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Trixie Mattel and Katya Dating
UNHhhh ep 5: "Dating PART 2" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 4: "Dating" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 3: "Traveling" w/ Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 2: "RDR8 Cast Advice" w/ Trixie Mattel & Katya Zamolodchikova. 1 day ago · Trixie and Katya are back with new episodes of UNHhhh Season 5 and they've got the trailer to prove it. Here's everything you need to know about Trixie and Katya. Trixie Mattel is the stage name of Brian Firkus, a drag queen, performer, comedian and music artist best known as a Season 7 contestant of RuPaul's Drag Race and the winner of All Stars Following the success she got thanks to the show, Trixie started presenting a web show with Katya, entitled "UNHhhh", on the WOWPresents' YouTube renuzap.podarokideal.ru later starred on their new show entitled . Jul 15, · Katya: Paint on a different one! Trixie Mattel: This is a window for you, Carolyn, to become the new hot girl in the office right under everyone’s noses. Because you watched a few makeup. Mar 27, · Ever since Katya Zamolodchikova returned to Twitter, fans have been anxiously awaiting to see if the drag star would say anything about her friend and former co-star Trixie Mattel’s win on. Mar 24, · — Trixie Mattel (@trixiemattel) December 20, Trixie hasn’t revealed much about her boyfriend. She protects him from social media users as well. Trixie Mattel Net Worth and TV shows. The drag queen, Trixie Mattel has an estimated net worth of $2 million. Trixie started performing drag in the year at LaCage NiteClub. -
New Jersey in Focus: the World War I Era 1910-1920
New Jersey in Focus: The World War I Era 1910-1920 Exhibit at the Monmouth County Library Headquarters 125 Symmes Drive Manalapan, New Jersey October 2015 Organized by The Monmouth County Archives Division of the Monmouth County Clerk Christine Giordano Hanlon Gary D. Saretzky, Curator Eugene Osovitz, Preparer Produced by the Monmouth County Archives 125 Symmes Drive Manalapan, NJ 07726 New Jersey in Focus: The World War I Era, 1910-1920 About one hundred years ago, during the 1910-1920 decade in America, the economy boomed and the Gross National Product more than doubled. Ten million Americans bought automobiles, most for the first time. Ford’s Model T, produced with then revolutionary assembly line methods, transformed family life for owners. Such personal “machines” led to paved roads and the first traffic light, reduced the need for blacksmiths and horses, increased the demand for auto mechanics and gas stations, and, when not caught up in traffic jams, sped up daily life. Some owners braved dirt roads to drive to the Jersey Shore, where thousands thronged to see the annual Baby Parade in Asbury Park. While roads at the start of the decade were barely adequate for travel in the emerging auto boom, New Jersey became a leader in the advocacy and construction of improved thoroughfares. Better road and rail transportation facilitated both industrial and agricultural production, bringing such new products as commercially grown blueberries from Whitesbog, New Jersey, to urban dwellers. In the air, history was made in 1912, when the first flight to deliver mail between two government post offices landed in South Amboy. -
Futurama - Sesong 1 [3 DVD] Futurama - Sesong 1 [3 DVD]
Futurama - sesong 1 [3 DVD] Futurama - sesong 1 [3 DVD] Futurama Season 1 Peter Avanzino, Susie Dietter, Mark Ervin, Ron Hughart, Jeff Lynch, Brian Sheesley 20th Century Fox 1999 SF Norge 4:3 Fullskjerm Dolby Digital 2.0 320 min. 2 5 The future's so bright, etc. Når man har prestert en så genial serie som The Simpsons, kan man ikke unngå en smule oppmerksomhet rundt lanseringen av en ny serie, og Futurama har da også blitt godt mottatt av medier og publikum helt siden starten. Nå er det endelig duket for DVD-utgivelse, og akkurat som den første sesongen av The Simpsons, leveres Futurama på 3 DVD-plater. Både innpakningen, menyene og ekstramaterialet minner mye om Simpsons-pakken. (I grunnen minner hele Futurama nokså mye om The Simpsons men det skulle vel ikke overraske stort.) Hver av episodene er forsynt med tildels ganske festlige gruppe-kommentarer med en god håndfull av de ansvarlige, blant dem Groening selv og hans medskyldige David X. Cohen, og dessuten gjerne noen av skuespillerne og designere. Det er oftest vel verdt innsatsen å se episodene to ganger - med og uten følgekommentar. Når det gjelder det øvrige bonusmaterialet er det dessverre ikke LIKE interessant. Vi får en kort 5- minutter lang dokumentar som serien på disc 3 (verdt å se), alle platene har et par utklipte scener, og på disc 1 kan man lese seg gjennom manus til en av episodene. Ellers er det ikke så fryktelig mye å ta tak i. Jo, et galleri av tidlige konsept-tegninger med et par gjemte videosnutter på disc 3 er også greit å bla igjennom. -
A Little Color (Wolves Run Book 4) [Kindle Edition] by Elspeth Lovejoy
A Little Color (Wolves Run Book 4) [Kindle Edition] By Elspeth Lovejoy READ ONLINE If searching for a book A Little Color (Wolves Run Book 4) [Kindle Edition] by elspeth lovejoy in pdf form, in that case you come on to loyal site. We presented the complete version of this book in txt, PDF, ePub, doc, DjVu formats. You may reading A Little Color (Wolves Run Book 4) [Kindle Edition] online by elspeth lovejoy either download. Further, on our site you may read the manuals and different artistic eBooks online, or download their as well. We like attract regard what our site does not store the eBook itself, but we provide url to website whereat you may load or read online. So that if have must to download A Little Color (Wolves Run Book 4) [Kindle Edition] pdf by elspeth lovejoy , in that case you come on to the correct website. We have A Little Color (Wolves Run Book 4) [Kindle Edition] txt, DjVu, doc, PDF, ePub forms. We will be happy if you revert anew. Adriana lovejoy 109 records found - profilewho.com View the profiles of people named Adriana Lovejoy. Find videos, pictures, phone number, news and more about Adriana Lovejoy. Find People: Search. Season 1 differences - game of thrones wiki The following is a list of differences between Season 1 of the television show Game of Thrones was disarmed by a little the wolves arrive with Robb Ashleigh lovejoy - (104 records found) - address, L35cWjCN6O4xI/323808_300.jpg?c=13 Photo #2 of Ashleigh, 892 people liked it | Badoo .. Lateef Lovejoy | One of the most active people of the we Absolutely truly -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Brock Poliquin Joy 2007.Pdf (9.590Mb)
s < i y ;-t Heroes on the Home Front: Heroism and Virtue in Post-9/11 American Cinema Joy Poliquin, Interdisciplinary MA in Popular Culture Department of Communications, Popular Culture and Film Submitted in partial fulfdment of the requirements for the degree of Master of Arts in Popular Culture Faculty of Social Sciences, Brock University © Joy Poliquin, October 2007 Table of Contents Introduction 1 Chapter One: A Review of Related Literature 9 Chapter Two: The Male US Film Hero as American Surrogate 25 Chapter Three: Re-sculpting the Heroic Image 37 Chapter Four: Reclaiming the Past: Hollywood Revisits Past Wars 46 Chapter Five: Justified Revenge - The Renegade Warrior 91 Conclusion: You're Either With Us or Against Us 131 Filmography 148 Bibliography 152 Appendix A: September 20, 2001 Address to a Joint Session of Congress 164 Appendix B: January 29, 2002 State of the Union Address 172 Appendix C: September 14, 2001 National Day of Prayer Speech... 181 Poliquin ii Abstract This thesis is intended to contribute to critical discussion of the American male hero in mainstream American war and action films post September 11, 2001 . The thesis investigates how these heroes' behaviour echoes a patriotic, conservative construction of the modern American as created through speeches given by George W. Bush in the wake of the events of September 11, 2001 . The thesis examines the hero in six primary sources: the war films We Were Soldiers, Behind Enemy Lines and The Great Raid and the action films Collateral Damage, Man on Fire and The Punisher. By analyzing the ideological subtext, political content, visual strategies and generic implications of the films, as well as the binary constructions of a selection of Bush speeches, and by reviewing historical representations of American male heroes on film produced in the wake of political events, the thesis concludes that the six films mobilize the USA's conservative viewpoint towards war and military action, and in concert with the speeches, contribute to an ongoing militarization of visual culture. -
RMS Titanic - Wikipedia
RMS Titanic - Wikipedia http://it.wikipedia.org/wiki/RMS_Titanic RMS Titanic Da Wikipedia, l'enciclopedia libera. « Nemmeno Dio potrebbe fare affondare questa RMS Titanic nave. » (Il marinaio A.Bardetta del Titanic alla signora Caldwell, il 10 aprile 1912.) Il RMS Titanic era una nave passeggeri britannica della Olympic Class , divenuta famosa per la collisione con un iceberg nella notte tra il 14 e il 15 aprile 1912, e il conseguente drammatico affondamento avvenuto nelle prime ore del giorno successivo. Secondo di un trio di transatlantici, il Titanic , con le sue Descrizione generale due navi gemelle Olympic e Britannic , era stato progettato per offrire un collegamento settimanale con l'America, e Tipo Transatlantico garantire il dominio delle rotte oceaniche alla White Star Classe Olympic Line. Costruttori Harland and Wolff Cantiere Belfast, Irlanda del Nord. Costruito presso i cantieri Harland and Wolff di Belfast, il Titanic rappresentava la massima espressione della Impostazione 31 marzo 1909 tecnologia navale, ed era il più grande, veloce e lussuoso Completamento 31 marzo 1912 Entrata in transatlantico del mondo. Durante il suo viaggio inaugurale 10 aprile 1912 (da Southampton a New York, via Cherbourg e servizio Queenstown), entrò in collisione con un iceberg alle 23:40 Proprietario White Star Line, (ora della nave) di domenica 14 aprile 1912. L’impatto Amministratore Delegato: (Joseph Bruce Ismay) provocò l'apertura di alcune falle lungo la fiancata destra Destino finale Naufragato il 15 aprile 1912. del transatlantico, che affondò due ore e 40 minuti più tardi (alle 2:20 del 15 aprile) spezzandosi in due tronconi. Caratteristiche generali Dislocamento 52.310 t Nella sciagura, una delle più grandi tragedie nella storia Stazza lorda 46.328 t della navigazione civile, persero la vita 1517 dei 2227 Lunghezza 269 m passeggeri imbarcati. -
Music Preview
JACKSONVILLE NING! OPE entertaining u newspaper change your free weekly guide to entertainment and more | february 15-21, 2007 | www.eujacksonville.com life in 2007 2 february 15-21, 2007 | entertaining u newspaper table of contents cover photo of Paul Paxton by: Dennis Ho feature NASCAR Media Day ............................................................................PAGES 16-17 Local Music Preview ...........................................................................PAGES 18-24 movies Breach (movie review) .................................................................................PAGE 6 Movies In Theatres This Week .................................................................PAGES 6-9 Seen, Heard, Noted & Quoted .......................................................................PAGE 7 Hannibal Rising (movie review) ....................................................................PAGE 8 The Last Sin Eater (movie review) ................................................................PAGE 9 Campus Movie Fest (Jacksonville University) ..............................................PAGE 10 Underground Film Series (MOCA) ...............................................................PAGE 10 at home The Science Of Sleep (DVD review) ...........................................................PAGE 12 Grammy Awards (TV Review) .....................................................................PAGE 13 Video Games .............................................................................................PAGE 14 food -
Language, Identity, and Non-Binary Gender in Hawai'i (PDF)
LANGUAGE, IDENTITY, AND NON-BINARY GENDER IN HAWAI‘I A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN LINGUISTICS OCTOBER 2015 By M. Joelle Kirtley Dissertation Committee: Katie Drager, Chairperson Victoria Anderson Christina Higgins Rebecca Stotzer Lal Zimman Keywords: Gender, Hawai‘i, Sociocultural Linguistics, Phonetic Variation, Masculinity Copyright © 2015 by M. Joelle Kirtley ii To Teej, who taught me to challenge normativities. The world would be so much better if you were still in it. iii Acknowledgements First, and most importantly, thank you to the three people who let me into their lives and provided the data for this research. You are beautiful and strong individuals, and I, and the readers of this dissertation as well, are better people for knowing you. Thank you to the five people serving on my committee, Victoria Anderson, Katie Drager, Christina Higgins, Rebecca Stotzer, and Lal Zimman. Through your diligent commenting and criticism, this dissertation is strengthened and I am made a better researcher and writer. Thank you for your hard work and intelligent insights. Thank you to my peers who have contributed so much not only to this project by way of support and conversation, but also to my career in linguistics. Thank you Mónica Vidal for your shared love of stylistics and for your advice and helpful listening. Thank you Katie Gao for talking through this project with me at every stage and also sharing your research triumphs and fears with me. Your companionship is invaluable.