Jeanette Porque Te Vas Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Jeanette Porque Te Vas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Porque Te Vas Country: Spain Released: 1976 Style: Vocal MP3 version RAR size: 1750 mb FLAC version RAR size: 1909 mb WMA version RAR size: 1624 mb Rating: 4.1 Votes: 243 Other Formats: MIDI AA DMF AIFF ADX MOD XM Tracklist 1 Palabras, Promesas 4:10 2 Porque Te Vas 3:21 3 ¿Qué Le Han Hecho A Mi Canción, Mamáa ? 3:28 4 Debajo Del Platanero 2:32 5 No Digas Nada 2:54 6 Soy Rebelde 3:14 7 Seguiré Amando 3:01 8 Estoy Triste 3:58 9 Escucha 3:37 10 Oye Papá, Oye Mamá 3:24 Companies, etc. Phonographic Copyright (p) – Hispavox, S.A. Copyright (c) – Warner Music Spain, S.A. Credits Arranged By – Eddy Gueryn*, Juan Marquez*, Waldo De Los Rios Producer – Rafael Trabucchelli Notes ℗ 1976 Hispavox, S.A. © 2014 Warner Music Spain, S.A. Printed on front cover: "Jeanette canta Porque Te Vas Banda Sonora De La Película Cria Cuervos de Carlos Saura" "Y 9 exitos mas" Barcode and Other Identifiers Barcode (Text): 5054196 211028 Barcode: 5 054196211028 Depósito Legal: M-13265-2014 Label Code: LC 04281 Price Code: EW 851 Other versions Category Artist Title (Format) Label Category Country Year 2310 500 Jeanette Porque Te Vas (LP, Album) Polydor 2310 500 Germany 1976 Porque Te Vas Y 9 Exitos Más (LP, 21-004 S Jeanette Hispavox 21-004 S Spain 1976 Album) 110 8303114 Jeanette Porque Te Vas (Cass, Album, Comp) Hispavox 110 8303114 Spain 1994 3100 371 Jeanette Porque Te Vas (Cass, Album) Polydor 3100 371 Germany 1976 2327 017 Jeanette Porque Te Vas (LP, Album) Hispavox 2327 017 France 1976 Related Music albums to Porque Te Vas by Jeanette Raphael - Ayer, Hoy Y Siempre. Sus Grandes Éxitos Jeanette - Estoy Triste/ No Digas Nada Jeanette - Jeanette / Soy Rebelde, Grandes Exitos Various - La Canción Del Verano (II) Jeanette - Cria Cuervos... Et D'autres Chansons Waldo De Los Rios - Navidad Con Waldo De Los Rios Jeanette - Il Me Plait Bien Ton Frère / No Digas Nada Waldo De Los Rios - Operas Bunbury - Original Album Series Jeanette - Por Que Te Vas Y 9 Éxitos Mas.

Copy Link

Recommended publications

Karaoke Catalog Updated On: 30/10/2020 Sing Online on in Spanish Karaoke Songs
Karaoke catalog Updated on: 30/10/2020 Sing online on www.karafun.com In Spanish Karaoke Songs 1940s Standards Tú no tienes alma La cuestión Bésame mucho (Spanish Vocal) Te lo agradezco, pero no DUET Antonio Rodriguez 1950s Standards No es lo mismo La Bamba Quien Sera (Sway) Looking for Paradise Arcángel ABBA Desde cuando Noche de Jangueo Chiquitita (Spanish version) Corazón partío Arielle Dombasle Afro Medusa No me compares Bésame mucho Pasilda Deja que te bese DUET Quizás, quizás, quizás Agustín Galiana Y solo se me ocurre amarte Amor amor Por qué te vas Alexandre Pires Quien Sera (Sway) Aitana Ocaña Usted se me llevó la vida Porque te vas Lo malo DUET Alfred García Amapola Teléfono Tu canción DUET Solamente una vez Alabina Allan Théo Perfidia Alabina Soñar Mambo 5 Aladdin (1992 film) Amaia Montero Armando Manzanero Un mundo ideal (Tema de Aladdin) DUET Caminando Contigo Aprendí Un mundo ideal DUET Amaral Aventura Aladdin (2019 film) Mi alma perdida Obsesión Callar (versión completa) Ana Belén Mi corazoncito Callar (Parte 2) Me gustaría Dile al amor Un mundo ideal DUET Cuéntame DUET Angelito Callar (Parte 1) Ana Guerra Cuándo volverás Príncipe Alí (Español) Ni la hora DUET Ella y Yo Un amigo fiel Bajito Baauer Alaska Ana Torroja Harlem Shake ¿A quién le importa? Duele el amor DUET Baby K Bailando Anders Nilsen Non mi basta più DUET Ni tú ni nadie Salsa Tequila Bacilos Alberto Cortez Andrea Bocelli Caraluna El vagabundo Vivo por ella DUET Tabaco y chanel Alejandra Guzmán Vive Ya DUET Bad Bunny Soy solo un secreto Bésame mucho Te boté
[Show full text]
Ecological Models of Musical Structure in Pop-Rock, 1950–2019
Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document.
[Show full text]
Carla Bruni Bio English 315.53 Kb
Carla Bruni Released October 9th 2020 on Universal/Wrasse Released on July 10th, “Quelque Chose” was Carla Bruni’s first new original song since her album Little French Songs seven years ago. Since then the singer revisited a selection of international standards from a range of genres – from Depeche Mode’s “Enjoy the Silence” and the Rolling Stones’ “Miss You” to “Moon River” by Henry Mancini, popularized by Audrey Hepburn – in a collection titled French Touch, which was warmly welcomed by fans around the world (more than 250K albums sold worldwide). This project was successfully followed by an extensive international tour. Bruni, whose talents as an authentic singer-songwriter were discovered 18 years ago, is rarely without her notepads. She writes her songs by hand, a process that’s very important to her – she has an irrepressible need for this immediate contact between emotions and paper, and this passion shines through in the collection of songs on this new album. She wrote them in a slow process that accelerated into fruition over a few weeks last autumn. Month after month, something rose, just like in the first single of her new album "Quelque Chose", that speaks about the awakening of some mysterious thing. At the end of the journey is a return to the very essence of the artist’s feelings and a naturally eponymous album. As always with Bruni, the songs speak about the eternal desire to love and the great adventure of our lives but they also reveal an innate sense of freedom and fantasy. This eponymous album (released October 9th 2020) is the reflection of Carla Bruni herself, a wholehearted embracing of her true self.
[Show full text]
Examining the Experiences of Latino/A Parents of First-Generation College Students Pursuing a Doctoral Degree
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Examining the Experiences of Latino/a Parents of First-Generation College Students Pursuing a Doctoral Degree Natalia Toro University of Central Florida Part of the Educational Leadership Commons, and the Higher Education Administration Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Toro, Natalia, "Examining the Experiences of Latino/a Parents of First-Generation College Students Pursuing a Doctoral Degree" (2017). Electronic Theses and Dissertations, 2004-2019. 5385. https://stars.library.ucf.edu/etd/5385 EXAMINING THE EXPERIENCES OF LATINO/A PARENTS OF FIRST-GENERATION COLLEGE STUDENTS PURSUING A DOCTORAL DEGREE by NATALIA LEAL TORO B.A. Rollins College, 2003 M.Ed. University of Florida, 2006 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Education in the Department of Child, Family, and Community Sciences in the College of Education and Human Performance at the University of Central Florida Orlando, Florida Spring Term 2017 Major Professor: Rosa Cintrón © 2017 Natalia Leal Toro ii ABSTRACT Research points to Latino/a parents as an important source of motivation and support for high achieving Latino/a students who are the first in their families to go to college (Arellano & Padilla, 2006; Gándara, 1982; 1994; Hurtado & Sinha, 2006; Zalaquett, 2005); however, very little is known about their experience as they parent children whose educational paths are so different from their own.
[Show full text]
“Al Mérito” En El Grado De Oficial a José Luis Perales, Cantautor Español
1 CONDECORACIÓN DE LA ORDEN NACIONAL “AL MÉRITO” EN EL GRADO DE OFICIAL A JOSÉ LUIS PERALES, CANTAUTOR ESPAÑOL Quito, octubre 28 de 2016 El maestro José Luis Perales nació en 1945 en Castejón de Cuenca, España (acá tenemos nuestra propia Cuenca al sur del Ecuador), y desde sus inicios como artista escribió e interpretó canciones que se han convertido en imborrables en la memoria de generaciones. Es un nombre universal de la canción, con una inmensa producción discográfica compuesta por baladas, pop y hasta canción protesta. PERFIL 2 Con tan solo trece años el maestro Perales salió de su Castejón natal para estudiar electrónica en la Universidad Laboral de Sevilla con una beca, porque —al igual que muchos jóvenes en el mundo— su familia no disponía de suficientes recursos económicos. Pero la música fue más fuerte en la vida de José Luis a tal punto que debió interrumpir sus estudios para dedicarse por completo a ella. A los 28 años, en 1973, salió a la luz el disco “Mis canciones” y desde entonces el maestro Perales ha vendido más de 50 millones de álbumes de sus 76 discos en los cinco continentes y ha sido distinguido con diversos reconocimientos en España y el mundo. Tiene más de 100 discos de oro y platino, con canciones míticas como: "¿Y cómo es él?”, “Te quiero”, "Me llamas”, “Quisiera decir tu nombre” o “Que canten los niños”, un himno a la paz y a la esperanza de los niños de todo el mundo. A ellos, a los niños, José Luis ahora se siente más unido que nunca por su relación con sus nietos, Manuela, Guillermo y Noa.
[Show full text]
Landscapes of Survival: the Politics of Emotions in the Aftermath of Neoliberal Crises
Landscapes of Survival: The Politics of Emotions in the Aftermath of Neoliberal Crises Angela Duran Real A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Anthony Geist, Chair Kathleen Woodward Leigh Mercer Cynthia Steele Program Authorized to Offer Degree: Hispanic Studies ©Copyright 2019 Angela Duran Real University of Washington Abstract Landscapes of Survival: The Politics of Emotions in the Aftermath of Neoliberal Crises Angela Duran Real Chair of the Supervisory Committee: Professor Anthony Geist Spanish and Portuguese Landscapes of Survival is an investigation of the affective life of neoliberalism. It takes the financial crises of 2001 in Argentina and 2008 in Spain to argue that, while both events have precipitated circumstances inherent to all economic crises—unemployment, austerity, migration, increased poverty—, they have also disclosed that crisis, far from being an extraordinary event, is for most a quotidian experience. In so doing, this work as a whole proposes that attention to the cultural politics of emotions sheds light on the nature of crisis as an ongoing condition under neoliberal governance. This dissertation advances recent cultural analysis of neoliberalism in the field of transatlantic Peninsular and Latin American studies that often lack particular attention to the centrality of the politics of emotions in processes of signification and subjectification. Landscapes of Survival begins with an analysis of the documentaries Otro Destino (Argentina, 2003) and En tierra extraña (Spain, 2015) to explore the feeling of loss that structures the lives of young migrants whose life projects have been overturned by the crises.
[Show full text]
María Grever, Ignacio Fernández Esperón “Tata Nacho,” and Agustín Lara
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA Manuel M. Castillo University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Castillo, Manuel M., "ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA" (2014). Theses and Dissertations--Music. 32. https://uknowledge.uky.edu/music_etds/32 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
[Show full text]
“This Is Our Home!” Chicana Oral Histories: (Story)Telling Life, Love and Identity in the Midwest a DISSERTATION SUBMITTED T
“This is our home!” Chicana Oral Histories: (Story)Telling Life, Love and Identity in the Midwest A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kandace J. Creel IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Edén E. Torres December 2010 © Kandace J. Creel 2010 All Rights Reserved Acknowledgements This project could not have come to fruition without the assistance of colleagues, friends, and family. I am indebted to all of those who believed in me and encouraged me to continue with my studies. In particular I must acknowledge the eight women that so graciously gave me their time and entrusted me with their stories. Mama, Estella Falcon Creel, this is really your dissertation, without your stories this would have never come to existence. My Kansas familia, Aunt Lilly Falcon Rider, Aunt Gloria Falcon Madrid, Aunt Cindy Perez Falcon, thank you for allowing me to see you in your most vulnerable moments. You have all taught me the value in preserving our stories, and the continued importance of familia. Margaret Perez, your invitation to your home and into your life enabled me to better understand the experiences of my abuela’s generation and to forge even closer relationships with your children – I sincerely thank you for that. For the amazing women of Minnesota – Martha Castañon, your enthusiasm and flowing storytelling inspires me. Teresa Ortiz your activist commitments and ability to play with words astounds me. Guadalupe Morales your generous spirit and warm hugs support me. All of your stories have touched my life in multiple ways, and I am forever grateful for your oral histories.
[Show full text]
Displays of Colonial Shame in Puerto Rican Reggaetón
Fast Capitalism ISSN 1930-014X Volume 12 • Issue 1 • 2015 doi:10.32855/fcapital.201501.009 Displays of Colonial Shame in Puerto Rican Reggaetón Alison Torres-Ramos Yo soy el que nadie entiende, el loco demente, la voz del pueblo, el más buena gente,todo lo que yo te hable va a ser desagradable, muy inteligente y supuestamente, poco saludable. Gracias a mis insultos, los niños tienen que escucharme bajo la supervisión de un adulto[1] — Calle 13 “Ven y Critícame” Yo no planto bandera pues yo no soy Cristóbal Colon, yo soy de Las Acacias cien por ciento de corazón, de ningún caserío yo me quiero hacer dueño, no soy un extranjero soy puertorriqueño[2]. — Vico C “La Recta Final” It was summer 2004 in Puerto Rico, I had just gotten my hands on the new Barrio Fino CD, and I was on my way to the local Sam’s Club in Ponce to meet Daddy Yankee. I was ecstatic on the way there and blasted the CD as loud as it could go in the car. I arrived about two hours early and the dense line, made up of equally exited fans, stretched around inside and outside the door. I never got to meet Daddy Yankee because he decided to leave (after several hours) before it was my turn. I, and the countless other fans who left Sam’s Club that day without an autograph or picture, were not bitter. We played our CDs loudly on the way back home and were not ashamed to love reggaetón[3].
[Show full text]
Letra De Alfredo Le Pera Musica De Carlos Gardel Compuesto En 1919
!AY AURORA¡ (VALS) Letra de Alfredo Le Pera Musica de Carlos Gardel Compuesto en 1919 Vals Matriz 55 18016 !Ay Aurora¡, me has echado al abandono. Lo, que tanto y que tanto te he querido !Ay Aurora¡, me has echado al abandono. Lo, que tanto y tanto te he querido y tu negra traición me echó el olvido !ay Aurora¡ si te amo todavía. Mas yo no puedo castigarla como debo esa falsía !castígala, Señor con toda tu energía¡ que sufra mucho pero que nunca muera !ay Aurora¡ si te amo todavía. Mas no pretendas recuperar el trono, que tenías en mi pecho y lo has perdido Más no pretendas recuperar el trono que tenías en mi pecho y lo has perdido hasta el fondo del alma me has herido y del fondo del alma te perdono. Mas yo no puedo castigarla como debo esa falsía castígala, Señor, con toda tu energía; que sufra mucho, pero que nunca muera !ay Aurora¡ si te amo todavía. Mas yo no puedo castigarla como debo esa falsía castígala, Señor, con toda tu energía que sufra mucho, pero que nunca muera. !ay Aurora¡ si te amo todavía. !AY, ELENA¡ Letra de José Razzano Musica de Carlos Gardel Compuesto en 1919 Vals Matriz 56 18017 A Se encuentran acá una repetición de número de las matrices con la numeración que traían las grabaciones realizadas en 1917. El acompañamiento en las guitarras fue de José "el negro" Ricardo y José Razzano. Tema: Otro especie de serenata horaciana. Altosa un día por entre los rosales Hermoso cerro de Santa Lucía Hay un jilguero picando una flor al abrir el día lo vimos los dos.
[Show full text]
Copyright by Inmaculada Concepción Cívico Lyons 2006
Copyright by Inmaculada Concepción Cívico Lyons 2006 The Dissertation Committee for Inmaculada Concepción Cívico Lyons Certifies that this is the approved version of the following dissertation: The Construction of Male Subjectivity by Four Contemporary Spanish Women Writers Committee: Virginia Higginbotham, Supervisor Charles Ramirez-Berg Leopoldo Bernucci Denise DuPont Enrique Fierro Vance Holloway The Construction of Male Subjectivity by Four Contemporary Spanish Women Writers by Inmaculada Concepción Cívico Lyons, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2006 Dedication To my husband Philip, and my daughters Anna, and Vanessa, for their understanding and support. In loving memory of my mother, Isabel. Acknowledgements I am grateful to all the people whose support I have received throughout the years. I am especially thankful to Virginia Higginbotham, my constant source of support, guidance and encouragement. I thank the members of my committee, Vance Holloway, Enrique Fierro, Charles Ramirez-Berg, Leopoldo Bernucci, and Denise DuPont for their ongoing assistance and direction as well as their individual contributions. Thank you all for your careful reading and advice. I must also give thanks to my friends and colleagues for lending me a friendly ear when I felt overwhelmed. v The Construction of Male Subjectivity by Four Contemporary Spanish Women Writers Publication No._____________ Inmaculada Concepción Cívico Lyons, Ph.D. The University of Texas at Austin, 2006 Supervisor: Virginia Higginbotham This dissertation examines four contemporary Spanish women writers’ insight into the formation and development of male subjectivity in the context of socio-political and artistic status of women in democratic Spain.
[Show full text]
Copyright by Sadie Nickelson-Requejo 2011
Copyright by Sadie Nickelson-Requejo 2011 The Dissertation Committee for Sadie Nickelson-Requejo Certifies that this is the approved version of the following dissertation: The Child’s Perspective of War and its Aftermath in Works of Adult Prose and Film in Mexico and Spain Committee: Virginia Higginbotham, Supervisor Jill Robbins, Co-Supervisor Enrique Fierro Domino Pérez Cory Reed Elizabeth Richmond-Garza The Child’s Perspective of War and its Aftermath in Works of Adult Prose and Film in Mexico and Spain by Sadie Nickelson-Requejo, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication To my loving family who has supported me in my every endeavor, and to Jim, the best partner I could ever imagine. You have encouraged and stood by me throughout this process and have my undying love and gratitude. I proudly present to you the dissertation that you made possible. Acknowledgements I would like to thank my supervisors, Virginia Higginbotham, Ph.D. and Jill Robbins, Ph.D., for their guidance throughout this investigation, and my supportive committee. A special thank you to Irene Matthews, Ph.D. for granting me access to her interview tapes with Nellie Campobello, the librarians at the University of Puget Sound, and Doreen Marchionni, Ph.D. for her assistance with research. You have my deepest gratitude. v The Child’s Perspective of War and its Aftermath in Works of Adult Prose and Film in Mexico and Spain Publication No._____________ Sadie Nickelson-Requejo, Ph.D.
[Show full text]