Meredith Monk the 2014–2015 Richard and Barbara Debs Composer’S Chair
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EUROPEAN TV DRAMA SERIES LAB Programme Application TESTIMONIALS
CONTACT www.tv-lab.eu Nadja Radojevic Head of International Training – Erich Pommer Institut [email protected] Testimonials A project by T: +49 (0)331 721 28 85 “The TV Lab’s own writers’ room became this sizzling pot F: +49 (0)331 721 28 81 Erich Pommer Institut (Germany) of focused, directed creativity, where a handful of writers Försterweg 2, 14482 Potsdam, Germany in just three days broke and created an original pilot idea The Erich Pommer Institut is one of Europe’s leading centers for www.epi-medieninstitut.de with obvious commercial and artistic potential. Most of media law, media management and media research. As a non-profit all, I was amazed on how effective it was, and how daring independent institute, our studies follow the process of media convergence through research, consultation and advanced training. you can be if you eliminate the fear of failure, and focus A project by In association with on the thrill of creation.” Each year, EPI organises and hosts around 40 seminars, workshops, Trygve Allister Diesen, Writer VARG VEUM, conferences and panels – for the European, the Canadian as well as Director KOmmissARIE WINTER, Tenk.tv, Norway the US-American media industry. TV Lab Alumni 2012 www.epi-medieninstitut.de “This kind of training is essential for Europe’s television future. It’s given me the information In association with and process I need for a wider perspective on With the support of the MEDIA 2007 Programme of the European Union what I am doing. I made crucial gains from this MediaXchange (UK) training: networking – new points of view and Based in London and LA, MediaXchange is a media consultancy helpful comparisons to my work processes.” EUROPEAN with a 20 year history assisting entertainment industry professionals Michaela Strnad, Writer PERFECT WORLD, to develop effective knowledge, contacts and business drawn from Film & Roll, Czech Republic our unique global perspective. -
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. John Hollenbeck Large Ensemble Ben Kono, soprano/alto/tenor sax and flute Jeremy Viner, clarinet and tenor sax Dan Willis, soprano/tenor sax Anna Webber, flute and tenor sax Bohdan Hilash, clar/bass clarinet and bass sax Mark Patterson, trombone Mike Christianson, trombone Curtis Hasselbring, trombone Jennifer Wharton, bass trombone Jon Owens, trumpet and flugelhorn James De La Garza, trumpet and flugelhorn Dave Ballou, trumpet and flugelhorn Matt Holman, trumpet and flugelhorn Chris Tordini, acoustic and electric bass Matt Mitchell, piano, organ, and keyboard Patricia Brennan, vibes, marimba, and glockenspiel John Hollenbeck, drums and composition Theo Bleckmann, voice JC Sanford, conductor Stepan Dyachkovskiy, sound engineer The program will be announced from the stage and will include selections from All Can Work, A Blessing, and eternal interlude. Program Notes From the Liner Notes of All Can Work After pondering many titles for this record, I realized All Can Work epitomizes the flexible, optimistic resolve that is needed by everyone involved to do a record like this. This phrase, “All Can Work,” and the lyrics in this title track are taken directly from the emails in my inbox from Laurie Frink, our beloved trumpeter, whom we lost in 2013. When I first moved to NYC and started playing with and hearing big bands, Laurie was a special thread that wove through them all—it seemed like she played in every band I saw! A master of the short, perfect email reply, Laurie was also the consummate team player, the type of personality that is profoundly needed in a large ensemble. -
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
Behind the Scenes: Monk's Final Case
lot, the gushing well-wishers and co- workers moving towards him, the gauntlet of handshakes and bear hugs, people drinking champagne November 23, 2009 straight out of bottles, eating red velvet cake with their bare hands, crying, embracing; a seething mass Behind The of humanity, slowly closing in. But Tony Shalhoub isn’t Scenes: Adrian Monk. Not any more. After eight years of Monk’s obsessive-compulsive hand-wiping, pole-touching and mystery-solving “Monk.” the often under-appreciated Final Case show that re-vitalized USA Network, made Shalhoub into an Emmy- By Joe Rhodes winning star and spawned a wave of quirkily-observant tv detective imitators, has finally come to an end. The final episode, because this is “Monk,” will put everything in its place. Before it ends – with a Randy Newman song written especially for the finale – loyal viewers will have the answers they’ve been waiting for: Who killed Monk’s wife, Trudy, the crime that sent him into a catatonic state and has hung over the series from the very first episode? Will he be reinstated as a San Francisco detective? Will he ever unbutton that top shirt button? Is that Captain Mr. Monk would not have enjoyed Stottlemeyer’s real hair? (Ok, not the this; the way things ended after the last one). 25th and final take of the final shot of the final season of the show that There will, of course, be bears his name. Adrian Monk, complications along the way, not the germophobic, claustrophobic, least of which is that Monk will be emotion-phobic, would have been told he has only three days to live. -
Young Adult Audiences' Perceptions of Mediated
Mediated Sexuality and Teen Pregnancy: Exploring The Secret Life Of The American Teenager A thesis submitted to the College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Nicole D. Reamer August, 2012 Thesis written by Nicole D. Reamer B.A., The University of Toledo, 2007 M.A., Kent State University, 2012 Approved by Jeffrey T. Child, Ph.D., Advisor Paul Haridakis, Ph.D., Director, School of Communication Studies Stanley T. Wearden, Ph.D., Dean, College of Communication and Information Table of Contents Page TABLE OF CONTENTS iii ACKNOWLEDGMENTS v CHAPTER I. INTRODUCTION 1 TV and Socialization of Attitudes, Values, and Beliefs Among Young Adults 1 The Secret Life of the American Teenager 3 Teens, Sex, and the Media 4 II. REVIEW OF RELATED LITERATURE 7 Social Cognitive Theory 7 Research from a Social Cognitive Framework 11 Program-specific studies 11 Sexually-themed studies 13 Cultivation Theory 14 Research from a Cultivation perspective 16 The Adolescent Audience and Media Research 17 Sexuality in the Media 19 Alternative Media 20 Film and Television 21 Focus of this Study 27 III. METHODOLOGY 35 Sample Selection 35 Coding Procedures 36 Coder Training 37 Coding Process 39 Sexually Oriented Content 39 Overall Scene Content 40 Target 41 Location 42 Topic or Activity 43 Valence 44 Demographics 45 Analysis 46 IV. RESULTS 47 Sexually Oriented Content 47 Overall Scene Content 48 Target 48 iii Location 50 Topic or Activity 51 Valence 52 Topic Valence Variation by Target 54 V. DISCUSSION 56 Summary of Findings and Implications 58 Target and Location 59 Topic and Activity 63 Valence 65 Study Limitations 67 Future Directions 68 Audience Involvement 69 Conclusion 71 APPENDICES A. -
Tracing the Development of Extended Vocal Techniques in Twentieth-Century America
CRUMP, MELANIE AUSTIN. D.M.A. When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America. (2008) Directed by Mr. David Holley, 93 pp. Although multiple books and articles expound upon the musical culture and progress of American classical, popular and folk music in the United States, there are no publications that investigate the development of extended vocal techniques (EVTs) throughout twentieth-century American music. Scholarly interest in the contemporary music scene of the United States abounds, but few sources provide information on the exploitation of the human voice for its unique sonic capabilities. This document seeks to establish links and connections between musical trends, major artistic movements, and the global politics that shaped Western art music, with those composers utilizing EVTs in the United States, for the purpose of generating a clearer musicological picture of EVTs as a practice of twentieth-century vocal music. As demonstrated in the connecting of musicological dots found in primary and secondary historical documents, composer and performer studies, and musical scores, the study explores the history of extended vocal techniques and the culture in which they flourished. WHEN WORDS ARE NOT ENOUGH: TRACING THE DEVELOPMENT OF EXTENDED VOCAL TECHNIQUES IN TWENTIETH-CENTURY AMERICA by Melanie Austin Crump A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2008 Approved by ___________________________________ Committee Chair To Dr. Robert Wells, Mr. Randall Outland and my husband, Scott Watson Crump ii APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The School of Music at The University of North Carolina at Greensboro. -
"Art" Monk Years
Name: James Arthur "Art" Monk Years: December 5, 1957 to Present Residence: White Plains, New York Brief Biography: Born in White Plains, Art Monk had a passion for sports and particularly excelled in football while attending White Plains High School. With good grades and the support of his coach, Monk won a full scholarship to Syracuse University. At Syracuse University, Monk was a four-year Orangemen letter winner (1976-79). He led the team in receiving in 1977, 1978 and 1979 and still ranks in the top 10 on several school career record lists, including career receptions (sixth), all-time receiving yards (seventh) and receiving yards per game (ninth). Monk was drafted in the first round of the 1980 NFL Draft by the Washington Redskins. During his rookie year, Monk was a unanimous All-Rookie selection and set a new Redskins rookie record, with 58 receptions. In 1984, Monk caught an NFL record 106 receptions for a career-best 1,372 yards. He caught eight or more passes in six games, had five games of 100 yards or more, and in a game against the San Francisco 49ers caught ten passes for 200 yards, earning him team MVP honors and his first Pro Bowl selection. Monk went over the 1,000-yard mark in each of the following two seasons, becoming the first Redskins receiver to produce three consecutive 1,000 yard seasons. He also became the first Redskins player to catch 70 or more passes in three consecutive seasons. During Monk's 14 seasons with the Redskins, the team won three Super Bowls (XVII, XXII, and XXVI) and had only three losing seasons. -
A. Mihalyi: Meredith Monkl, WAM Casopis, Recenzije, Glazba, Classical
MAGIJA VOKALA MEREDITH MONK Aleksandar Mihalyi Ako bi smo odabrali kreativno uspješnu i jedinstvenu skladateljicu i vokalisticu temeljem uspješnosti njezinog dosadašnjeg djelovanja te glasovnih mogućnosti koje izmiču uobičajenim klasifikacijama, onda bi se Meredith Jane Monk nametnula kao prvi izbor. Dodatni povod je i obilježavanje njezinog 70. rođendana ove godine – rođena je 1942. godine u New Yorku, SAD. Njezina pozicija vodeće umjetnice u američkoj avangardnoj glazbi traje od Karijeru je započela kasnih šezdesetih kao plesačica i koreograf kada je samih početaka minimalizma, a već i tada je imala izdvojenu poziciju jer je izučila umijeće poniranja do esencijalne ekspresivnosti pokretom, te nedugo vokalnu tehniku temeljila na istočnjačkim tradicijama (tzv. ekstenizirani glas zatim i glasom prije nego riječima. Monk u ovom kontekstu ističe da se – ponajprije upotrebom posebnih tehnika disanja) te u ponavljanju kratkih riječima štitimo od direktnog iskustva – tijelo treba pustiti da se fraza sličnim mantri (što su činili i ostali minimalisti). Na tu njenu izdvojenu izražava/reagira glasom (vokalizama) i pokretom. Potom, u vrijeme poziciju ponajviše je utjecalo njezino rano pohađanje škole euritmije koje tolerantne klime za diletantizam kada otkriva u sebi: „.. snažniji kreativni joj je potom i usmjerilo karijeru, odnosno interese ka povezivanju glazbe sa od interpretativnog impulsa“, ona započinje i svoju glazbenu karijeru kao pokretom s ciljem da glazbi scenom i koreografijom doda mitsko i povijesno pjevačica (inače ima izniman lirski sopran širokog raspona) i skladateljica, tumačenje. No, teško se kod nje ne može govoriti o eklekticizmu budući da kompletirajući tako autorstvo svojim scenskim djelima, koja se, uz neke Monk ponajprije asimilira ono što drži potrebnim za tehnički aspekt njezinih ograde, mogu svrstati u glazbeni teatar. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
MASS TOURISM and the MEDITERRANEAN MONK SEAL
MASS TOURISM and the MEDITERRANEAN MONK SEAL The role of mass tourism in the decline and possible future extinction of Europe’s most endangered marine mammal, Monachus monachus William M. Johnson & David M. Lavigne International Marine Mammal Association 1474 Gordon Street, Guelph, Ontario, Canada N1L 1C8 ABSTRACT Mass tourism has been implicated in the decline of the Mediterranean monk seal (Monachus monachus) since the 1970s, when scientists first began reviewing the global status of the species. Since then, the scientific literature, recognising the inexorable process of disturbance and loss of habitat that this economic and social activity has produced along extensive stretches of Mediterranean coastline, has consistently identified tourism as among the most significant causes of decline affecting this critically-endangered species. Despite apparent consensus on this point, no serious attempt has been made to assess the tourist industry’s role, or to acknowledge and discuss its moral and financial responsibility, in the continuing decline and possible future extinction of M. monachus. In view of this, The Monachus Guardian 2 (2) November 1999 1 we undertook a review of existing literature to identify specific areas in which tourism has impacted the Mediterranean monk seal. Our results provide compelling evidence that mass tourism has indeed played a major role in the extirpation of the monk seal in several European countries, that it continues to act as a significant force of extinction in the last Mediterranean strongholds of the species, and that the industry exerts a generally negative influence on the design and operation of protected areas in coastal marine habitats. There are compelling reasons to conclude that unless the tourist industry can be persuaded to become an active and constructive partner in monk seal conservation initiatives, it will eventually ensure the extinction of the remaining monk seals in the Mediterranean. -
Monk's Perfect Picnic Package
Attended Buffet or Family Style Service (pricing does not include rentals or staffing) For our Vegetarian & Vegan friends, there is always a very nice option to meet your dietary needs. Monk’s Perfect Picnic Package Monk’s Seasonal Salad Mixed field greens with seasonal additions of vegetables and cheese, with our balsamic vinaigrette Enjoy Our Pulled Pork and Choice of Pulled Chicken or Dry Rub Chicken Leg Quarters Choice of Two Sides Custard Filled Cornbread or Slider Buns Always includes Bread n' Butter pickles and up to three Monk’s BBQ sauce choices *Add additional sides at $3.50 per person Per Person Cost Food $19.99 Monk’s Traditional Package Monk’s Seasonal Salad Mixed field greens with seasonal additions of vegetables and cheese, with our balsamic vinaigrette Choice of three traditional meats Choice of any three side dishes* Choice of Custard Filled Cornbread or Slider Buns Always includes Bread n' Butter pickles and up to three Monk’s BBQ sauce choices *Add additional sides at $3.50 per person Monk’s Traditional Meats and Offerings Beef Brisket (smoked) Braised Chicken Thighs Dry Rub Chicken Leg Quarters (smoked) Maple Glazed Pork Loin (grilled) Pulled Chicken (brined and smoked) Pulled Pork Shoulder (smoked) Per Person Cost Food $23.99 Monk’s Premium Package Monk’s Seasonal Salad Mixed field greens with seasonal additions of vegetables and cheese, with our balsamic vinaigrette Choice of three premium meats or premium meats with combination of traditional offerings Choice of any three side dishes* Choice of Custard Filled Cornbread -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.