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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
Impending Doom Bruce Dickinson Devildriver Asg
ASG DEVILDRIVER BRUCE DICKINSON IMPENDING DOOM SURVIVE SUNRISE OUTLAWS ‘TIL THE END, VOL. 1 SCREAM FOR ME SARAJEVO THE SIN AND DOOM VOL. II RELAPSE NAPALM RECORDS SANCTUARY RECORDS EONE North Carolina riff-rockers ASG are back with Survive A monstrous collection of savage and slamming metal Sarajevo in 1994 was a city under siege. Mortars and Impending Doom arise from where they began – their Sunrise, their sixth full length and first new album in five interpretations of Dez Fafara and his comrades in grenades rained down on the city, killing indiscriminately own alpha and omega as a band – crafting a sixth album years. Recorded, mixed and mastered with longtime DevilDriver’s favorite outlaw country songs, Outlaws every day. Amongst the madness, would it be possible as punishing, focused, bottom-heavy, and musically producer Matt Hyde, Survive Sunrise further expands ‘Til The End is both a startling curveball and a ferocious to persuade a global rock star to come and play a blood-soaked as the earliest efforts that first won them upon ASG’s trademark blend of heavy, southern-fried, statement of individuality from a band with cojones to show for local fans? Scream for Me Sarajevo is the notice. For The Sin and Doom Vol. II, they’ve returned alt-rock fury and infectious, hook-centric accessibility. spare. “The blues and outlaw country are what made soundtrack to the astonishing documentary film story to the grassroots, hands-on way they engineered With unabashedly hooky vocals, evocative lyrics rock ‘n’ roll. They were around before rock ‘n’ roll... of the most unlikely of rock concerts, performed by the and produced their earliest recordings, creating their and well-honed musical chops, ASG create soaring, And in my head, I’ve always heard these songs heavy,” ceaselessly fascinating Iron Maiden frontman, Bruce own grimey sonic mysteries. -
January 1 - August 31, 2008
January 1 - August 31, 2008 Contents President’s Report 2 The Saskatchewan Recording Executive Director’s Report 3 Industry Association Inc. Profile 4 114-2001 Cornwall Street Staff 5 Regina SK S4P 3X9 Canada Board of Directors 6 Workshops 8 404 33rd Street West Songwriting Master Class 9 Saskatoon SK S7L 0V6 Canada Funding 10 (all mail should be directed to the Export Strategy 12 Regina office) Programs and Activities 13 A Year of SaskMusic 16 P: 306-347-0676 (main switchboard) or Volunteers 18 1-800-347-0676 (toll free within Sask.) F: 306-347-7735 Treasurer’s Report 19 www.saskmusic.org Auditor’s Report 20 [email protected] MySpace: www.myspace.com/saskmusic Throughout this document, “SaskMusic” Facebook group: SaskMusic Facebook personality: SaskMusic Ziggy and “Saskatchewan Recording Industry Association” may be used interchangeably. WE THANK OUR SPONSORS: ON THE COVER: MEMBERS VOLCANOLESS IN CANADA; ARKADIA; AND CATHLEEN LESPERANCE. PHOTOS COURTESY THE ARTISTS. ANNUAL REPORT 2008 1 President’s Report BY KIM FONTAINE, The board identified five key areas of importance in the PRESIDENT strategic plan: We’ve come to the end of an- • Communications, Public Relations and Marketing: other fiscal year. While it may to ensure that the promotion of the Saskatchewan have been a short one, it has music industry is effective in raising awareness of also been a busy one. our talent and industry capacity on local, national and international levels. Coming out of 2007 and an • Partnership Development and Management: to en- 18-month process that entailed sure that current partnerships and key relationships much research, many focus remain strong and that we actively work toward groups, meetings, surveys, con- forging new and meaningful partnerships/relation- sultations, and the study mod- ships within the cultural sector, as well as with the els from other provinces, the private sector and tourism. -
Sundayiournal
STANDING STRONG FOR 1,459 DAYS — THE FIGHT'S NOT OVER YET JULY 11-17, 1999 THE DETROIT VOL. 4 NO. 34 75 CENTS S u n d a yIo u r n a l PUBLISHED BY LOCKED-OUT DETROIT NEWSPAPER WORKERS ©TDSJ JIM WEST/Special to the Journal Nicholle Murphy’s support for her grandmother, Teamster Meka Murphy, has been unflagging. Marching fourward Come Tuesday, it will be four yearsstrong and determined. In this editionOwens’ editorial points out the facthave shown up. We hope that we will since the day in July of 1995 that ofour the Sunday Journal, co-editor Susanthat the workers are in this strugglehave contracts before we have to put Detroit newspaper unions were forcedWatson muses on the times of happiuntil the end and we are not goingtogether any another anniversary edition. to go on strike. Although the companess and joy, in her Strike Diarywhere. on On Pages 19-22 we show offBut four years or 40, with your help, nies tried mightily, they never Pagedid 3. Starting on Page 4, we putmembers the in our annual Family Albumsolidarity and support, we will be here, break us. Four years after pickingevents up of the struggle on the record.and also give you a glimpse of somestanding of strong. our first picket signs, we remainOn Page 10, locked-out worker Keiththe far-flung places where lawn signs— Sunday Journal staff PAGE 10 JULY 11 1999 Co-editors:Susan Watson, Jim McFarlin --------------------- Managing Editor: Emily Everett General Manager: Tom Schram Published by Detroit Sunday Journal Inc. -
Rock Y Más Rock
Image not found or type unknown www.juventudrebelde.cu Rock y más rock Publicado: Jueves 25 octubre 2007 | 12:00:11 am. Publicado por: Juventud Rebelde ElImage increíble not found or vocalista type unknown Chris Cornell El increíble vocalista Chris Cornell. A tono con la celebración por estos días de una nueva emisión del festival Ciudad Metal, evento que tiene por sede la capital villaclareña, dedico hoy mi sección a informar acerca de algunos discos salidos en meses recientes de este popular género musical. Quiero comenzar hablando de un CD que me ha encantado en particular. Tras la ruptura con sus compañeros de Audioslave, que optaron por rehacer a Rage Against The Machine, el notable vocalista Chris Cornell ha iniciado una carrera como solista con la presentación de Carry On, un álbum diría yo bastante intimista y personal. La pieza principal del CD es You know my name, un corte incluido en la banda sonora de la última película de James Bond, Casino Royale. Sin duda, este es uno de los buenos temas del fonograma, donde también aparecen otros muy sobresalientes como Arms around your love, Ghosts, Billie Jean o Finally forever. No creo ser reiterativo si aseguro que Chris se muestra en todas sus potencialidades como vocalista y corrobora que él es uno de los mejores cantantes de rock surgidos de los 90 hacia acá. Siempre he pensado que lo mejor de todo lo grabado por Smashing Pumpkins ha sido el doble disco Mellon collie and the infinite sadness, de 1995. Otras propuestas del ensamble, en verdad me han interesado muy poco. -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
Tracks Top 100 Country Tracks
- -J Records Hollywood 47294-P Bros. Warner 94210-F - EMI Collins Phil Echo - HEARTBREAKERS Paradise Of Piece HEART MY IN BE YOU'LL THE AND PETTY TOM SKY PICK HIT PICK ALBUM track. the of balance Dion Celine in secluded now are Angelil and Dion rescheduled. the on vocals the doing Collins with Tarzan baby being are dates Canadian her but concerts, song to this of portion first the sings Kala) named upcoming eight postponed apparently has Dion a gorilla gentle figure, maternal Tarzan's of voice the body." provides (who Close Glenn film, the In child. and the of parts other the to spread and stage initial the mother between bond" "impenetrable the celebrating beyond gone has (cancer) it possible "It's excellent, film" the of centre emotional "the considered is prognosis Angelil's that indicates Steckler, is and Collins by written was song The Robert Dr. physician, Angelil's Although throat." week. this Pick Hit RPM's is and 5, April on radio at or mouth the in or skin the on develops normally impacted actually It album. the from single first the that cancer of kind "a Metastatic, Carcinoma Collins, Phil by recorded Heart My In Be You'll of Cell Squamous term medical the under comes release the is soundtrack the of highlight The from suffering is Angelil cancer the 9/99), (April soundtrack. Post National the in report a to According the and film feature animated full-length Disney's cancer. had Tarzan, of release upcoming the to given been Angelil that indications previous no been had there has that press extensive the with week this news the apparently as Dion to disturbing particularly was in are Collins Phil and Pictures Disney Walt Both diagnosis The cancer. -
FOR IMMEDIATE RELEASE June 3, 2014 FIVE FINGER DEATH
FOR IMMEDIATE RELEASE June 3, 2014 FIVE FINGER DEATH PUNCH AND VOLBEAT ANNOUNCE FIVE NEW DATES ON JOINT FALL TOUR INCLUDING 10/4 YOUNGSTOWN, OH; 10/8 DETROIT, MI; 10/18 OKLAHOMA CITY, OK; 10/20 WICHITA, KS AND 10/21 LUBBOCK, TX 27 DATE TOUR ACROSS NORTH AMERICA INCLUDES SPECIAL GUEST HELLYEAH AND OPENER NOTHING MORE Tweet it: FIVE FINGER DEATH PUNCH (@FFDP ) & @VOLBEAT add 5 shows to major fall tour; go to http://bit.ly/1lSFo7W for more info! Global rock heavyweights FIVE FINGER DEATH PUNCH and VOLBEAT have announced five additional dates on their forthcoming North American fall tour. The co-headlining arena tour (itinerary below) will kick off September 16 at the Maverik Center in Salt Lake City, UT and run through October 24 at The Joint at Hard Rock Hotel & Casino in Las Vegas, NV, bringing fans one of the biggest rock tours of the year. The new cities announced are Youngstown, OH at Covelli Centre on October 4; Detroit, MI at Compuware Arena on October 8; Oklahoma City, OK at Chesapeake Center on October 18; Wichita, KS at Intrust Bank Arena on October 20 and Lubbock, TX at Lonestar Amphitheatre on October 21 . Tickets for the newly added dates will go on sale this Friday, June 6 and Saturday, June 7 . T he co-headlining tour is produced by Frank Productions/NS2. Special guests joining FIVE FINGER DEATH PUNCH and VOLBEAT are HELLYEAH as direct support and NOTHING MORE as the opener. Previously announced dates are currently on sale at www.fivefingerdeathpunch.com or www.volbeat.dk with a selection of previously announced dates going on sale this coming weekend as well (details below). -
Pro Choice – Case 5
“You can’t pin down MK as a rock speaker or a pop speaker. It’s just a great sounding speaker.” - Kevin Churko, Hideout Studio, Las Vegas anadian born producer, engineer and “My father was a Catholic school music teacher them and turning knobs, until they finally got so songwriter Kevin Churko has worked and he gave me a lot of my early instruction. pissed off that they went and sat in the corner Cwith an amazing range of musical So I come from a musical background, rather while I worked.” names including Ozzy Osbourne, Shania than the technical side of things. By the time I Twain, Celine Dion, Ringo Starr, Five Finger was 14, my dad, like a crazy man, pulled us kids “That went on for a while, until we finally got to Death Punch, Hinder, In This Moment, Brit- out of school and we went on the road, playing work with talented guys that I could really learn ney Spears and many more. He currently mostly country music and a little bit of rock, too. from. When I had my own family, I had to figure resides in Las Vegas where he works out of We had a couple of singles and worked at it for out a way to stay at home, so I decided that I his Hideout studio on Las Vegas Blvd. quite some time.” was much more into recording music, rather than being out there playing, so I just started Among the high points of Kevin Churko’s ca- “The band was called Churko. -
Augmenting the Instrumental Music Program: a Case Study of Mark Wood’S Electrify Your Strings Program
AUGMENTING THE INSTRUMENTAL MUSIC PROGRAM: A CASE STUDY OF MARK WOOD’S ELECTRIFY YOUR STRINGS PROGRAM A Thesis by Jeremy Charles Samuel Bachelor of Music, Fort Hays State University, 2004 Submitted to the Department of Music and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Music Education May 2018 © Copyright 2018 by Jeremy Charles Samuel All Rights Reserved AUGMENTING THE INSTRUMENTAL MUSIC PROGRAM: A CASE STUDY OF MARK WOOD’S ELECTRIFY YOUR STRINGS PROGRAM The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Music Education, with a major in Instrumental Music. _______________________________ Steve Oare, Committee Chair _______________________________ Elaine Bernstorf, Committee Member _______________________________ Robert Bubp, Committee Member iii DEDICATION This thesis is dedicated to my wife, Alison, and my daughter, Layla, whose love, understanding and support are unwavering in all my undertakings. iv An experience-based philosophy of music education is inclusive of all musics and of all ways of being engaged with it because every particular kind and type of music, and every particular way music is made and received, represents a particular opportunity for musical experience. All such opportunities are precious. -Bennet Reimer v ACKNOWLEDGMENTS I would like to thank my adviser, Steve Oare, for guiding me through the thesis process to completion and for his masterful editorial skills. I would also like to thank Elaine Bernstorf for introducing me to research and convincing me that I had the skills to complete a thesis.