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This Is Modern Art 2014/15 Season Lisa Portes Lisa
SAVERIO TRUGLIA PHOTOGRAPHY BY PHOTOGRAPHY BY 2014/15 SEASON STUDY GUIDE THIS IS MODERN ART (BASED ON TRUE EVENTS) WRITTEN BY IDRIS GOODWIN AND KEVIN COVAL DIRECTED BY LISA PORTES FEBRUARY 25 – MARCH 14, 2015 INDEX: 2 WELCOME LETTER 4 PLAY SYNOPSIS 6 COVERAGE OF INCIDENT AT ART INSTITUTE: MODERN ART. MADE YOU LOOK. 7 CHARACTER DESCRIPTIONS 8 PROFILE OF A GRAFFITI WRITER: MIGUEL ‘KANE ONE’ AGUILAR 12 WRITING ON THE WALL: GRAFFITI GIVES A VOICE TO THE VOICELESS with classroom activity 16 BRINGING CHICAGO’S URBAN LANDSCAPE TO THE STEPPENWOLF STAGE: A CONVERSATION WITH PLAYWRIGHT DEAR TEACHERS: IDRIS GOODWIN 18 THE EVOLUTION OF GRAFFITI IN THE UNITED STATES THANK YOU FOR JOINING STEPPENWOLF FOR YOUNG ADULTS FOR OUR SECOND 20 COMMON CORE STATE STANDARDS SHOW OF 2014/15 SEASON: CREATE A MOVEMENT: THE ART OF A REVOLUTION. 21 ADDITIONAL RESOURCES 22 NEXT UP: PROJECT COMPASS In This Is Modern Art, we witness a crew of graffiti writers, Please see page 20 for a detailed outline of the standards Made U Look (MUL), wrestling with the best way to make met in this guide. If you need further information about 23 ACKNOWLEDGEMENTS people take notice of the art they are creating. They choose the way our work aligns with the standards, please let to bomb the outside of the Art Institute to show theirs is us know. a legitimate, worthy and complex art form born from a rich legacy, that their graffiti is modern art. As the character of As always, we look forward to continuing the conversations Seven tells us, ‘This is a chance to show people that there fostered on stage in your classrooms, through this guide are real artists in this city. -
Summer 2011 Issue 36
Express Summer 2011 Issue 36 Portrait of a Survivor by Thomas Ország-Land John Sinclair by Dave Russell Four Poems from Debjani Chatterjee MBE Per Ardua Ad Astra by Angela Morkos Featured Artist Lorraine Nicholson, Broadsheet and Reviews Our lastest launch: www.survivorspoetry.org ©Lorraine Nicolson promoting poetry, prose, plays, art and music by survivors of mental distress www.survivorspoetry.org Announcing our latest launch Survivors’ Poetry website is viewable now! Our new Survivors’ Poetry {SP} webite boasts many new features for survivor poets to enjoy such as; the new videos featuring regular performers at our London events, mentees, old and new talent; Poem of the Month, have your say feedback comments for every feature; an incorporated bookshop: www.survivorspoetry.org/ bookshop; easy sign up for Poetry Express and much more! We want you to tell us what you think? We hope that you will enjoy our new vibrant place for survivor poets and that you enjoy what you experience. www.survivorspoetry.org has been developed with the kind support of all the staff, board of trustess and volunteers. We are particularly grateful to Judith Graham, SP trustee for managing the project, Dave Russell for his development input and Jonathan C. Jones of www.luminial.net whom built the website using Wordpress, and has worked tirelessly to deliver a unique bespoke project, thank you. Poetry Express Survivors’ Poetry is a unique national charity which promotes the writing of survivors of mental 2 – Dave Russell distress. Please visit www.survivorspoetry. com for more information or write to us. A Survivor may be a person with a current or 3 – Simon Jenner past experience of psychiatric hospitals, ECT, tranquillisers or other medication, a user of counselling services, a survivor of sexual abuse, 4 – Roy Birch child abuse and any other person who has empathy with the experiences of survivors. -
Nagy Rock 'N' Roll Könyv
Szakács Gábor Nagy rock ʼnʼ roll könyv Szakács Gábor „Ahogy SzakácsSzakács GáborGábor mondjamondja aa műfajábanműfajában egyedülegyedülálló álló Nagy rock’n’rollOzzy Osbourne: c. könyvében: …el kell döntenünk, hogy zajt vagy zenét aka- runk„Amikor hallani.” fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem.Juhász Kristóf: 55 éves Magyar vagyok Idők és 2017/3/7.hátralé- vô életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” Ozzy Osbourne: „Amikor fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem. 55 éves vagyok és hátralévő életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” A szerző külünköszönetet köszönetet mond mondaz Attila az ifjúságaAttila ifjúsága lemez zenészeinek:zenészeinek: Kecskés együttes: L. Kecskés András, Kecskés Péter, Herczegh László, Lévai Péter, Nagyné Bartha Anna ifjúifj.© Szakács CsoóriCsoóri Gábor, SándorLászló 2004. június Rock:ISBN Bernáth 963 216 329Tibor, X Berkes Károly, Bóta Zsolt, Horváth János, Hor- váth Menyhért, Papp Gyula, Sárdy Barbara, Szász Ferenc A szerző köszönetet mond Valkóczi Józsefnek a könyv javításáért. © Szakács Gábor, 2004. június, 2021 ISBN© Szakács 963 216Gábor, 329 2004. X június, 2021. február ISBN 963 216 329 X FOTÓK: Antal Orsolya, Ágg Károly, Becskereki Dusi, Dávid Zsolt, Galambos Anita, Knapp Zoltán, Rásonyi Mária, Tóth Tibor BORÍTÓTERV, KÉPFELDOLGOZÁS: FortekFartek Zsolt KIADVÁNYSZERKESZTÔ: Székely-Magyari Hunor KIADÓ ÉS NYOMDA: Holoprint Kft. • 1163 Bp., Veres Péter út 37. Tel.: 403-4470, fax: 402-0229, www.holoprint.hu Nagy Rock ʼnʼ Roll Könyv Tartalomjegyzék Elôszó . 4 Így kezdôdött . 6 Írók, költôk, hangadók . 15 Családok, gyermekek, utódok . 24 Indulás, feltûnés, beérkezés . -
BLUES La Colonna Sonora Della Mia Anima … Ain’T Nothin’ but the Blues
http://scrivi.10righedailibri.it/ leggi, scrivi e condividi le tue 10 righe dai libri http://www.10righedailibri.it GRANDI OPERE Salvatore Amara UN SALTO NEL BLUES La colonna sonora della mia Anima … ain’t nothin’ but the Blues CUEC Salvatore Amara Un salto nel Blues La colonna sonora della mia Anima … ain’t nothin’ but the Blues ISBN: 978-88-8467-960-4 © CUEC Editrice 2015 prima edizione dicembre 2015 Realizzazione editoriale CUEC Editrice by Sardegna Novamedia Soc. Coop. via Basilicata 57/59 09127 Cagliari www.cuec.eu [email protected] [email protected] Questo libro è realizzato in coproduzione CUEC Editrice/Salvatore Amara Senza il permesso scritto dell’Editore è vietata la riproduzione anche parziale, con qualsiasi mezzo effettuata, compresa la fotocopia, anche ad uso interno o didattico Realizzazione grafica Antonello De Cicco Stampa e legatura Arti Grafiche CDC Srl Città di Castello (PG) “Tutto il pensare che fate prima di iniziare un lavoro abbrevia il tempo che dovete spendere per eseguirlo” R.C. SMITH Dedico questo libro a Barbara Derosas, moglie, amica e amante, il Sole che illumina il mio mondo e riscalda il mio Cuore. Che occhi avrà Railgac Blues Che occhi avrà, il futuro, ora? “Le mie viscere sono marce. Che occhi avrà, ora, la storia? Viaggio in un treno verso il fiume. Avrà quegli occhi che aveva il vento, Nessuno sa gli accordi della mia chitarra. quel vento caldo che dall’Africa saliva Anch’io li ho dimenticati nel viaggio. nel canto degli schiavi, nel gospel, nel blues Sparsi nelle rotaie della città di Railgac. -
The Role of Political Art in the 2011 Egyptian Revolution
Resistance Graffiti: The Role of Political Art in the 2011 Egyptian Revolution Hayley Tubbs Submitted to the Department of Political Science Haverford College In partial fulfillment of requirements for the degree of Bachelor of Arts Professor Susanna Wing, Ph.D., Advisor 1 Acknowledgments I would like to extend my heartfelt gratitude to Susanna Wing for being a constant source of encouragement, support, and positivity. Thank you for pushing me to write about a topic that simultaneously scared and excited me. I could not have done this thesis without you. Your advice, patience, and guidance during the past four years have been immeasurable, and I cannot adequately express how much I appreciate that. Thank you, Taieb Belghazi, for first introducing me to the importance of art in the Arab Spring. This project only came about because you encouraged and inspired me to write about political art in Morocco two years ago. Your courses had great influence over what I am most passionate about today. Shukran bzaf. Thank you to my family, especially my mom, for always supporting me and my academic endeavors. I am forever grateful for your laughter, love, and commitment to keeping me humble. 2 Table of Contents Acknowledgements……………………………………………………....…………. 1 Introduction…………………………………………………………………….……..3 The Egyptian Revolution……………………………………………………....6 Limited Spaces for Political Discourse………………………………………...9 Political Art………………………………………………………………..…..10 Political Art in Action……………………………………………………..…..13 Graffiti………………………………………………………………………....14 Conclusion…………………………………………………………………......19 -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
New Books on Art & Culture
S11_cover_OUT.qxp:cat_s05_cover1 12/2/10 3:13 PM Page 1 Presorted | Bound Printed DISTRIBUTEDARTPUBLISHERS,INC Matter U.S. Postage PAID Madison, WI Permit No. 2223 DISTRIBUTEDARTPUBLISHERS . SPRING 2011 NEW BOOKS ON SPRING 2011 BOOKS ON ART AND CULTURE ART & CULTURE ISBN 978-1-935202-48-6 $3.50 DISTRIBUTED ART PUBLISHERS, INC. 155 SIXTH AVENUE 2ND FLOOR NEW YORK NY 10013 WWW.ARTBOOK.COM GENERAL INTEREST GeneralInterest 4 SPRING HIGHLIGHTS ArtHistory 64 Art 76 BookDesign 88 Photography 90 Writings&GroupExhibitions 102 Architecture&Design 110 Journals 118 MORE NEW BOOKS ON ART & CULTURE Special&LimitedEditions 124 Art 125 GroupExhibitions 147 Photography 157 Catalogue Editor Thomas Evans Architecture&Design 169 Art Direction Stacy Wakefield Forte Image Production Nicole Lee BacklistHighlights 175 Data Production Index 179 Alexa Forosty Copy Writing Sara Marcus Cameron Shaw Eleanor Strehl Printing Royle Printing Front cover image: Mark Morrisroe,“Fascination (Jonathan),” c. 1983. C-print, negative sandwich, 40.6 x 50.8 cm. F.C. Gundlach Foundation. © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. From Mark Morrisroe, published by JRP|Ringier. See Page 6. Back cover image: Rodney Graham,“Weathervane (West),” 2007. From Rodney Graham: British Weathervanes, published by Christine Burgin/Donald Young. See page 87. Takashi Murakami,“Flower Matango” (2001–2006), in the Galerie des Glaces at Versailles. See Murakami Versailles, published by Editions Xavier Barral, p. 16. GENERAL INTEREST 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Drawn from the collection of the Library of Congress, this beautifully produced book is a celebration of the history of the photographic album, from the turn of last century to the present day. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Tomberg Rare Books Corrected Proof
catalog one tomberg rare books CATALOG ONE: Rare Books, Mimeograph Magazines, Art & Ephemera PLEASE DIRECT ORDERS TO: tomberg rare books 56 North Ridge Road Old Greenwich, CT 06870 (203) 223-5412 Email: [email protected] Website: www.tombergrarebooks.com TERMS: All items are offered subject to prior sale. Please email or call to reserve. Returns will be accepted for any reason with notification and within 14 days of receipt. Payment is expected with order and may be made by check, money order, credit cards or Paypal. Institutions may be billed according to their needs. Reciprocal courtesies to the trade. ALL BOOKS are first edition (meaning first printing) hardcovers in original dust jackets; exceptions noted. All items are guaranteed as described and in very good or better condition unless stated otherwise. Autograph and manuscript material is guaranteed and may be returned at any time if proven not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Medial mail can be requested and billed. INTERNATIONAL SHIPPING will vary depending upon destination and weight. Above: Item 4 Left: Item 19 Cover: Item 19, detail 1. [Artists’ Books]. RJS & KRYSS, T.L. DIALOGUE IN PALE BLUE Cleveland: Broken Press, 1969. First edition. One of 200 copies, each unique and assembled by hand. Consists entirely of pasted in, cut and folded blue paper constructions. Oblong, small quarto. Stiff wrappers with stamped labels. Light sunning to wrappers, one corner crease. Very good. rjs and tl kryss were planning on a mimeo collaboration but the mimeograph broke, leaving them with only paper. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
White Bicycles: Making Music in the 1960S Ebook
WHITE BICYCLES: MAKING MUSIC IN THE 1960S PDF, EPUB, EBOOK Joe Boyd | 288 pages | 01 Jan 2011 | Profile Books Ltd | 9781852424893 | English | London, United Kingdom White Bicycles: Making Music in the 1960s PDF Book Other Editions 8. Get A Copy. I can't wait to read Todd P's memoirs! Oct 06, Chris rated it really liked it Shelves: music. Download as PDF Printable version. Spanish Ladies Medley. Most Americans couldn't identify the musicians with whom he worked. Eric Clapton. Now, this last statement is, like No. For more than forty years Miles Davis has been in the front rank of American music. Jan 10, Denis Farley rated it it was amazing. It becomes his only number one hit. It does offer some strong insights into music eg why the best analogue recordings are better than digital ones. Jan 13, Silvio rated it it was amazing Shelves: music. Please enable JavaScript in your browser to use the site fully. I… More. The essential biography of one of music's most influential icons: Lou Reed. Jun 22, Nigeyb rated it it was amazing. View Product. Shelves: favorites. Fairport Convention. This unorthodox duo are a major part of the backbone of today's music scene, and are certainly not in any short supply of creativity. I resisted the thought that creativity might be linked to unhappiness or neurosis. Reuse this content. Boyd is a complex man whose motives for becoming a producer are typically mixed. Shelve Psychotic Reactions and Carburetor Dung. Thanks for telling us about the problem. About Joe Boyd.