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Image Carrier Poster
55899-11_MOP_nwsltr_poster_Winter11_v2_Layout 1 2/11/11 2:25 PM Page 1 The Museum of Printing, North Andover, MA and the Image Carrier www.museumofprinting.org Relief printing Wood cuts and wood engravings pre-dated moveable type. Called “xylographic printing,” it was used before Gutenberg for illustrations, playing cards, and small documents. Moveable type allowed corrections and editing. A wood engraving uses the end grain, where a wood cut uses the plank grain. Polymer plates are made from digital files which drive special engraving machines to produce relief plates. These plates are popular with many of today’s letterpress printers who produce invitations, and collectible prints. Metal relief cylinders were used to print repetitive designs, such as those on wrap - ping paper and wall paper. In the 1930s, the invention of cellophane led to the development of the anilox roller and flexographic printing. Today, flexography prints most of the flexible packaging film which accounts for about half of all packaged products. Hobbyists, artists, and printmakers cut away non-printing areas on sheets of linoleum to create relief surfaces. Wood cut Wood engraving and Metal plate Relief cylinder Flexographic plate Linoleum cut Foundry type began with Gutenberg and evolved through Jenson, Garamond, Moveable type Caslon and many others. Garamond was the first printer to cast type that was sold to other printers. By the 1880s there were almost 80 foundries in the U.S. One newspaper could keep one foundry in business. Machine typesetting changed the status quo and the Linotype had an almost immediate effect on type foundries. Twenty-three foundries formed American Type Founders in 1890. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Inkjet Printing This Process Works by Spitting Small Droplets of Ink on the Surface of the Paper
PRINTING FOR PACKAGING PREPARED BY MRS.M.JANANI DEPARTMENT OF COMMERCE (INTERNATIONAL BUSINESS) GOVERNMENT ARTS COLLEGE, COIMBATORE – 18. REFERENCE: http://imprimerie - sanjose.com/what - a r e - t h e - d i f f e r e n t - t y p e s - of- p r i n t i n g / https://www.brushyourideas.com/blog/types - p r i n t i n g - m e t h o d s - w e b - to- p r i n t - i n d u s t r y / https://www.glocaluniversity.edu.in/files/eContent/eBpharm/QUALITY%20C ONTROL.pdf TYPES OF PRINTING FOR PACKAGING 1. Lithography or “litho” or “offset” for short 2. Flexography or “flexo” for short 3. Rotogravure or “gravure” for short 4. Silkscreen or “screen” for short. 5. Digital 1. PLANOGRAPHIC PRINTING Lithography is the most dominant of the printing processes. When people refer to printing, especially color printing, they usually think of lithography. Lithography was invented by Alois Senefelder. Lithography is a chemical process. Lithography works on the principle that oil and water do not mix. A lithographic plate is treated in such a way that the image areas on the plate are sensitized and as such are oleophilic (oil-loving); and the non-image areas are treated to be ink repelling or oleophobic. During the press run, the plate is charged twice; first by a set of dampening rollers that apply a coat of dampening solution and second by a coat of the inking rollers. During this process the image areas have been charged to accept ink and repel water during the dampening. -
The Story of Abraham (Page from Heiligenleben)
TITLE: The Story of Abraham (page from Heiligenleben) ARTIST: Unknown DATE: 1496 SIZE: 10 x 6 ½ inches MEDIUM: Woodcut and Moveable Type ACQUISITION #: 2001.1.102 ADDITIONAL WORK IN COLLECTION BY ARTIST: No. VOCABULARY Illuminated Manuscript: a manuscript in which the text is supplemented with decoration such as initials, borders, and miniature illustrations. Woodblock print: technique for printing text, images, or patterns used. It is a block of wood engraved in relief which is used to print. Hagiography: The writing of the lives of saints. The word comes from the Greek “hagios” which means “holy” and “graphia” which means “writing.” The word literally means “holy writing.” CONTEXTUAL INFORMATION Just like books of gospels and biblical illuminated manuscripts, this page contains the detail and precision of other religious works. The literal meaning for “Heiligenleben” is “holy life.” This page, which tells the story of Abraham is an example of hagiography. This page is possibly a part of a hagiographic illuminated manuscript, such as Der SOURCES Heiligen Leben or The Lives of Saints, produced by a Dominican monastery in Nuremberg, Germany during the 1400s.This manuscript https://en.wikipedia.org/wiki/Movable_type was as large as a bible and provided readings over the course of a year http://education.asianart.org/explore-resources/background- information/ukiyo-e-woodblock-printing-process and included saints’ feast days as well. Many such illuminated https://www.inksaver.co.za/en/blog/History‐of‐printing‐part‐1‐ manuscripts were created simply to teach people about saints and/or woodblock‐printing.php https://www.degruyter.com/view/product/24901 martyrs. -
Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU History of the Book: Disrupting Society from Student Scholarship Tablet to Tablet 6-2015 Chapter 08 - Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/history_of_book Part of the Critical and Cultural Studies Commons, Cultural History Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Roemer, Robin. "Mechanization of the Printing Press." Disrupting Society from Tablet to Tablet. 2015. CC BY-NC. This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in History of the Book: Disrupting Society from Tablet to Tablet by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. 8 Mechanization of the Printing Press - Robin Roemer - One of the important leaps in the technology of copying text was the mechanization of printing. The speed and efficiency of printing was greatly improved through mechanization. This took several forms including: replacing wooden parts with metal ones, cylindrical printing, and stereotyping. The innovations of printing during the 19th century affected the way images were reproduced for illustrations as well as for type. These innovations were so influential on society because they greatly increased the ability to produce large quantities of work quickly. This was very significant for printers of newspapers, who were limited by the amount their press could produce in a short amount of time. Iron Printing Press One major step in improving the printing press was changing the parts from wood to metal. -
Colour Lithography and Its Moral Nature a Paper Written As Part of the Requirements for the Masters in Library and Information Science Degree at Mcgill University
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Colour Lithography and its moral nature a paper written as part of the requirements for the Masters in Library and Information Science degree at McGill University Allana Mayer 2014 Introduction Lithography, the process of applying paints and inks to a stone for transfer to paper, was invented in Germany in 1798 by Alois Senefelder (Twyman, 2013). The technique is less talked-of than the invention of movable type, or the diffusion of digital tools, in their effects on the respective industries and sociocultural climates of their times, but historical documents do portray a similar tension between a new technology and existing processes. Lithography is in particular an interesting halfway point between the former and the latter: while the process of mechanical reproduction is an obvious antecedent to the invention of printing in general, its chemical-based process is a herald of things to come, namely home laser printing that uses toner and ink to apply images to paper -- or even the chemical negative/ positive processes that make up photosensitive reactions. The chemical process that operates in lithography relies on oil and water repelling one another but adhering to stone. An image is drawn onto a lithographic stone (often limestone or zinc) with a grease stick or wax crayon, then the stone is coated with gum arabic, citric acid, and water, which is repelled from the oily design and adheres to the negative space, without etching the stone. Then the stone is prepared for printing with a mixture of oil-based paint and water: the water adheres to the gum arabic in the negative space, while the oil-based paint creates a positive image and is transferred to subsequent sheets of paper. -
Plant Dye Identification in Japanese Woodblock Prints
Plant Dye Identification in Japanese Woodblock Prints Michele Derrick, Joan Wright, Richard Newman oodblock prints were first pro- duced in Japan during the sixth Wto eighth century but it was not until the Edo period (1603–1868) that the full potential of woodblock printing as a means to create popular imagery for mass consumption developed. Known broadly as ukiyo-e, meaning “pictures of the float- ing world,” these prints depicted Kabuki actors, beautiful women, scenes from his- tory or legend, views of Edo, landscapes, and erotica. Prints and printed books, with or without illustrations, became an inte- gral part of daily life during this time of peace and stability. Prints produced from about the 1650s through the 1740s were printed in black line, sometimes with hand-applied color (see figure 1). These col- ors were predominantly mineral (inorganic) pigments supplemented by plant-based (organic) colorants. Since adding colors to a print by hand was costly and slowed pro- duction, the block carvers eventually hit upon a means to create a multicolor print using blocks that contained an “L” shaped groove carved into the corner and a straight groove carved further up its side in order to align the paper to be printed (see figure 2). These guides, called kento, are located Figure 1. Actors Sanjō Kantarō II and Ichimura Takenojō IV, (MFA 11.13273), about 1719 (Kyōho 4), designed by Torii Kiyotada I, and published by in the same location on each block. They Komatsuya (31.1 x 15.3 cm). Example of a beni-e Japanese woodblock ensure consistent alignment as each color print with hand-applied color commonly made from the 1650s to 1740s. -
17. Chromolithography 1870-1930
Chromolithography 1870-1930: The identification of commercial Erin Walker colour lithography processes, ink modifications and conservation [email protected] INTRODUCTION The research summarised in this poster contextualises chromolithography in the commercial printing trade by the various methods of their production and their ink compositions. Colour lithographic printing, commonly referred to as chromolithography, entered the commercial printing trade in the mid-nineteenth century. The rising demand for colour printing in the twentieth century resulted in more economic and efficient colour printing processes. These demands resulted in an array of new patents for ink formulations, printing papers and photomechanical productions. This research aims to uncover many of the patents, formulas and recipes used in the manufacturing of lithographic inks of the late 19th and early 20th centuries, with a specific focus on additives and modifiers used as driers, extenders and reducers. Information was gathered from relevant patents, treatises, technical manuals, and other historical literature. An overview of published conservation case studies was conducted to understand the potential sensitivities printing inks face. A clearer understanding of the composition of colour lithographic printing inks will serve to inform conservation practice on some of the risks associated with aqueous, solvent cleaning and other treatments. OVERVIEW OF PROCESS COMPOSITION AND MODIFICATIONS Chromolithography, photolithography and offset printing are all variants of the original lithography process invented by Alois Senefelder in 1798. Lithographic inks were specially formulated for several printing processes but the main components remain to be a pigment/dye mixed in a While the methods of etching the stone and zinc plate changes, there is no great difference in the lithographic principle, ink process, ink vehicle with added driers, extenders and reducers. -
Pad Printing Vs. Screen Printing Advantages and Applications Introduction
Pad Printing vs. Screen Printing Advantages and Applications Introduction Choosing a graphical printing technique requires extensive consideration into the process, equipment, and mediums you’ll be working with. Two of the most prominent printing methods available today are Pad Printing and Screen Printing. It’s important to understand the advantages and disadvantages of both, especially if you’ll be transferring designs to different surfaces. Depending on the object you’re printing on, you’ll want to understand the strengths and weaknesses for both Pad Printing and Screen Printing. PRIME PRODUCTS, INC. 2755 Remico, S.W., Wyoming, MI 49519 Phone: 616.531.8970 Fax: 616.301.0033 [email protected] www. primeproductsinc.com 2 Screen Printing Overview With origins tracing back to the Chinese Song Dynasty around 960 AD, Screen Printing, otherwise known as Silk- screening, or Serigraphy, involves a woven mesh screen made from polyester, steel, or nylon. The mesh is usually coated with a special emulsion that blocks specific areas of the screen, forming the actual image you’re transferring, also known as the stencil. Screens can also be produced differently depending on the size and shape of the object that your design will transfer onto. The screen mesh itself is stretched and tensioned using a wood or metal frame, similar to a window or door screen. This allows the operator to force ink only into select areas where the design is transferred on to the surface of an object, otherwise known as the substrate. Once the screen is properly placed and secured over the substrate, the operator pours a specific volume of ink over the screen. -
Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material List 2018
Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material list 2018 The material fee covers the following materials: • Two blocks of Shina plywood (9”x12”) – You will be cutting them into four 6”x9” blocks. • Paper “Masa” and Shin-trinoko • Akua-Kolor Water-based Ink • Tracing paper • Paper towel • Foam plates • Brushes • Newsprint • Carving tools (for classroom use only) General Art Supply & etc. (Please bring them to the class.) • Notebook, journal or sketchbook • Apron or work cloth • Design ideas (6” x 9” is highly recommended.) • Wood carving tools (if you have any) • A bag lunch Carving Tools (optional) If you would like to purchase your own woodcutting tools, here are two recommended sets. o Mikisho Brand Power Grip Carving - set of 5 ($39.90) or set of 7 ($55.90) o Michihamono Brand Gakudo Carving Knife Set – set of 5 ($25.90) or set of 7 ($33.90) DO NOT purchase “Niji” brand at an art-store! (Sharpening stones – get both if you can.) • Naniwa Brand 1000 Grit Carving Tool Stone ($26.20) • Honyama Brand Natural Finish Slip Stone Woodworking Water Stone 75x30x3 mm ($11.60) Hida Tool & Hardware Co., Inc. (http://www.hidatool.com) 1333 San Pablo Avenue Berkeley, CA 94702, (510) 524-3700 or (800) 443-5512 If you have time to order tools online: McClain’s printmaking supplies: http://www.imcclains.com/ Printing Paper (optional) If you would like to purchase printing paper for your own, here is a list of recommended printing paper for hand printing (Ukiyo-E technique) Blick Art • Rives Light white (115gsm) 26”x40” $ 3.25 • Chiri paper 23”x35” $ 5.76 • Hosho paper 19”x24” $ 4.99 • Kinwashi 25”x37” $4.09 • Kitakata 16”x20” $3.10 • Masa 21”x31” $ 1.29 • Mulberry 24”x33½” $5.99 • Okawara 12”x16” $4.50 You can order “Masa” and Shin-trinoko from one of the companies below. -
The-Gutenberg-Museum-Mainz.Pdf
The Gutenberg Museum Mainz --------------------------------------------------------------------- Two original A Guide Gutenberg Bibles and many to the other documents from the dawn of the age of printing Museum ofType and The most beautiful Printing examples from a collection of 3,000 early prints Printing presses and machines in wood and iron Printing for adults and children at the Print Shop, the museum's educational unit Wonderful examples of script from many countries of the world Modern book art and artists' books Covers and illustrations from five centuries Contents The Gutenberg Museum 3 Johannes Gutenberg- the Inventor 5 Early Printing 15 From the Renaissance to the Rococo 19 19th Century 25 20th Century 33 The Art and Craftmanship of the Book Cover 40 Magic Material Paper 44 Books for Children and Young Adults 46 Posters, Job Printing and Ex-Libris 48 Graphics Techniques 51 Script and Printing in Eastern Asia 52 The Development of Notation in Europe and the Middle East 55 History and Objective of the Small Press Archives in Mainz 62 The Gutenberg Museum Print Shop 63 The Gutenberg Society 66 The Gutenberg-Sponsorship Association and Gutenberg-Shop 68 Adresses and Phone Numbers 71 lmpressum The Gutenberg Museum ~) 2001 The Cutcnlx~rg Museum Mainz and the Cutcnbc1g Opposite the cathedral in the heart of the old part ofMainz Spons01ship Association in Germany lies the Gutenberg Museum. It is one of the oldest museums of printing in the world and This guide is published with tbc kind permission of the attracts experts and tourists from all corners of the globe. Philipp von Zahc1n publisher's in Mainz, In r9oo, soo years after Gutenberg's birth, a group of citi with regard to excLrpts of text ;md illustrations zens founded the museum in Mainz. -
Laser Printer - Wikipedia, the Free Encyclopedia
Laser printer - Wikipedia, the free encyclopedia http://en. rvi kipedia.org/r,vi ki/Laser_pri nter Laser printer From Wikipedia, the free encyclopedia A laser printer is a common type of computer printer that rapidly produces high quality text and graphics on plain paper. As with digital photocopiers and multifunction printers (MFPs), Iaser printers employ a xerographic printing process but differ from analog photocopiers in that the image is produced by the direct scanning of a laser beam across the printer's photoreceptor. Overview A laser beam projects an image of the page to be printed onto an electrically charged rotating drum coated with selenium. Photoconductivity removes charge from the areas exposed to light. Dry ink (toner) particles are then electrostatically picked up by the drum's charged areas. The drum then prints the image onto paper by direct contact and heat, which fuses the ink to the paper. HP I-aserJet 4200 series printer Laser printers have many significant advantages over other types of printers. Unlike impact printers, laser printer speed can vary widely, and depends on many factors, including the graphic intensity of the job being processed. The fastest models can print over 200 monochrome pages per minute (12,000 pages per hour). The fastest color laser printers can print over 100 pages per minute (6000 pages per hour). Very high-speed laser printers are used for mass mailings of personalized documents, such as credit card or utility bills, and are competing with lithography in some commercial applications. The cost of this technology depends on a combination of factors, including the cost of paper, toner, and infrequent HP LaserJet printer drum replacement, as well as the replacement of other 1200 consumables such as the fuser assembly and transfer assembly.