Wavelength (August 1984)
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Cherokee Studios
Published on AIA Top Ten (http://www.aiatopten.org) Home > Cherokee Studios Cherokee Studios Project Overview The photo shows the eastern street view of the building along Fairfax Avenue. - Photo Credit: John Linden The main entrance, including retail frontage on the first floor, can be seen in this photo. - Photo Credit: John Linden A street view looking northwest is shown in the photo. - Photo Credit: John Linden . This urban infill, mixed-use, market-rate housing project was designed to incorporate green design as a way of marketing a green lifestyle. It is pending LEED Platinum certification. The design maximizes the opportunities of the mild Southern California climate with a passive cooling strategy using cross-ventilation and thermal convection while taking advantage of the abundantly sunny location. A commitment to minimizing the project's ecological footprint informed all aspects of the design. The main architectural feature of this project is the building's owner-controlled double-façade system. The occupant is able to adjust the operable screens of the building façade as necessary for privacy, views, shading, and thermal comfort. As a result, the facade is virtually redesigned "live" from within, responding to the occupants of the building in real time. The façade also enhances the existing streetscape and promotes a lively pedestrian environment. By visually breaking up the façade into smaller, articulated moving elements, the building appears to move with the passing cars and people. Like many features of the building, the façade is multivalent and rich with meaning, performing several roles for formal, functional, and experiential effect. Location: 751 N. -
Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Celebrity and Race in Obama's America. London
Cashmore, Ellis. "To be spoken for, rather than with." Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. 125–135. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781780931500.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 05:30 UTC. Copyright © Ellis Cashmore 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 To be spoken for, rather than with ‘“I’m not going to put a label on it,” said Halle Berry about something everyone had grown accustomed to labeling. And with that short declaration she made herself arguably the most engaging black celebrity.’ uperheroes are a dime a dozen, or, if you prefer, ten a penny, on Planet SAmerica. Superman, Batman, Captain America, Green Lantern, Marvel Girl; I could fi ll the rest of this and the next page. The common denominator? They are all white. There are benevolent black superheroes, like Storm, played most famously in 2006 by Halle Berry (of whom more later) in X-Men: The Last Stand , and Frozone, voiced by Samuel L. Jackson in the 2004 animated fi lm The Incredibles. But they are a rarity. This is why Will Smith and Wesley Snipes are so unusual: they have both played superheroes – Smith the ham-fi sted boozer Hancock , and Snipes the vampire-human hybrid Blade . Pulling away from the parallel reality of superheroes, the two actors themselves offer case studies. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Directory Download Our App for the Most Up-To-Date Directory Info
DIRECTORY DOWNLOAD OUR APP FOR THE MOST UP-TO-DATE DIRECTORY INFO. E = East Broadway N = North Garden C = Central Parkway S = South Avenue W = West Market m = Men’s w = Women’s c = Children’s NICKELODEON UNIVERSE = Theme Park The first number in the address indicates the floor level. ACCESSORIES Almost Famous Body Piercing E350 854-8000 Chapel of Love E318 854-4656 Claire’s E179 854-5504 Claire’s N394 851-0050 Claire’s E292 858-9903 GwiYoMi HAIR Level 3, North 544-0799 Icing E247 854-8851 Soho Fashions Level 1, West 854-5411 Sox Appeal W391 858-9141 APPAREL A|X Armani Exchange m w S141 854-9400 abercrombie c W209 854-2671 Abercrombie & Fitch m w N200 851-0911 aerie w E200 854-4178 Aéropostale m w N267 854-9446 A’GACI w E246 854-1649 Alpaca Connection m w c E367 883-0828 Altar’d State w N105 763-489-0037 American Eagle Outfitters m w S120 851-9011 American Eagle Outfitters m w N248 854-4788 Ann Taylor w S218 854-9220 Anthropologie w C128 953-9900 Athleta w S145 854-9387 babyGap c S210 854-1011 Banana Republic m w W100 854-1818 Boot Barn m w c N386 854-1063 BOSS HUGO BOSS m S176 854-4403 Buckle m w c E203 854-4388 Burberry m w S178 854-7000 Calvin Klein Performance w S130 854-1318 Carhartt m w c N144 612-318-6422 Carter’s baby c S254 854-4522 Champs Sports m w c W358 858-9215 Champs Sports m w c E202 854-4980 Chapel Hats m w c N170 854-6707 Charlotte Russe w E141 854-6862 Chico’s w S160 851-0882 Christopher & Banks | c.j. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Produced Byray Manzarek
PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D. -
MEIEA 2010.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 10, Number 1 (2010) Bruce Ronkin, Editor Northeastern University Published with Support from Reviews Monica A. Coates. The Beginner’s Guide to the Gospel Music Indus- try: A Handbook for Aspiring Artists and Industry Executives. Franklin, Tenn.: Paul Marchell Publishing, 2009. www.moni- cacoates.com. As a veteran of the Gospel music industry—including stints at EMI Gospel and Verity, and experience in artist management, publicity, radio promotions, and A&R—Monica Coates is well positioned to enlighten the reader about the workings of the Gospel music industry, as well as comment on the mindset and motivation within the Gospel music genre. Through her explanations and examples, any student of the music industry will recognize that many business practices of the genre are common to other genres. For those who have had little exposure to the Gospel mu- sic industry, Coates supplies insight to its unique aspects such as viewing one’s job more as a calling, or encouraging artists to defi ne not only their sound, but their ministry. Those readers more steeped in the genre will appreciate the real-world examples using contemporary Gospel artists, as well as the application of scripture. Throughout the 216 pages of the book, her tone is inspirational and the content accessible, applicable, and infor- mative. The book is divided into four parts: Part I: The Basics; Part II: For the Aspiring Artist; Part III: For the Aspiring Industry Executive; and Part IV: Changing Times. To begin her book, Coates’ preface succinctly introduces and defi nes key terms and concepts encountered throughout the work. -
Board Packet
September Board Meeting To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd. Austin, TX 78702 Thursday, September 25, 2014 10:30 a.m. BOARD MEETING TEXAS STATE AFFORDABLE HOUSING CORPORATION To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd Austin, Texas 78702 September 25, 2014 at 10:30 am CALL TO ORDER, ROLL CALL Bob Jones CERTIFICATION OF QUORUM Chair The Board of Directors of Texas State Affordable Housing Corporation will meet to consider and possibly act on the following: PUBLIC COMMENT PRESIDENT’S REPORT David Long Tab A: Homeownership Finance Report Tab B: Development Finance Report Tab C: Monthly Budget and Investment Reports ACTION ITEMS IN OPEN MEETING: Tab 1 Presentation, Discussion and Possible Approval of Minutes of the Board Meeting held on August 21, 2014. Tab 2 Presentation, Discussion and Possible Approval of the 2014 Grant Awards for the Texas Foundations Fund. Tab 3 Presentation, Discussion and Possible Approval of a Resolution to Re-Appoint Mr. Russell Vandenburg to the Texas Foundations Fund Advisory Council Created by the Board of Directors of the Corporation and to Restate, Ratify and Affirm him as Vice-Chairperson of the Advisory Council to serve until his successor is elected and qualified or until his earlier removal or resignation. Tab 4 Presentation, Discussion and Possible Approval of the Publication for Public Comment of the Guidelines, Scoring Criteria and Targeted Housing Needs for the Allocation of Qualified Residential Rental Project Tax Exempt Bond Funds under the Multifamily Housing Private Activity Bond Program Request for Proposals and the 501(c)(3) Bond Program Policies for Calendar Year 2015. -
Read Ebook {PDF EPUB} Cajun and Creole Folktales by Barry Jean Ancelet Search Abebooks
Read Ebook {PDF EPUB} Cajun and Creole Folktales by Barry Jean Ancelet Search AbeBooks. We're sorry; the page you requested could not be found. AbeBooks offers millions of new, used, rare and out-of-print books, as well as cheap textbooks from thousands of booksellers around the world. Shopping on AbeBooks is easy, safe and 100% secure - search for your book, purchase a copy via our secure checkout and the bookseller ships it straight to you. Search thousands of booksellers selling millions of new & used books. New & Used Books. New and used copies of new releases, best sellers and award winners. Save money with our huge selection. Rare & Out of Print Books. From scarce first editions to sought-after signatures, find an array of rare, valuable and highly collectible books. Textbooks. Catch a break with big discounts and fantastic deals on new and used textbooks. Cajun and Creole Folktales. This teeming compendium of tales assembles and classifies the abundant lore and storytelling prevalent in the French culture of southern Louisiana. This is the largest, most diverse, and best annotated collection of French-language tales ever published in the United States. Side by side are dual- language retellings—the Cajun French and its English translation—along with insightful commentaries. This volume reveals the long and lively heritage of the Louisiana folktale among French Creoles and Cajuns and shows how tale-telling in Louisiana through the years has remained vigorous and constantly changing. Some of the best storytellers of the present day are highlighted in biographical sketches and are identified by some of their best tales. -
Alan Lomax En Louisiane : Les Hauts Et Les Bas D’Un Chercheur De Terrain »
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article « Alan Lomax en Louisiane : les hauts et les bas d’un chercheur de terrain » Barry-Jean Ancelet Rabaska : revue d'ethnologie de l'Amérique française, vol. 6, 2008, p. 21-40. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/019979ar DOI: 10.7202/019979ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 10 février 2017 10:31 Terrains Alan Lomax en Louisiane : les hauts et les bas d’un chercheur de terrain1 BARRY-JEAN A NCELET Centre d’études acadiennes et créoles Université de Louisiane à Lafayette Je devrais commencer en mettant les choses au clair. D’abord, je ne prétends pas repenser ici le travail considérable de Porterfield, Hirsch2 et d’autres qui ont récemment étudié la vie et l’œuvre de John Lomax et son fils Alan sur les plans national et international. -
The Friday Morning Mjarterback Album Report Tm a Prosramming Guide
KAL RUD MAN PUBLISHER BILL HARD SEPTEMBER 6, 1985 EDITOR THE FRIDAY MORNING MJARTERBACK ALBUM REPORT TM A PROSRAMMING GUIDE EXECUTIVE MEWS • 1930 EAST MARLTON PIKE, F36 • CHERRY HILL, NEW JERSEY 08003 • (609) 424-9114 Hard Choices firREam ML,LLNGuisilja _RLYaGile. fl U ARISTA KI LSy` new soRnSg pretty 'tough N eir vedIfl fiti; eérsNIlonali eand unerring sense lunch for listeners over 18, but "Tears"'s giant of drama always seems to carry the Twins--and sledgehammer hook makes it a one-listen wall of ain't it great when they come thru with a gospel- sound singalong winner--easily our favorite new tinged grabber like this!! When they launch into song this week. When it comes to maximum emot'on, the "Lay Your Hands" chorus, you can only drop and multi-format appeal, they've got three minutes down on your knees, turn the radio up, and sing down to a minor chord science. One of their best. "Halleleujah, ooh ooh ooh!!!" A whole new song thanks to the perfectly masterful remix. ADAPI RITd "\nuipE s w, u2ic... He's over? Yeah, right. !ell that to wLl.t. They got the TIP: RUPERT HINE AND ÇY CURNIN, "WITH ONE import two months ago, and put it on in spite of ho-hum staff reaction. Well, it's been Screamer Lone,__A&M„,Thick, rich production is the key of the Week twice, and the calls have been hot and orarnalces this soundtrack special tick--call consistent. All you've gotta do is listen. You'll it Hine sauce if you will.