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The Musical Partnership of Sergei Prokofiev And
THE MUSICAL PARTNERSHIP OF SERGEI PROKOFIEV AND MSTISLAV ROSTROPOVICH A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT FOR THE DEGREE MASTER OF MUSIC IN PERFORMANCE BY JIHYE KIM DR. PETER OPIE - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 Among twentieth-century composers, Sergei Prokofiev is widely considered to be one of the most popular and important figures. He wrote in a variety of genres, including opera, ballet, symphonies, concertos, solo piano, and chamber music. In his cello works, of which three are the most important, his partnership with the great Russian cellist Mstislav Rostropovich was crucial. To understand their partnership, it is necessary to know their background information, including biographies, and to understand the political environment in which they lived. Sergei Prokofiev was born in Sontovka, (Ukraine) on April 23, 1891, and grew up in comfortable conditions. His father organized his general education in the natural sciences, and his mother gave him his early education in the arts. When he was four years old, his mother provided his first piano lessons and he began composition study as well. He studied theory, composition, instrumentation, and piano with Reinhold Glière, who was also a composer and pianist. Glière asked Prokofiev to compose short pieces made into the structure of a series.1 According to Glière’s suggestion, Prokofiev wrote a lot of short piano pieces, including five series each of 12 pieces (1902-1906). He also composed a symphony in G major for Glière. When he was twelve years old, he met Glazunov, who was a professor at the St. -
Journal Officiel De La République Française
o Quarante-troisième année. – N 99 B ISSN 0298-2978 Lundi 25 et mardi 26 mai 2009 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE Standard......................................... 01-40-58-75-00 DIRECTION DES JOURNAUX OFFICIELS Annonces....................................... 01-40-58-77-56 Renseignements documentaires 01-40-58-79-79 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-58-79-20 www.journal-officiel.gouv.fr (8h30à 12h30) Télécopie........................................ 01-40-58-77-57 BODACC “B” Modifications diverses - Radiations Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Ventes et cessions .......................................... Créations d’établissements ............................ @ Procédures collectives .................................... ! BODACC “A” Procédures de rétablissement personnel .... Avis relatifs aux successions ......................... * Avis de dépôt des comptes des sociétés .... BODACC “C” Avis aux annonceurs Toute insertion incomplète, non conforme aux textes en vigueur ou bien illisible sera rejetée Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Experian, Optima on Line, Groupe Sévigné-Payelle, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services et Cartegie. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction des Journaux officiels. Le numéro : 2,50 € Abonnement. − Un an (arrêté du 21 novembre 2008 publié au Journal officiel du 27 novembre 2008) : France : 367,70 €. -
A Girl Recovering, but Still in Danger
Thanks for the ETC.:New Smithereens album review memories... Sunny and warm today, high -I* in the 60s. Sunny Saturday, VIEWPOINT: Finals and God high of 65. i A VOL. XXI, NO. 133 FRIDAY, APRIL 29, 1988 the independent newspaper serving Notre Dame and Saint Mary's Awards given at SMC convocation By KATIE KEARNEY Mary’s community,” said and MARK MCLAUGHLIN Hickey. !tt lit* Senior Staff Reporters Awards were presented to r •»* '* students and faculty in ,..4, -#*****.*4*.*■_ ..t:.. ... _ — I” ,.*.-*s £ , Awards to graduating ceremonies at O'taughlin 4 4 4 . 1 4 4 1 4 * 4 4 » * * • * 4 f * . * t . « . 4 *fc yi ■*> »♦« • 'tM lili J I * t • • >1 * • » .' «.«. *a1 . * 4 seniors, faculty promotions, Auditorium, including medals . <> 44 1441**44 V -•»«■ • ------------------------- 1 lie k1 H I and a speech by the president to co-valedictorians Joan Bout- -0 - * • " » 14 of the College marked the ton and Gretchen Gilcrest. Honors Convocation held at Students Meghan Rafferty » 4 . <U ! * • i « |t Saint Mary’s Thursday night. and Mary Malina were each presented with National Asso ...» “The Honors Convocation is ciation of Intercollegiate Ath a chance to gather as an aca letics Academic All-American demic community and honor awards. Only 37 of these faculty and students alike,” awards were presented said Saint Mary’s President throughout the country. William Hickey in an address Sister Elena Malits, profes to the convocation audience. sor of religious studies, was “You make all of us proud to be members of the Saint see AWARDS, page 12 Girl recovering, Light up the night The Observer / David Fischer but still in danger The rough rocks of the grotto absorb the dim glow exams signal the year’s end, the grotto remains one of flickering candle flames on a dark night. -
Ecosystems Mario V
Ecosystems Mario V. Balzan, Abed El Rahman Hassoun, Najet Aroua, Virginie Baldy, Magda Bou Dagher, Cristina Branquinho, Jean-Claude Dutay, Monia El Bour, Frédéric Médail, Meryem Mojtahid, et al. To cite this version: Mario V. Balzan, Abed El Rahman Hassoun, Najet Aroua, Virginie Baldy, Magda Bou Dagher, et al.. Ecosystems. Cramer W, Guiot J, Marini K. Climate and Environmental Change in the Mediterranean Basin -Current Situation and Risks for the Future, Union for the Mediterranean, Plan Bleu, UNEP/MAP, Marseille, France, pp.323-468, 2021, ISBN: 978-2-9577416-0-1. hal-03210122 HAL Id: hal-03210122 https://hal-amu.archives-ouvertes.fr/hal-03210122 Submitted on 28 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Climate and Environmental Change in the Mediterranean Basin – Current Situation and Risks for the Future First Mediterranean Assessment Report (MAR1) Chapter 4 Ecosystems Coordinating Lead Authors: Mario V. Balzan (Malta), Abed El Rahman Hassoun (Lebanon) Lead Authors: Najet Aroua (Algeria), Virginie Baldy (France), Magda Bou Dagher (Lebanon), Cristina Branquinho (Portugal), Jean-Claude Dutay (France), Monia El Bour (Tunisia), Frédéric Médail (France), Meryem Mojtahid (Morocco/France), Alejandra Morán-Ordóñez (Spain), Pier Paolo Roggero (Italy), Sergio Rossi Heras (Italy), Bertrand Schatz (France), Ioannis N. -
Die Konzerte Von 1981–2006
Die Konzerte von 1981–2006 Dienstag I 06. Okt 1981 W. A. Mozart: Konzert für Flöte und und Orchester Nr. 8 C-Dur KV 246 Niederländisches Kammerorchester Orchester Nr. 2 D-Dur KV 314 Konzert für Klavier und Orchester Leitung: Salvatore Accardo Nr. 9 Es-Dur KV 271 Solisten: Salvatore Accardo, Violine Mittwoch I 26. Jan 1983 Bruno Giuranna, Viola Yuval Trio Freitag I 13. April 1984 G. Rossini: Sonate für Streicher W. A. Mozart: Klaviertrio E-Dur Württembergisches Kammer- Nr. 3 C-Dur A. Vivaldi: Konzert für KV 542 M. Ravel: Klaviertrio a-Moll orchester Heilbronn Viola d’amore und Orchester d-Moll J. Brahms: Klaviertrio H-Dur op. 8 Leitung: Jörg Faerber RV 393 N. Paganini: Karneval in Solisten: Mihaela Martin, Violine Venedig A-Dur op. 10 W. A. Mozart: Donnerstag I 03. März 1983 Ludwig Güttler, Trompete Sinfonia concertante für Violine, The King’s Singers G. Ph. Telemann: Konzert für Trom- 159 Viola und Orchester Es-Dur KV 364 Consort Music von der Renaissance pete und Orchester D-Dur bis zum Pop E. Grieg: „Aus Holbergs Zeit“ Mittwoch I 03. März 1982 J. S. Bach: Konzert für Violine und Melos Quartett Donnerstag I 06. Okt 1983 Orchester d-Moll (nach BWV 1052) W. A. Mozart: Streichquartett Prazák Quartett L. Janácˇek: Suite für Streichorchester B-Dur KV 458 D. Schostakowitsch: J. Haydn: Streichquartett g-Moll T. Albinoni: Konzert für Trompete Streichquartett Nr. 8 c-Moll op. 74/3 L. Janácˇek: Streichquartett und Orchester B-Dur R. Schumann: Streichquartett A-Dur Nr. 2 „Intime Briefe“ A. Dvorˇák: op. 41/3 Streichquartett As-Dur op. -
Program Notes by Dr
Pittsburgh Symphony Orchestra 2016-2017 Gala Concert September 17, 2016 MANFRED HONECK, CONDUCTOR GIL SHAHAM, VIOLIN DMITRI SHOSTAKOVICH Festive Overture, Opus 96 SERGEI PROKOFIEV “Masks” from Romeo and Juliet, Opus 64a CLAUDE DEBUSSY Clair de Lune Orch. Arthur Luck FELIX MENDELSSOHN Scherzo from the Incidental Music to Shakespeare’s A Midsummer Night’s Dream, Opus 61 RICHARD STAUSS “Moonlight Scene” from Capriccio, Opus 85 EDVARD GREIG “In the Hall of the Mountain King” from Peer Gynt ARAM KHACHATURIAN Suite from Masquerade I. Waltz IV. Romance V. Galop FRITZ KREISLER Praeludium and Allegro Orch. Clark McAlister FRITZ KREISLER Liebesleid Orch. André Kostelanetz FRITZ KREISLER Schön Rosmarin Orch. André Kostelanetz PABLO DE SARASATE Fantasy on Bizet’s Carmen for Violin and Orchestra, Opus 25 Mr. Shaham Sept. 17, 2016, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA DMITRI SHOSTAKOVICH (1906-1975) Festive Overture, Opus 96 (1954) Among the grand symphonies, concertos, operas and chamber works that Dmitri Shostakovich produced are also many occasional pieces: film scores, tone poems, jingoistic anthems, brief instrumental compositions. Though most of these works are unfamiliar in the West, one — the Festive Overture — has been a favorite since it was written in the autumn of 1954. Shostakovich composed it for a concert on November 7, 1954 commemorating the 37th anniversary of the Russian Revolution, but its jubilant nature suggests it may also have been conceived as an outpouring of relief at the death of Joseph Stalin one year earlier. One critic suggested that the Overture was “a gay picture of streets and squares packed with a young and happy throng.” As its title suggests, the Festive Overture is a brilliant affair, full of fanfare and bursting spirits. -
IV. Kammermusik
IV. Kammermusik Abe, Keiko Martin Grubinger jun. / Martin Grubinger sen. / The Wave Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) The Percussive Planet Ensemble, Martin 8. Dez. 2013 Grubinger (Mulitpercussion) Martin Grubinger jun. / Martin Grubinger sen. / Prism Rhapsody Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) Abreu, Zequinha de Tico Tico (Arr.: Enrique Crespo) German Brass 27. Mai 2009 Albéniz, Isaac Granada aus Suite española, German Brass 27. Mai 2009 op. 47 (Arr.: Enrique Crespo) Tango , op. 165/2 Mischa Maisky (Violoncello), Lily Maisky 10. März 2011 (Klavier) Albioni, Tommaso Sonate in h-Moll, op. 1/8 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Concerto Italiano Bach, Johann Sebastian Sinfonia aus Wir danken dir, Gott, wir danken dir, BWV 29 German Brass 27. Mai 2009 (Arr.: Matthias Höfs) German Brass 14. Juni 2012 Suite Nr. 2 f. Flöte u. Streicher in h-Moll, BWV 1067 London Baroque 12. März 1991 Suite Nr. 5 f. Streicher in g- London Baroque 12. März 1991 Moll, BWV 1070 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Sonate in C-Dur, BWV 1037 Concerto Italiano Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/1 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/3 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/4 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/10 Triosonate Nr. -
NÓMINA MPF - AGENTES CON CARGO VIGENTE Cierre: Octubre 2017
NÓMINA MPF - AGENTES CON CARGO VIGENTE Cierre: Octubre_2017 Apellido, Nombre Desempeño Categoría Situación Revista ABAD, FERNANDA MARIA Fiscalía en lo Civil y Comercial y Contencioso Administrativo Federal Nº 6 PROSECRETARIO ADM Efectivo ABAD, GONZALO DANIEL Fiscalía Nacional en lo Criminal y Correccional N° 45 JEFE DE DESPACHO Efectivo ABAD, IGNACIO EZEQUIEL PROCUDDHH (Procuraduría de Crímenes Contra la Humanidad) JEFE DE DESPACHO Efectivo ABAD, JUAN SEBASTIAN PROCELAC -Área Administrativa- Mesa de Entradas OFICIAL MAYOR Efectivo ABAD, MARIA SOLEDAD Fiscalía Nacional en lo Criminal y Correccional N° 36 ESCRIBIENTE Efectivo ABAL, DIEGO JUAN UFIAMIA (Unidad Fiscal para la Investigación de la Causa AMIA) SUBDIRECTOR ADJUNTO Efectivo ABAL, LEOPOLDO Fiscalía Federal de Campana ESCRIBIENTE AUXILIAR Efectivo ABALLAY, YANINA LAURA PROCELAC -Área Operativa- Fraude Económico y Bancario SECRETARIO FISC GRAL Efectivo ABALOS, MARIA CECILIA Fiscalía Federal Nº 2 de Mendoza ESCRIBIENTE Efectivo ABARCA GARCÍA, MAURO EMANUEL Secretaría de Coordinación Institucional PROSECRETARIO ADM Efectivo ABDALA, ADRIAN OMAR SGA-DLGE-SLGE-GE-Dirección y Control de Obras OFICIAL MAYOR Efectivo ABDENEVE, MONICA VIVIANA Dpto. Logística - Intendencia - Av. de Mayo 760 MEDIO OFICIAL Efectivo ABELLA, MARIA DOLORES SDTRRHH-DDT-Dirección Disciplinaria y Técnica SUBSEC LETRADO Efectivo ABELLEIRA, MABEL CRISTINA Auditoría Interna SUBSEC ADM Efectivo ABELSON, GABRIELA Fiscalía General ante la Cámara Federal de Apelaciones de San Martín SECRETARIO FISC GRAL Efectivo ABIHAGGLE, -
I Misteri Del Processo MONTI E TOGNETTI
1 Gaetano Sanvittore I misteri del processo MONTI E TOGNETTI ROMANZO 2 MILANO Presso CESARE CIOFFI, Editore Via S. Zeno, N. 7 1869 Proprietà letteraria, a norma della legge 25 giugno 1863, N. 2337 Tip. Guglielmini 3 I Il prete di vettura V’ha in Roma una classe di preti diseredati, che non hanno alcuna parte nell’orgia dei lauti piatti e della grasse prebende. Questi sciagurati vengono chiamati comune- mente preti di vettura. Per essi il maggior provento di lucro è quello che trag- gono dai mortori; e perciò a somiglianza dei corvi costoro fiutano l’odore dei morti, e calano a stormo sul fresco cadavere di un estinto. La loro opera, tanto per l’associazione, come per la messa, viene appigionata da un sensale, che contratta a cottimo col sagrestano della parrocchia, gli fornisce un dato numero di preti, e distribuisce a ciascuno di essi la dovuta mercede. La parte migliore del mortorio rimane naturalmente al sensale e al sagrestano; quelli che ne rica- vano minor profitto sono i preti di vettura. Questi preti traggono dunque una magra esistenza, accanto alle lautezze dei prelati e dei cardinali. Potreb- bero paragonarsi al mendico che raccatta le briciole sotto la mensa di Epulone. Un prete di vettura, fra i cinquanta e i sessant’anni, pic- colo, magro, con un viso da buon uomo, su cui stavano 4 dipinte le afflizioni di una vita stentata, il quale rispon- deva appunto al nome di Omobono, sgambettava per le vie di Roma, nella mattina del giorno 22 ottobre 1867. Il suo cappello colle ali disfatte, il suo abito stretto e monco, le calze di un nero rossastro, e le scarpe scalca- gnate attestavano lo stato poco florido delle sue finanze; mentre i lineamenti del suo volto smunto portavano l’im- pronta della timidezza e della rassegnazione. -
Frank Peter Zimmermann / Heinrich Schiff ECM 1912 Honegger / Martinu / Bach / Pintscher / Ravel
ECM Nicolas Gombert ECM 1884 The Hilliard Ensemble Distinguished by the deeply sonorous and often melancholy music he composed for the Court of Emperor Charles V, Gombert has rarely been so well represented on disc as by this Mass and motet selection. … The Hilliard Ensemble perform miracles in bringing out so much detail in Gombert’s lugubrious music. The selection of motets which are interspersed through the mass movements clearly demonstrate their composer’s complete commitment to dense, generally low and invariably highly contrapuntal textures. D. James Ross, Early Music Review Tigran Mansurian ECM 1895 Ars Poetica The Armenian Chamber Choir is a superbly disciplined and well integrated ensemble … There is a resonance in the Armenian language which you just do not get in Western choirs, or even Russian ones for that matter – a certain glottal openness which gives the music a timeless, ageless quality. … Lovers of beautifully composed choral music should treat themselves to this recording, and those seeking to discover a new name will not be disappointed. Dominy Clements, Music Web Der armenische Komponist Tigran Mansurian hat sich der Verse seines Landsmannes Yegishe Tcharents angenommen – Gedichten, die Mansurian in seiner Jugend für sich als Seelenreservoir entdeckte: eine geistige Liebesgeschichte und Verwandtschaft also. Mit großer Leidenschaft singt der armenische Kammerchor unter Robert Mlkeyan den „Ars Poetica“-Zyklus, kostet das dynamische Auf und Ab aus, schwelgt im homophonen, mitunter dunkel von Folklore umflorten Gestus – ganz so, wie es die Seele dieser Musik einfordert. Tilman Urbach, Fono Forum Frank Peter Zimmermann / Heinrich Schiff ECM 1912 Honegger / Martinu / Bach / Pintscher / Ravel Premier enregistrement chez ECM pour le duo Zimmermann-Schiff qui affiche une plénitude sonore souveraine, dès la Sonatine VI de Honegger. -
Ft Counsel Available Here the Committee-Approved Resolution States That "Academic Freedom Is Freedom of Inquiry, Thought Y GEOFF GIBBS the War on Others
Spring quarter registration completely computerized By RAY- RUSSELL entrance), and then contact Complete so mputer advisors. s eel ioning will begin spring If returning students drop or quarter, announces Miss Helen add three or less courses, they Fechter , registrar~ New need fill out only a program scheduling procedures will adjustment card. If they want to eliminate the quarterly change curricula or drop or add Fieldhouse mess. more than thiee courses, they Registration will go like this: m u s t complete new Stu dents will preschedule prescheduling card. Feb. 11 to Feb. 28. Students will see advisors and complete a On March 24, all students will prescheduling card and a rep or! to the Fieldhouse mark-sense form from which the according to a pre-arranged computer will schedule courses. schedule to be announced before Change of curriculum forms, the end of winter quarter. They out of it and broke my arm. But see? It's good as I God. I didn't mean to do it. It was an obtained from the registrar will will pick up their new. I didn't mean to hurt you." Summertree; t. You'll be as good as new, I promise. be completed at the same time. computer-printed schedules and 8:00 P.M. Friday and Saturday. Exponent review was a boy I was playing in a tree and I fell Students dropping or adding fee statements, pick up any on page two. courses will do so at 8 a.m., financial aid, register March 21. New students and automobiles, pay fees, and former students not attending complete a small packet of autumn and/or winter quarter information which completes will also preschedule then. -
Sergei Prokofiev
Sergei Prokofiev Sergei Sergeyevich Prokofiev (/prɵˈkɒfiɛv/; Russian: Сергей Сергеевич Прокофьев, tr. Sergej Sergeevič Prokof'ev; April 27, 1891 [O.S. 15 April];– March 5, 1953) was a Russian composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet – from which "Dance of the Knights" is taken – and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, and nine completed piano sonatas. A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915 Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d'acier and The Prodigal Son – which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia.