LANGUAGE )

Ladl@ •s. and Gent le ·Jiten., may w,c present tor your e-njoY1111ent- - th~ great Zorbakl

( 'THE GYMNASTHE-ENTERS, TUMBLES• JUMPS ON UNEVENPARALLEL BARS•· OOES TRICKS• DISI400NT.S.. )

(CUT 'l"O LUMPYAND "RING- MASTE,Rlil AS PJ:148,..MAfaTRR""'BY GESTURE. INTElODUCES TUMBLINGPAIMILY,) ( TUMBLEBS PEBPORN• EVENTOALLY FORMING HU14J\.NPYRAMID. LOMPY· LOVES IT, PUTS BIS PTNGERRIGHT THROUGH TUMBLERS TRYING 'l'O ttA.KEfflEM PALL. THEY COMPLETETHEIR PORMA'l'ION WITH A PiLOURISH.) (PRE-TAPED) l~-

(IN ALI.ENLANG UAGE) And no~, would you d1rect yo·ur attention to tbe center

:rin g tor the fabulous .Re,eko a:rotn.ersf

l .tWIJ JUC:tlJLgh:::liM-t;: ·r-.t::.lt~ .iiS THEl f'.ERFORM• '!'HE S'l'l CKS THEY J UGGLE BURST INTO SPARKLERSJ SCA'I'TERitlG VARI­ COLOREDu!OHTS,)

( AFTER A BER.IBS OP I N'rERC'U'rSFROM rilUNO-.MAST.ER'tTO 1•GYNHAST11 TO n TUMBLERS11 TO n RING,,.JU.3TE:Rrr TO 11J'OlllOLERS11 'TO 11.RING!-MAST&Rl't,, THE CIRCUS PERFORME'.RS' START TO T~KE A aow.AND CANNOT COHf'tETE IT. 'I'HEY REPEAT THE ACTION ~ TIMES• ) CLUMPYREALIZES '?HAT• TO COMPLETE 'fflE NUMBER, 'I'HE "RING-MA-SrmR'.11 ST RETURN TO THE HOLOGRAM.. IRE PtJMCHES, THE BU~N, , THE ":FlING-MASTER'' POPS BACK Ilrro THE ll 'OLOGitA'.PHIC 'sr ZE, AND ALL PINI.SH ON' A LAST CHORD-) REV. 9/13/7B 15~ 9. INT . LIVIN G ROOM

(FROM KI~CHEN) MALLA (TO LU'!!PY) (GRUNTSFIBM COMMAND) LUMPY

MALLA (FI RMER COMMAND) (LUMPYMARCHES , INTO THIEKI1FCHEN AND PIC'KS UP TF.E DISH- DRYINGWHERE MALLA LEFT OF~} L MPY

( GROWLS U'NDERHIS iBREATH) MALLA ('.uODDERCOMMAND)

(LUMPY HASTILY STOPS GROWLr~o UNDER ff_S BREATHAS MALLAJOINS I'il'CHYAT WALLSCRB'EN} (MALLAP OUCHESIT ON) .SFX: (SHE THEMPUNCHES A COMBINATIONOli NUMBERS) ('lHE WALLSCREEN LIGHTS UP. A IIE.SSAGE PRINTS OTJ'.rON THE SC REEi) You have , reached Tratt'1c Control. (MALLAPUSHES ANOTHER BUTTON) (A NEW'MESSAGE WIPES !N) No starah1ps in area. (A NEWMBSSAG~ FLASHES ON SCREEN} Have a nice day4 (MALLAAND ITCHY LOOK AT EACHOTHER IN DISMAY) 16. (MALLAANGRILY PUNCHES THB WALL SCREENOFF) SFX:

( THEN A THOUGHTOOC 'U'RS TO HER) (SHE, CROSSES, TO THE HOLOGRAPHIC PICTUREOF CHEWYON TK! SHELP. SHB C.AREFULL,Y MOVES IT TIO oms S'.IDE:) (HIDDENBEHIND THE HOLOGRAPH IS A SMM: .rn WAL s11,~:r::tJ',

(KAL LA PUSHES , A SMALL BUTTOt• CONCEALEDI>il Tm: MANTEL), REV. 9/13/78 17. 1,0. RE.BELSCRE-EN - LlJIKE SKYWALKEB

(THE REBEL SCREEN ltLlCKl?RS 'lO LIPE WI~ MUC'HSNOW AND STATIC. WHEN THE PICTlmE CLEA.RSWE ,SEB LUO SKYWALKERAND ARTOO. THEY ARE IN AN' OLD AlRPLANE TYPE HANGER. BEHIND HIM ls THE REBEL .X-WINIJ P·IOHTEH, IN A M'A'l'B OP' DIS:REPAIH.. LUKEAND A.R'TOO AM EACHHOLDING AN END OP AN !MPRE!S ,?VE LOOKING BNGJHE . PART. LUKE IS A BIT' ANNOYED. OBVlOTJS,LY 'l'lfEY'VE BEEN STRUGGLING WITH THIS PAJl:TPOff SEVERAL MINUTES)

( AlfTnO T ~ "R~... s 'r ~.,o Ott"" n1~~~ Tr:-ir::--rn~~ TO LDXE) LUKE ( STABTS TO TOJ!UfHLS END oim1t)

This 11,ay? You mean d10, th1 s?

:A'RTOO (SHARP,.RAPID~ BEEP-S) No,. no., no,.

·( BSEFS l.NSTRUCT.?ONS) LUKE

Artoo .• .. • I d.on' t unders tanci .!fcu • .A:R"l'OO

( BEEPS on SAME IN.S'l'RUCTION'S SUT MUCHStiOWER) LU.KE I have no id ea wha.t y,oui mean. •

ARTOO (BEEPSOUT INSTRUCTIONS) REV. 9/13/78 18. LUKE (FRUSTRATED)

the X-Wing F1ghte ·r repaired •••

(MALLA,, LU !PY, AND ITCHY RUN TO THE SCRB!N . LUJll'Y IS ANXIOUS ~o SHOWLUKE liIS NEW CASSETTE. HE HOLDS IT TJP TO THE SCREEN . ALL THREE CALL Om' TO LOKE. AS THEY00., LUKETURNS AND LOOKS OUT TO THE'.'!~ LUKE What's tha t •••• •

(SEES T!mM)

O.b ••• I ( TO Aft'roO )

Artoo, 1 t' s Ma1la, Lumpy J and .... (IMMEDIATELYREALIZES AR'I'OO DOESN'T UNDEJtSTANDWHAT HE'S SAYING) Why am I telline you? Th@ pressu~e is t,ui lding up nice ly. Hold this •.

·(ARTOO BEEPS .A PROTEST BUT'LUKE S'l1ANDSTIP~ .LE'l'TING Affi:IOOHOLD fflE TRANSMISSION HOUSINGJ WHICHIS A LO'a OBJECT WITHHOLES AND VALVES LIKE A CHRISTMAS 'l'R.EE OJJ AH OIL RIO)

( AR'l'OO BEEPS A SHARP "HEY [ ") LUKE (TO WALLSCREEN) H1 everyone. Happy Life Day! (MALLAAND I'l'CHY RA.PIDLY ABK LUXE ABOUT THE WHERBA.BOOTSOF CREWIE. SOfllE'rIMES THEY OVERl,AP. BOTH ARE VERY CONCBRNED. I.UMPYCHATTERS AWAY ABOUT HIS WONDEJU'OIL NEW CASS,E~E I RE POINTS TO I T AND HOLDS I'!' UP POR LUKE'l'O SEE) REV. 9/13/78 19.

(LUXE'S SMILE TUMS A BIT PORCED AS, HE 'l'ftI£S TO UNDERSTANDWHAT THEY ARE SAYING. HE NODSON OCCASIONBUT ISN~T POLLOWINGANY OF !T)

(ARTOOBEEPS OUT LONG STBADY BEEPS AS HE: S,TRAIN.S '.4ITH ONE OP HIS MECHANICAL ARMS,WHICH C OMESOUT ONE OiP HIS SIDE DOOBS. TO PLUG A VAL'IE TO STOP THE STEAM. IT RESEMBLESA OlAm" 'l'BA POT IN ITS EFFECT. ALLTHE WOOKIEESOUNDS AND AR'lOO'S SIMULTANEOUS BEEPSMAKE I T IMPOSSIBLE1'0 UNDERSTANDANY1'HINO .. 'rl THt"W t.o Jl"T~G O _pr.,~ , UY.!: a:!::_·... ~~ ~ ... HIM TO PLEASE BE S,T!LL FOR A MOMENT)1 .. LUKE Ar-too, please •• ,. ( HE HOLDS 'UP HIS H.ANI>STO MALLA• LUMPY, ANDI'rCHI) J uat a seeond. Hold 1t ••• I can't understand one or you, let alone three--~ (MALLALOOKS T0 ITCHY, THEYOES"I'ORE WITH THEIR ARMS TO EACH OTHER AS IP TO S.AY'• "OF ALL TIMES POR SOMEONENOT TO ONOBRS'l'AN"D 11 1:1S' . THEY HEAVE A SIGH AS THEY GESTURE.. LUMPY C0fJLl)NtTCA.RE LE.SS. HE CONTINUESWITH HlS CHAT'?ER) LUKE What, LumpJ? What do you have? (t.UMPY HOLDS T:IE CA:3SE'I"rEUP) (AR'l'OOBEEPS LONGAND STEADY AS IF SAYING., noH BOYI BIO TROOB.LEPt ) (ANOTHERVALVE : HAS STAB'il'EDTO LEAKSTEAM AND ARTOODOESN'T HA.VB ENOUGH ARMS) (LUKETURNS TO ARTOO) LUKE ( ANNOYBD,SHABPLY ) Artoo •••. REV. 9/13/73 19 A. Ora :SEE THAT THE WEIGHT OP THE ENOt NE FART IS TOO KUCH FOR ARTOO, HE IS SJ.,OT.~LY li'ALLIMGFORWARD, AS STEAM STARTS TO POOR OUT) LTJKE Oh. (RB RIGHTSARTOO BY PUSHINGHIM BACK,SO HE S'rANDS STRAIGHT. LDIKE P'LllGS THE STEAbt VALVE Wl'I'HA CAP· ONTHB TABLE)

hold it . 20. (HE TURNSHIS A'TTEmIONBACK TO HIS WOOKIEE FRIENDS. AS .HE TURNS,-A.RTOOGIVES A BEEP OF RELIEF:, 11W-HEW! 11 )

(LUMPY STARTS ENERGETICALLYTELLIN 1G LUKE ABOUT THE CASSETTE A1CJJ\IN) LUKE Really I can ''t •• , .l have no idea .•. Where's C3PO~hen you need him .

(ITCHYBAS HADENOUGH OP .LUM'PY'S CONSTANT CHATTER• HE HAS SOMETH J!NO NORE IMPORT'AN1' TO TALK TO LUKE ABOlJ'l'I HE' 'YBI.LS AT LUMPY)

ITCHY (BE QUlE'I'!) (LUMPYCOWERS . MALLA PATS l~OHYon THE SHOULDERGENTLY) .MALLA (TAKE IT EAS,Y) ITCHY (GESTURINGTO LUMPY)

(BUT ff-! 1 S ••• ) MALLA (OAU..1LY)

(TA.KE IT EASY) (SHE 5ITS ITCHYDOWN ON A NEARBYCHAIR. SHE LEADSLUMPY IN'l'O THE KlTCH:ENAND ClIVES HIM A COOKIE . HE HAP'f!LY MUNCHES AS ses ADDRESSBSLURE H"ERSELF)

I hope I didn. •·t: cause aru, family probl.ems here.

(MALLA GESi'URES' ii OH,. OP COURSE NOT 11' }

(MORE) ... REV. 9/13'/78 2L

LUKE ,(CONrTI D)1 Thia 1s eo fru.~trat!ng. You can understand me.,, but .I cant t und.e·ret&nd you, And none ot us oan under!tand Artoo. ( AB'llOOBEEPS )

something impo~tant to aak m.e1 (MALLANODS YES) I wish r oould hetp . (MALLAHAS AH IDBA. SHE GESTffliESlJOR LmCE TO WAIT A 5ECOtm. SHE GETS THE HOLOGRAPHOP CHEM.IE. SRE HOLDS I'I' UP TO THE ,SC'BEEN)

(WHAT'ELSE) Yah. (SHE POINTS TO CHEWBACCATHEN SHR UGS .HER .SHOutD:SR13.)

Chewba0~a ••• you don't know•.•

( SHE SHRUGS HBll SHOOLDERSA 1GAIN) (LUREHAS IT)

MALLA ·(RELIEVED)

( ffY£S," )

( l'reHY STANDS NEXT TO l'fALLA, EE IS PLEASEDLUKE GOTTHE MESSAOE)

•\ REV~9/13/78 22.

11 ( RIOirl''-) LUKE (CONCERNED) GeeJ I doo•t know. Cbewbacca and Ran

lef't hel'e on . .ac::.hedule.. It t:bey aren • t

I wonder wha·t ha.pp ened? ( MAJ.iLAAND IT-CHY ARE VERY CONCEBNEO• MI\LLAWHINES SOHL ,Y. LUKB PICKS UP ONTHIS. B:E, KWOWS.HE HASIJ.'O RAISE THEIR BOPBS)

Wh.at .BJII, I say .1ng. .B,ey, you know thoae

8illY8 as well as I do. They- may be held! up b:, an aster-oid storm . Cbew?Jacca

hasn't miaaed a Life Day yet, right?

1 111 ( MA.1:J;ANODS "YES • AS DOES ITCHY) And he's not going to mis:e this one. It may take him a bit longer than usual but he 1 l l. be ther ,e • And give him a. big hug tor ~e. won't you?

(MALLAIS A iBIT MOREA7 :EASE. SHE NODS "YES"')

' REV. 9/13/78 23, LUKE And don't loo k so aad~ Old Chew1e 15n't going to want to come home

to long, sad., t ·aoe.a.. Corne 00 1 smile ••.• oome -0n,

(MALLAAND lTC'ffY 10RCE A SMILE)

Good ! Don T t l ·c T":t"~! • T r '10 1,' • 1 . ~ 'l("?U ,.ii' ne I oave to g@t back to Artoo and m.v

engine .. A,sain .... ba Ve a n1 c e Lit e DaJ, •. {MALLAAND ITCHY WAVEGOODBYE TO LUKE) MALLA

I'l"CHY

11 ("THANK YOU )

(LUXE 'f'U.RNS BACK To AMIOO.. ART.00 BEEPS FOR LWIB TO HURRY UP, STEAM AGAIM FO,RMS IN SEVERA!, OPENI NGS. LUKE TAKES HOLD OF ONE BND)

Okay ~ A2-t00. We gotta fix thia ·- thing. Chewbaoaa and kan might need us. ( ARTOO BEEPS)

Now we hav ,e enoug,h preaaure to tlush out thi, part. (.ARTOOBEEPS)

'Wb.a.t do you mean, 11Tnor1?N'ot enough pressu~o 'I

) REV, 9/l~/78 2~. (HE TORN-8THE KNDB, AS HE DOES,ARTOO IS BEEPING RAPIDLY AS IP 'l"O SAY, 0 NO_. DON''T Ii • ANDWE SEE WHY. ARTOOAND LUKE ARE HIT WITH SPRAYSOP WATERCOMING PROM ALL THE VALVES~ AS IP li'ROM A LO'l' 0 1F' SELTZeR BOTTLES • AS THEY ARB HIT,. ARroo ST'01P.S BEEPlHO.. ARR)() AND LUKE WAIT A FEW SEATS,• AS IP A.R'OOOI:s GIVI"ffG THE "BENNYSTAHE". LUKEFE:BL,S AWFUL) LUKE Gee., I'm &O.M7J Artoo. You meant too much pressur e,

( ARTOO CJJ:VESA LONQ, BBEiP THAT WI-NOS tlOWN LI KE TKE LAST PAST OP A POLICE SiimN.. A,S THE

BEEP 'I"RAILS OFF WE EEA.RIT TAGGEDWITH 01HE SHARPBEEP, AS OtlVER HARDYWOOLD AS HE LOOKED IN THE CAMERAAND GAVB U.S, uOH") (THE REBELSCREEN RETURNS TO STATIC)

, REV. 9/13/78 25 . 11 I.NT, LIVING ROOM {MALLAPUSHES THE EUTTONOFF. SHE IS VISIBLY NERVOUS.AS IS ITCHY) (MALL.APAUSES ANDVISIBLY PULLS HERSELF TOGETHER)

(SHE 'rHEN CROSSESTO ITCHY ANDATTEMPTS TO SOOTEE HIM) ITCHY

( SHE P -S AN ARM AROUNI> ITCHY lu'ID GENTLY LEADSKIM TO THE MINOEVAPORA1'0R CHAIR) (,SHESITS HIM DOWN.,AS HE UTTERSORO'ffrS OF PROTEST.. BUT MILDJ LITTLE CJROWL.S) (SHE GENTLY,BUT p-filtLYJ, PLACES THE MIND EVAPORATOROVER ITCHY• S HEAD. SHE TURNS TO A BACKOP CASSETTE-LIKEDEVICES., SELECTS O IE A~m INSERTS IT INTO THE MIND EVAPORATOR) (ITCHY FINDS THE CASSETTEBORINCJ) ITCHY

(SIGHS HEAVILY) (HE TAPS HIS FINGERS. THIS DOESN'T INTERESTHIM AT ALL) (MALLA PLACES mraHMID ON TOP OP' THE EVAPORATORAS IF TO INDICATE "'WELL, HE1 ,S TAKEN CARB OF, tt AND GOES TO WALL SCREEN) (MALLATYPES IN HER INFORMATION)

(ORPHIC CARDJ l ~ StraTERMUiAL fi!t6B)

(GRAPH!C CARl># 12 ... STAND BY) (GRAPHICCARD #3 - CONNECT) (ORAPHICCARD~~~ TRADINGPOST WOOKIEEPLAffET C) ( THE SBOP THEN APPEARS• THIS ALL HAS TAKEtl FIVE SECONDS AND IS ACCOMP ArJIED 1 BY SHORT TONES) ) CUT TO: 26 ..

12 INT .. TRADER'S SHOP (PICirtraE COMESUP OU THE SCREEN. IT IS THE INSIDE OP 'I'HE TRADER'SSHOP . WESCAN THE SHOPON THE WALLSCREEN. THESHELVES ARE FULL OP TECHNICALHARDWARE. AMONOTHEM ARE MIND EVAPORATOR HELMETS,GADGE~S IN VARIOUSSIZES, ANO SHAPES.,ALL WITH IMPORTANTtOOKING SWITCHES, DIA-LS, AND CONTROLS, WE SEE A POA.TAaLE WRS,ION OP THE WALL SCREEN UNlT. BVERY'l'HINO IS BRANDNEW AND I~RESSIVB LOOKING) lb J.i1tERIAL ~UAHDI LOOKINGAT THE MERCHANDISE) (AflT CARNEY,AS TRADERSAUN DANNt ENTERS AND STANDS BEttIND THE ooumEH. HE f s O?ilEOP 30 TRADINGAGEtrTS ON KAZZOOKWHO MAiml'AINS A t1Etl'TRALIMAGE BU'l' IS AC'l'UALLY A LOYAL l'RlEND TO THE W00KIEES. HEtS THE KIND, OLDER PHARMACISTAT THE CORNERDRUG STORE, WHO S,UPPLIES CHEWBACCAA D HIS PAMILY WITH ELECTRONIC GADGiBTSAND APPt-IANOES :rn RETURNli'OR THEIR CROPSAND WOODCARVINGS. EVERYTHING THADERDANN WEARS IS ,SO1TABLEFOR A RUMAN OP THIS GALm AND TIME AND PERIOD, BUT IT IS A BIT FRAYEDAROUND THE EDOES. SUSPICIOUS .STAINSADORN HIS CHEST AND PANTS. HE SEEJ!ra IN A S'TATE01' PERPETUALFRAZZLE) TRADERDAMN Oh, an Imperial Guard . I sup~ose you want to 31eemy Idl,ent 1f1cat1on? ' (TRADERDAHN STARTSTO DIG OUT HIS msNT'IFICA".rIO~I CARD. THE IMPERIAL GUARDSTOPS HIM) OOAHD No, I'm off duty• I've Ju.at come to look around your ehop. TRADERDANN Oh; oh, ob , •• sure . ~.go right

. a.head. · As !ifOU·~ can see I "ve get ) Jae t about evet•ything a :ina:ri or Wook1ee would want.~ ...

(MORE) 27, TRADER DA_NN(CONT'D) (BXCI'FED)

Ah. le ·t me show you this. (HE POPS DOWNBEHIND HIS COUWI'SRANO HE CO~ES UP WITHA WOODENBOX THE SI?E 10P A BOX TRA'I' OUR PRESENT DAY PHOTO ,SLIDES COME IN. HE TAK!S Oll\':F·ms LID) I reallY 11ke t61s .

( "-E ~~ 11:iE 'l'O · S OF WHA'I· LOUti:> Ll'.Kb PHOTO SLIDES, TRADERDANN TAKES 0~ OiHE~HOLDS IT UP; AND LOOKS AT !T) No. (HE .HOLDSUP SEVERA~MOftE) No. (HE PIMDSTBE Or,lEEE WANTS) Here ..

( HE HANDS TKE SLIDE- 'LIKE OBJ'ECT TO TKE IMPERIALGOARD) (w1BSEE POCKET-SIZEDAQUARIUM. -THE IMPERI.AL GUARDIS HOLDING IT nr 81S li'lNGERS)

TRADER DAflN (V. 0 • )

A po-cket - .e,1 z:.e d aguar i um. Wond.er>ful lsn•t 1t? (WE SES THE NICRO-SIZEOPISH SWIMAROU?m .. AS THEYSWIM TOWARD US THEYBECOME PENCIL LINE THIN. THE, liTSH .ARE FLUORESCBlr! AND COLOllPUl.,., 'r1m TROOPER TURRS TRE AQUARIUMOVER AND VIEWS TBE PISH FROM ms BAC~SIDE QLASS) THADEfi DANll It soes anywhere with you.. And. . the tank is a snap to olean. l ) oo.••Gui (n.l"l'S THE AQOABIUMDOWN ON THE COUm'ER) ' J: d1212 t lf)!&zai.._ _;t:"' /,;,ai./c 11 S A. , 28~ TRADERDANH Ab • .. well neither do I .•• I

J u a.t th ough:b I t d :show yo,u some or the :a:tu-p1d ,etu!'t those Wook1eea purcha,~ from me.

(FR.OM!!'BE SllBLJ? TR.ADER DAllN TAKES- OF'P AN OBJECT AND HAND-SIT 'ro Tim IMPERIAL GUARD. '.IT' S SMAtt AND P I 'T,c:i Uf H1 S ~ ~ f . -~ But here , •• ll ook at th i s . (TRADERDANN ' ,aNs TO CAMERA) s,:;x · t TO !Rib ff~AL GUARD ),

Excuse n:ie I've got a Wall Screen cu:stomer~ ( 'I'O CAMERA)

Oood to see you aga-1n !

(MALLA ABOUT TO SPEAK TO WALLSCREE11) (TflADERDANN; WH O HOLDSOP HIS HAN!) BEFORE SHE CAN SAY A N!YTHIN" O )

Don •t say a word. Ma 'm. I know

Juat why :,ou!re c:all.1.ng. ( RE NOW SPEAKS WTTH.STRo ,w EMPMS,IS)

Y,ou • r ,e wondering when tha t 11 s h a ~@:Y it

oarrt you ordlere~ w111 a~r1va .e.t your~. Let me assure you~

Madq . It, , s on 1t I s way~ rou

know, it was inade especially tor you by a litt l e old woman four ) p 1a.11ets away. · She d.1d it all by heraelt.

(MORE) REV., 9/13/78 29. 1.'MDEft OA.1114:N(CONT I D) In fact, you m1ght eay ahe did

it bY ~ .... !2!g . ... 80 it's gonna ·take some time to get to you...

I know ,l..2.Y understand. Do you understand?

( ,, OHj YES : II )

-Ter-ritic. By the , way l 'll be by later to drop ott that extra Proton Ene~gy Pack. MALLA

( "• -~ (WT1{1fi/K 'fl)(} ,~ TRADERDAN? l :f'1e e Iii •••cowYAA-<. {,he./!,~ ; ( TO IMPE:RI AL.. ,PJJARD . ' ~ .-1 .. LL 1»1-Aa~ ma . ,~,- 1ou l ike ti.a .tit 2 • GUARD It 1s Just a groomer.

Ju.st a. grioomer? No B 1r.

(HE '?AKES THE GROOMERAND DBMO.NST:RA'!WES AS RE TALKS)

(MOP.E)

J JIBV. '9/13/78 29A. TRADERDANH (CONT'D) Bea1dea shaving and hair trimming it •e. guuanteed to , 11ft stains oft' clothingt races and handH. cleans teet~, .fingers. and toenails ,

washes eyes,. piel'ces ears,. oalculate ,B1 modulates and syncopates lite rhythms, and can repea t the entire Inperial Penal C~de, all 17 volumes,

1n ba.lt the t 1.me 10 t the old XP2 l

model. Ju.at the · thing t,o, keep you.

sque,a.Jcy clean. I use one 0:f these all the time~ {MOHE)

) REV. '9/13n 8 3:0• ( THE GUARDarms '?RADER.DAHN Is S'l'AINBD CI...O'lliIN,G A STBRN LOOK)

TRADER DAlm (CONT'D) Well .... not ae .much a.s I td like ••• but. I u~e one. It can be recharged by p,lugging it into any Lasar o,utlet.

GU.ARD1

-8wu A _-L S&Z.!J1&.

'1'RA!DER DANN

I knew you would ~ Now• would you like to pay for it or give something 1n trade? :i:-~~,__,1 GUARD ~ I'm~ taking it. TRADBRDANN Whew••• th&t 1 e a load or£~ 'mind • I thought y,o u might be embarra5aed when I told you to ,com, 1der it a g1 ft from me .. (TH:8GUARD EXITS) I really hate embarras11ng

CUTTO:

J FlEV. 9/13/78 31.

13. INT .. LIVING !ROOM: (MALLATURNS OFP WALLSCHEEN.SHE HAS OONE ALL SHE C'AN DO) (SHE GOESTO XITCHEH) (WE SEB LUMPYWIPI~G HIS LASTDISH. IT '1S A HAS.TY DRYING. HE FOLDS THE DISH TOWELTHE B:SS'I'HE CANfflBN SHOVES rT ONTO THE TOWEL.RACK UNDOING ANY OF THE FOLDS HE HAS JUS'T DONE)

CON ~ Ii LLJ t S KiT .Rw.,r ~nn ~f1:Y-BOfl T AF!,~ ARE THE POLLOWI&0OUT-SIZED ITEMS: ALL UTENSIL.SANDBOWLS ARE WOODEN . SIDE OF BEEF, OVER-SIZE D CLEAVER, LAROE LE.AVES,HUGE POT., BIO CROCK, C'RAB APP:LES, WHIPPER, .SPOON.11 PAIN'? BROSHJWOODEN IWWLS WITH CHUNKSOF POTATO• CELERY, J IC AMA~ PAM LEY:io GARBANZ01 RADISHES, 'l'ONGS, SEASONING IN CONTAINERWI:TH TOP THAT UNSCREWS, BOWL OP W'ESS·ON OIL~, orNOER ROO'!'. GARBAGE CAN') (SHB NOWTtJRNS HER ATTENTIONTO A SMALL METALP~LING BOX THATSITS 10N A SEELF NEXT To THE own}

( SHE OPE~,S TltE PI LINC BOX, 'l'HUMB.S THRlJ IT & lmMOT/!S A HUU-C~SETTE) (THIS SHE INSERTS I~O A LI~ MACHINE NEXTTO THE FILING BOXON THE SHELF) (AFl'ER A MOMENT,A SMALLNINI-SCREEN NEXTTO THE MACHINEIVLICKE'.RS TO LIFE)

)

... (PRE-TAPED) 3'2. 13A HARVEYKORMAN KITCHEi SEGMENT ( WB SEE H.ARVEYXOBMAN . AS rrooHMA.ANDA0 A FEMALECHEF ' WHOENJOYS HER ·OWN COOKING.. .SHEIS BEHINDA TABLE OR COUNTERON WHICHARE 'l'HE POLLOWINO I'l'EMS: WHOLEPILET OF BEEF ( BANTHA FILET) CHOPPINGKNIPE. PAS~RY BRUSH, BOWLSOF SLICEDPOTAi'O, CELERY, JICAMA,,PARSLEY, BAY LE.AVES, GARBANZOS, '.RADISHES,GINGER ROOT, CONTAINER OF WATER,CRAtlBERRIES J POO'. SPOON, WHIPPER, SEASONDla,.BOWL OF OIL, TONOS, LADLE. GOR:tAA.:_,_ r S I'!T!r~S .~P.E r,r NO~ I, Sf E :

OORMAMIDA Today we are prepar1ng a very suo culent d1.slh., Bantha Surprise. Not

only 1-s 1t h@arty and r,iour1sh1ng •. 1 t 's economd.cal too. All those hungry mouths will go yum-yum if you follow along as I pt-epare thia popular .ravo,:r1te. (SHE HOLDSOP A PIEC5 OP MEATWHICH LOOKSLIKE A BEEP FILE!) GORMAANDA I'm going to use the tend erest cut of tbe Ba.ntha .. .. the lo1n. The loin ia alway a taety and serves , r01.u• nicely. If your family hae a hearty appetite, I would suggest that old holi day favor1te~ the Bantha rump. (MALLAHOLDS UP A IJIANT LEG BONE} (MORE)

J (PRE-TAPED) 33 . (MALLASIGHS ANDPT1l'S DOWN THE LEG, READYTO WORK)

GORMAA?lDA

Pi rat_. we brush the meat w1th Ao,la..

(G0RMAANDA DIPS HEH FUJGEH INTO THB AOLA AN'D LICKS HER FU 'GERS)

Ah • . • room tempe ;ra·tur1t • .. • peirf e ct • (GORY.AANDATAKES A PAS~RYBR USH AND r --n~Hi•'.'.3':',.C :i! 'Z'. ~rnL~A T;.::ES P'AINT' BRUSH AND aRUS:HESffB .:R MEAT) &rush, brush:; brush. Now we chop our meat ..

(SHARPENS KNIPE - THEN CHOPS MEAT) (OORMAAND.I\EATS 4 PIECE)

Hmmm,•• ., tend er aa can be. These should b~ cut into b1teeai~&d mors~l~, and of course_. only you know tb@ &ize of a bite 1n your own family. (MALLAREACTS) (AS GORMAANDACHOPS WITH CHOPPINGKNlFEt MALLA TRIES WITH OVER-SI ZED CLEAVER TO CUT THROUGH THE MEAT.. MALLA CHOPS HEM IN'I'O ONLYPOOR PIECZS~ INDICATINOTHE APPETITE OF HER FAMILY. GORMAANDAAND MALLABOTH FINISH CHOPPING. OORMAANI>:A'S CUSES ARB PERIPBOT},

( oore,WNDA ROLLS IN HER HANDS A HANDFUL OP BAY LEAVES~WHICH SHE SPRINKLESOVER THE HUT AND TALKS: )

GORMAANOA

An important ~ule in eaoking 1s tor your di .sh to look as good as it taste.:,. So~ old .favorite. Taba leaves. which ) not only e nhanee tbe flavor 1, ibut add color and e1e appeal. (PRE-TAPED)

( MALLA HAS GIANT LEAVES, WI CH DO NOT DIS I NTEGRATE, SO SHE TEARS T~EM mTO LARGEPI ECES OVERHER MEAT} ,GORMAANDA ~ow, we put our chanks into o~r pots. ,( GORMAA.HDA PLACES THE MEAT INTO A LARGEPOT• ANDMALLA POI.LOWS INTO A

LMGER POT 4 DURING THE J'OLLOWING, OORMAANDANOW DIPS HER HAND. INrTO 01NE BOWLAFTER THE OTHER,AND TASTES EACH ONEAS SHE ADDS THE~ TO THE POT. MALr A. S BmtLS AND C'liUiiKS Aru: LARGE.fiJ

GORMAANDA Now a. dl.oll op of' 're-rtium , (Ii DOLLOP Il'OR THE POT, A DOLLOPFOR DR MOUTH) A aprlg or Celto ••• (A SPRIG FOR THE POO'i A SPBIO ~OR HER MOUTH) A daeh of PWlotil .• . ( A DASH FIOR THE PO,T • A DASH FOR KBR MO-U"TH} A s oupeon or Cclons l ey . .. (FIRST POT,, THEN MOUTH)

A pinch or Nega.mo... . (FIBST PO~. THENMOUTH)

( Fl RST F 0"1'~ THEN HOIJTH)

( MALL-A SPRINKLES; NOT ENOUGHCOMES OUTFOR HER TASTE. SHE REMOVES PERFORATED CAP AND DUMPS WHOLE JAR IN }

GORMAANDA

I th 1nk we have ev ,erytb ln:g. Oh. no

we don! t. Don tt f'orget a ,mall p1e,ce or Calarantum root tor a toueb ot piquancy. ( PHE--TAP.EO) 35. ( GORMAANDATAKES A LARGELE?JoTH OF A BLOB ROOT HAJ~GlNGAROUND HEH NECK AND CUTS OFF ALL BUT ONE INCH OP IT' (,SHE DROPSTHE ROOT IM'fO THE POT) (MALLATH.ROWS IN A HUNrOF BLUE BOOT)

( GO.RMANDA PI C:KS UP A COKTA-lNEJiOF WATEft~ MALLA FOLLOWS"'ITTH A BIG JUG ) ,. CJ.ORMAANDA.( CO.tl T r D) Add enoug. l ...... J.u c;.o cover,. ( GORMAMIDl ENP'l!IES OONTAINER. !MALLAATT!MP'I'S TO iDO'!' ,Fm ~AME. • IT TAKES HER FOREVER )

Another r-ule o:r cooking .... clean up .as you go along~

1 ( GOHMAANDADOES • MALLA STILL POURS WI.THONE HAND AND · WITHirHE OTJiER HAND SWEE:FSTHE STUli'F OPP THE COUNTER. SHE'S S!I'MTIN G TO GET A BIT HMtRASSED ) (THEYBOTH OIJMP TSE BE:RlUESINTO TNEI:R POTS. MALLA'SHANDFU LS ARE QUITE LARGE)

00:RMA.ANDA And now the last, but most 1mpol'tant., ~art of the rec1pe. You know ~hat it is •.. the , cooking.

( MALLA LUGS HER POT TO THE ,STOVE,. AND S-TA.NDSJiEAD •Y POR WHATEVERCOMES NEXT )

(GO'RMAANDABEGINS STI RRIN G WITH A LARGE WOODBNSPOON. MALLAFOLLOWS)

Now, ,l!It ep one. Stir t.he mlz.ture ..

Step tl\lo II as you ,st 1:r • you mus,t Whip

the mil{ t Ul'e • Let re , do thi a toge,ther . .st1r ... , we1 p • . • at 11-• • • whi p • • .. whip ••• ) whip ..... e,tir. (MOHE) ( f RE... TAPED)

( MALLA 'S STI rutE A ANO WHIPPE ft ARE 80 .L.IUK1E SHE IS FORCEDTO USE 'Yr/0 HANDSFOR EACH. NiEElltES S TO SAY, 'l'lU S IS QUITE OIP,PICUL'l') OOPJ.IAANDA{CONT'D} Al rigll, t • l e•t a try this one e more at a sl1 .ght y qu.1cker tel!l~o.

Stir . ... whip, ~tlr • .•• w.h1p.., whip~,,. whip .• ,. stir.

Stir . .. wh1p 1 st1r .• • wbip, whip •. • whip .•• sti.r.

Stir.. • Wh1p, stir ••• whip I wJ:t1p. . • llil'h.ip.. • s.t1:r. (AD LIBS) ~tep three, as we're st1~r1ns and Whipping,

we mu:i..t al.so 'beat. (A THIRD HAND, IDENTICALTO OORMAANDA1S OTHER TWO. EMERGESFROM BEHIND HEH BACK, OR.ABSA MALLETAi~D ST.AMS TO BEAT) Beat ••• Beat • . , Beat ••• Beat. St1~ ••• whip, stir ••. whip, wh1p.~. whip . ... st1r.~,

beat:.

Stir .•• whip:, stir ..• :,,ihip,, Wh1p. 4. wh!p ,.., s,tir .•• tieat.

Stir ••• whip,, =stir ... whip. whip • • • whip ••• st1r. 41- beat.

{WA.LL:,\ I ,S HEAIJ/! F'RUSTMTED) Now l th1nk 1t's time tor us to taste o;ur broth. (AO LIBS)

1 ( A FOURTH HARD EJIBRGES PHOM GOftUAANDA' S, OTHERSIDE -- TEE THIRDRAND STILL BEING VIS IBLE -- WITH A LARGE LADLE IN IT, THE UAM'D SCOOPS UP SOME UQUID AND PUTS lT TO HBft MOUTH AS SHE PIN:ISHE.S TALKIHG )1 ) 1(M0liE) (PRE-TAPED) :3:7- 39

11'..lORMAANDA( CONT t D) It should be d,ellca.t ,e., ,and yet

heady.~ . pungent 1 aJld Yet ~•eet ... and o,f cour.se, not t ,oo 'l!mt ery. ( GORMAANDATASTES ,) Mmm!nmrn. Not quite.

1(NOW ALL FOUR HANDSBO 'rO W10RK SO 'l'FIAT GORMAAND.Jl Cft r l! T I~OP.E Ml!) MOIIB)

A c,,1 t more ot thJ:s , . . • (orra HANDTAKES PROM .BOWL AND PUTS INTO STEW)

,( ORE llMJD TAK.ES PROM AHOTBER BOWL~ PU11S INTO STEW. OllE HAHD PUTS s mm IN HER :r

Yes, yes, oom1ng~ coming~ maybe a 11 t tle b 1 t more • . • ( MALLA IS , OUTRAGED. SUE PUNCHES THE MINI-SCREEN' OFF; '!' AKES THE P0,T JmD DUNPS 'l'iHB CON'l'EN'rS INTO TH:ELA.flGE GARBAOBPAIL)

CUTTO:

,, ~o. 1~ EXT./INT. MILLENNIUMPALCON ( (EXT. SHOTSOF THETIE - F!GHTERSZOOMING A.ROUNDTHE MILLIDl.N1UMFALCON~ F!RING AT IT. THE FALCOJ~FIRES BACK HI'FTING iJ.fB TIB-PIGH'l'ERSAND CAUSING TffEM TO EXPLODE) I.NTERCUTYI"I'H :

( IN·TERIOR COCKPIT OF MILLENNIUM FALCON. E-XP1/0SIONSROCK T.HE SHIP AS HAN AND . CH!WIE FRANT'ICAI .LY W RK TRE REMOTE CANNON, AND TRY 110 0 u1.J.1.MANEtJ"VER"11:liE TINY FIGBTEHB )1 CHEW!E (BARKSHIS D~STRESS) HAN All right; all right~~- the ooordblates weren't the tie&t, .•. ,

I age.in st t -he s e r ·1gh.te:r:s w,e- •v e more or a chance •.•. -

'

--- -~ HAN(C:OMT'D)

Howev el' s 11m...,..,...... ' ( __ / OHEW'IB (BARKSHIS CONCERNS) HAN You can say that again. ~hie

ts. one Lira 'Day C • 1 . SL you won' t ao0n f'orset ., • , 'Wait ! (MORE) HAN(OONT'D)

I'v e lost control ,of one of' the remo t ,e canno:r.is,. CHEWIE

( BARKS A. LONG, ANGRYSPEECH) HAJT

Calm down ... •.We at.111 have plenty or t 1:me. Sta)' on things here, I 'm going baek to work the aft gun

lilanual ly • Wny dlo I alway- s t b.ink : that ta.k~ng you heme ror Life Day 1s going to be easy? CHEWIE

( BA.RKS 11GOT ME iBOSSri ) (ONE MOREHUGE EXPLOSION SHAKES Tm:M: UP AS, IE!AlfEXITS 'l"HE COC .KPrT A~ID OOES TO THE GUN'rURRET AND STARlJ'S :FIRlHG AT THE PIGHTSRS) CUTTO:

J

..... RE\r• 9/13/7 9, 112I 15 INT, LIVINGROOM (MALLAIS LOOKINGAT THE HOLOGRAPHICBUST OP CHEWY)

( HER MOMENTIS DISTURBED B! A LOUD SN'iORT. WE PAN AND SEE THAT ITCHY IS somn:i ASLEEP INS IDE THE MIMDEVAPOM. TOR)

, REV. 9/13/78 ~3. (A ReD PAT'I'ERNFLASHES ON THE WALLSCREEN.IT IS ACCOMPANIEDBY ANALA~M-L IKE SOUND)

( 1-i'CffY IS RUDEL'! AWAKENED:1 HI TS HIS HEAD Kil.RDON THE INTERIOR OP' THE MIND EVAP 'ORATOR AND RUBS THE TOP O:P BIS HEAD) IMPEnIAL0FPICER (ON WALLSCREEN)

Attention all Viewers • . Due to suspe ,cted

the Emp,1re has declared Martial Law. A blockade has ceen ~et up around the planet. No ships wil l be perm i tted to , land or ta.ke off until tu11ther notice ..

(MALLAOO!S T01 THE HOLOGRAPHICPICW.RE OF OHEWIEAND CLUTCHES IT TO HER ·CREST) MALLA (CRI£S MIS NAMEIN DISTRESS) (ITCHYP l.JTSHIS Alm AROUNDMALLA AND LUMPYCL INGS TO HER)

SPX: LOUDDOOR KNOCK (TREYALL FREEZE' IN TERROR)

} .~!.l. CO~..MEilCIALi l n :14,

COr-MRCIAL~I ti ~3~ >

_) 16/17/19 : _:·JT . LI'JI::O F.OC~-1

(MAU...!\ !.S r;'!f.E FI~T TO !l~OTlE. SHE PITTS TEiE PIC'l'URE r 1'-IBICH .' SHE I S BEEN CLU'I CH ING , BACK)

• .....,.. f...... - . .··--- .. ·- -:. '- 1,••---

(Ltrr ·1PY 7REN GOES TO ~ !'OOR, EUT ITC:Ht S '!·O i"S P.Ii,, )1

(ITCHY GOES TO T'r:E DOOR .i:.:mTII..'IS Hrs HEAJ ':'frPl'ARDS TH~ RJ};Gc: A. , GP.ONTS ~UIETLY) ITCHY

1 11 ( 'l'ES? )

, the ',,iihats:!.t -- ...!l e :mind evaporator , that e 1t, ehe l':1..1ndevaporator?

J,t~L t.tl/I TC HY

(SIGH IN iRELIEF)

( TRADER [HUJN l S ~ T .\: ,@I :,:a Or ;T S ! ~E r.•H~~( A Si~ALL fAC(UQE, Jl.1-!DLf.t.F~::: CAR?,E,T DA:J)

TRA'!'J~R DA~!H

(I..Ol'"tE:1: -TEA:l IS l!.ESOL,r..,:iE,L'Z tECSS.:i.i\RY) Sure glad ·to see you f ol.ks! t , . ( 1.:-0:r..-=:) ~6. TRADER DANH (CONT., D) - ··-- --·- '--~ It's the one place o·n this-~-~ ···planet wher-e you \ ~ I ~..._ l to worry about r 1 nto ~ ' ', ::-,.__ I any Pebels1 / .. om LOOKS A ND) ----...... __~ / ·, . /Tli e tree• have ears , "' / (, ~ ENT?R..9,_AND l':l'CHYQUICKLY CLOSE~ l THE DOOR BEHIND-~~-___.. HIM)- -- ____ L_--.._/, ·------·- 'rRADEft l:lANtl And bow aJ:'18:r!fIY favor1t~ Wookiees

today?. (EVERYONELOOKS GLUM AND NOBODY MOVES) Why all the long, hairy fac~~?

1 I'm here J a.ren t .I? That Imperial Patrol let. me thru.,. did:n ., t the•[? If I mad.e 1 t, s,o

will Ch&'NJ' and Han. Yel •• ~ 11 th iu all the hello I'm gonna s;:e·t? (LUMPYSUDDENLY RACES 'JIOWARO HIM ANDCLU'iCHBS HIS LEG.. HE MAKES LlTTLB OR~ ,OISES) LUMPY

TRADER DANN

) I eah I I know . Whady a br1.ng me,?

1(MORE) R!V. 9=17-78

, TRADER DA:-.l11 ( C•::l,lT ' D ) t Whadya bring ~o? I got

,sor.iething special for you, short stuf'f.

(TRADER DANN TAK ES A G-!FT WRAPPED P'AC:KA,GE E .R-OM CARPET :Si!.G)

'l RADt.R DA'. ri You ~ant it? You got 1e.

Happy L1f"e .Oa:y,

( HE rJIVES ...IJ:'~?Y . T!iE GI F'!' . ..rU'M'.PY HAPPILY SC~3P.~ES U?STAI?S TO Hl S ROON TO :;r :;... 1A P IT ) TnADERDAHN (HOLDINOTHE SACK. liE HAS ON:EHAND INSIDE OP' IT) And for the lovely lady of the house ...

(BE GRANDLYPUIUJ OUT A H0T,l()GR4PHIC MUSIC BOX. MALLA lS THRILLED)

happy :w.lt'e- Oa;! (MALLALOVES IT)

! ; t bii J1 kl -1- I '"L._ :fl!t! I \ fO?S YES\ ( SHE REACH!S FOR IT BUT TRADERi!CN1T LE'l' IT GO)

1 TRADER DAN~J( CONT 'D ) ( FLAYnm WITH iBE:R) Corne on now, What do@s your cld t"rlend get? '

MA!..LA {COOSSHYLY) TRADER DANN W'ell ?

(MALLAGETS UP ENOUGH COTJMGE Atro 0 IVES mRADER DAN A StitA.Lt KISS Otl HIS CHE.EK) I l

(RE GIVESHER THE MUSIC BOX~ HE TURNSTO ITCHY ANDGIVES HIM A FltIEtl!) LY 3 AB WITH HlS ELBOW)

Don I t te ·ll her old man ~illya? .. ( l'RA0ER OA.'mLAllO ftS ) BEV. 9/13/78 50. ITCHY/MALLA (LAUGH) (ITCH¥ IS AN-.XIOOSTO SEE WHAT TRADER DANN BROUGHT W) (~RADERDANN KNOWS ITCbY rs WAI'l'ING '.FORHIS LIPE .DAY 0IF'l' ., BUT TRADER CANNWANTS 'l'O TEASETHE OLD ONE A BIT)

TRADERDANN Itchy. I know what you would • li ke, .• (ITCHY IS REA.DrTO :RE--C1EVBA GIFT)

(WE HEAR A SEEP PROM BFJil D THE PICTURE) ( SPX: BEEP

{ MALLA RUNS TO IT, REMOVES THE HOLOG:RPAHAND BREAK-UPAPPEARS)

) !REV. 9/13/78 51. 19. REBELSCREEN ... PRINCESSLEIA

1(PRINCBSS LEIA APPEARS~ SITTING A.T WHA!MUS! BE . A DESK .AT REBELHQ)

(S1'AND1Na A'l? ~ BIDE IS NONE OTKER THAN -- iC3PO ) umPIDDLES ij!TH THE ADJ"OSTMENTS ONTHE SCREEN) THREEP10 The connection 1s ma.de, m.a'a.m.. You may speak , LEIA Malla,. I ,_m :s,o g_lad to see you!

Happy L1 re Day? MALLA

(UNMAPPILYMOANS) (LEIA LOOiB fUZZLED>~URNS ro C3PO) THREEPIO She saya it ma.1 b@ a happy lite

day: r·or you, bu t she's - seen happier ones+ LEIA (NOT WAN'rmG TO GET I trro THI 3 )

1 I don · t want to t 1e up the char.u,els J · .so would yo,u d,o me a favor and p :!Lease

'b.r1ng Ran s 010 to the s creen1' HALLA

11 11 C tlO CAN 00 ) (LEIA LOOXSAOTOMATICALLY TO C3f0) ) REV. 9/13/78 52 • THREEPIO

She Say S, th.at S,he '11/0uld. like t O grant 1our request~ but that it isn't going to be possible. LEIA

1 ( NOWCO.NCERNED) ,.

yet? MALLA (SHAKESHBR HEAD SADLY AND 1!3ARKB) THRBE:PIO She aaya there h~s been no contact - LEIA (INTERROPTlNQRIM) Yes.JI th1nk I get her message. That Iffll)erial Patrol mu5t be

gJ. "11ns then more , troub l ,& than we bargained t"or. Mal Ia., are · you alone? MALLA

1l'HREEP.IO (A BIT HAUGHTILY) It you ¥111 perJQJ.t me -- 8he say$ no, she's not alone. A good tr1end ia with her. ) LETA Could le com~ to t he screen? 53. ( SAONDAN-- ART' CArurn, A/K/ A TRADER DAN~ •- STEPS TO THE 5CRE!N)

SAUNOAN

Good afte ,rnoonJ ma I am. I 1:m. iSaundant a. local trade ,r, a .friend of the Rebellion and a me~ber ot the A-l1anoe. LEIA Oh, , good. (SWEETtY) I know I can cou:nt ,on you; Trader ..

You• 11 stay w:tth my t:r1 1enc:Is until

tho ir leader r ,~ turns home j won 't you?

SAUl~DAff (EE IS QUITE TAKE WITHHER} Yee. ind eed, .ma1 am! 'l'hatts why r 'm here. LEIA ~hat 1s ve~y kind ot yout Saun.

SAUNDAN Least I can do for a paying

(MALLACROSSES PROM KITCHEN AND HUGSSAUNDAH WI~H OSNUINE EMOTION) TEHEEPIO

She is ex pressing b.er warmth

' to~a~ds the Trader. (LEIA SHOOTSHIM A LOOK,THEN:) _) LEIA I can sa& you're in 100d handat Mall~- I'l l contact you again soon ..

CUT TO: R2V, 9-17-16 55 . 20~ ( MALLA/!':'C::Y ( ''~OODBl'E" )

(TH!E RE:=EL SCR-EE!-1BR~AK-UP A!ID FAD:S ) SFX:

Now••. ~hat's that I sm~ll here? Co •lct it oe scne of the

(TRADER uA~l~i ':'A.;~'S.SA COOKIE AND Mln1C}:SS)

·. - .:..':.-.- -: ..--- _._-___ - -:_: ..~:.:: _:_

('~LA HUGS 'l"Rt-'\DER O.ANNAGAIN)

TR,\DEiR DA?JN On ge~4 I a l most forgot. [email protected]~e just 1nsere this proton pack .

(HE O:?E]JS .B~X !"Z a~Oi.l!'.HLJ Ail"D INSERTS JIACK IHI'~ !U:,;o t:VAfO?.:..TOR)

~.,.,c;-~ ... -:i'!:l_.t (HE SAU.,.1~. .-~ oVEn,.;i, '""-rt• _ -TTc. .tL•-i.A• • _; U \ ,UI-l"'!.'l:'.R DAJr~I CHECXS '!O ~{.~i~:5: :::~J: ::ALLA !Sil 'T Wti.THl~a . r-::-c:{7 IS ?;:;2 Z!..:ED. ~in.ADE~DA ;::r GES~U:RE.Sw:::TH: A. ? U0T'.'.:!E;1 FOR ITCHY ':'O cm-~ CLO:::ER. I !'CHY 00£3 ) 1'.l!RADE.~DANN (AS IP HE IB GIVING ITC'HYTHE MOST X- RA.TEDPIECE OF L.I'l'ERATUREIN THE GALAXY}

( VER't' C'ONFIDENT!At}

TRADER DANN ( C'OtlTI D) I ah • . . I thought you m1ght 11ke t h i s . .. {HE HANDST:.HE CASSETTE TO ITCHY) It's a. real . . . I (HE HAISSS HIS EYEBROWSAND G·IVES I A SOFT., SH.iltP WHI.S1lLE) ;l ••• if' you know wb.at I mean? I j (ITCHY DOES. HE NODSYES) Kappy L1te Day. (AS IP HE I S A DIR-TYOLD MAN) And I mean• .• aappy Lite Day. CUT TO:

j PRE... TAPIE,O

21 ~ ITCHY KIND EVAPORATORS.EGMENrT

.S-FX:

(AS W.E.SEE MUU> ENAPORA'I'OR LOWERING 01V'EH IYJ'CHYIs HEAD)

( IT,CHY'S P • 0 • V. • AS BLAC.K LOWERS, WITHA SUGGESTIONOP INTERIORLENS)

(MINDEVAPORATOR IN POSITION OVER ITCB.' • S HEAD)

SFX : ' CODNTDOWN BEEPS (AS ITCHYPRESSE8 · BCTTTONSON M!ND EVAPORA:TOR}

( ITC liY"S P , O , V. -- AS INT'Ei!UOR L,.ENS BEGINS TO ACT·IVA.TE INTO RING) ,

MUSI C~ ~A'l'ERI ~SP 'ACTEY

(RI:NG WID.EtlS, WE PUSH 'l'HROUGH IT J AS '1'URNING OPTICON APPEARS .. LARGER. AN!DLARGER AND WE 1ilOVETHROUGH A CENTER-HOLEINrTO ; )

MUSIC: C'A.SCADE

1(RUSHIHG WATER-LIKECURRENTS APPEAR* WIT'Hiltl WH!CR ~ SEE TWO PEMALE WAT'BR-CRBATURES )

('l'iEIE CURRENTSTURN IN1'0 A WATERFALL,. OVEfiWIOH THECREATURES TURN, HOVER FORA MOMENT,SOMERSAULT1 AND THEN 1 DIVE Si'R:AI1GHT DOWN) Ora PAN DOWNAS THEY FALtr MORE AND MORiBRAPIDLY~ FINALLY OUT-RACING THE W'ATU)

(THEY LEAD o·s 'I'O A NEW AREA -- WE ARE PERHAPSUN:DER THE SUHF.ACE OP A LAH.GELAKE)

) I know you're aearch1ng tor rne••• ,earch1ng - - searehlng. I am

here. ~ \roic& ia f"or you alonl!. PRE-TAPED 58. MERMEIA I am round 1n your eyes only •.• I ex1at for you.~. I am. in your

:mind.., as you crieat ie me.

(WE NOWSEE DIA HAmil CARROLL3 A.S II HERMEI A" ' MERI4EIA

Oh yea . I ~a n r~el ~• cr @~tion . . - (SHE LAUGHS) ram getting your oessase ••• Arc

you g,e,tting .m1ne2 (ITCHY REACTSEXCITED LY)

M..ERliffil'.A Ooo, we' re excited, are n 't we? J us t relax (ITCHY RELAXESA LITTLE) t'ttEF.MEIA A 11 ttle more ...

{I 1'l'CHY RELAXESJroRE )

MEME A You1 ~e getting there ..•

( IT<:HY, VERY RELAXED) MERMEI A

Wondertu l 4.,. now we can have a good time, can't we? ( ITCHY GRUt~TSAPPROVAL ) MERMBIA , I'll tell you a aeo~et: I t1nd you a.dorab le • , . .... PJIB--TAPED 59,

(ITCHY" S HANDGOES TO CC n'ROL PANEL OM EVAPORATOR. HE PUNCft'..53 A BUTTON) SFX: TAPE PLAYBACKGARB LE MERMEIA _J-- 1":tm:!-...,..._ l'UU ,"'""8:f!orabl@ - - • ., ...... __ - - (Il}lCHY PUSHES BUTTON AGAUI)

SPX: 'rAPE PLAYBACK GARBLB ~RMEIA

I don't n~ed to a&k how you

rtnd rn.e~. • You. s:@e, r am ;your· tan ·tasy. .I am your experience, so e~per1ence me, I am your pleasure, so @nJoy m@. ~h1s 1s

our moment together 1n time. Oh, ' ,.I this that Ne mi.gilt turn rnomt!!'nt I • into an eternity ..• (SHE SLOWLYSPINS UPWARD,AT THESAME TIME SHE RISES FRO THE LAKE AND ENDS kER ROTATION:)

MUSI C: 4 BARS HERMEIA

IF WECOULD ONLY BEND THIS MINUTE

INFI.NITBLY EX'!'EiiD 'rHIS MINOT!:

'!'HEN ! COb"LD L!ViE MY WHOLE LIFE

RlGHT NOW ) (MORE) PRE-TJ\P ..~D - - MBRJ!i!IA(CONT'D)

REALITY IS SWEE'l' T'HI S MINUTE-

CAN'T' WEREPEAT AND REPEAT'!'HIS , MINU~E

WHYCAIJ I T IT' BE A.LWAYS

JUGH'l' NOW

I'VE PARarEDWI~H YESTERDAY

1 YE5TERD.AY ' S MDMEl.r!'IS COLD

ALL I ASKIS

THIS MOMENTTO HOLD

MU.SIC: 2 BAftB

PROMALL MY LIPE I CHOOSETHIS ~INUTE

I WlLL GIVE IJP TH! OLD Arm T'HE NEW

SHARINGWITH ?OU

THIS MI NU'l"ENOW

MUSIC; 3 BARS

I F I CAli JUST HOLD MY BREA'?H

ANDCL-OSE MY EYES

(MORE) PRE-TAPED 61. MBRl".tBIA(CONT ' 1D)

AND NO'!' MAKE A SOUND

WILL THE UNIVERSE STOP GOUlO 'ROUND?

STILL THE mUVERSE KBE!PS QOIMO

'ROllJNDAND 'ROUL'D

AND Cl A i; 0 AND o -

AND ON AND ON

THE HINtrrE I S At "tOS'I' GONE

HOWC lN WE EVER LOSE THIS MINUTE:?

FROMALL MYLIFE I CHOOSETHIS MINUTE

I WILL}raVEn N!E D AN1THIHGMORE

LET . 1E LI'IE FOR

TK!S XINUTE NOW

THIS MI~~OT! NOW

THIS MINUTENOW MEliMIA

(ECHO VOICE ll) {ECHO VOICE 12) TRIS MI mPl'E ~lOW THIS MI NUTE tlOW 'PHIS MI NUTEnow TrJIS MINUTENOW: THIS MINUTE ~IOW .J THIS MDUTENOW THIS MINUTE ;y·ow ... MUS IC'~ X BAHS UNT.IL FADE RE\r. 9- 11 -78 62 ,

( IPCU'l t,,PPC.d:.iJ~SA:m S':'.Jl:UP5 HIS FEE~ WI.TH GREAT Ot1.STO}

(AnT ENJ OYS ITCH.Y'S REACTION)

(:r,1ALL.A.COMES TO'fl'lARD ~HE~ '1'0 SEE r.•lHA'r TR13 COMMOTI ON IS ABOUT) _ -- ·-

1(ART NUDGES ITCHY 'TO C0N"I'ROt. HIMSELF)

(ITCMY l~R:: 'PTLY :? :~r:·: TC ~:rs SENSES AND ST()PS A?PT.,AHDIKG ~NO STJ\MPlNG}

0,V\LLA SHAKES H~R HEAD, T OP.NS A1jilAY, T:AAOER DAN~ WI~KS TO HER }

(lTCBY'S GROG GY WITH SATISF ACTION)

CUT TO-:- 63. 23 •. EXT~/IN'!'. MILLE~1NIUMFALCON (Erl'.. MILLEN?UUM FALCON DIVFB 'THROUGH SPACE HEADINGPOR ~BE DARK GREENfLANET OF KAZ?.OOlt;THE' W0OKIE:B'S H0r-tB P'LANET SYSTEM. (INTERIORCOCKPIT - MIL~ENN~ PALCON, HANAND CHEWIE SI~ lXHAUSTEDIN THEIR SEATS) CHE'WIE (BARKS EXC'lTEOLY) HAc,t

~ld you we 'ii 1119.~eit. tte"" -:t:)\J I ever l et you doMn? CHEr,,,!E (BARKSHIS SE~IMENTS) (AHE G~AWI'wooKIEE RUFFLES HAN 1 s ~~ft) HAN ¥ea l ,.,, I feel the same abeut youMhi~ie~~nd~our ram:,::.:) ·------..- I've ne ve r se e n so muc h Imper i al tr affic in thii5 5ys teo1. We 11 lahd Qn the no ~th side . It should 'be snf e !L"'t:here ..

CHEWI'B

(SARKS) - *REV . 9-2S-?.§. 61J• HAN I know it•s a long walk, but a little exerci ae never bu~t

CHEWIE (GROANS AT THE PROSPECT}

CU".rTO: 23. EXT./INT. MILLENNIUMFALCON (EXT. ~ILL.ENN'IIJMFALCON · DIVES THROUOH SPACEHEADING F'OR ffiE DARKGREE~ PLANET OF KAZ!I.OOF;THE "100KI:CE'1 S HOME PLANET SYSTEM,

(INTtEHIOR COCKPIT - MILLEN!NlTJMF~llLCON. HAN ANO CHEWIE SIT EXHAUS'I'EO IN THEIB S Bit 'TS) CHEWIE (BA'RKSEX'("TT'li.;D LV

HAN ,;__.J ;I told you we'd make i t. ~ I ever let you dol!ffl? OHEWIE ( BARKS HIS S ENTIMEtlTS)

(THE GIANT'IOOKIEE RUFFLES HAN 1 .S i{AIPI) , r HAN -iio@Mlbi I r ·eel the :same abeut you.~~€: yo~ f',. -- take it easy down there.

1 I t ve nev@r seen so rn.uch Imp@r1al

tra:t"t1 .c in th1s system . 1!11.a s CJ.~ -~- . - i "t6~ j,1,(-Vba,a, t!tr, • 1N mo!t"e t roop,a doWTI there than youtr@ uaed to. CREWIE

{ BARKS II DONt r:rTNORRY ,, )

HAN r•11 iJaop , ea o!t cu the North

oide, ---• hou ld be •are r t1>1•1v ~ "- ~ ) CHE\r.11! (BARKS,) 64. HA~ l.i au. it ,, s s lo ng Ofalk, M M Re do you good. You've be@n

orr-world lo~cng •. ,hlll•• a 81U. ~1fe Day., o il J : . as.,,. CHEWJ:E

(BARKS H ~ THAN~S)

COT TO:

~ :'. .

) REV. 9-l7-78 65.

(LIT'.,.,LR.EDWITH TOYS~ ?..APS,. DEYICES 1 WOODCA::\VI NGS , ETC • )

( PRmn :~ErrT Is A. s r;JUFFED BA~lT~..A.TOY )

(THE CRUMPL£D Ci!P'T...,!.f"Rl.PIS o!S!DE ., ft.IM; HE IS EXAMI ~I:NG TRAO:E:R' S GIFT, WHICH IS A l-ll:NI-TM.NSMIT'I'l?!R K.I'i")

(WE HEAR~) SFX: !tUMBLE

(Lut.:PY FR!EZ£S, TH'.E~4BOU'.'-:DS DO W. r THE s~_,_R3}

CU"r TO·:

! ...._ 66~ 25 • I.titT• Lrv rrio Rao:=! /' SPX: LOU01 R01BtING

TRADER DAJl

Sounds . llke a starship I

What ' d I tell yo1i ! Must be Chew'ba c ca now !

( LUMPY iEJfl'E~ g ) - - -- . .. --.~ . -- ..

(MALLA S'fRA.IGHTENS liER HAIR, THEN RUNS TO THE DOOR 1-.NO FLINGS IT OPEN)

(H!'R r JOY wru s Tt?i SHOCK) ,(IN THEDOORWAY ST .A.!lDTWO 11.fFERIAL STORM TROOPERSI • • AND TWO li~P ER- AL GUARDS) -

(FLDE OUT)

> (INTO: IN-SHOWPROMO) 67.

IH-SHo~r PROMO 1:32)

IH-5HOWPROMO (:3 2) 68, BUMPER TTrrLE CA~D) MUSIC) ( : 05) ·

(TO COME) 69. CO~lMERCIAL t2 (2:05) .

/.

,::om,:r::~: IAL , 2 ( 2 : 05)

, 70. BUMPER TT1tle Card • .,,. O. ) ( ~05)

(TC' f l)f4E)

) 71. MID CTM PROMOAIJ D NETW01RKI.D. ( :~6 )

MID CTN PROMOAND NS°TWORK(:=si' I.b.

) REV~. 9- 17 -78 72 . 2 6. lli!.:, r~IV:::NG ROOM

(UP 0~ THE DOORWJH, ~TITH T~fO IMPERIAL OUAJmS A_~:j!) ~.·o ':':lOOP~:F..SST~;Jl)I~ ·W MEt· ACHlOL: . OF ':'Y.E T:•.'O THOOPE~S, OUE TROOfE R re MORE M~;,!ACi i-JO THAtl THE D'l'H?:R)

(. KALLA ffi: C IL S IU FEA:\ AS CUARD OFFICER SPEAKS) - --· - ...,

-·---·· --·------·------.

(THE "FAMII.? LOOKS '_ o TR.!\DE~ DA~N~ WHOP 'OFt THE; t-10:0•:ENT iooKS AS W0:1RIE D li.S THEi A~E)

(GUARDTWO Pi.ASI 1lE.~lfl'lHILE TAKEN' OUT A HA.l~D C011.iFUTER. A:,m ?R=-:S.SEDsm-2 BTJ'l'TO!JS. P.E READS OFF THE DATA) ODA.RDTWO

This un1 t 1s oc Cl.lp1ea by four wookiees .: two

adult ma-es ... 0nil? aaul t re-ma.le ,, and one male child . {A VERYS:i:0~":' BEAT W~IL GUARD OPFI CE'.R LOO i(S AT THE. FA'" -1IL "!.• Th-:: lHJmHORITA'I'IVELY: j GUARDOF.FIC~ R Where t s the o her wookiee ~ale? MALLA (GROANS) ;,. IT 'CHY REV. 9-17 - 78 73,

( BEFORE r,r;r.r.;11C/,N i',!fi!\E A so ;!m, TRADC!? DA:-! STEPS 5'10R!1ARD) TRA;:)ERDA Ni f Of~1cer, maybe I can be nf some help here. (KE TA~ 01AFJ) O~FIC~R ASIDE, CO'NF'IOSN1'IALt Y)

-·------··:. ~ -: ...... - .._.... . ·- --_... - ·.

...:~ ·-- ·

GUAF.DOFF!C:ER

c:soRT O!i' BUYING IT, DIJT STILL r.iA~!)

Wbo a.!'e you, an d what .ere you doin& in t h!& Wookice nouae?

I'm the Trader in th1s district.

Y'~ee, the trut h o f the m~ t te r is

she had a fight wi ·th her husband!._. , ... • .... • _,,._..------•

------~... ' - '

- ·- ._ .,_ ----- .. ~_.....,. ___..._._. f;'Wlllll! .r:· .!"1- =-- • _;_ .. ~ • .. - - -- • ~---1 ~----

GOARD OFF!ICER .. ( CUTTIlJG ::mo~r THB RiWUU,E) Your 1dentt f1ca t1on! REV, ~-1 7 - 78 14.

Wnat?

OtJABDOFF CEP.

I said., , ~•our inden ti t'1cat1on.

TRADER DA~lN / I ' Su.Pei. sure .

/' I (CHJ:.!'HU>TWO ,l!.' •!D 'MEt!AC!~?G TROOF'ER I AFP'ROACH A1JD WAl'CH} I

v·er-y iTiporta.nt., ide,n t i f ica tion. ~lever l eave the :ehop wi tho t 1 t . I Juat 1n case of ti~es - ik@ th is; when s omeono asks who I am. Yes si r ,.

identifica. tion . i:s i m:port ant •

.lo,- .. .

(MENACUm TROOPRRDRAWS M!.S OUN) TRAD£R DA~H He~e it ist right i n t he old belt po uch . Heh heh h@h.

(TRADER DA!l?J PRODt"C!S A. CREDIT -CARD SIZED iIECE OF PLASTI C, HAJtDS IT TO OUAl'lD OFF- CER)

GUA:tD OFFICER !

(Er£ A.DDrlESSES "ElIAOIHG TROOP'En jl.- D G(.TARD TL•,'O)

S@arch tho awclling.

(GUARD OFFI CER J:NS~R':'S TP.E fLll.ST!C CARD u~ TEE BEL T ~ co ;:euT '.ER MID ACTI'l.~TES I T) REV, 9/13/78 75. TRADER DANN

Y's.ee that little ca.se I keep my 1~entit1oat 1on card 1n, Thought that up ~ ·ae l f. I s ,ell quite a

f&lllf ot • em lately. ,Seem=, a lot

o:f us like to ke e·p our things

neat and el~an. It uh 1 any or ou men are int erested» I happ~n to

ba ve .som.e e,:x:tra.s: wi t h mt!. (AS GUARDOFFICER CONTINUES TO IJHBOK THE COMPU'rER READ...OOT ,, TRADER DiUlli BABBLES OH} TRADERPANM Tbat D1cture w~s taken a while ago -- I guess I'v e put 0n a litt-e weight . (F0HCEDCHUCKLE) (CfUARDTWO BQ tJATS OOWNIN :FRONT OF LUMPY. HE COMESOM IKE A REAL PAL) GIJAR.DTWO Hi~ little guy. Nhere'a your

t1addy?

( BE MUCHSS LUMPY ON THiB HEAD.. LUMPY PULLS AWAY ABRUP'l'LY:1 MID SNAPS AT THE GUARD~WhO, PULLS HIS HAND AWA;,!IN THB NICK OF TIME)

{ GUARD TWO ST Al.~DS UP')

GUARDT'WO

These th lngs have .no t"e,sp ec t f'or authority .. ) (HE RAISES H.IS HAWD,AS 'IF TO S'?RIKE t.UMPY,, AND -TRADER D1ANN QUICKLY STEPS BETWEEN THEM) 76. REV, 9-17-iS

TRADER DANN

Say, ma:,be ~·ou kn ow my brot ~er' s

coy ... , • he I s. a memoer of the imperial militia . Let's see, he

101.u;.t b e t r,-rent y-tour, t went y-f1 ve "t,y

nc r. . . great gu:; J ! ove s the se rvi o 1e •

( LUMPY HAS RUN TO f.tA:LLAWHO HUGS iil! •l , AS TRILD:.R DIYERTED Gt1 r~=ln .,.•,m) GUARDOFFICER

. Your id~ntifioat i on 1s in order. l You ean go now.

-·· ( STALL!r1G)

1,fell,, I just ha 1,e a 1.1ttle r.ior~ work to do here, aod then •••

( THINKI NO FAST J um InPRO,IIS ING1 TRADER D~Utf COHTl:m.ras) While .I 'm. f1ni s bing up here; why don't you guys take 1t easy? Wool.dee rood ain't the greatest, but I can t1nd somethin g out here ~n the kitchen for ua all to ~at. You don't m.Ind, do you9 Halla.. ,.. MALLA ,(GRUN'TS) , (TRADER SEES Tri.AT CHi WI IEI S PICT URE IS LIT ON DI NING -RO Or-1 TA BL£. HE S URRE PT I T I OUSLY TURNS IT OFF Jl,S HE S PEA.Ks )

TRADERDANN

1Come, on., M'al 1 a, yo 11 can help me in the k1toh~n. ,. (AS ~dADE:R DANNI S .SPEAK.ING, GUARD TWO WHO HAS BEEU EYUi'G ~ME !L!CT'.RONIC MtTSJf" noxJ CROSS~t 'TO '"ii:' • ND BEOHl!:' PIDDLING WITHIT , P~ER!XG UP INTO IT, TAPJIINO !'"11 0~ THE SI i,•,j;, ~-PG. MALLA IS UFS ET~ IT I S n:R C :i:il"l')

Hey. ~atoh it with t hat thing! •Thia: here 1& a ver.1 deli oa te piece or worklraanship. Th.e· r · slight@ st Jarring can mess up the whole.· wer ks. You wanna play with it. let me show you how.

(TRAOB:RDANN CROSSES TO THE MUSIC BOX, MEN~CI~G TR0OPlR IMMEOtATELY D·RAWSHIS Gtl?JJ AS I'F TO PROTECT GUAJIDTWO) Relax, I got t a turn it on, don't I?

1 ( TO GUARD T'WO)

Just sit back and enjoy it. (MENACI~G TROO~ERW ATCHES WARIL Y AS GUARD TWO FOLLOWS !RADER DAYll'S Ilf STRDCTIONS) Okay, here we go.

(TRADERQANN DOES NORTON: SHTICK IH PREPARING'.00 TURNON THE MUSICBOX)

... 78. ,(AFTER A SOIT.A'.9LELEHGTH OP 'l'U-!E, FI RST TROOPERGETS PISSED O~F THAT NO,THitlG IS HAPPENING AND STAMPS HIS POOT)

GUARD TWO ,(EXPLODING) ) Will you get on with it? 'FRADBRDANN

Okay,. o kay!

(TRADER DAMN 'rfJRNS ON' THE MUSIC BOX) PRE--TAPED 79. 27 . ~SIC BOX: JEPPERSON S'TARSHI:P

(THE' ,SET IS A COUSTJU!lTLYCHANGING PATTEM OP LASER BEAMS)

MUSIC: 3 BARS ... CYMBALS

MUSIJ~! 2 BARS

~USl_C:

FLY UNIDENTIP!EDIF YOUWANT TO

BUT I WOULOREALLY LIKR TO KUO~

WILL YOUL1GHf THE SKY ON FIP..B:

WILL YOU LIOlfT T'HE ?-11OHT LIKE YOU

DID THE NIGF!TBEFORiB, BABY

YOU 'rA.KE Z.IBHIGHER

THAN 'I'HE DIANONDSI H THE SKY

TA.KEME 1oLIOHT IN THE SKY

ANDWE'LL VANISH TilTKOOTA TRACE J 00 CIGARSUA.PED 1 OBJECT

MUSIC:

(i'RQOPERSHOT) (MORE) PRE-TAPED Ba.

JEFFERSONSTARSHIP (OON'l'.'1 1D)

!40S IC .: 4 EARS "00 t, PI GUKE

TEMPLESAND PYR.tl.flDS '!'.BEY SING

(OVERSHOULDER OF TROOPER)

KNOWALL TRERE REALLY IS ro K~OW

"l LL YOU L,IGH!l' TBE SKY ON FIRE

WILLYOU L I OHTTHE SKY ONPIRE

AGAIN TONIO!iT

YOOCAN TAKE ME i:E:IGHER

'l'HAN THE DIAMONDSIN THE .SKY

TAD ME, LIGln IN THESKY

AND1 WEI Lt VANISH Cfi1'U0UT A T·RACE

00 CIOARSHAPeD OBJEC~

MUSIC:

J (MORE) PRE-TAPED 81. J!E~FRRSON S T:ARSHIP (CONT'' D)

OF THE ooo•s

WHO CAME !i'RO)t THE STARS

ANDTHE LEGE ~m SAYS'I'REY WILL CONE!ACK

AGAIN S0t4EDAY

SOMENIGHT

MUSIC: 26 SAR GOIT.ARINSTRUME~A L

WILL YOULIGHT ' 'l'HE SKY ON FIIRE

WI.tL YOUL IOHT THESKY LIKE YOU

DID THENIGHT BEFORE

) (MORE) PM-TAPED ,

,JEFFERSON S-J:1ARS,HIP ( CONl'' D)

YOU CAN TA!CE ME HIGHER

'nfAN BIG DIAMO~DS IN THE SKY

TAKEME LIGHT IN THESKY

AND'WE'LL VANISH WITHOUT A TRACE

00 CIGARSEAPED 1 OBJECT

- ii -

YESJ1 I WOULDREA.Lt y LIKE 'l'O ~~ow

WHATARB '?HEY WATCHlNG US POR

YES, I WODLDREALLY LIKE TO ao.

WILL YOO LIGHT 'l'HB: SK-Y ON PIRS

WILL Y'OULIGHT TH'.E SKY LIKE YOl:f

DID TEE ~IGh""I1BEFORE

YOUCAN TAKE ME HIGHER

TAKE ME.I I LIGHT I?t THE SKY

AND WE' LL VAKISH 1.wITHOUTA TRACE

00 CIGARSHAPED OBJECT

(MORE) PRE--TAPED 82A.

.JEFFERSONSTARSHIP ( 1CONTt D )

OHYEAH , VANISH 'WrTHOUTA TRACE

OH YB'AH, VANISH WITHOUT A TRACE

1 COMEON 11 " C0"1:E OH, COflE 0N , COMEON

V ~NISH ~'!THO~ A ~ , c E

VANISH WI'l'HOO'FA TRAC,E

MUSIC: GJJITAR 11ADE

J, RSV, 9/13/78 83. 28 INT, LIVING~RO0M (GUARDTWO FINISHES WATiCHINGMUSIC BOX, SMILES) TRADERDANN

I kn ew you'd Il k~ ft,

(lNTERRO'fTI ~G) Your wor-k here 1s f ini she d. You may l ~ave, now. TRADERDANN Yeah, I guess you're right, (RE TURNSAWAY FROM THE TROOPERS MID GUARDS .A?i:DLOOKS S!QNIFI CANTLY AT M,I\LLA)

I 1 ve done all 'I ca n for now,.

TB.ADER DANN

Well, I hope you guya rind wihat you're looking ror •• . ke ,ep up the good wor k.

Malla 1 Itchy~ I' ll see you aoon4 MALLA/ITCHY

(GROAN) (HE 0OES OUT THE OO0B}

J GUARD 10FPICER All right, r1n1s.ri ~earohing t ile .... prem:1aee, .... SIL

( A1'1DTRADiER DJ.NN 'RrTr-RlliS) TRADER DANN I forgot to leave my card with you, ,

in ease i,-rou n-ee·d any supplies ,. (MEN.AC I NG TROOPERD'RAW ,S ti IS €UN) TRADER DANN Okay , okay ,, I 1 .m l ,eavin g . l. (HE GOES) ~ME~lACIN.G TROOPEft S CWS HIS 13UJJ AGAIN) / OUAiRD OFFIC~:i. Invest i gate ·t;h@' upper in•ea. Chreick .for I

an1 rebel PJateri a 1., a.n,;,• th 1ng to co·Me ct this household ·w!th t~@ Alliance. ( TRADERDANfi CO!iffi.S BACIK) T'RADER DANH Listen, don't forget about tbosie · protective e.a._ses .fo ,r Ident1:f1ca t1on cards. I got a good item there. (MENACINGTROOPER DRAWS HIS GUN ANO COCKS, IT) TB.ADERDANN ( OONT11 D) Thatts it. I•m gone . (HE RUNS OUT TJ=IEDOOR) aUARDOFFICER Finish the aeareh o~ this house . W,e have other places to cover

today . Y.ou , t a.ke· the UiPPer a.re a .

(THE MENACING~ROOPER HEADS FOR THE STAIRS) ( LUMPY IS JI.NGRY. THATI S H15 HO(P.11!UP THERE) lUJfi'Y (GROWLS} (THE MENACI~O 'rROOPE:RTRIES TO IGNORE hIM ) rum00 PA.ST) LIJMPY (OROWLSLOUDER) REV. 9-17-78 85.

{r,U?-tPY .BARES HIS TE~TH ~ GUAHD TWO r-· RAISES HI 3 HANO i'O STRIKE LvNf Y • LUMF'? Al3RUPTLY T,11-:ESIL UP AT G'!JA:10TWO NHO PULLS HIS HAND EACK 11-1 THE NICK OF ~I:-IB)

(GUil\RD TWO OOE:S AF1l1ERLU~TPY AND JUST MISSES GRJ..EiUi;G lil! l • AS LUMPY GOES UNDER TilE TABLE FOR SA?ETY. GU.A.RD Tl-JO Kl CKS t..- LU.-,!PY ~.mDER TH2: TABLE SEVEFU\'L TI MES• AFT~ HE KICKS LCJNPY REAPPURS FROM U!IDER mHE~A BLE, BITES ''l.1HECt.JARD UJ THE LEO Ar1D Duc~:s BACK UNDER THE TABLE. CH1ARDT'HO REACT S IN Ph TN• TTCJ•,; r,,_.;-- ~.:r, ..... ,•,..., 1"!U:1'!'?1) 'l' ' ·r . NENACIUGTROOPER D:1AWS HI.S GU~. ITCH? STOPS HIS SWI G , .S.!:Sl!IG TH~ GU~1. GUARD OFFICER s_ops ltE~JA.C!NG T!\OOPER FROM USING OUN) OUARDOFFICER ("l'O MALLA) We don't want to have to hurt anycn~ ~ That• s net lii'lhat we• re here- ror. But ,• Yhen :my en ge ·t angry,, I oan,t always control them .. ---~I'

._

·-.-~-I

GUARDOFFICER

(TO ITCHY)

We are goin~ to search . Noi,,,,, k eep . him q~iet a nd I ' ll forge t this over

hap ,p a ri.@d. _.. ------...... __. ____-·-

(LUMPY GOES TO VIDEO .BOOK}

... 86. LUMPY (GROWLSSO FTLY)

(MALLA flANDS HIM VIOEO BOOK AND TUMS l'l' 09 ) (MENACINGTROOPER #1 AND TROOPER12 GO UPSTAIRS AS WE GO I NTO! JLNIMATION- PART I

..

\ I

... (PRE-TAPED)

,c;~9 I AN! !ATION - PART I EX'l.1. SPAOE

fiEBBL SPACE STATION AND A COUPLE 10P REBEL STAHSKI!PS DRIPTitfO SL01"1LY. INT. A SM.ALL. REBEL SPACE .STA'I'IOti COWI'ROL ROOM ·- LUKE, LEIA ., RaD2:. C3 P0 AND GENEBAL RlSTT ARB GROUPED .AROUNDA L RGE VIEWING OOlfSOLE. TKE CONTftOLtERtS BA('K I $ ,Si:~N I. T i HE CON itO!,S • GENERALRI:STT w~ IIJUS,t move on before e.n. Imperial Cruiser d1acovers ue, LEIA Hao w1ll brine; back the Tal1a:man. I ICnC'il 1 t .. aBNEML RISTT so le •·if! a moreenar:y J l wou_dn ' t tru.se him. LUKE Han's ~rQve n h~a leyalty. fe~d never let the Talisman rall into ImtPerial be.ms ..

R2D2 .Be,epe, and wh1otles. C3PO The Talistn.an? It makes thing~ inv1~1ble I th1nk4 R2D2 ·• A short tone. CJPO Yee,J even you.. Wh1 0h I th lnk mJ.gh. t be an impr-0ve ,m&nt,

COM. 0 1PEF.AT0R Wet ve p1cke ·d: up :something~

ON THE SCREEl'i WE SEE A DISTOHBED P ICT URE OF TH£ MILLEtUUM FALCONSPEEDUJG TRROUGHSPACE~

. LUKE I Itts the Millennium Falcon. I (CONTINUED) 88. (PRE-TAPED)

THE COM}{UNICAli!:'lQl.IS OPERATORWORKS AT HIS CONTROLS. COM.OPERATOR They 're coming out or Light ,S,peed., I can't make contact. CIEN.~,,.L "HIST-T Try a. low ,er channel, TR! OPERATOR5WIT'ClaiBS CHANNELS, AND WE SEE AN EQUALLY DISTURBEDPirT'UIRE OF CHEWBACCAl;)ILOTJN'Q TH! MILLENNI1M PALCO!~AND BEHIND HIM ~.c. S~E tllAl'4 .SOLO .t:t:ANO.IHClEiiS lD~ oor,.N'BY .HIS HE!,I.S ..

COM. 10PEM TOH :Falcon do you copy'! Come in Pal ico,n. LUKE It' 18 Che,w.1e-~ But where's Han? LBIA I '!'hat s him? J ' hang.in e: upside down ! COM.OPERATOR I can• t- make radio coQtact. ••• GENERAL ,usTT He's on a co111a1on course! LIGHTS BEOINTO PLASH, ALA:aMSSOUND . GENERALRISTT The Wookiee has killed him, and now he means to ki l l UI t~Q. COM.OPERATO~ ~aleon do you oopy? GENEML JUSTT Shoot hillll down! LUKiE No, waitl It'a 11!:IPosalble••• Chewbacaa 1s devoted t• • R..:;m. LEIA "~atever he's doing~ ttiere muet be a rea ,ao n.. Held · your fire. COM.OPERATOR ) wetve lost all contact:, Sir .. 1 ( PR,E.... T APBll )

EXT. REBEL SPACE STA1'I'ION 1GEtirERALRISTT Stand by. Tn.e Pa.lcon is cl4s1ng ta.et.

'rHE MILtENNI UM FALCO~l SHOOTS PAST 'I'HE REBEL SPACE STA'.rIOiN' AT VEBY CLOSE HAN'GE AND CON'TINtr'S OFF AT GREAT SPEED ..

LUKE I'm go1ng after them%

I~;T. REBEL 5.PACE STATIO~l COHTROLBOOM

L'.BI~. Luke, take Artoo With you. R2D2 Beeps ,and. whle,t_es tuadly,

Lillm What'd ne say? C3PO I.f 8ome·th1ng has happened t• Capt. Sole and Chewbaooa 1B alon~, you rill need me to in terpret ..

EXT. I-WING FIGHTER

LUKE IS POM UING THE ILL~l, IUM FALCOU, WE SEE THA'l' HE IS GA!NINGON THE FALCON.

EXT. FAtCO~ SHOTSPROM THE FALCON,TOWARD THEY-WING PIGHTER.

! N'I'. Y-WI~GPIGH TBR COCKPIT

LUKE IS IN THE FRONT SEAT A1Ul C'3PO 1·s IN THE BA1CK SEAT. R2D2 JUDE'SBEHIND, OUTSIDE. CJPO s1~. he's firing on ua. LUK! I knowjjl but I' don't think he means to hit us. Chewle'a a better shot than that! ) . C3PO Look; hie"'s speeding u.p. We're losing hi.m.

(CONTJWED) (PRB-'l'APED)

OON'I'INUED:

LUKE Not for long ..•

HE PULLSBACK ON THE THROTTLEAND SWITCH:ES ON HIS COM LINK.

LIJKE ~1s , 1s Y-4 to Base ••• , He ts he ,ad .:1ng straight or a moon 1n·~•• (CHECKS HIS CHART). , • • the Pana System 4

EXT .. THE YATBR PLANET

THE MILLENNIOMFALCON APPROACHESTHE WATEil:PLANET AND C'MSHES IllTO THE WATER. HIS SING JU D STEAM, THEN S ILEN'C! .

BX'Ji'• THE Y-WI NG TBE Y--WINGFIGHTER APPROACHES THE SAMEPLANE1'. TH.ERE IS ,CONSIDERABLETUHBULENC"! •

INT . Y-VlNG COCKPIT OONTIHUEDTUitBOL!N~

ttrKE Hang • n Art ,o o •••

CJPO What a~out met I'm going to shake apart.

INT. REBELSPACE STATION LEIA ANDGENERAL RIST'!' ANDCREW ARE STILL AROUNDTli! C0N,SOLE.

LllJKE (V .o. ), We'll8 approacb1ng - -- - (GARBLEAND S1'ATIC) We 1 :re fo ,llow'.in g - ---- ( A CLICK AND SI LENO!) C'OM4 OPERATOR We loat them~ . . ( PRE ....TA PED) EXT. Y.-WINGFIGHTER LUKE Bang on, ~hreep1o. We1 re going 1n.

C3PO Are you sure tb1s 1s the 'bea:t w,ay, Sir?

EXT. THE WATER PL.AUET THE Y- TtllN'G FI.GHTER zoo~ygI~ THE CRASH LJltUl·.S INTO THE WATER.. SOME HI SSlNO AND STEAM1 THEN 'THE SHIP CON'I'IMUES TO FLOAT O 1 "rHE WA'l'F,P . F.[.,O~T~Tif1 DF.VlCE~ ACTI VA.'rF..

INT. THE Y-WI1JO FIGHTER COCKPIT

TJm TlfflE'E PASSENGERSARE SLICJJITLY A.SKEWFROM THE HARD LANDING·. CJPO Master Luke, Sir, are you &Il right?

L'CJKE Yes, How about Artoo1 R2D2 Beeps :f':l'lom outside. LUKE (trying the ~adio) Our ccm-11nks are out, we oan't contact the base. (s1gh ot trust~at1on) LUKE OPENS THE: CPJ'JIOPY • C3PO Where are you going. sir? LUKE To see .if I ean locate the Falcon b:, v1eual sighting. Maybe it ts al ,ose by • . •

EX'T.. THE Y-WING li'IGHTER

THE Y-WING P1GHTER IS FLOATINO lN THE WATER. THE CANOPY OPENS AND1 LUKE EMERGES ON'OO THE SMALL FRON'l' AREA OF! 'THE SPACE1IGRTEB- - -

) ( OON'l'INUBD)

... (PRE-TAPED) 92. CONTINUED~

, SUDDEHLY~- OIAJtrI' SEA DRAOONSHOOTS UiP OUT OJI TltE W:A'l'ER ANDBEGINS ATTACKING TIJ:E SHIP .. LUKEDRAWS HIS LASEROUN AND FIRES~ BUT THE SHO'l'S JOST BOUNCE RI GRT OFF ~ MONSTER. LCJKBHASTILY CLII4BS BACK INTO THE SHIP J JIRING OVER HIS SHOOLDE'R TO DISTRACT THE MONS1'ER. HE CLOSES THE CANOPY. JUST AS THE MO~lSTBHWHACKS THE SHIP WITH HI S MASSI\fE HEAD•

INT. THEY-WINGFIGHTER

:.Hl:....::oc 1c·: '!' v i · ' J E '--' ...HG Fit.thTER. CjPO and rt2D2 ARE AGlTATEDAS THE SHIP CON'I'INUES TO BE BUl'FE'l"EDBY TEE WATERMONSTER 00'.t'SIDE. R2 IS OUTSIDE WI'm THE MONSTER ANO WISTLES WILDLY. WATERBEGIMS TO LEAK IN THE TINY COCKPIT.

LCJKE Artoo, stand by to fire the Ejection Pod.

C3'PO And hurry, Artoo, or ~e 1ll ~e deesert soon .

EXT. THE Y- WING FlGHTER

IN THE rf1ATER, TBE MONSTER NEAHBY. THE MONSTER RAISES HIS POWERFULNECK, RBADYTO SMA~HTHE SHIP. THE COCKPITSEC~ION OP THE SHIP IS RELEASEDFROM THE ENGINEOF TF.E F'.IOHTBRtJUST AS THE MONS'TERSMAB~ THE REMAINING PART OP THE SHIP. THE cooia,IT .SKIPS ACROSS THE WATER. THE rito:,sTER STA.RTS TOWARDIT, BUT A SECONDWATER M0t1STER APPBARS, THIS ONE WITH A RIDER DRESSED IN A WHI'TE SPACE SUIT RIDIN G ON RIS BACK. TKE RIDER HOLDQP A TUHING FORK, ZAPPINGTHE PlRST MONSTER, 1 HICH DIVES DOWN I N'T0 'IliE WATERII OUT OF SIGHT.

EX'l1., THE COCKPIT THE COCKPITPLOA~ING IN THEWATE~. LUKE.EMERGES THROUGH THE HATCH IH TIME TO SEE THE SUPERTROOPERZAP THE MOfiSTER.

) C3PO What ia 1·t Master Luke? (COMTIMUE.D) (l'RE-TAPED} 93 . CONTINUED~ LUKE I Im not sure~

THE RIDER APP~OACHESOt1 THE BACK OF TIIE. CREATUBE. HE IS 80BA FE'f'l'.

LtJlC You .s:a.1ted my ll!"e, . I thank YOU+

BOB.A. You are a.lone ?

LUKE I have two dr-0 1de . We •· ve ct me :ln l!leareh or a. ship that era.shed near b~re . BOBA Maybe I can he-lp you. I a.mi Bo'ba Fett. Th@&hip you seok is nearby.

EXT .. REBEL SPACE S'l'A'TION

LEIA (V .0 .. ) From Luke' a last po.al t1on~ and: the elapsed time until his di aappaaranee, he mu~t be in the Pana System. GENEHjL RISTT (V.O.) Yea, but wh~ref You well know there a:re seven planets 1.n the Pana S:yatem a.ndi thir ·t:1-r1ve moons. Wet ll neve~ find them, they will have to find us.

:EX1!'. THE PLOATIHG. FIGHTER COCKPI .T LIfKE ANDBOBA ARE STAl4DDIG OM IT~ BOEAI S CREATUREIS SWIMMINGNEARBY .. THECREATURE SEEMS TO BE TRYINGTO A'rTRACTTHEIR ATTENTION, MUDGINOTHE POD, BEGGINGFOB :SOMETHING.I.UD AJD EOBATALK. LUK! Are the Imper 1 al TN ops near th 1 e, planet? BOBA They are her e:, friend • And vowlng more powerful. ) LUKE How f'ar away? i(CORTINUED)i (PR£-'l'APEO) 9~.

COl-lTINUW :

SUDDE~t'l J !,OBA WHIRLS AROUND AND HI'l'S 'l'HE CRD'l'URE,. WHO HASBEEM BOTHERING BIMt SQOAREIN THE NOSE. iBOBA Settle do~n~ All they do 1s eat.~. LUKETAXES SOME FOOD PROM HIS BACKPACKAND FEEDS THE CREATURE.,, WHO EATS IT HUNGRILY•

LIJKE Th .is ~ n 1: ...,e ,ave t-,"l'rt- , 'I-in . h,., t s welcome to it. BOBA You aro foolish to wast:e- your kindness on this dmn.h creature. Mo lower 11:re form i s worth go:lng: hungry tor .. ,. fl"iend . I take it you ha. ve no love · ot the .!mp ire? LUKE I do:n. 't. BOB.A. 'fl ell t mti t'he r ' do T. I t will b~ easy to find tbe rship YOtl see ,k . Fi0llew m,e, f'r1end.

BOBAJUMPS 0~ THE BACKOF THE SEA CREA'l'VRE AS Lt.TK!:GOES :SACK IN'r0 TAR, COCKPIT •

INT . THE EJECTI OiJ POD

THE EJEC'fION POD IS MANBUVEID\BLEAND HAS POWER, LUKE l S PI.LOTI UG, CjPO NEXT TO HIM~ R2D2 IS IN BACK. C31PO Don• t you ttiJ.nk 1 t might be 1:mpl"Udent to trust him so quickly• Sir? LUKE He's our· onl y chanoe. And beside~~ he Bl9'ems lik~ a .friend.

ft.2D2 A sing l e tone .

C3P O Indeed .. • Friend. • ts merely a term that is otten ffl13u~ed. LUKE Did R2 ~~y tbat? .... (CONTINUED) 95,

,. •. ( PRE-1'~1\PED ) . ..,. ;

C3PO Words to that ert ,ect.

EXT. THE WATERPLANET TUE MILLENNIUNFALCON IS FLOATING IN THE VATER. BOSA ANDTH E SEA CREATURELEAD LUKE IN THE FOO'l'O THESHIP, 'THEN WAIT NEARBY.

file'!'. THE MILLENNIOM FALCON LUKE AJffi THE ROB

INT. THE MILLENNIUMPALCON

HAN SOLO IS S~ HANGI NG UPSIDE DOWNAS LUKE AND 'l'HE ROBOTS ENTER, GUNS ORAWH • AFTEH A MOMENT, BOBA EH'l'EBS ,

CHEWBACCAIS VERY AGITATED, MAKI m DISTtmiBED NOISES, AS HE HOLDS THE TALISMAN IN HIS BANDS.

LUKE Chew1e:t yo 've e:ot the Ta-ieman. CHEWBACCARUNS DOWN THE CORRIDORA ND THROWSTHE TALISMAN INTO THE REACTOR, 'WHERE IT IS DES'l'ROYBDIN A FLASH OF LIGH'T, LOK! What ·a.re you doi ng? ,SUDDENLYLUKE COLLAf SES AND FA.LLS TO THE FLOOR. CHEWBACCAIS NOW['lf0RE DISTURBED THAN EVER. HE STARTS 'IO ATTACKBOBA. LUKE (~agging to rloor - balt uncon~cious} The Talisman •••

C3PO Boba Fet. No! He's . a .friend. BEFORECHEWIE CAN ATTACK BOBA; HE IS TIED UP BY A CABLE THA'l' .FLASHES OUT OF BOBAtS , TECHNOLOGICALSPACIE U?UT.

) . C3PO Don't htU't him. Boba, Sir. ( OONTI~OBD) (~B-TAPED) 9tL. CONTINUED: ! BOBA (po1nt1ng to Luke) What did he do to h1m? BOBAREI.rEASES THE WOOKIEE.

R2D2 Blips • w:h1.e t l ,es •

C'3l?O Ht ' didn't do anythi n~. R2'D2 has deteeted c Ot'Jtam ri 'l t cri , It !T.ll.S - tit. ve c ora,.e - !T, t he Talisman. B2 says 1 t ':e 210:DE kind of sleep1ng v.1ru.s that only .arreats humans~ CHEiilBACCA FICiCS LUXE UP A~fD S'l'ARTS TO HUfG HIM UPSIDE DOWNBESIDE HAN SOLO. R2·02, SElUtlG THI S• BEEPS J\ND WHI S'l'L£.S AND MOVES A:ROUND AGITATEDLY•. CHEWBACCA Smmds. C3PO He aays t.he only way t:o keep them alive is to let t he blood rush to th@ir heads. BOBA I know this Sl e~ping Vir us the Empire uses on 1ta en9mles. Jhey have a remedy ror i t in t he c1t;pi. I ci an get some :for· you.

s.-1.mda.

C3:?0 I• ffl atra.J.d 1Che-wie 1n :s,1atB o.n going wi t h yo,u. BOBA You w1ll o,nly get in the way. 4. but it y.-u must: J · come ,on ..

EXT. WATER PLPJi1ET

1 BOBA /UID OHEWBACCA ARE RI DI NG ON THE BACK 10F iffm S,EA CREATURE,TOWARD THE CI'l'Y. BOBADRIVES THE CHEA'"l'tTRB MERCILESSLY, LOTS OP KICKIHO AND WBI.PPING AND C!UJELTY. C'hEWBACCAGROWLS WITH EACH INDIGNITY, BUT B01BA IGNORES )1 HIM ANDCONTINU ES. CHEWBACCASNI~P3 BOBAAOAIN, COCKING HlS HE.ADINQUIRINGLY, AS THOUGHKE REOOQNIZEB'NIE SCENT BUT CAiN'T QOITB PLACE I'll.

1,;_. (COK'I'IMDED) (PRE-TAPED) 97.

CONTINUED: 'l'HEYAHRIVE AT THE CITY. rT IS rtOATI NGWI'?HIN A HUGE BUBBLE, WHICH IN ~URN IS FLOAT'INO OR THE SURFACE, OP THE WATERPLANET. mHEW,.TER 1S FULLOP SNARLING,UGLY THINGS.

EXT'. THE OUTSIDEOF THEOITY THE SEA CREATURELE'l'S BOBA AN D CHEWBACCAOFP, ANDTHEY START' TO CLIMBINTO THE C!TY THROUGHAN EXHAUST VENT. BOBA AND CHEWBACCAEMEROE PROM THE EXHAUSTSYSTEM IN 1TO A KIND OF' PLAZA IN THE HEARTOP 'I'RE CITY, IMPE IftJ , :'.'ROOPSARE. VERYWHERE. TREYSLIP INT01 A KIW-lOP ALLEYWAf 0PF THE PLAZA.

B0BA SPEAKS SLOW:AND LOUD AS IF CHEWIE WERE !lAfID OF HEARING, OR STUPID ••• W'HICH!iE ISM'T. BOBA Yourd better stay here ~hile I get the ee ,rum. CHEWBAeCA ( starts forward) (Sound~) Orowla. BOBA (push@~ h1m back) I said atayJ friend, Luke trusted me; and I I m your only ohs.nee ot getting out ot here al1v ,e. Do you understand me? CKEW9ACOA (More e...,1,.nds,, a lit tl ,e more moli.fied) BOBALEAVES THE ALLEY AND SURREPTITIOUSLY ENTERS A ft.ATTYOLD D:R O STOREON ME li'ARSIDE OP THE PLAZA..

INT. DRUGSTORE THE DRUGSTORE IS RUN BY A RATTYOLD ALIEN. BEHIND HIM A RE MANY KIN DS OF' S,UPPtIES , THE At IEN WATCHE.SAS BOB,A QO'ESTO THE TELEP.ORTERVIS OALPHO! SYSTEMAND iP ONCHBS A SERIES OF BUTTONS. AFTERA MOME.T OP 1 COHNECTION- 1 ~roISES , DARTH VADER APPEARS ON i'HE ,SCHUN. REV. 9/13/78 98. 30 • .INT. LlVING· ROOM

( LUMPYALARMED~ ARD BE.ACTSTO DARTH VADERWI'l'H A BARK)

( GUARD OFFICER HEA.1tS I'l', Al.JD C 0~£8 OVER TO LUMPY)

r(KfMID OFFIOEf! What 1a 1 t now?

(BEli'OHEHB CA.H LOOKAT i'llE VIDEOBOOK acRSEn ~ tOMPY BITS .A C-ONCEALBDBUTTON , 1 AND THE SCREEN IMAQKCHAHCES TO AN INNOCUOlfS GAME)

,(LUMPYHANDS 'r1m BOOKTO OUA:RE>OFFICER TO LOOK A'l')

GUARDOIPPICE.R Ia that all? Just aom~ silly game? You wootc1ees are l"'@ally strange.,..

FADEOUT:

) ( I.N'l'O: COMMERCIAL liOUR) COMMERCIALI 3 f 2 :C)5)

'·

C0?4MERCI AL IJ_ {2:05)

J 100.

BUMPER [Th@ card~ V .,o.) ( ; 05)

(TO COME)

)

,. 101. NEWSBREAK ci,ooj

NEWSBREAK c1~i00>

) 0 2 I CTNPROMO & NETWORKID (l:~6)

C'rN iP'ROHO &­ NffiO!lK ID ( l f2°5)

) REV. 9/lJ/78 103. 316 INT. LIVI tiG ROOM

C!UARDOPFI 0:ER

Her ,e J kid • Keep play1n;; your game , but no more barking.

~ f~1 end!s don t t like that~ {HE 'l'OtSSESTliE VIDEOBOOK BACK TO LUMPY) (tiUMPYCHECKS TO MAKESOU GOARDOFFICER Hi\~ Tt1F1. -L' ?!Ir 3.1\C- ~ 1 • L~~ ·u~HBS ~ ~ UT'l'UN). ANlMATIUN- PAflT rI n5AGES 86 tb~u 88) CUT 'i'O:

) 104. ('PR!-TAPED)

32. ANIMATION- PT. II INT. ~HE MILLE~NIUMFALCON R2D2 IS CHECKINGTHE SHI PS C0:m'R.OLS AND C3PO IS CBECKlM0 LUKE'S CONDITION, CJPO Yea. th@i r metabolisms a:re· slowing down.. I wonder what's keeping Chewbacoa.

R202 (.SudC:c 'i. , : ..~ w~....c. Jitlef> J

WESEE A ROUGH,BUT CLEARENO UGH PI CTUREOF BOBA TALKnlo WITH DARTH VADER.

DARTHVADBR •Good work , but I want t hem al 1 ve • Now that ycu ' ve gott en t hei r t:r ust, they may t ake you to the~r new base . BOBA This time we'll get them al l. DARTHVADER I aee why they call you the best Bounty Hunter in the Galaxy . ARTOO SWITCHES OPP THE SCREEN AlID BEEFS AND WHISTLES EiXCrl'EDLY. C3PO Oh ne, what w11 we do, now?

EXT. 1'HE CITY THE ALLEY IN TB CITY, WHERE CH:SWBACIAIS STI.LL HIDINO. SOME IMPERIAL S'r0RMTROOFERSMARCH MENACIN0LY PAST THE ALLEY. THEIR SCENT WAFTS Ill TO CHEWIE. HE SMELLS IT MID GROWLS,.JUST AS B0BA RETURNS• CHEWIE AGAIN SNl:PPS B0B,A, AND HIS EYES NARROW TH SUSPI CION. B BA We muat lea11e quickly, friend. BOBA GESTURESFOR CHEWlETO IJOLLOWHIM , ANOTHEY S'l1AR'l' TO 1 SNEAK OUT OF THE CITY. TJfEY ARE SPeTTED BY A STORR TROOPER ( CONTINUBD ) J (PRE-TAPED) 105. CONTIN'l[]ED~

'THEY LEAPONTO THE BACKOF THE CREATUREAND HEAD POR THE MILLENNIUMFALCON. 'I.'HE TROOPiERSF'OLMJW IN A ROCKETBOAT. BO:SAF 'l!RES AT 'I'HEM~ AND MISSES. CHEW!E DRAWS HIS OUN mo FIRES AT THE TROOPERS. HE HITS TiiElit DESTR01YI NO THE ROCKET OOAT. · 1 INT. THEMILLBNH!'IJM PALOON CHEWBACCA.AND BOBA ENTE R• . BOBAIS SPRAYINOTHE ANTI­ COWI'AMIHANT;PBODUCrNG CLO UDS OF MIST ANDSMOKE. THROUGH TRE CLEAHI.NOMIST, WE SEE cREWEACCAIN ,JEC'TING HAN AND· LUK! WITH ~ S::!.IU:::.'UlD RI:....:::A: :? ~'J TREK FROM UfS DS- C.,C.."W'N POSITIONS. AE'l'OOAND 'l'HRE:EPIO ARE NOWHJi;RBTO BE SEEN. HANAND LU KE B.EGINTO COMEOUT OP THE 'l'MJJCE. C)PO ANDR2D2 ARE CONCEALEDAND OBSERVING THE SCENE

BOB.A Are you all righ t ? LUXE I ' m not sure~ !iAN Luk@t what happened,

I don I t kn ow , HAN W11tll~some~odz rnul!!ltknow aom.eth1ns ~

CHEWIE BAR.KS AND CHATTERS.

HAN He aay a your rr1 end he r·e tou:ndl ee~um ror the Talisman virus. LUKE Boba.,, y 1ou 'r ,e· a hero and a !'ai thtul t~iend - You must come baek with us.a. R202' Be epil! and wh! a t l e s e.g1 ta ted ly .. LUXE ) What'i;i the matter with E\2? (CONTINUEDJ 106 .

CONTIJRIED!

It.AN AND LUKE ARE FlJRI OUS: AT B2D2 C3PO I 1m 8.fra1dl ,. Sir, it• ' .s be~ause , ypu said Bolba 1 a. a fr:! enc:\ and a fa1 thf"ul ally, That sJ.!llPlY does not .feed properly into Artoo's Intormat1on Bank.

LU!ICE What a.re you ta.l!.k1ng about? CJPO W'@intercepted a message between Boba and Darth Vader, Sir. BOBAPE~ ACT7VATESHlS OWNEXIT. C3PO Boba F1@t 1.s Da:t:'th Vader' B right hacd :man. I'm afraid th is whole adventure baa been an Imperial plot. HAN Well, trust a droid to get to the hottom ot thinga. LUY~ Bob a sure d:fd rool the res:t of us.

CHEWB,ACCA (Soundl:s) C3PO I beg y0 1ur pard:on, Sir. Chewbaooa !U:~pect ied all along th@r ·e w·as s,ome­ th1ng oad about Boba. LUKE How aia you know, Chewie? CHEWBACCA (Soorids) C3PO May I quote d1rectlYi Sir? 1tHe J us. t. 1didn' t 6me 11 right • .,

1 LUKE, H.ANAND 03PO LAtTOH• R2D2 S QUE..ltlr'S, 1 AilD CHEW-I:S SMILESPROUDLY, ) HAN We11, le ·t s get 10 tr th.1 e gal&et 1c t-a1ndro;p. REV• 9/13/ '78 101. 33. INT. L:rYING ROOM (WITH A LOT OF HEAVI STEPS, '11HETROOP 'ERB AND GUARDTWO COMEDOWN FROM THE LOFl ,. LlJMPYTA!iS EARPIEC~ OUT) GUARDTWO Nothing there. ,

GTJAJW OPPI CEH ~o subve~sive :ttLaterial? GUARDT'WO

Just the ch1ld '1_,& room .. GUARDOiiPIC'EB Go cl&an it up. kid. ( LUMPY RONS UPST AIRS )

The way the!e c~n !eareh, tlbat 'l:J. ~e-ep him busy tor t .be• rest of the day ..

CUTTO: 108. 3~. lMT. tUMPY'S ROOM ( IT '8 A HESS .. :ru:mu'l"URE~ TOYS ., GAMESSCATTEffl!!D ABOUT.. LUHPYPICKS UP A LITTLE S'Pmi1PBDBANTHA . :IT'S HBADHAS BEEN RIPPED OFF AND THE 1 IHSI DES ·p OLLEDOtrTI HE LAYS IT CAREFULLYDOWN Cl~ THE BED. CLEARLY., IT WAS A PAV0RJ:TE OF HIS 4 BE SEARCHES QUICKLYTHROUGH THE RUBBLEAND FINDS A WOODENBOX I H! LOOKS AROUND'l'O MAKE SURE HE HA.Snt T BEEN FOLLOWED• THEN OPE.NSTHE LID. WE SEE THAT Ttm B01. VULf.iOF -Ttffl.t.S , WI T!f-'~ ~ .rum VARIOUSELBCTHONIC GEAR) (LUMPYPULLS 'lm!M OUTOP THE eox, .ANDPUTS THEM ON THE FLOORIN FRONT OP ant)

(~!mN HE TAKE~WHAT LOOKS LrKE A VI OEO CASSETTE OUT OF T-HE 'OOYBOX • HE PUTS IT UfTO A VTR UNIT TJJ'1DER TW: SMALLER WALL SCREEN THAT IS P ROl'4I ~NT IN HIS ROOJO (THE W'ALLSCREEN FLICKERS TO LII-'E)

) 109, 35. HARVEYKORMAN 'jD .ROMBOID11 SEOMENT (ON THE SCREEN WESES THE COMPLETED MIHI-~RANSMI'I"l'EH.IT REVOLVES;SO WE ABELOOKING AT IT PROMALL ANGLES AS '?HE V,O. IS HEARD)

MALE (V .o.) Tbis product was pecked under ,

atri 1ct qu:ali t:y control o,n the

casaette provided by tb~ manuracturer. If ortera a unlq~e - chance ror consumers everywhe ,re to e et an Amo:rphii an being •••

( CUT' TO LUMPYLAYI NO OUI' PAR'I'.SOP MINI­ TRA~SMI1l'TER) PRE-TAPED 109A. (THE. MINI- TRANSMITTER DISSOLVESTO HARVEY) B'EHINI>A TABLE1 PiRBPAlRINOHIS TALK)

1 V 4 0. (CONT'D) . ... 'rhe lll.Otor ab 111·t1ea or Amorph11a .n c1t1zene are :f:requently 1mpaire-d by mal!'unc tions • which :re !Ull t in a..

te mpa ra ey , !')fl~ of r .-i ,, ,, • 'rhia i. r.: r..o

way retlc,cte: on the saf'ety ot our p"'duct; l'ather,. it should . !erve al!I a guarantee of our high standa~d or long-weer and dura.b 1 l-1ty • .

(HARVEY KOR.MA~,AS DROMBOID, APPEARS, ON THE SCR£BN1 AS- A KIND OF' MILTON CROSS/BERGENEV ANS INSTRUCTOR• •TiiO rs GUIDINGT;m YOUNGSTEROP iffiE GALAXY-T.HRO OQH 'I'HE MYSTERIESOF ELEOTRON:CCS)

, PRE-Te,Pgp 110. (HE IS KUOWLEDOABLEJEPPICIIDrr, ANDIN-rBLLIGENT -- BUT OF A ~ACE WIil CH HAS THE PHYSICAL ODDITY OF LOSINGPOWER FROM TIME '00 TIME IN' VARIOUS PARTS OF THE BODI. WHENTH I S IF.IAPPENS,, ME MAKES no MF.NTro.N O:P I'l' J llOR EVEN A COMMEIT OP ARY SORTI HE JUSIJi GETS THAT PART W0RKillG AGAIN, . A~D CONTI?1DBSWHATEVER RB WAS DOING ,QR SAYINO •.

DROMBOIDAPPEARS E·BHillD A TABLB, ONWHICH HAW EBE~ PILED VARIOUS 1?' EC~S OF EQUI ? 1-IEMT ' HA':" I. OOX BXAC'I'L!LIKE TF.E S'l'UFP'IN J.i'RONT OF LUMPY)

DROMBOID Thank You £'or aelect1ng our brand of m1n1-transm1tter. Ir 1ou assemble 1t pro perly, roJlowing th~ 1n~truo t 1ons I am .a.bout to g1 ve you., 1 t w:111.

provlde 111any yea:t's of' fun, , and valuable service to you. ( THE FOREFINGER OF HIS P.:IOHT'HAND GOBS LIMP. HE FIXES IT WITH BlS MOSE)

11 But now, 1,e-t s get s tarted J sball we?

( liIS LF.Q STOPS FUNCTI 0 UNG. HE REA.CHESDOWN, RUBS IT WITH HIS HA~1DSTO GET IT GOINO AGAIN)

Flrat J, f.1:nd the sealed package eontaJ.ninB .all the tools you'll need. (SBARCH!N'GTHE TABLSHE li'INALI.YFINDS IT ') (HlS ELBOWStOOK) ..' {MORE:) 1(PRE-TAPEij 111, (Et-mtA~ASSED,IE CRANKSHIS ELBOW TO LIFE )

OBOMBOID' ( CONTI D) It looks like ·thl s • COROMBOID HOLDSUP A SEAL!iD-IN­ PLASTic;BAO CONTAIHI~G SHALL TOOLS) Try not to rr~ip.~. (HIS MOUTHFREEZES. HE KNOCKSI'I' BACK INTO ACT!Oll )

..• it open~ because it makes a very handy !torage case for your tools until 1ou need them a~ain~ (HiBTRIES TO OPEN'TRE PACKAGE~BUT HIS PINGER HASSTOPPED WORKINn MP HE BLO!ofSON IT) 1

So now we JWJt gently open 1t. (LUMPY OPEMSHIS IMMEDIATELY~M~D SITS WAITINGFOR DROMBOIDTO CATO~ UP)

( D:R.

(HE S rILES AND HIS F'ACE LOCKS. HE TAKES A SC REWDRIWR 'FO A SCPEW 'IJNDER HIS CHIN AND 11LOOSEMSuHlS .Sy;]JLE) Now find the cir ,cuit ...t,reaker

} ~odule . Ab, here _~t is. Beautiful, isn't it? {HE HOLDS UP A GISMO), (MOU) PRE-'r.APBD 112. DR0~1BOID( CONT'D) And by the ¥ay, let's start calling these oomponen·te by

thelr proper ·names 4 ''C1rou1 t­

111 br e aker ·modul e • ( RIS !MOUTHFR.EB Z:ES OJi T.I.B , CJLBU 11 PART OF M0DIJLEtt , HE llE."iTLYRUBS HIS FOREHEAD, REACTTVA ·TBS HIS SPEECH AND CONTI.NOES;

( I..U~!PY'IB NOWSTILL SI~ING WITH lfIS OW CIRCUIT-BREAKER• IOOULE AND .SHARP IUST.RUMENT",.WAI TINO)

D·ROMBOID ( C'ON'T1·D ·) And re-remember, every one of th~ thousands or terminala on th e e1rcu1t-breaker modul& is mnark,ed 1n a part .1cuJ.ar ,oolor. Can you eee them?

1 ( LUMPY PI NI>S THE WIRES A.fro BBGI:NS

COHNEC'!'ING THEtT, PAYIJ.JG HO FURT:IEP ATTENTIOU TO DROmoI D)

DROJraOID ( CONTt D) These must be connected to the wir-ea wit h tbe eo];"'l'esponding

cmlora 4 Re111ember,red goes , to ~ed, blue goes to blue, and sc

en. Now watch JiQ@ closely, ( AS HE TALKS, HIS EYES DRIVT)

(MORE) J P.tm-TAPED 113. DROMBO!D(CON 1 0) And we'll work together to assembl e our mini~t r ansmitters. R&memberi

le ,t ts worl<: methodically and care.fu l ly~ because a job like tb1$

(HE LOSES PIECE) Oh, I eee time 1s runnin.ct out, so let 1 s move on now to a~sembl1 of the Im~ul se-to-Voice translata~ r (HE HOLDSU P mE PART; SPEAKINGI'rB NAMEAGAIN , CI.E'.ABLY) Impul3~-to-V01ce Translator. This i s the very heart of the ~1n1-t::ran~rn~tterJ which converts

the electronic en .ergy ~ provide into any or a thouaand re-cognizable · .languages.

(JIB STAB~STO COLLAPSE} We mu.st remain al ,ert for thie compl i cated prooed.ur@. En.du.ranee 1s the key word. Concentr ,at1on f'roffl all neurocranial nerves - la absolute l y esse

) (LUMPYPICKS UP HIS ALHOSTCOMPLETED MINJ-TRANSNI'I-r'ER·, · WALK'S. OVER TO fflE WALL SCREEN9 WHEREDROH.BOID IS SEEN IMI~OB!LE, AND JtErliINDS I'l' , LUMPY ... OOESBACK TO WORKON HIS TRANSMITTER WITH A VENOEANCE • WE HEAR HARVEY• S VOICE START'INGAGAIN) PRE.... T.APED 114. Dil01.tBOID (V ~ 0 ,, ) Thank you tor .aele.ct1ng our brand ol" an1:n1- t ran s,m1 t t er, etc . ll 5, COMMERCIALI I.I (2:05) .

C10MMERCIAL , ~ (2 :05)

) 116~

3 15A. UL .. LUMPy Is ~ (LUMPYIS HARDAT WORK) (WE CAN HEAR HARVEY• s vo1 aE)

) REV.. 9/13/18 117. 36 IHT* LIVING ROOM (THINGSARE STILL ,,:SNSE. "I'HE'l'WO TROOPERS ARB S1'AN'DINOON El'fflER S.IDE OP THE 000ft. THETWO OUAR[)S ARBIN

WMISPEREDOONVEftSATION 11 ANDMALLA A~D ITCHYARE HUDDLEDNEAR 1THE .KITCHEN AREA) (THE W'ALLSCREEN STARTS '1'0 COMETO • LIFEll AS WE REAR ANi ANNOUNCBR'SVOIOB ANDSEE S?ARPIELDSHOTS MOVING IN ON TAT00INE) ANiROUHCER(V.O.) 1' 1 T1me now tor 't1 re 10ne Ta.t ooine "' , brought to viewers everywhere ., 1n the hope ~hat our own lives may be uplifted

b 'J the comparis •on, and enriche-d w1th the gratitude of reliet~ ('THE CUARDSA~D TROOPEBSNUD-OE EACH

COT TO:.

'

) PHE- TAPEO 118 . 3,74 INrT. C.ANTINA (THE CANTINAIS PACKEDWITH CREATURESAT THE BAR, AT TJ\.!.BLES, IN BOOTHS• o,s THE BANDSTAND,A COJ"BOIS. PLAYINGTHE CANTINA THEME) MIJSIC: CANTINATHEME

(ONE MONSTBfiIS , SPEAKING Ml UNINTELLIGIBLE LA~jOUAGE ., TELLINGWHA! Ml13'1' BE A JOKE TO A GliOrJ P C'l.'I OTHEr. ~H'HSTE.AB~ H! C0.1EB TO THE 'PUUCH LIME. THE OTHERSLAUGH) (TWOMO~STERS ARE ENGAGEDIM A .SORTOF AHM-WRES,'I'LINGCHALLENGE) { SEWRA!, ARE DAJfCING ., EUT !AOH IS ALONE, P'AYINO NO ATTEN'I'Iml TO THE OTHEBS)

( A 7-FOOT BOUNCER1 TORK, CHAS,ES ! "ONSTEROUT TRE DOOR~ THEU COME~ BACKlNTO THE BAR)

OCRELNANrs OLI~tPSED BRI:EPLY A.s HE ENTEHS TER DOOFI JUST AFTER THE 1'!0NSTERH.AS B!:EN CHA!3E.DOUT~ HE LOOKSBEHIND HIM, AS THOUOH WONPEHING~WHAT WAS , THAT ALL AJ:!OtJ'!'7 "' , BUT LETS IT PA~S AND COMESon UJ TO TUE CANT'.INA• lrnDEH HIS AR\f I ,S A KIND OP CORSAGE :SOX, CONTAIN'IR'GAN EXOTICF LOWER. KREI.irANCROSSES TO THE! BAR AND SI'rS, AIID WE LEAVE' HIM THEJm FO~ NOW)

'\, , PRE•TAPED 119, ACKMENA (SERVINOTHE INTERVENINGPATROHS) I'll ne-ver get r1eh with customers like you, I thought I taught YOU to drink taater than thle. ell, at least you•~e steady.

(MORE)

) Pft.E... TAPED

ACKHENA1( CONTtD)

1 Drink up t there s plent:v more where tha. t 1came r rom.

What'll it be? 1 KREL 11\N (MEANINO:F'___ I ~Y)

Hel J.o,, A· j.r;cnenr..

ACKit"ZNA Okayt w&'ll do it your way.

Hello. Nov we'll do 1t lnY' way.

What'll it be?

Can ~e talk?

ACKMENA or eour~e we can ta l k~ we're talking. W,e-1 re not dr1 :nJ:..ing,. you, • re not buy 1ng, we're not pouring, we're talking. (SHE z.roVES THE PLOWERAS IDE)

I I m doing tin.ls t::o rr.?. ~:e rv om for a

drink, !O the next time I ask you,

1 11 ' Vhat t l-1 1t be? ' , you can tell me, and I'll put it there.

KREL~JAN I don't care, give me anything.

OJve me, one o.f those~

( HE POil1T5 TO A BO~E. ACKMENAfODRS

1 ) HIM A DR1NH: AND Ptrr,9 rrr IN: PROMrT0 1F HIM) PRE-TAPED 121. KRELMAR(CON~'O)

11 I m sorry I couldnt t: get back 'be.tore. ACKMENA :Before what? KRELMAN

I mean unt 11 now, un tl 1 tonJ. ght I ' e thoug ht auou~ lt a doze n ~i~&s, but I had to be sure. ACKMEN'A (SHE'S USEDTO ALMOSTANYTHING, BUT ' THIS IS , GE'.I'T:CNOTO HEH) Listen, l've sot a customer down there~ I' 11 be• :t.'1ght 'back, okay?

KRELMA.}J

CAGAIN, J!EAlUNGFULLY )

Cort.a back soon~ I'll be waiting. (ACIKMENAMOVES OPP TO SERVEA CUSTOMER AT ~HE Olt'IHEH !ND OFI THE BAR} (SEEING THA_ ACKMENA.IS STILL BUSY, HE TAKESA SIP BY POUlUNG~HE DRINKIN'l"O A ROLEIN THETOP OF itIS HEAD. RE POTSTHE OLASS COWNAGAIN, ANDAGAIN PUTS THE FLO'-ra.ROONTOP Olii' IT AS ACKMENA RETURNS) KRELMAN

Bow•s your drink~

)

~- PRE-TAPED 122~ KRELMAB lt'8 all gon~ . Look~ there•s a flower o .n top of it .

ACKME.NA I see there ia . Do you want another drink?

K!RELV~N

Aekm~na , t'!'-1e 1 2.QWer i :3 t'or you ,.

I Ml,1ted to bi•i ng y c,!.l sorcething, and that's a ll I oou1d think of .

ACXMEMA

(SBE'S 'l'OUCH!D1 TAKINGTHE 1-'LOWER) Well, I don 11t g-et too many f'low ,ers. But you don't have to br:ing me anyth1.ng, Uh - - ( OROPINO F'-OR HIS NAME)

KRELfl:\'1 Krelman.

ACKMENA

Kr ,e lman. Whifl:t a ni ~ -a t1art1~•

IKliELJ~\N When! left here the ether night, I fe ,lt aomothing I haven't tel t in longer than I ca re to rem;;!:mbel',. (MORE)

) PRE-TAP 'ED 1.23. KRELMAN( C'-ON'T' D) I f'.!'l t a.11ve aga:.tn. For the first time~ sot H~one made me r-ee l that all the yeua I ' ve lived have meant aometh1ng. What you sa1 d to me we,:re

{ HE SI LEN'TLYMOUTHS fflE WORDS MU)1 COUNTS 0~ :-US SI X Fl NGE:'·, ) - - s1x very ,1mp1e words --- ACKMENA (SHE HAS NO IDEA WHATSHB SAlD THE OTHIBRNlaHT) Vellt t hey were just worda# atter all. KRELMAN Yes but they we~e more than words.

I knew tha. t at the t 1me t so I went home and I thought abo ut what you sa i d . ACKMEHA

KRELMAJl It doesn't rnat~er. What you said

was n-ot as important ae what y·ou meant . ACKMENA Y,es, tha!.t's true. What did I mean'?

' PRE... TAPED KRELMAN And I decided that what you meant wae the very thing I needed to, bear . ACXMENA (GIVINGOP) I'm . glad a.cout that~ KRIBLMAM

It's runny that a man can llve a!

long as I have 1 throu~h all the ups and dlowne, and when you think it ts all

overj suddenly you 1"1.nd that eomeone

0 are:9 aga..tn. I wa.e1n• t look:1 ng for tlia .t when I came 1n here4 Maybe that'a whY

1t happened. becamse I wasn't; begging"

I waen t t a.9:k:l!.ng for love any mor.e,.t l wa.sn • t b eg;ing _.. I ...aen' t de ape:c-ate , I waan 1 t wh1 nning, I was n I t eni veli ng.,

I wasn I t an1v ,el1ng. I just (:affl.e 1n tor a dr1nlk:, and tound a lot more. ( 'KllLMAN GBABS, ACKME~A) ACRMBNA

Kerl.man ... - XRELMAN

) P~.E-TAPEO .125. ACK!ENA

l 1 n sorry. Krelmant yourre sw,eet, yoa ' re kind.,, you ·•re attraot1ve, and

al l the rest or 1 t ~ but 1 !' you' ' re ,saying what I think you're ~ay1ng you felt you thought I me.ant y,ou needed to hear., then l et me just 8ay this: I did n ot~ KRELMAN

P.leas.e, Ack.mena. Don't do this

to , me ..

ACKMENA

I have customers to wait OD~ Sit h@r@ 1£ 1ou want toJ f1n1~h your drlnk. ( SHE POURS ANOTHERDRINK INTO HIS READ) 91n1 ah th1s one too . It's on ~e. Stay as long as you llke, but I have w~rk to do. I don't !have ti~e fer

any tb1r.ig e lae ~

(THE CUSTOMERNEI .T TO KBELMAN GETS UP TO LEAVE. ACKMENAMOVES OVER AND BEGINSCLEANING UP AJ'RR HIM) KRELMAH 1•11 wa-1.t, Aekmena, becau.l3-eyou'll change your mind, I know rou will • .SI x 11 ttl e words, Ackmena. I • l 1 wa! t toveve •r to hear t .be m again, becau;e I know that - - • PRE... TAl?ED 126. , ACKI'-!ENA ( CALLS TO DEPARTINGMONSTER)

1 Come bao k: :soon, I 11 b1e wa1 ti ng •.

( KRELMAN LOOKS DISENCHANTED, , AND PULLS HOOD OVE,l HIS MIEA.01 AS HIS HEAD BOWS oor.,rn ON BAR) cur TO:

'I,_. REV. 9/13/78 127. 37 A INT. LIVING ftOO:.t (AS EVERYONEEXCEPT LUMPYWATCHES ANDREAC"l'S TO THB CAHTI.NA,OH THE WALI.SC.REEN1 THEIB REACTIONIS INTERRUPTED BY THE SOUNDOF THE ALARMTH.AT HERALDS AM IMPER! A'L ANNOUNCBMENT. THEY TURN BACK TO THE SCREEN~ W'HERBACKMEN A• IN THE CANTirlA , HAS TURNED TO WA,icH HER WALLSCRBEU.

IMPERIALOlvli'ICE:R ,(V.O.) .J

sub-vers1 11e tore ea,. we aI"e placing a curfew on the Tatooine system effective im.~&diately.

CUT TO!

)

... (PRE-TAPED) l2EL 37B INT. CANTINA

(AC1CNENAIS SEEN LOOKIMG .A'!' WALL SCREEN I N C'ANTINA. WE SEE TERROR IN HER EYES I MONSTERS IGNORE W.il.L SCREEN)

IMPERIAL OFFICER ( C014T'D) All inhabitants will return to

the 1:,, homes at. on oe • Thi 3 order will continue 1n effect until further- notice. (ACKMEMALOOKS AT THE WALLSCREEN, IGNOftUf,G KRELMAN,.SHE CHOSSE:S TO THE BANOSTAND AN!> Il'fDI CATES TO THE CONDUCTORTHAT BE SHOULDcom THE MUSIC) ACKMENA

Okay~ Barba.line 1o take a break. (THE MONSTERBAlJDLEADER MAKES A Q\J'&STION ING NOISE )1

I don I t know how long. taybe­

fo .:reve:r ~ They ·1 re clo:s 1ng me down again.

{THE MUSI CI AMS RISE ANGRILY) 1

Please. fellas. I 1ve got enough aggravation ..

(THE MUSIC.IANS GfflJNBLE) All right! Onli! las;t drink be.tore you go . And it's on tr.e. {MUSICIANSMAKE HAPPY SOONDS) -(CALLING AC!OSS THE ROOM) 'Tork! (PftE -TAP:BD) 129 .

( THE BOUNCER SffUFFLE S ACROSS 'l"HE ROOM)

ACKMEHA( CONT'' D) Go ~e·e what the boys on the bandstand will have:. (Tome GHm1TSAND SHUP~ LES OFF)

.:.. ( ~i\CKMBNAGO.ES SACK TO Ti!E BAR, TALKINOTO TUE ROOMAS SHE GOES) Gentlemen~ gentlem en~ I don't know bow to tell you this, but I guess tbe wall screen sa1d 1t all. We're elo~ed, (THEREIS ABSOLUmELYHO CHAY(IE IN THE MOISELEVEL 0~ THE ROOM)

Maybe some cf you didn't hear ~e~ Thie Empire has :shut u1_sdow-n. 1fow

this sort ct th1ng !has happre n ed before .. I I m sur ,e 1 t ' s only- tsmpo ,ra.ry , ( LOU-D)

Pellas, the party' i!I ove:t'. { SHE IS .fEL'I'ED WITH LITTLE FRU'.rTS• ODD OLIVES, . AND GI .ANT CELERY STALitS THROWNBY SEVERALMON.STEM AT TABLE) (SHE DUC'KSUNDER THI BAR, THENPOPS uP) '

Please ,, eome on now. Tork~ I ean reuo n with them.

(MORE)

) ( PRE-TAPEO) 130. ACKMENA (CON1"D) Please ,. • • Ke.lb o • • • Zu tmore ••• I'm always lending you guys money wnen you need 1t. ( STILL CIRCULA'!'IMO,, PI CKS OUi.1ONE M:ONSTE:H) Bl udlow -- you of all creatures! Do me a tavo,r and please leave. (MONSTER iDOESN ,Qip RESPOND)

Bludlow - you 1re heartle,5,e., ('1'10 ANOTHER MO,~ST"EB)

Thorp - a.!"tel" Wh,at I did for you? (NOTMING FROMTHORP)

Short m@mor-y1 eh, Tborg? Short memory! {TO ANOTHERMO NSTER)

Don" t you remember · the t 1m-e? (LOOKINGAT HIM CLOSELY) , o • I don't be,lieYe we I r.re m!!'t. (THERE IS A LOUD GROWLl"fiOM THE B.N'lR~CE)

(TWO NEW CREATO'fm-S!ENTER THE SCENEAND WA-LIK TOWARD BAR)

ACI

( BB 1GROWLS AGAitl, LOUDER) (MORE) (PRE-TAPED) 131, ACKME'NA(CONT'D)

Listen. I I rn sorry. W,e are

clo6 ed • The Enl:p1r,e ..1 us t ilnpos ed a curfew on this planet. Everyone baa to leave right now:

{.BOTHMONSTERS ADVAN1CE TOWARD ACKMENAAS IF TO PUSH HER OUT OP THEWAY. HERLIT'I'.L.B SIDEKICK HI ~ :S EEHil .J'D .i\CKMEN~~. '!'I:VERYONE OETS SILENT NOW. FIRST MON.STER IiEACHESINTO HIS POCKETAND D~AWS A WEAPON.ACKMENATS 7 ...FQ0T BODYGUARD MOVESDIRECTLY BETWEEN THE MONSTER ANO ACKMElU. ACKMENAREASSURES TORK)

ACKNEHA

1 lt s all right 1 Tork. I don't "ant any trou~le, (TORK MOVES OU"'!'OF WAY O?ILYSLJ0HTLY}

(FmS'1' MOt~STERSLAMS MOO 01 TABLE)

(SECONDMONSTER STARTS POUNDINGAN EMPTYBEER MUG ON THE COUNTER) (FIRST MONSTERFOLLOWS SUIT) (SOON ALL THE MONSTERSARB POONDINO THEIR MUGS)

A.CKI-tEMA( CONT I D) All right! I can take a hint.

( SHE CROSSB'S TO BANDSTAND) We'll have one more round~ And this one'!! on the house! {.SLAMS S"T0P. CHEERS PROM ffl ROOM) (WfDERBER BREATH)

(MORE) ) ,(l"RE-TAPXD )1 ACKMEMA(CONT'D}

.And l ·r l l 'r'Uiir'II a t ·ab for The Empir ·e.

( TUIRNSTO THE BANDLEADER~ GIVES SIGN TO MJSICIAllS TiO START) (BANDLEADERGRUNTS AT HBR' MUSTO: 12 BARS; AR: ( G:FlEA'?Urtt:SLINE UP TO G·ET THEIR , PREE DRINKS,. TORK .AND ACKMENA• S LITTLE SIDEKICK ASSIST HER.)

(A 1CKMKNA REMOVES lmR APRON AND HANGSIT ON A HOOKAT THE COLUMN, PERHAP,S ROLLS DOWNHER SLEEVES, ETC. AS SHE IS SERVINOA MOG, SHE: BEGINSHER SOMG, r;i,HESONG SHE EVIDENTLYSINGS EVERYNIGHT A~ CLOSIMGTIME) ACKMENA(CONT"D)

(TO CREA'fUREfl)

J UST O?lE MORE ROUNDt PRIE.NP

THEN HOMEWARDBOUND .. FRIEND

DON1 T FORGETME IN YOURDREAMS

( 'l'C CREATURE# 2')

J UST ONEMORE SONG, Jii"RIIBND

THE. NIGHTS G'E'T SHORTER IT SEEMS

.... (PRE-TAE'ED)

AC'KtIENA ( CON'TI D)

(TQi CREATURE #'3)

JUST ONE :MORERHYME , :FRIEND

YES, IT'S A CHIME.FHIEND

BUT YOU KNOW TINE; FRIEND

TIME CAf1 FLY

1 N0W IT 'S GOODNIGHT.1 FRIEND'

GOODNI10HT, BUT NOT GOODBYE

(SRE TAKES TYlO DRINKS TO TWO C:RE:ATTJRES!T TABLE OR 500-'?H MD SH.AKES HANDSW:I1'H 'l'WO EARLY EXl'l'ERS)

( AC!MNA GOES TO A.i."'iOTHEROMATURE , GIVING HThIA DRINK) ACKMWIA(CONT'D}

JUST ONE MO:P.EDROP ' , PRm?lD

BEFOREWE STOP~, PRIEND

o:tra MOREMOMENT FACE TO PACE

(THEY FACE B'.ACHOll'HEH. SHE THEN GOES TO ANOTHER S'TANDIHG CREATURE:, WO HAS ChlJG-A-LUOGEDA DRINK ANDSTARTS~ DROP,SHE SPI:R.ITS HIMTO THE DOORAS SHE SINOS:)

ACKMENA (CONT1 D)

r,srr TIMB You•RE DRY., PRIEND ) 'TRY STOPPmo BJ'., PRIEND

(MORE) .... (PRE-TAPED) lJlt.

A,C'KMENA( CONTI O )1 IP '!"HERB'S.A LIClrf!TI~ THE PLACE

( SHE GOE-S'l'O ANOTHER CREATURE AT THE DOORAND SINGS:)

WE ['i!AYNOT THRIVE,, FRIEND.

LOOK, WE1 RE ALIVE, FRIEND

YOU ANO I

SO SAY GOODNJ:GHT., PRIE~ID

000:MIGHT BUrT NOT (J.OODBYE

(ACIMENACOME~ BACX ONTO THE FLOOR. TD CREATUREGRABS HER AJ~D STARTS TO DANCE WlTH HZR. SHE HAS MO CKOICE•SO SHE SI~GS:)

JUST ONE MOREDANCE, FRIEND

.TU.STONE MORE CHANCE, PlUEND

ONEMORE OHORUS 1 ONEMOM TUNE) ANOTHER REATURECUTS I?l M1D ACKMB'NAIS PORCE0TO DANCEONCS AGAIN. SHE DIUJCES BIM TO 'rHE DOOBAllD GETS HIM Om' .AS SHE SINOS:)

I'r'S NOTTHE END, FRIEND

IP YOU.~RE A FRIEND• PRl'EltD J . THEN YOO' LL COM! BACK TO ME 800?1

(MORE) (PRE-TAPED) '135. ( A V&RY Ll 1/ELY CREATURB J OM:PS UP .PROMA TABLE» GRABS ACKMENA ANDGETS CARRIED AWAY WITH MUSIC . TKIS TIME, AC.KMENAREFUSES TO 00 ALONGWI'I'K !TI SHE C'A,JOLES HIM IHTO LEAVING_VERY SWEETLY_ AS SHE SINGS:)

YOU'LLHAVE TO WAH, PAL

DON'T YOO CRI . (AT THE DOOR, OTHER C'REA'l'URB.S. AREGO NG. ACKME)1A.SHAKES HANDS WITH THEMAS , WfHEY00 OUTI LOOKS A.ROUND~ SEE,S THERE ABE STILL A LOT OP CREATURESLEFTs KOTIONS ... TO TORK AND LITTLE SIDEI

Goodnight, friend. Ooodn1ght, friend. (CREATURESpou.,ow HER AS SHE BEGIKS DA DA DA DA DA • TO MA.i:CBA tmE: OF THE C'.l!mA:L'tJRESWHO LOVE POFOO:NOT:HE LINE • THEIR ARMS WA.VE SACK AND POR'rH TO THE MUSIC DA DAcDA. DA DA AND THEY CA~~1 T JmLP, BUT. SINO ALONG• • NOW'"!'HE MUSICIANS J 10IN IN 'rHE:LINE. TORKAND LITTLE .SIDEKICK STAND AT DA DA DA DA CA DA DA THE ENrTB.ANCEWITH lCKMENiA .. IP ANY OF 'FHE MOiNSTERSSKEM BELfJ'CTA.9'1'TD GO OUT 'l'HE DOORJ, HE OETS J\ NONB­ iollow me•: TOO-OBfffLE SHOVE PROMTORK) . • AOKMENA/CREATUHJ::S ,

DA. DA DA DA DA

DA IOA DA D1A DA

) DA DADA DA DA DA DA

(M:ORE) (PRE-TAPED) 136 .. AC!OENA/CREATUBES(OONT 1 0)

DA DA DA DA DA

DA DA D.ADA DA

Dlt DA DA DA DA DA DA

DA DA D.A D1A DA

DA DA DA DA DA

DA DA DA DA DA.

(SHE SIGHS IM RELJ:.EF) (AD LIB -- TO EACHBAND-NEMBER AS HE LEAVES) AC'KMENA./C'REATURES(CONT'D)

YOU'RESUCH A DEAR~ FRIEND

(MUSICIANPLAYS)

YOUKNOW I 1M H!!RE,:FRIEND

(MUSICIANPLAYS)

(TO TOHX)

1 S THAT A TEAR, FRIEND

IN YOUB E!E

SO SAY G00Dt1IGHTJ FRIBHD

(ACKMBNAHUGS TORK) 137. TORK (IN ALI~ LAIJGUAOE} ("GOODNIGHT")

:A.CKME1'JA {TO LITTLESIDEKICK)

GOODNIGHT1 FiRIE~U

(SHE KISSES SIDEKICK) {EVERYON!1 S GONE)

ACiKMEHA.(CONT'D)

OOODNIGHTBUT NOT GOODBYE

( SHE ST',ARTS TO CLOSE DOOR AS SOUNDOF BANDPLAYINO TlCANTINA SONG"', GROWSMORE DISTAN'T. SHE WALKSBAO JC Til BAR, AS KRELMAN RISES FROM'B:EHIND BAR AND HAKDSA PLOWER TO ACKMBNA)

CUTTO:

) 138. 3 8 . IN'l'.. LIVlN 'O ROON (THE LESS-MENACINGTROOPER I S WA'r:CH:u1a THE SltOW:t EA'l1INGCOOKIES. ?'HEREIS A COMPUTERIZEDVOIC&, FI LTERED ON GUARD 0~18'S WALKIE... T.ALKIE) CUT TO:

... 139. 39. INT. LUMPY1S ROOM (LUMPYPRESSES A BUTTON,THE VOICE IS LOUO,ER NOWMID LESS FTLTEBED) CUT TO:

) REV.9/13/78 1110. 110 INT. LIVING BOOr

1(1i'.lUARDOFFICER RAISIMG ANT!R.DlAOli' THE 1,;fALKIFJ-TALKIE., HEADY TO HECErVE THE MESSAGE)

(ELEC'l'RONIC-COMPllTEBVOI 1CE IS HEARD) WALKIE-TALKIE

come • ~ I back. • base •

Corne. • • bac~. , ba.~e. • I ( GOARDOFPl CER FLIPS A SWITCH ON HE 'W-ALKI:S...TALKIEAND SPEAKS INTO IT) CJUARDOPFICE:R Mel!l:sage receiv ,e-d and obeyed, ( HE PUTS THE ANfflmA BACK INTO THE WALKIB-T.ALKIE!liAND SPEAKS TO 'l'BE OTHERS) We leave at once. ( TEE ~wo GU.ARDS AND THE 'I'ROOIPERS .STARTFOR TEE 000.R. GOARDOFFICER TOHN:STO TROOP!RONE, THe? 114EHACING ONE~AND SAYS;} GUARDOFFICER You stay hetwe·. (MENAOIN'GTROOPER ,SHAKES HIS HEAD) GOARDOF'li1ICEfl Therie•e a missing male in th1s

houaehold., and I want you t,o be

he re 1'lnen he i-eturne , • It ' , . pos.sibl ,e he's , one or the- rebela werre lookio~ for.

(TWO OUABDS AND THE COOK.IE TR100PER BXI 'l'', LEAVI ml MENACINGTBOOP!~ OLOWERINOAT M.tLtA AND, I'J'CHY~ HIS HA.ND ON HIS GUN.., READYTO DRAW) 141 . (Ill THEDEATHLY SILENCE; WE HE.AR FROM UPSTAIRS A F'AINT COMPUTERIZED VOICE~ IT IS AS THOUGH L~PY DOES,N t T REALIZETHE GUARD WITH THE WALKIE- 'll'ALK IE HAS LEFT, AiND IS , SENDIN G THE MESSAOSONE MORETIME .11 JUST TO BE SORE)

i(MEN AC nrn TROOPER HEliRB IT I A~D LOOKSUP THE IiOn' STAIRS. RB POLLS BIS GUN AND SOFTLY GOES UP THE S'l"EPS)

( MALLAAND ITCHY ARE F01WEll!,lli;!;.STO DO A: THING, :ANI: :~ FA..:·r ''1!:C.I PROBAB!.Y DON1T EVENKNOW THAT LUMPY WAS RESPONS!BLE FOR THE OTBER'S LEAVING.. TREY JUST KNOWTHAT SOMETHING I S T'ERRIBLY WROHG) CUT TO:

) ~ 1 INT.. LUMPY'S ROO~f {HE'S STrLL DILIGENTLYFRESSIHG ON THE BEEPER)

BEEPER

Come~ ~ • back • . base . . . (HIS BACKTO 'i'HE DOOROF HIS ROOM. TBETROOPER ENTERS, GUN DRAWN .. LUl{P"i TURNS AR0JNO AND SEE.:: TME TROOPER)

, l

"'· ( I?JTO: COMMERCIALFIVE) l JIJ. COMMERCIAL ~5 f2:05)

,.

iC'O"'1ilERCIA.L15 T2Tos, 144. BUMPER {Title Card, v.o.) (:05)

(TO COMB) 1115. MIC CTN PROMOA.ND NETWORKID T: 21 4)

KID C'Plf PRQMOA!if> NETTJIORl( ID (: 211) 1~•6 . STATIONBREAK (1;02)

STAT-IOll iBlmAR (1:02)

... ~2. INT. LU'MPY'SROOM (UP ON LUMPYIN THE ACTOF S:ENl)IJO BEEFS OlJ HIS HOMEMADEDEVICE, ANDTim MENACINGTROOPER) (LOMPJ TURNSAROUND AND SE'E-S TH! TROOPER)

(fHE THOOPBH SMAS,RiES Tf:ra SENDING DEVICE,SMASHING IT TO BITS. LUMPY DUCXSOU'l' OF THE WAYAND RUNS FROct '!'HE BEDROOM.1

COT TO,: lll 8 I JI) INT., LIVING ROOM (LOMIP'YRUNS DOWN THE STAIRS, PURSOBD BY nlE TROOP!B, WHOIS HOWEVERSLOWER IN HIS UNIFORMAND 1 BOOTS)

(ITCHYAHD 1 MALLAC.LU'l'CH TOGETHEfl~ 8UT THERESEEMS TOBIE 1I'PTLBTHEY CAR 00. LUMPYRUNS TO THEWOODP ILE ANDTHR OWS A COUPLEOIF LOGS IN THE WAYOF THE TROOPER. THIS SLOWS~HE TROOPERDOWN LO NG rNOUGH~OR LUMPY TO GET OlJ'l' 'l'HE DOOR )1

( ITCHY MAKES A Fi8:Iwr TOtlARDTf!E TROOPER.BUT OF COUR.SE,_HEtS HOPELESSLY OUTCLASSED)

CUT TO:.

) !!U EX'T. W00KIEIEHOUSE

( THE TROOPERGOB S OUTS-IDE Al~D S !ES Lm-JFYCROUCHING BY THE fiA11INO, ALMOST AS TROUGH HE ,,s D.Mt:nm 'I'HE TROOPER '.00 COI4E AT HIM) (THE ~HOOPER SLOWLYRAISBS HIS GUN Al'ID TAKES AIM AT LOMPY•. HE SE.EMS 1'0 ENJOYTHE CRUE LTY OF'DRAGGIHO IT OUT)

(SHAitLS)

1 ( BOT TirERE'S COURAGS IR ffiE WAYHE PACESTHE TB00PER)

(SUDDENLY, A LARGEHA RY ARMSMASH.ES THE GUNOUT OF THE TROOPER'SRAND,.

A~DANOTHER ARM :FETCHES H!M 10HE SEVERBLY.ACBOSS TKE 5IUE OF HIS ff!LMETTED HEAD) .

CHEWIE (V .O.) (LOUDSNAR L)

( WE SEE IT IS C'HEWJ3,.ACCA, HOMEAT LAST) (THi TROOPER,STAGGERING FROM T.!m BLOWUP-SIDE HIS HEAD, BUMP,S INTO RAILING A~fDFALLS OVER)

( CUiEWIE, HIS ltfL't AROUND RIS SON''S SHOULDB:Ri,WATCHES TUB TRO 0PER1 S DESCENT. THEN THEY TURN AND ENTER THE HOUSE,)

CU'I' 't'O;

)

;, . REV 9/13/78 150 , 115 INT. LIVINGROOM (LUMPYIS JUMPINGAROUHD HAPP I LY AS CHEWBACCAHOGS HIS FATHER, THEN GOES OVER TO HIS WIFE. THEY LOOKAT EACH OTHER, HE CUPS HER FACE IN HIS HAMDS EVER-SO-GENTLY~ AND THBY EMBRACE ) (MALLA,ITCHY AND L UMPYAHE EXAMINING IT CURIOUSLY, WHENSUDOiBNLI THERE IS AN AL flM-LIKE SOU. D PROM THE KITCHEN) , · • ALARM-LIKEsotJNOFio~ 1trrClmt___,~~ I ~ \ I ( CHEWIE IS _ LED, AND REACHES ' RlS CROSSBOW, WM. · G TOWA • SOURCE ·,. OF THE .SOUND) \ I 1 _,, ...... -., CALMLY, i I ,..,=-..,,. N. SHE FLI PS A ALARM-LIKE-SOUND- ) ~KITCHENSTOPS) / • I JUST AS CHEWIE STARTS TO PUT HIS / I CROSSBOWBA CK IN THE HOLSTER, THERE 1 / .- .• fS : A· !.O!l.O.-XIIOl:EAT THE PRONT DQOIU- -.~ ~ - --t-..-r- •p,,,,jp • ... .__ ..,,,.- SFX: LOUDKNOCK A'!' THE FRONTDOOR ( CHEWI E INSTANTLY SPRINGS TO THE ALE.RTAOAI N, DRAWXNO HYS CROSSBOW. ffE MOTIONSFOfl MI.LA TO SQUAT00\rlN BEHINDTHE STOVE. AND HE ~OVES IN FRONTOP I~CHYAND LUMPY) ( THE JC OCK IS REPEA'l'ED. MORE UROE.fif4i)

SPX: LOUD JOfOCK - URGEN'l' (CHEWIEGOES TO THE DOOR, ANDFL I NGS IT OPEN• RBAD Y1 TO :PIRE • AND REVEALS TRADERDANN STANDING IN THE DOORWAY, A LARO! PACK.AO ,E IN HIS HANDS)

TRADER JDANN Bey~ you sure know bow to make ,a guy feel welcome.

) (HE BX'l':ENDSA HANDTO CHEWBACCA) Glad you're home, Chewbacca, REV9/13/78 151. ( CHEWIE IS REt IEVED, AND RE THROWS HI S ARMS, AROUNDTRADER DANN)

T!ttWE. .N

..,__--,m-. or r:.i-ct (CHEWIE PUTS HLS, GUN AWA7 AS TRADERDANN ENTERS rHE LIVING ROOM)

(LUMPY GOES TO THE DOOR AND LOOKS OO'I1,CHECKING FOR THE TROOPER)

t,.'MpY, TRADER DANN If you're looking ror who I th1nk you 1 re looki ng for.,. forget

him. We won I t be 'bothere,d 'by him a.gain.

(SUDDENLY THE WALL-SCBEENCOMES ~ TO LIFE. THE RED PATTERJfFLASHES URGENTLY., AJiD THE ACOO&tPANYING SOUNDIS LIKE AMALilM. WE KNOW THIS IS AN EMERGE"~iCYTRANSMISSION) IMPERIALOFFICER (ON SCREEN) General Ale~t. Calling otr1cer B~7ll. ,~ orr1oer B4711. We are unable to contact you on your comlink . Is there a problem? You a:t"e i nstructed to turn on your comlink imm~diately. (WALLSCREEN RETURNS TO MURAL)

- ~~A -tac il'l\,i:f '_.- REV. 9/13/78 152 ,. CH!WIE (GRUNTS) TRADERDANH No., wal t a minute . I oan han d.le this. (TRADERDANN GOBS TO THE COMPO'I'ER TE!Utl_NALOP THE WALL SCREEN. '?HERE IS A SMALL : OH!TOR SCREEN. ~ITH SLOT BF,t0W ""· "!'RADP. DAHNPU'!lf: \ HlS IDENTIFICATIONCA'.RD INTO 'I''HE SLOT ANDPUBHES A BUTT0U)

('I1HERE ARE SC'IM,ECIRCUIT NO ISE.9 ANDPICTURES 0~ 'li:iE .SMALLSCREEN, THENOFPICER 1 S -~ACE:REAPPEARS)

IMPERIAL OFFICER ~e are on two-way coDm\run1cation~ Trader. Is thle a report about the Jlll1ss1ng trooper? Tll.tO~ DANN lt la, Sir . T~oop~r B~7ll was her ,e w1th three other men. They left. and be riema1.ned... As aoon a,s. they bad sc>ne, be pa.eked up a lat or food from th1e houae , and robbed me blJnd. 'Then he took ott tor the hills. =it MDWlii I _5:1& ,.

) IMPERIALOFF~CEft Very well , seal"eb party. -r,:.Au;e,

REV. 19/lJna 153. (SMALLSCREEN CRACKLES ~~OFF) . t

( TRADER DAl'fNT/J.KE.S ms CAR.D OUT OF THE CO?i!ftrTgR ..r'ERMIMALAS CHEWIE P.IC KS ,LUMPY UP IN HlS AJ~MS .AND HUGS Hir..i:)

TRADER DANN

YessirJ 1dent1!1cat1on 1s ~e~y important. Heltp:! you maintain contact wtt h t he 1!:mp1re.at ti...mea 11:lce that,

(TRADER' DAH TUCKS, HIS INDENTI ... FICA~I0M CARDBACK INro HIS BELT)

TRADER DANN ( CONT't D) Well, friends, I just brough t the~e tor your Lif~ Day ceremony.

( TRADER DANNUl~APS THE LARGE PACKAOB , AND PROOOCES FOD!R GLOB!.S )

(TRADBH DArn: STARTS FmDLING WITH THE ENVIRONMEN'TALTRANSPORTER)

TRADER DANN (CONT'D) Every bodl1 rea dy?

CHEWBACCA ( lfyggt•)

C'rHE P ANILY GATHERS UNDER 'THE TRANSPORTER)

\ ( IPICKING UP THE GLOBES AND RANDING , ONE TO EACH IN TURN) ' !.ll,Attf,t_ u f I n.fy,• . ~ "-en,. •., ~ ,'I/()./I« "J :r4,qb1 11:• pr ..,, , llal la .

,Qurwe ea ea,. . . titl1 s day 1 s tOir' vo u • ) ( THEY ARE SEATED WITHIN 'l'HE FIELD OF TdE ':l'RARSPORTERj ANDTRADER DANH BEGINS FI[)D ,t.ING WITHTHE C0J~TROLS) REV. 91 /13/78 15!1,.

TRADERDAPN (CONT'D)

(TRADERDANN HANDS CONTROL OUIT TO CREWIE~ CHB¥i1IEPP.ESSES CONTROLUNI'T, .ANDA BB.ANOF

LI GH'l' ENVELOPS AND E~C IRCLE.S 'THE T'RANSFOR.TER" I I AS 'WE HEAR THE WHOOSHI'HOsomm OJ:l A VACUUM BEING OFERA'l'ED)

I 11111 'he leaving you now • Have a wonderf ul oelebration, and.,. may tbe iorce he with you.

CUT 'l'O:

)

,.. Jt6 1.t"'HEJOURNEY MUSIC: A PRIM!TIVE, ARCHAICLPRE~ G0THICOH0RAL rusrc WiTH VOICES_, RUMANAND NON-HillMDifBASTRANGE Mo't§T:ERS11 A CCOMPAN . . BY THE SOUNDOF PRIMITIVE FLUTEAND - HECOJID!R':t'IKE INS~BUM!NTS , lfflICH REPRESENTS.. Tff:E EARt tEST ' FqU'li; PART MUSIC EVER CREA,~EDI I, ( THE './OOKI E FAM: _.Y; 3lJRR:lt'NOED ~y A ::;er·: CYLINDEROF LIGHT.~MOVES THROUGff AN DIPRESSIO&ISTICJOUR!IBY, ACROSS THE UPPER ATMOSPHERE OF THE KA200 K PLANET, t rrrH A S~AR FILLEDSKY A.BOVE~ ~ND A THI~ PALE CLOUDLAYER MOVING RAPIDLY PAST THEMBELOW~ THEY P~SS TKR0UGHINCREDIBLY COLOREDLIG!iT F0~M.ATl0NS. ON THEHORIZON ABOVETHR LOWERCLOUD LAYER IS ANOTHER OASIS LIKE CLUSTER.. OURTRAVELEHS APPROACH IT RAPIDLYANO QUICKLY DISAPPEAR INSIDE.)

( NOW IJS IDS: THE FIRST CLOUD:ii ( THE S PR1NO SUSON ) 1 "1AG·NIFIICBNT LBAFYCOLORS SURROUND THEM. LUMPYREACH1!S TOWAFWONE OP THECOLORS AND AS HE GRASPS rr, IT BECO~ A F'L0WER IN HIS HAND. ·..,- E NOWSiBE T.H:ATWE ARE REALLYIN J CLOUDOF FLOWERS.) (THE TRAVELERS~ow MOVE OUT OF T'HEFIRST CLOUDAND MOVE TAROUQ8 SPACE T:OTHE NEXT CLOUD.)

( NOWINS IDE THE SECONDCLOUD 1 ( THE SUMMER 1 SEASON)1i .-IE FIND IT 'l'0 HAVE A " ;lOT-CRYSTALn EF11ECTA JID FEELING M IT. A HOT YELLOW:SUN P1ASSES BY, A.FTEH WHIOH MALLAREACHES TO PICK UP A BEAtl'T'I.FtJL3-WUJG ED EIUTTJ!.RFLY. SHE GIVES IT TO LUMPY• WHOT 1AKES IT AMDTHRN LETS IT PLY A'WAY~) (THE TRAVBLERSNOW MOVE OUT OF TRE SECOND CLOUD AND1 MOVE THROUGH SIPACE 'TO THE NEXT CLOUD• )

1 ( NOWms I DE THE THIRD CLOUD. (THE }ii ALL SEASON)• :JE SEE FALL COLORSOF VlRYING s HADES OF YELuow I ORANGE, AND OREE~. CHEWIEREACHES .AND PICKS UP WHAT NOWAPPEARS TO BE A. PEELED CANTALOUPE AND GIVES IT 'l'C· tlUMPY. 1:fE EXPERIENIT'EA MULTI-. J COLOREDEFFECT AS '!'HIS HAPPENS. )

(THE TRAVELERS, uor. MOVE OUT OP THE THIRD CLQUOAND ~OVE THROUGH SPACE TO THE NEXT CLOUD.) 156 .. (NO~ INSIDE THE FOURTHCLOITDJ (THE WINTERSEASON) , WE ARE SUMOUNDEDBY Wi-ll!'E CRYSTALS.r mcHYREACHES AND PICKS OF A SNOWFLAKEA.ND GIVES I'T TO LUMPY. IT MELTS IN h:IS, HAf'I[))

(SUDDENLY~I~CHY' POINTS 'TO A CLEARING JUST AHEAD0~ Tm:r(.)

) 157-

~7 AR8IVALAT THETREE OF LIFE ( GENTLY ROLLING HILLS OF W I'l1E CRYSTALS, SURROUNDAN ABSOLUTELY MAGICAL TREE OF EifORMe6S HEIGHT~ ABOVE 'NIE TREEI! AG:AINS~ A S'l•.AR-FILLED SKY HOVERS A CHANDELIER• LIKE FORMATIONOF SOFTLY PULSATING SHAF~S OF C01LORED LIGHT. IT I S IN THIS SET'l'ING THATEVERYON!E WHO IS NEARAND D EAR 'Rl OURFAMILY OF WOOKIEESWILL CO GREGATE, I .. I S HERE, I ~ A DREAM- t!K B WORLOOF MOTION WITHOU~FR ICTION THATTHEY WILL crELEBRATELIF E DAY• )

)

(INTO: OOmERCIAL 16) 158~ 001,tMEHClAL_ifl 6 (2: 05)

COMMERC!A.t #6 (2:05)

) REV. 9/13/78 159. ij8. THE TREE O'iP ~JPE MUSIC:

(AS OT-HERFAMILIES OP G,'1lAC'rIC ,CflEATURE.~ 1"k0Vi O'l'HE tl PL~ ;.. r~ T,S A.RR.IV2 AND f.SS EJt;~LE t.i'!Outm r.rHE ') :"a)

( C3 'J AN1.1 'lt2C2 ARE f ..'~ BN .~'l THE HASE 10F 'l.1I-tE'TfllS AS WE .Al})ROACH IT) 03 ,.; We wish for you .a happy Lite Day an d we I re certainly glad you' re a.11 ve t-o a-elebra t •e 1 t • (R2D2 MAXESA SUBDUEDSOUND NOT COMEDIC)

('l'RANSLAT!NO} ~t 1s indeed true that at times like

t hia ., we wi :!,-h ~ were more than . Jue t mechanical bainge, and were really alive to shan your t"e1ei1ns:a w1 th you •

1 ( CHE'WBACCAPOIN'l'S, S'HOWlN"GSOMETHING TO ITc ·HY• LUMPYAm> MALLA. IT IS PRINCESS LEJ:AAPPROACHING, WITH LUKE) L-EIA We are r~liev ,ed that you and yo ur fami ly ue s a.r ·e , Chewbaco a ••• LUKE And glad tba t we are her,e ,.

together. where Peace and Love ar.e st111 trea~ur.ed ••• j

.... LiEIA

Th1s h<:!l1day is yours~ but all of us share with you the hope tnat t h.is day brin g:, ua alo aer to !"reedom, to harmony~ and to p eace~ No matter how dif ferent •

1n our atr~ggle agai nst tne powers of ev~l and darkness. ('I'HE GLOBESS:E!Na HELOM ALL THE ASSEMBLEDMULTITUOE',S BBOIN T O GLOW SOFTLY)

"{ HAN SOLO ENTERS1 AND WP.LKS TO CriEWBACCA.TH!Y EMBRACESILENTLY) ( HAN TH.EN .STA.~rosON THE OTHER SIDE OP PRI NCESS LEIA, SO HE ANDLUKE FRAM E HER) LEIA May t his ho lt day always be a

day or joy 1, in which :rte reaf.f1r m our courag e, Olil" ded 1cat lo n 9 and more t han i!!:ll els:e ·., our love

for each other . ~ • this 18 the prom1se ot the T~ee of Life. CLEIA S'l'EPS, FORWARDAND S ! HOS HER SONG) MUSIC:

t.EIA

WECELEBRATE ) A DAYOP PE:ACR

(MORE) !:.iEIA(CONT'D) A DAY OF HAR.'fOHY

A DAYOP JOY

W! ALL CAN SHARE

~OGETRER,JOYOJSLY

A DAYTHAT TAKES U S THROUGHTHE DARKNESS

A DAYTH.A: LE.ADS US IN'r0 LIGHT

A DAY '?HAT MAKES US WANT TO CELEBRATE

THE NI GHT

A DAY Ti!AT BRINGS THE P ROM!SE

'!'HATONE DAYWE'LL BE FBEIB

TO LIVE, TO LAU.:nl, TO DFraAM'11 TO GROW

TO TOUCH,TO LOVE, ~O BE (TOWARDTim ENDOP HER SONG, MANYVOICES ARE ADDED, AS I N A GREGOMAN CH.ANT)

(AS THE MUSIC COHTINUES1 CHEWIE,MALLA, ITCHY ANDLUMPY STAND PBOUD LY. THEIROLoBEs rN THBI ft HANDS, GLOWIHO SLIGHTLY)

(WITH THE 'l'RAflSPORTEB• 'l'!tEY .ASCE~DTO THE TOP OF TH!BTREE OP LIFE) . ( THEY PLACE ffl BIR POUR OLoBE5 AT RE TOP OP THE TREE, AND WE F.tND THAT THE OTHERS HAVE F[ LLJ::D'!'HE TREE Wl'I'H MORE0 L0B&S• ) ALL SHINING BJUGHTLYNOW )1 (W DISCOVER THAT ~E CMANT GOES AGAINST' 'FHB ORIGINAL 11'STAR WAMn THEME, AS WE 'PULL BACK TO REVE~L THA.T THE GLOBES ARE BUT A PEW OF THE MILLION'S, OF .STARS IN THE GALAXY) 162. 00 tMBRCI'.AL 17 (2: 105)

C01'1'1ERCIAL17 (2Ttf5)