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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Title Singapore English on Stage Author Robert Yeo Source English
Title Singapore English on stage Author Robert Yeo Source English in Southeast Asia Conference (1996), National Institute of Education, Singapore, 21 - 23 November 1996 This document may be used for private study or research purpose only. This document or any part of it may not be duplicated and/or distributed without permission of the copyright owner. The Singapore Copyright Act applies to the use of this document. Singapore English on stage which is unrecog come up with ho' Robert Yeo writers. National Institute of Education, Singapore Problems in the My focus is the English language theatre in Singapore from the early sixties to The attempt to fn the present, and television in the nineties. My contention is that English as a successful when t medium for writing for the stage was accepted around the mid-eighties, nearly a English as their d full decade before it was accepted on television. The reference to TV is are less educated minimal, and confmed only to the next paragraph but it serves a useful one of the speech comparative purpose. Lim Chor Pee wrc Mimi Fan (prodU< Contrast between stage and TV 1964). In both, he Acceptance by whom, it will be asked? My answer is, frrstly by serious critics English educated. and secondly, by audiences and viewers. The reasons for the time lag in acceptance between stage and TV is that stage language did not suffer too much Baram Vel) from official (ie governmental) regulation (ll, but TV language was over soon regulated. This has to do with governmental perception and control of the two Tony Wha modes of expression. -
Abortion in Canadian Literature
Citation for the following article: Jeff Koloze, “Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions,” Proceedings of the Nineteenth University Faculty for Life Conference at the University of St. Thomas School of Law, Minneapolis MN (2009), ed. Joseph W. Koterski, S.J. (Washington, D.C.: University Faculty for Life, 2013), pp. 207-225. Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions Jeff Koloze A BSTRACT: After reviewing the scholarship on abortion in twentieth- century Canadian fiction written in English, the essay discusses various abortion scenes in major Canadian works by comparing and contrasting them with major works from the United States. The essay then discusses post-abortion syndrome and illustrates passages in Canadian fiction on abortion where numerous characters display features of that syndrome. OCATING CANADIAN NOVELS concerned with abortion often approximates an archaeological dig since compilations of literary Lcriticism frequently obscure, minimize, or lack references to abortion. Margaret Atwood’s Survival: A Thematic Guide to Canadian Literature1 has much to say about babies being an inappropriate solution for a plot’s denouement, calling this technique the “Baby Ex Machina,”2 1 Margaret Atwood, Survival: A Thematic Guide to Canadian Literature (Toronto ON: McClelland & Stewart, 1972). 2 Atwood, Survival, p. 247. The “Baby Ex Machina” denouement is well- established in Canadian fiction. Frederick Philip Grove’s 1925 Settlers of the Marsh (Toronto ON: Penguin Canada,2006) ends with two instances of children bringing closure to an otherwise disastrous plot: Bobby, a young man befriended by Niels, the main character, and encouraged to do well, has five children; Ellen, the love of Niels’s life, realizes at novel’s end that she needs to be a mother (pp. -
The Sun in Her Eyes: Writing in English by Singapore Women
Kunapipi Volume 16 Issue 1 Article 105 1994 The Sun in Her Eyes: Writing in English by Singapore Women Koh Tai Ann Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ann, Koh Tai, The Sun in Her Eyes: Writing in English by Singapore Women, Kunapipi, 16(1), 1994. Available at:https://ro.uow.edu.au/kunapipi/vol16/iss1/105 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Sun in Her Eyes: Writing in English by Singapore Women Abstract Singapore writing in English goes back a mere forty-five years, and the work of the women writers is of even more recent provenance.1 From the forties to the mid-sixties, anglophone literary works were mostly by male authors as far fewer women than men in Singapore had formal education (let alone an education in English, the language of government and of professional advancement and when during the colonial and immediately post-colonial days primary education was not universal even for males). Furthermore, it was tertiary education which played a crucial, enabling role in literary production for it was not till after the post-war establishment of the University of Malaya in Singapore in 1948 and the appearance of undergraduate magazines that local literary work began to be published in earnest. It followed also that the first anthologies of these early poems and short stories were produced and sponsored, too, by -
Li Ling Ngan
Beyond Cantonese: Articulation, Narrative and Memory in Contemporary Sinophone Hong Kong, Singaporean and Malaysian Literature by Li Ling Ngan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of East Asian Studies University of Alberta © Li Ling Ngan, 2019 Abstract This thesis examines Cantonese in Sinophone literature, and the time- and place- specific memories of Cantonese speaking communities in Hong Kong, Singapore, and Malaysia after the year 2000. Focusing on the literary works by Wong Bik-wan (1961-), Yeng Pway Ngon (1947-) and Li Zishu (1971-), this research demonstrates how these three writers use Cantonese as a conduit to evoke specific memories in order to reflect their current identity. Cantonese narratives generate uniquely Sinophone critique in and of their respective places. This thesis begins by examining Cantonese literature through the methodological frameworks of Sinophone studies and memory studies. Chapter One focuses on Hong Kong writer Wong Bik-wan’s work Children of Darkness and analyzes how vulgar Cantonese connects with involuntary autobiographical memory and the relocation of the lost self. Chapter Two looks at Opera Costume by Singaporean writer Yeng Pway Ngon and how losing connection with one’s mother tongue can lose one’s connection with their familial memories. Chapter Three analyzes Malaysian writer Li Zishu’s short story Snapshots of Chow Fu and how quotidian Cantonese simultaneously engenders crisis of memory and the rejection of the duty to remember. These works demonstrate how Cantonese, memory, and identity, are transnationally linked in space and time. This thesis concludes with thinking about the future direction of Cantonese cultural production. -
2018 Ivas Pamphlet
the INDIGENOUS LITERARY STUDIES ASSOCIATION Presents the First Annual I N D I G E N O U S VOICES AWARDS GALA 29 May 2018 Oskana kâ-asastêki / Regina, SK Design and production: Rachel Taylor › racheltaylorpublishingservices.wordpress.com Indigenous Voices Awards Board Membership 2017-18: CO-CHAIR: Sam McKegney, ILSA Past President 2016-17 › [email protected] CO-CHAIR: Deanna Reder, ILSA Past President 2017-18 › [email protected] Daniel Heath Justice, ILSA Founding Member › [email protected] Sophie McCall, ILSA Secretary 2016-17 › [email protected] Jesse Archibald-Barber, ILSA President 2017-18 › [email protected] Michelle Coupal, ILSA President-Elect 2017-18 › [email protected] Sarah Henzi, ILSA Secretary 2017-19 › [email protected] Aubrey Hanson, ILSA Treasurer 2016-18 › [email protected] Svetlana Seibel, Early Career Member 2017-19 › [email protected] Jordan Abel, Graduate Representative 2017-18 › [email protected] Special thanks to Deborah Smith and Sarah Hedley for their office support. CONTENTS Welcome! 3 The Indigenous Voices Awards: Background 4 Thank You 5 Letter to an Emerging Indigenous Writer Daniel Heath Justice 6 2018 Jurors 11 2018 Finalists 13 On the Indigenous Voices Awards Sam McKegney 19 Indigenous Voices Inspire a New Association: ILSA Deanna Reder 20 Indigenous Literary Studies Association 21 Book Launches 23 An Invitation to Donate 24 Donors to the Emerging Indigenous Voices Fundraiser 25 WELCOME! e are thrilled to announce the finalists in this year’s competition, celebrating the very best in literary art by emerging Indigenous Wwriters. A jury of renowned Indigenous writers and prominent figures from the Canadian literary world has identified finalists in catego- ries for published and unpublished writing. -
The Routledge Companion on Architecture, Literature and the City Domestic Digressions
This article was downloaded by: 10.3.98.104 On: 02 Oct 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion on Architecture, Literature and The City Jonathan Charley Domestic digressions Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613154-4 Lilian Chee Published online on: 17 Aug 2018 How to cite :- Lilian Chee. 17 Aug 2018, Domestic digressions from: The Routledge Companion on Architecture, Literature and The City Routledge Accessed on: 02 Oct 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315613154-4 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 Domestic digressions Interrogating Singaporean public housing through its literary forms Lilian Chee With over eighty-two percent of the Singaporean population residing in public housing flats, the setting of the public housing estate is, not unexpectedly, a recurring subject in Singapore’s post-independence literature, the latter produced chiefly after the nation-state’s self-governance in 1965. -
2012-13 Charter Review Report Washington Yu Ying
2012-13 Charter Review Report Washington Yu Ying Public Charter School Fifth Year Review June 17, 2013 DC Public Charter School Board 3333 14th Street, NW, Suite 210 Washington, DC 20010 (202) 328-2660 www.dcpcsb.org 1 TABLE OF CONTENTS RECOMMENDATION ................................................................................................................................. 3 EXECUTIVE SUMMARY ............................................................................................................................ 3 GOALS AND ACADEMIC ACHIEVEMENT EXPECTATIONS .............................................................. 4 COMPLIANCE WITH APPLICABLE LAWS……………………………………………………...........23 FISCAL MANAGEMENT AND ECONOMIC VIABILITY…………………………………….............27 2 RECOMMENDATION The District of Columbia Public Charter School Board’s (“PCSB”) staff recommends Washington Yu Ying Public Charter School (“Washington Yu Ying PCS”) be granted charter continuance based on the school’s overall academic, compliance, and fiscal performance. EXECUTIVE SUMMARY Washington Yu Ying PCS began operating in 2008 under the authority of PCSB and is currently in its fifth year of operation. The school’s mission is to nurture the development of a strong social conscience among tomorrow’s global leaders by fostering excellence in our students’ intellectual, moral, social, emotional and physical development in an engaging, inquiry-driven, Chinese-English dual language immersion environment. Washington Yu Ying PCS is the District of Columbia’s only public Chinese- immersion school. 2012-13 Year Grades 2010-11 PMF 2011-12 PMF Campus Ward Student Opened Served Results Results Enrollment 76.7% Met 7 of 7 Washington (Tier 1) early Yu Ying 5 2008-09 PK4-5 439 childhood PCS Met 6 of 6 early targets childhood targets In its first year, the school operated a pre-kindergarten through first grade class, and has been adding a grade each year ever since, serving pre-kindergarten through fifth grade in 2012-13 and pre-kindergarten through sixth grade in 2013-14. -
Mother Fiction and the Female Künstlerroman Jessica Langston
Writing Herself In: Mother Fiction and the Female Künstlerroman Jessica Langston English Department McGill University, Montreal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Masters of Arts ©Jessica Langston, 2004 ) .... --~- '- Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 0-612-98457-5 Our file Notre référence ISBN: 0-612-98457-5 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Contemporary Literature from Singapore
Contemporary Literature from Singapore Oxford Research Encyclopedia of Literature Contemporary Literature from Singapore Weihsin Gui Subject: English Language Literatures (Other Than American and British), Literary Studies (20th Century Onward), Postcolonial Literature and Studies Online Publication Date: Nov 2017 DOI: 10.1093/acrefore/9780190201098.013.189 Summary and Keywords Page 1 of 42 PRINTED FROM the OXFORD RESEARCH ENCYCLOPEDIA, LITERATURE (literature.oxfordre.com). (c) Oxford University Press USA, 2016. All Rights Reserved. Personal use only; commercial use is strictly prohibited. Please see applicable Privacy Policy and Legal Notice (for details see Privacy Policy). date: 09 January 2018 Contemporary Literature from Singapore Literature in Singapore is written in the country’s four official languages: Chinese, English, Malay, and Tamil. The various literatures flourished in the late 19th and early 20th centuries with the rise of print culture in the British colony, but after independence in 1965, English became emphasized in both the education system and society at large as part of the new government’s attempts to modernize the country. Chinese, Malay, and Tamil were seen as mother tongue languages to provide Singaporeans with cultural ballast while English was regarded as a language for administration, business, and scientific and technological development. Correspondingly, literatures in other languages than English reached a plateau in terms of writerly output and readership during the 1970s and 1980s. However, since 1999, with the state’s implementation of the Renaissance City Plan to revitalize arts and culture in Singapore, there have been various initiatives to increase the visibility of contemporary Singaporean writing both within the country itself and on an international scale. -
Remembering 1993
Remembering 1993 I forgot Amnesia. This time last year, writing about 1992 publications, I omitted men- tioning Douglas Cooper's fascinating novel Amnesia, perhaps because (like the French-language works of Nancy Huston, recognized in 1993 with the Governor-General's Award) it was published first outside Canada. This possibility does not so much raise serious questions about the relevance of national boundaries to criticism as it comments on the difficulty (even in an age of "free" trade and mass communications) of keeping up with interesting publications wherever they appear. The bias of information networks always intervenes. Lately, there's been a kind of bureaucratic barrier also set up which promises to do an even more active disservice to Canadian readers. The Globe and Mail reported in February 1994 on the power over books that the Mulroney government of the 1980s (casually? or was it with deliberate intent?) granted to customs officers; a six-week training course in Rigaud, Quebec, including one afternoon on obscenity-recognition, constitutes (says the Globe) all the qualifications that that government thought nec- essary for the job of literary classification. Now, in practice, all kinds of books—textbooks, classics, children's books—are being barred at the border, often on the basis of a "keyword" in their title, but always in the name of decency. But there's another obstructive practice going on, too. By current regulations, if a foreign publisher sends a "gratis" review book to a Canadian journal at a Canadian university—even a book by a Canadian author, and sent "on spec"—the journal must pay a fee to a cus- toms broker (the minimum cost I've been quoted is $18.00) or else Canada Customs charges the university a fine of $100.00. -
Écrivaines Canadiennes Des Années 1970 Women Writing in 1970S Canada Christl Verduyn, Andrea Cabajsky, Andrea Beverley Et Kirsty Bell
Document généré le 2 oct. 2021 20:01 Studies in Canadian Literature Études en littérature canadienne Écrivaines canadiennes des années 1970 Women Writing in 1970s Canada Christl Verduyn, Andrea Cabajsky, Andrea Beverley et Kirsty Bell Resurfacing: Women Writing in 1970s Canada Refaire surface : écrivaines canadiennes des années 1970 Volume 44, numéro 2, 2019 URI : https://id.erudit.org/iderudit/1070952ar DOI : https://doi.org/10.7202/1070952ar Aller au sommaire du numéro Éditeur(s) University of New Brunswick, Dept. of English ISSN 0380-6995 (imprimé) 1718-7850 (numérique) Découvrir la revue Citer ce document Verduyn, C., Cabajsky, A., Beverley, A. & Bell, K. (2019). Écrivaines canadiennes des années 1970. Studies in Canadian Literature / Études en littérature canadienne, 44(2), 5–15. https://doi.org/10.7202/1070952ar All Rights Reserved ©, 2020 Studies in Canadian Literature / Études en Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des littérature canadienne services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Introduction: Écrivaines canadiennes des années 1970 — Women Writing in 1970s Canada Christl Verduyn, Andrea Cabajsky, Andrea Beverley, and Kirsty Bell n her MEMOIRS OF A BOOK MOLESTING CHILDHOOD and Other Essays, Adele Wiseman recalled how “the feminist movement had not yet come into being” (88) when she began to write along with Ia host of other women across Canada including Margaret Laurence, Alice Munro, Marian Engel, Margaret Atwood, Helen Weinzweig, Joyce Marshall, Rachel Wyatt, Sylvia Fraser, Mavis Gallant, Betty Lambert, Jane Rule, and Audrey Thomas (87).