Lakshmana Enters Kishkindha
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Ravana Sends Shardula to Spy
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Yuddha Kanda – Chapter 29 Ravana Sends Shardula to Spy Summary Ravana reprimands Shuka and Sarana, asking them to leave the assembly. He again sends some spies to the place of Rama and Lakshmana. Those spies were got caught by Vibhishana and the monkeys start harassing them. But the compassionate Rama gets them released and the spies reach back Lanka. Chapter [Sarga] 29 in Detail shukena tu samaakhyaataams taan dristvaa hari yuuthapaan | laksmanam ca mahaaviiryam bhujam raamasya daksinam || 2-29-1 samiipastham ca raamasya bhraataram svam vibhiisanam | sarva vaanara raajam ca sugriivam bhiima vikramam || 2-29-2 angadam caapi balinam vajrahastaatmajaatmajam | hanuumantam ca vikraantam jaambavantam ca durjayam || 2-29-3 susenam kumudam niilam nalam ca plavagarsabham | gajam gavaaksham sharabham vaindam ca dvividam tathaa || 2-29-4 kimcid aavigna hridayo jaata krodhah ca raavanah | bhartsayaam aasa tau viirau kathaa ante shuka saaranau || 2-29-5 Beholding those foremost of monkey leaders pointed out by Shuka- the most valiant Lakshmana; Rama’s right arm, his own brother Vibhishana standing close to Rama, the terribly powerful Sugreeva the king of all monkeys, the strong Angada grandson of Indra the wielder of thunderbolt, the powerful Hanuman, the invincible Jambavan, Sushena, Kumuda, Nila, Nala the excellent of monkeys, Gaja, Gavaaksha, Sharabha, Mainda and Dvivida- that Ravana – his heart became agitated a little, was enraged and then abused those two heroes Shuka and Sarana who had completed their report. Page 1 of 7 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Yuddha Kanda – Chapter 29 adho mukhau tau pranataav abraviit shuka saaranau | rosa gadgadayaa vaacaa samrabdhah parusam vacah || 2-29-6 Ravana spoke (the following) excited and harsh words, in a voice choked in anger to Shuka and Sarana who stood saluting with their faces bent down. -
Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr
[ VOLUME 2 I ISSUE 3 I JULY – SEP. 2015 ] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr. M. Sivanandam Professor, Department of Electronics and Communication Engineering, Sri Chandrasekharendra Saraswathi Viswa Mahavidyalaya, Kanchipuram- 631 561, Tamil Nadu. Received Aug. 20, 2015 Accepted Sept. 10, 2015 ABSTRACT Rama went on exile for 14 years. At the end of 12th year, near Panchavadi, Sita was abducted by Ravana. Rama with the help of Hanuman located Sita at Ashoka Vatika, Sri Lanka. To reach Sri Lanka, Nala and Vanara sena constructed a sea bridge from Dhanuskhodi, India to Thalaimannar, Sri Lanka with 35 Km length and 3.5 Km width in 5 days with local trees, rocks and gravels. At Sri Lanka Rama killed Ravana and returned with Sita to Ajodhya. The sea bridge with largest area, constructed 1.5 million years before is still considered an engineering marvel. Key words: Rama, Sita, Ravana, Hanuman, Ashoka Vatika, Nala, Rama Setu. 1. Introduction In Tredha Yuga the celestials troubled by They spent 12 years in the forest peacefully demons, especially Ravana, the king of Sri but towards the end of the exile when they Lanka, appealed to Lord Vishnu who agreed moved to Panchavadi near present to take a human incarnation to annihilate Bhadrachalam, Andhra Predesh Sita was Ravana. Rama was born to king Dasharatha of abducted by Ravana by Pushpaga Vimana [3]. Khosala Kingdom [1]. Rama decided to fulfill Figure 1 shows the places of travel during the promise of his father to Kaikeyi, step exile. -
Seven Sins Referred to in the Ramayana
SEVEN SINS REFERRED TO IN THE RAMAYANA The author of this series of posts Jairam Mohan has a day job where he pores over Excel spreadsheets and Powerpoint presentations. He however believes that his true calling is in writing and as a result his blog http://mahabore.wordpress.com gets regularly updated. Between him and his wife they manage the blog and a naughty two year old daughter. All images used in this document are the courtesy of Google Images search using relevant keywords. No copyrights are owned by the author for these images. --------------------------------------------------------------------------------------------------------------------- Copyright : Jairam Mohan (http://mahabore.wordpress.com) Kumbhakarna’s sloth Please note that there are various versions of this great epic and therefore my post might contradict with what you have heard or read of this particular incident in the Ramayana. This is only an attempt to map the seven deadly sins to incidents or behavior of particular characters in the Ramayana in a given situation and I have taken liberties with my own interpretations of the same. No offense is meant to any version of this wonderful epic. ============= One version of the story has it that when Ravana, Vibhishana and Kumbhakarna were youngsters, they once prayed to Lord Brahma for his blessings. They were so sure that the Lord would be pleased with their penance and devotion that they had already decided what boon they were going to ask from him. Kumbhakarna was going to ask Lord Brahma for complete dominion over the heavens. Indra, the King of the heavens knew about this wish and he therefore decided to intervene. -
Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
“Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com. -
Vanaras Or Vana-Naras a Tail's Travel from Treta Yuga to Dwaparayuga
Mukt Shabd Journal Issn No : 2347-3150 Vanaras or Vana-Naras A tail’s travel from Treta Yuga to DwaparaYuga B Vijayashree, PhD Research Scholar, Manonmaniam Sundarnar University, Tirunelveli, Tamil Nadu Dr.C.Geetha, Assistant Professor of English, Sri KGS Arts College, Srivaikuntam, Manonmaniam Sundarnar University, Tirunelveli Abstract Myth is considered to be stories that were passed on to generation to generation. Myth usually plays an important role in preserving cultural heritage of a nation. Many writers in India use myth and history together to bring out fantasies and some covered up truths and also it represents a primitive mans instinct. We have many different gods and their stories in Hindu mythology and each story shares a significant idea of victory of good over evil and also other than the heroes we have a list of some subordinate characters too in which Vanaras are one among them. Hindu mythology holds a prominent place for the half ape-half man creature. They played a significant role in the two major epics of Indian Literature Ramayana and Mahabharata. Ramayana was originally written by Sage Valmiki in Dwaparayuga and the latter was written by Sage VedVyasa in Tretayuga. Throughout Ramayana these creatures are pictured as same as humans or even more powerful than humans. We have many different legends and theories about the origin and existence of Vana-Naras. And it is also said that Aryans did not want to consider the sourthern people equal to them so they portrayed them as monkeys. This paper attempts to retell or reinterpret the characters of the two epics in different perspective. -
(CC by 4.0) Ramayana Is a Story of Rama Dasarathi O
The Valmiki Ramayana, an Archeological View by Potluri Rao In Seattle ©2018 (CC BY 4.0) Ramayana is a story of Rama Dasarathi of Ayodhya. The Rig Veda (2000 BCE) mentioned the name Rama only once as a king who distributed presents to priests as was the custom in those days. The names Rama (10.93.14), Sita (4.57.6), and Lakshmana (5.33.10) were mentioned only once in different contexts with no connection between them or to Ayodhya. We know nothing more about them. They have no recorded history. Apparently, Rama, Sita, and Lakshmana were popular names in those days. There are may different stories of Rama: China, Japan, Laos, Indonesia, Buddha, Jain, and so on. The only thing they have in common is the skeleton of the story. Each story was set in a different location and time with its own social climate. The Valmiki Ramayana (Valmiki) tells us about the social climate in India around 400 BCE, the time of its composition. What follows is an archeological, not a religious, view of the Valmiki. The actual composition of the Valmiki commenced after Panini (400 BCE) and most likely was completed in one generation. Rishi Valmiki did not invent the Ramayana; he presented existing well known folk stories of Rama in a memorable metrical form that stood the test of time. Though the language was modern Sanskrit the story was ancient Indian composed a thousand years earlier and in wide circulation in folk culture. The Valmiki contains both the skeleton of an ancient story (2000 BCE) and the flesh of Rishi Valmiki’s interpretation (400 BCE). -
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu. -
Rama Katha Ragam: Madhyamavati {22Nd Melakartha (Kharaharapriya
rAma kathA Ragam: madhyamAvati {22nd Melakartha (Kharaharapriya) Janyam} ARO: S R2 M1 P N2 S || AVA: S N2 P M1 R2 S || Talam: Adi (2 kalai) Composer: Tyagaraja Swami Version: T M Krishna Lyrics Courtesy: Lakshman Ragde Meanings Courtesy: V. Govindan, Tyagaraja Vaibhavam Site (http://thyagaraja-vaibhavam.blogspot.in/2009/03/tyagaraja-kritis-alphabetical-list.html ) Pallavi: rAma kathA sudhArasa pAnam oka rAjyamu cEsunE Anupallavi: bhAmAmaNi jAnaki saumitri bharatAdulatO bhUmi velayu sItA Charanam: dharmAddakhila phaladamE manasA dhairyAnanda saukhya nikEtanamE karma bandha jvalanAbdhi nAvamE kaliharamE tyAgarAja vinutuDagu Meaning: (Courtesy: V. Govindan, Tyagaraja Vaibhavam) Gist O My Mind! To drink the nectarine juice of story of SrI rAma - praised by this tyAgarAja- who shines on the Earth along with jAnaki, lakshmaNa, bharata and others, is equal to (ruling) a kingdom. (a) it indeed bestows the fruits of purushArtha; (b) it is the veritable abode of courage, bliss and comfort; (c) it indeed is the boat which enables one to cross the flaming ocean of Worldly Existence – bound by actions; (d) it indeed is the destroyer of the (evil effects of) kali yuga. Word-by-word Meaning P: To drink (pAnamu) the nectarine (sudhA) juice (rasa) of story (kathA) of SrI rAma is equal (jEsunE) to (ruling) a kingdom (rAjyamu). A: To drink the nectarine juice of story of SrI rAma, who shines (velayu) on the Earth (bhUmi) along with jAnaki - a jewel (maNi) of women (bhAmA), lakshmaNa - son of sumitrA (saumitri), bharata and others (AdulatO) (bharatAdulatO), -
Untouched Questions
|| Om Namah Sadgurudevay || Untouched Questions Compiled and Interpreted by: Blessed Disciple of Most Revered Sri Paramhans Ji Maharaj Swami Adgadanand Ji Shri Paramhans Ashram Shakteshgarh, Chunar-Mirzapur, U.P. Publisher: Shri Paramhans Swami Adgadanand Ji Ashram Trust 5, New Apollo Estate, Mogra Lane, Opp. Nagardas Road Andheri (East), Mumbai – 400069 India Most Respectfully Dedicated At The Holy Feet Of Most Revered Swami Sri Paramanand Ji Yogiraj Matchless Grandsire Of The Era GURU VANDANA (SALUTATIONS TO THE GURU) || Om Shree Sadguru Dev Bhagwan Ki Jai || Jai Sadgurudevam, Paramaanandam, amar shariraam avikari I Nirguna nirmulam, dhaari sthulam, kattan shulam bhavbhaari II Surat nij soham, kalimal khoham, janman mohan chhavibhaari I Amraapur vaasi, sab sukh raashi, sadaa ekraas nirvikaari II Anubhav gambira, mati ke dhira, alakh fakira avtaari I Yogi advaishta, trikaal drashta, keval pad anandkaari II Chitrakuthi aayo, advait lakhaayo, anusuia asan maari I Shree Paramhans Swami, antaryaami, hain badnaami sansaari II Hansan hitkaari, jag pagudhaari, garva prahaari, upkaari I Sat- panth chalaayo, bharam mitaayo, rup lakhaayo kartaari II Yeh shishya hai tero, karat nihoro, mo par hero prandhaari I Jai Sadguru.....bhari II Index S.No. Subject Page No. 1. The History of Lord Shri Ram 1 2. Desertion of Sita 6 3. Varna (Caste) 17 4. Shambook 36 5. Worship of Goddess Saraswati 49 6. Why God Has No Beards? 58 7. Vishwakarma Pooja 62 8. Idol Worship - Valid or Invalid 79 9. Dhyan 92 10. Hath, Chakra-Bhedan and Yog 114 11. Analysis of Dravid & Arya in the Light of Ram-Katha 142 12. The Historical Value of Mahabharata 161 13. -
Sugriva's Role in Ramayana
ROLES IN RAMAYANA HANUMAN’S ROLE IN RAMAYANA Hanuman's role in the battle between Rama and Ravana is huge. He is the one who flies cross the oceans (he is Wind's child), locates the exact place where Sita is imprisoned and brings this information back to Rama. While within the demon fort on his quest for Sita, he sets the entire place on fire and warns Ravana about an impending attack unless Sita is returned unharmed. During the Rama-Ravana battle, Hanuman not only kills several demon generals but also brings Rama's brother back to life. How does he do that? Well, it so happens that Rama's brother is mortally wounded by Ravana's son, and the monkey-army-physician opines that the only things that can save the life of the younger prince are four specific herbs that grow on the Himalayan slopes. The catch? The battle is raging on in Lanka, across the southernmost tip of the country while the Himalayas are far up north, and the herbs are needed within the next few hours, before the new day dawns. Hanuman leaps up into the air, flies northwards at lightning speed, and alights atop the Himalayas. This is where things start to become confusing: the monkey- physician had said that medicine herbs glow in their own light and that it should be easy, therefore, to spot them. What Hanuman sees, however, is an entire mountain aglow with herbs of all kinds, each emitting its own peculiar light. Being unable to identify the exact four herbs that the physician had described, Hanuman uproots the entire mountain and carries it back to the battlefield. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the Kishkindha
ESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence