Fine Chinese Art / 中國藝術集珍/ Buddhism & Hinduism
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Karbury's Auction House
Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300 -
Ackland Ceramics Guide
! ! CERAMICS!GUIDE! Ceramics:"objects"formed"from"moistened"clay"and"hardened"by"firing;"distinguished"by" permeability"and"firing"temperatures" • Earthenware:"Porous,"low<firing" • Stoneware:"Non<porous,"high<firing" • Hard<Paste"Porcelain:"Non<porous,"high<firing" Single!firing:"clay"mixture"and"glaze"reach"maximum"density"and"hardness"in"a"single"firing,"with" the"glaze"being"applied"directly"to"the"unfired"clay"beforehand" Biscuit!firing:"glazed"objects"can"also"undergo"multiple"firings,"the"first"being"the"firing"of"the" unglazed"(biscuit)"object;"helps"stabilize"a"work"before"a"glaze"or"painted"decoration"is"applied" Glost!firing:"fuses"glaze"to"an"object"that"has"already"been"biscuit<fired" Glaze:!natural"materials"applied"to"a"clay"object"(either"as"a"powder"or"mixed"with"water)," fusing"with"the"clay"when"fired;"makes"porous"ceramics"impervious"to"liquid;"also"used"on"non< porous"ceramics"for"purely"decorative"effects,"either"as"transparent"coating"or"colored"by"the" addition"of"various"metal"oxides;"comprised"of"ground"silica,"which"melts"to"create"a"glassy" surface,"as"well"as"(1)"an"alumina"stabilizer"to"increase"viscosity"and"(2)"a"mineral"flux"to"lower" the"silica’s"melting"point." Common!glaze!types:"distinguished"by"flux"material" th • Lead:"low<firing,"used"on"earthenware;"largely"discontinued"by"the"late"19 "century"due" to"dangers"of"prolonged"lead"exposure" • Tin:"lead"glaze"with"the"addition"of"tin"oxide,"resulting"in"an"opaque"white"surface;" originates"in"Middle"East,"9th"century;"European"tin<glazed"earthenware"classified"by" -
Ming Dynasty Porcelain Plate Laura G
Wonders of Nature and Artifice Art and Art History Fall 2017 Blue-and-White Wonder: Ming Dynasty Porcelain Plate Laura G. Waters '19, Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/wonders_exhibit Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, History of Science, Technology, and Medicine Commons, Industrial and Product Design Commons, and the Intellectual History Commons Share feedback about the accessibility of this item. Waters, Laura G., "Blue-and-White Wonder: Ming Dynasty Porcelain Plate" (2017). Wonders of Nature and Artifice. 12. https://cupola.gettysburg.edu/wonders_exhibit/12 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/wonders_exhibit/12 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Blue-and-White Wonder: Ming Dynasty Porcelain Plate Abstract This authentic Ming Dynasty (1368-1644) plate is a prime example of early export porcelain, a luminous substance that enthralled European collectors. The eg nerous gift of oJ yce P. Bishop in honor of her daughter, Kimberly Bishop Connors, Ming Dynasty Blue-and-White Plate is on loan from the Reeves Collection at Washington and Lee University in Lexington, Virginia. The lp ate itself is approximately 7.75 inches (20 cm) in diameter, and appears much deeper from the bottom than it does from the top. -
Getting the Most out of Ceramic Glazes and Underglazes
getting the most out of ceramic glazes and underglazes using commercial ceramic glazes and underglazes to achieve color, depth, and complexity Getting the Most out of Ceramic Glazes and Underglazes Using Commercial Ceramic Glazes and Underglazes to Achieve Color, Depth, and Complexity Ceramic glazes and underglazes are varied and wondrous concoctions. Because they can be complex, as well as for ease of use and time savings, most of us use commercial ceramic glazes to some extent. Chances are, even if you are a ceramic glaze mixing master, you have a few commercial ceramic glazes or underglazes around the studio for specific pot- tery applications. Maybe you want to rely on commercial glazes for your liner glaze, so you’re sure it will be food safe, or perhaps a commercial ceramic glaze provides that hard-to-formulate color you need for details in your surface decoration. Getting the Most out of Ceramic Glazes and Underglazes: Using Commercial Ceramic Glazes and Underglazes to Achieve Color, Depth, and Complexity provides several approaches and techniques to successfully identifying, applying and firing commercial ceramic glazes. A World of Color by David Gamble Underglazes are one of the most popular ways to add color to clay surfaces. They’re easy to use, and underglaze colors are pretty much a “what you see is what you get” kind of proposition—blue fires blue and orange fires orange. The best part is that underglazes come in all forms like underglaze pens, underglaze pencils, underglaze crayons, and more. Homemade Underglazes by Holly Goring Underglazes are widely avaialble but if you’re adventurous, you may want to try to mix your own. -
Ceramics & China Painting
COMPETITIVE EXHIBITOR GUIDE CERAMICS AND CHINA PAINTING Superintendent: Brenda Freeman Last Day to Drop off Entry Form/Submit Online Entry Thursday, July 22 by 5:00 p.m. Exhibits Received Friday, July 23, 3:00 p.m. - 7:00 p.m. Exhibits Received Saturday, July 24, 8:30 a.m. - 12:00 p.m. Exhibits Judged Monday, July 26 Exhibits Released Monday, August 2, 2:00 p.m. - 7:00 p.m. Premiums offered per Class Rosettes/Awards Blue (1st) $5.00 Best of Show $20 & Rosette Red (2nd) $4.00 Best of Youth Division $10 & Rosette White (3rd) $3.00 Merit Award Rosette Superintendent’s Choice Rosette People’s Choice Rosette 1. General rules and regulations apply in this department. 2. For entry instructions, please refer to the General Information section of the Competitive Exhibitor Guide. 3. EXHIBITOR MAY MAKE ONLY ONE ENTRY IN EACH CLASS. 4. All articles must be the handwork of the exhibitor and must have been completed within the last year. 5. Entries considered too fragile, too large or too valuable may be refused in this department. 6. Amateur is defined as a student or a person producing for his/her own pleasure. A professional is any person who owns, operates or conducts a ceramic shop, studio or business, past or present, who teaches ceramics and who sells finished ceramics commercially for profit. Competitive Exhibitor Guide • July 29-August 1, 2021 111 South 22nd Ave, Caldwell, ID 83606 | www.canyoncountyfair.org | #FindYourFun @2CFair COMPETITIVE EXHIBITOR GUIDE CERAMICS AND CHINA PAINTING DIVISION 401 CLASS 401: Ceramics Earthenware - Amateur -
Chinese Art the Szekeres Collection
Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting. -
Antique Pair Japanese Meiiji Imari Porcelain Vases C1880
anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Antique Pair Japanese Meiiji Imari Porcelain Vases C1880 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:61cm Width:26cm Depth:26cm Price:2250€ DETAILED DESCRIPTION: A monumental pair of Japanese Meiji period Imari porcelain vases, dating from the late 19th Century. Each vase features a bulbous shape with the traditional scalloped rim, over the body decorated with reserve panels depicting court garden scenes and smaller shaped panels with views of Mount Fuji on chrysanthemums and peonies background adorned with phoenixes. Each signed to the base with a three-character mark and on the top of each large panel with a two-character mark. Instill a certain elegance to a special place in your home with these fabulous vases. Condition: In excellent condition, with no chips, cracks or damage, please see photos for confirmation. Dimensions in cm: Height 61 x Width 26 x Depth 26 Dimensions in inches: Height 24.0 x Width 10.2 x Depth 10.2 Imari ware Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Ky?sh?. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. 1 / 4 anticSwiss 29/09/2021 17:25:52 http://www.anticswiss.com Typically Imari ware is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. -
Research on the Development of Japanese Ceramics Yu Wu And
Advances in Computer Science Research (ACSR), volume 76 7th International Conference on Education, Management, Information and Mechanical Engineering (EMIM 2017) Research on the Development of Japanese Ceramics Yu Wu1 and Danyu Wu1 1Jingdezhen Ceramic Institute, Jingdezhen, Jiangxi 333403, China Keywords: Japanese; Ceramics Abstract. Japan is a developed industrial country, but also a big producer of ceramics, although the total number of sales is lower than China, but the output ratio has been much higher than China. many useful business, philosophy, advanced management experience, cultural cultivation in the history of the development of Japan ceramics are worthy of reference for international peer. In the Ming dynasty, that is the Japanese Edo Yuan two years (1616) , China's ceramic art is already very mature, both the official kiln and the folk kiln have been able to burn beautifully blue and white, bucket color, glaze color, underglaze color, while the Japanese still is the world of tough pottery. At that time the kiln worker Li Canping was swept from the North Korea to Japan, looking for the clay, until found the porcelain clay in the mountain of the river, this amazing discovery ignited the Japanese kiln fire, but also prompt the original small village hidden the wild mountains has become the world famous Japanese porcelain city. 400 years has passed when the first time of white kiln porcelain came out gloriously from the 17th century Japanese history, this area with only 37 million square kilometers of the island's ceramic industry has also undergone enormous changes, 35 ceramic production enterprises come from 43 Japanese cities, counties and villages, the ceramic enterprises almost all cover the whole Japan. -
European Cobalt Sources Identified in the Production of Chinese Famille Rose Porcelain Abstract Keywords
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery 1 European cobalt sources identified in the production of 2 Chinese famille rose porcelain 3 4 Rita Giannini1, Ian C. Freestone2, Andrew J. Shortland1 5 6 1 Cranfield Forensic Institute 7 Cranfield University 8 Defence Academy of the United Kingdom 9 Shrivenham 10 Wilts 11 SN6 8LA 12 [email protected] 13 14 2 Institute of Archaeology 15 UCL 16 31-34 Gordon Square 17 London WC1H 0PY 18 Abstract 19 The blue pigments on 112 fragments or small objects of Qing Dynasty Chinese, 20 95 of underglaze blue and white and 17 overglaze enamelled porcelains were 21 analysed by LA-ICPMS. The underglaze blues on both blue and white and 22 polychrome objects were created with a cobalt pigment that was rich in 23 manganese with lesser nickel and zinc. This suite of accessory elements is 24 generally considered to be characteristic of local, Chinese, sources of pigments. 25 However, the blue enamels were very different. The cobalt pigment here has low 26 levels of manganese and instead is rich in nickel, zinc, arsenic and bismuth. No 27 Chinese source of cobalt with these characteristics is known, but they closely 28 match the elements found in the contemporary cobalt source at Erzgebirge in 29 Germany. Textual evidence has been interpreted to suggest that some enamel 30 pigment technologies were transferred from Europe to China, but this is the first 31 analytical evidence to be found that an enamel pigment itself was imported. -
Ceramics: the History, Materials, and Manipulative Techniques of the Craft
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1965 Ceramics: The History, Materials, and Manipulative Techniques of the Craft James W. Mizener Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Mizener, James W., "Ceramics: The History, Materials, and Manipulative Techniques of the Craft" (1965). Plan B Papers. 447. https://thekeep.eiu.edu/plan_b/447 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. CERAMICS: THE HISTORY, MATERIALS, AND MANIPULATIVE TECHNIQUES OF THE CRAFT (TITLE) BY James W. Mizener PLAN B PAPER SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE Industrial Arts 452, Recreational Crafts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1965 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION . 1 I. HISTORY AND DEVELOPMENT • 3 Ancient People 3 Chinese Contributions . 8 Contemporary Application 10 Industry •••••• 10 Therapy •• 10 School 11 Recreation 11 II. CERAMIC CONSTRUCTION 13 Clay . 13 Classification of Clay 16 Earthenware • 16 Stoneware • 16 Porcelain •• 17 Tools and Equipment . 17 Methods and Techniques of Ceramic Construction 20 Wedging Clay • • • • • ••• 20 Hand-Built Modeling ••••••••••• 21 Free Form Modeling • • • • 21 Slab Building ••••••••• 23 Coil Building •••••••• 24 Casting Pottery From Molds •••• 25 Single and Multi-Piece Molds •• 26 Preparing the Slip • • • • • • • • • • 28 Casting . -
THE PAVILION SALE - Chinese Ceramics and Works of Art O N 4 October 2016
PRESS RELEASE | HONG KONG | 22 S e p t e m b e r 2016 THE PAVILION SALE - Chinese Ceramics and Works of Art O n 4 October 2016 Hong Kong - On 4 October, 2016, Christie’s Hong Kong will host The Pavilion Sale, a continuation of this successful series, first introduced in October 2014. The specially curated sale of 198 lots include highlights offered from several private collections such as The Dexinshuwu Collection and the collection of a German family, which features remarkable pieces of Tang sancai wares, Song ceramics, bronze censers, furniture and other works of art. Additionally the sale offers jade carvings from the Han to Ming dynasty, porcelain from the Ming and Qing dynasties, as well as other works. Ruben Lien, Vice President, Senior Specialist, commented, “With estimates ranging from HKD 15,000 to HKD 600,000, the sale offers an affordable and assessable platform for collectors looking to explore Chinese works of art. These beautiful and diverse pieces offer both new and established collectors an opportunity to enrich their collections and to enhance a cultured lifestyle”. Highlights of Tang sancai Wares and Song Ceramics from the Dexinshuwu Collection A LARGE SANCAI - GLAZED JAR A SANCAI -GLAZED HAND A SANCAI-GLAZED TANG DYNASTY (618-907) WARMER APPLIQUE-DECORATED 19 cm. high TANG DYNASTY (618-907) TRIPOD JAR HK$150,000-260,000 13 cm. high TANG DYNASTY (618-907) US$20,000-34,000 HK$150,000-200,000 13.3 cm. high US$20,000-26,000 HK$100,000-150,000 A SANCAI-GLAZED US$13,000-19,000 BOTTLE VASE TANG DYNASTY (618-907) 23 cm. -
List of Ceramic Wares
List of Ceramic Wares OLOUR-GLAZED POTTERY 10 Plate with a Foliated Broad 21 Tubular Jar CWARES AND PAINTED Everted Rim decorated with design of fl ow- POTTERY WARES and decorated with design of a ers and waves on a geometric pond scene in underglaze blue brocade ground in underglaze 1 blue Painted Pottery Pot with 11 Ewer Looped-handles decorated with design of fl ow- 22 Octagonal Candle-stand and decorated with design of ers in underglaze blue decorated with design of fl oral spirals scrolls in underglaze blue 12 2 Plate with a Foliated Broad Painted Pottery Vase Everted Rim 23 Kendi Ewer decorated with painted design and decorated with design of decorated with design of peo- of the dragon and phoenix in lingzhi funguses, rocks, and ny scrolls in underglaze blue relief bamboos in underglaze blue 24 Flower Jar NDERGLAZE 13 Meiping Vase decorated with design of lotus UPOLYCHROME WARES decorated with design of scrolls in underglaze blue FIRED IN HIGH TEMPERATURE peach trees in underglaze blue 25 Wudang Zun Vase 14 decorated with design of Ara- 3 Ewer with a Handle Celestial Sphere-shaped Vase decorated with design of bic scripts and fl oral scrolls in and decorated with design of underglaze blue birds and fl owers in underglaze a dragon amidst clouds in underglaze blue brownish-green in celadon 26 Large Incense Burner with glaze, Changsha ware 15 Pear-shaped Vase Three Legs and decorated with design of 4 Pillow in the Shape of Ruyi decorated with design of ba- nana trees, rocks, and bam- cliffs and cresting waves in Cloud boos in underglaze