Nfts Are Booming and the Music Biz Desperately Wants In

Total Page:16

File Type:pdf, Size:1020Kb

Nfts Are Booming and the Music Biz Desperately Wants In BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 11, 2021 Page 1 of 43 Leader; Travis Denning Makes History INSIDE NFTs Are Booming and the Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville),Music debuts at No. 1 onBiz Billboard ’sDesperately lion audience impressions, up 16%). Wants In Top Country• Congress Albums Passes chart dated April 18. In its first week (ending April 9), it earned$1.9T 46,000 Relief equivalent Bill: album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingHere’s to What’s Nielsen in Music/MRC It for Data. andBY totalMICAH Country SINGLETON Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideMusic marksWorkers Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and• A Seatfourth At top The 10. It follows“It freshman was one ofLP those moments in my life where I was NFT marketplaceYoung’s called first NBA of six Top chart Shot entries, where “Sleep it sells With - Montevallo(Kids), which Table: arrived at thelike, summit ‘Holy in shit,’”No - recalls DJ-producer 3LAU, “‘I think clips of highlightsout You,” and reached accepts No. credit 2 in December cards, not 2016. just He vemberChildren’s 2014 and Music reigned for ninewe weeks. just changedTo date, everything.’” Ethereum. Footagefollowed ofwith LeBron the multiweek James dunkingNo. 1s “In soldCase for You MontevalloGrammy has Nominees earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved million in album sales. That holy-shit moment, shared by most of the music $208,000 onYou” Feb. (three, 22 and January the platform 2018), “Mercy” has processed (two, August — And Their business, was his Feb. 25 auction of 33 collectible NFT over $250 million in sales in the past month, accord- MontevalloOverlooked has Peers spent of267 weeks on the list, tying 2018) and “Here Tonight” (two, April 2019). LukeColor Bryan —’s Crash Open My Up Party as the— non-fungible sixth-longest- token — versions of his 3-year-old al- ing to The Wall“Catch” Street completes Journal. his longest journey to No. 1, running titles in the chart’s 56-yearbum, history.Ultraviolet, that sold for $11.7 million (one NFT An NFT ishaving a one-of-a-kind taken 46 weeks cryptographic to reach the apex. token It out- • US Livestreams On the all-genre Billboard 200,went Southside for $3.6 ar million)- — which included vinyl, un- that exists onpaces a blockchain, the 30-week typically climb of “Here Ethereum, Tonight.” the rives Earnedat No. 5, $610M awarding in Hunt his second top 10 On Hot Country Songs, “Catch” pushes 7-5 for HUNT YOUNG after the2020: No. 3-peaking Study Montevalloreleased. music and the chance to record with 3LAU. second-mosta new popular high. cryptocurrency after Bitcoin. That’s real money for a virtual good, setting a record Blockchains are immutable digital ledgers that allow Hunt• firstTop Germanreleased the EPX2C , which debuted andFestivals peaked at Canceled No. 5 on Top Countryfor the Albums primary in sale August of an 2014. NFT Following collection at COMBSthe time ‘DOES’ NFTsIT AGAIN to beLuke tracked Combs across’ “Does the to Me” internet (River andHouse/Columbia makes MontevalloAgain,, BetweenThrowing the Pines: andAcoustic making Mixtape history started as the at itsfirst No. album7 high into be Nashville),tokenized. featuringit possible Eric Church for anyone, ascends using 11-8 onthe Country same blockchain Airplay, up 10% to to NovemberEurope’s 2015. Summer Music creators and executives seem to agree24.7 thatmillion in audience.verify their The authenticity. song is Combs’ eighth straight career-opening MontevalloInto Doubt produced five singles, four of which hit the pinnacle of Country top 10, following a record run of seven consecutive out-of-the-gate, properly Airplay: “Leave the Night On,” “Takesomething Your Time,” has changed “House Party”— even and if they “Make don’t promoted entirely No. 1 singles.Essentially, that makes the NFT a digital collectible You Miss• Anthony Me.” “Break Martini Up in a Smallunderstand Town” peaked it. Deadmau5, at No. 2. Grimes and Shawn ChurchMendes adds histhat 15th serves Country as its Airplay own topproof 10. of authenticity. The media HuntAppointed co-penned Royalty all 12 songshave on Southside already ,sold including NFTs “Body — although Like a Backnot albums — involved can be copied — anyone can hear Ultravio- Road,”Exchange which was CEO: released in 2017.following The smash the leadhit ruled of digital Country artists Airplay like for Beeple, THAT who TOOK QUITElet — ‘A but FEW’ the MONTHS NFT is unique.Travis Denning To collectors, shatters theit’s recordthe for Exclusive three weeks and the airplay-, streaming-has generated and sales-based nearly $80 Hot million Country auctioning Songs the off most NFT weeks differenceit has taken tobetween penetrate a thepicture Country of a Airplayfamous top painting 10 as “After and chart for a then-record 34 frames. It now ranks second only to Bebe Rexha and a Few” (Mercury Nashville) climbs 12-10 in its 57th week, up 4% to 21.4 mil - FloridaMARKET Georgia WATCH Line’s “Meant toartwork Be” (50 sinceweeks December, atop the latter with list in a 2017-18).piece of digitallion inart on radio reach.the actual painting itself. In terms of value, the NFT PAGE 40 “Downtown’s Dead,” which isauction also on atthe Christie’s new set, reachedselling Nos. for a14 record and 15 $69.3The mil song- surpassesbrings two scarcity tracks to that the took digital 50 weeks world. each to enter the top 10: on HotSONGWRITERS Country Songs and Countrylion Airplay, on March respectively, 11. So far in NFTs June 2018.are popular “Kin- mostlyEaston Corbin’s “ANFTs Girl Like also You,” let creators which reached control No. digital 10 in Jworksanuary through 2018 be- folks”& ledPRODUCERS Country Airplay on Feb.among 29, becoming people who Hunt’s are seventh interested No. 1.in It cryptocurrency, hit fore peaking at No.“smart 6 that contracts,” February, and lines Aaron of code Watson that’s automatically“Outta Style,” which No. 3 on HotCHARTS Country Songs. but are quickly becoming mainstream: In October,achieved the its No.execute 10 high in behaviors December such 2017. as giving the creator a resale LatestPAGES single 41 “Hard - 43 to Forget” jumps 17-9 on Hot Country Songs. It’s his “After” is Denning’s second Country Airplay entry. “David Ashley Parker NBA, in partnership with Dapper Labs, launched an (continued) eighth top 10, having corralled 8.2 million U.S. streams (up 96%) and 5,000 in From Powder Springs” traveled to No. 32 in September 2018. ETHAN MICHAEL YOUNG: VIA MARTIN/NHLI GETTY HUNT: IMAGES. IMAGES MILLER/GETTY BEST ACTRESS GOLDEN GLOBES WINNER THE UNITED STATES VS. BILLIE HOLIDAY NEW SINGLE “TIGRESS & TWEED” FROM THE MOTION PICTURE SOUNDTRACK: THE UNITED STATES VS. BILLIE HOLIDAY OUT NOW ! BRAND NEW ALBUM COMING SOON! LOVE, YOUR WARNER RECORDS FAMILY Page 3 of 43 IN BRIEF royalty when it’s sold to another buyer in sell virtual stickers and trading cards with with a portion of proceeds going to Live Na- the future. “You can set that permanent re- animations of his iconic mouse helmet. tion’s Crew Nation Fund. sale royalty at the time of minting,” says Dee After selling an “audiovisual collaboration” Even with 3LAU’s success, questions re- Goens, co-founder of the NFT marketplace with augmented reality artist Sutu depict- main about the viability of selling albums as Zora, noting that a royalty range of 10% to ing a golden version of Deadmau5’s helmet NFTs. The price of gas makes it hard to sell 25% is typical. floating in a space station on the moon Titan music at scale, and it’s far less convenient to “The problem with the digital world is in a 30-second loop, deadmau5 teamed with listen to than Spotify. we’ve been trained for a decade that every- digital artist Mad Dog Jones on another “I’m not the biggest advocate for straight thing is just copyable,” says 3LAU, a long- NFT auction that showed the benefits of a music NFTs,” says Darlington. “It feels standing member of the crypto community. royalty on third-party sales. like we’re going back in time, like owning “There has always been a historical culture “With Mad Dog Jones, we did $420,000 MP3s and trading MP3s. I think it’s going of collection when it comes to art that just in 15 minutes,” says Dean Wilson, dead- to be more of an uphill battle to sell straight hasn’t manifested in a digital way.” mau5’s manager and founder/CEO of music.” A creator who wants to sell an NFT management firm Seven20. “Two weeks Right now, “the NFT business is a collect- first needs to “mint” one, which involves later, Mad Dog Jones does his own drop. He ibles business,” says Wilson. “What we’re uploading the media and setting the rules clears $4.2 million. In the same week, for seeing is a hype moment like when dot-com in a smart contract. It also requires paying our art that we did with him, we alone got businesses boomed and then busted.
Recommended publications
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100
    [Show full text]
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
    Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • MAHANI TEAVE Concert Pianist  Educator  Environmental Activist
    MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area.
    [Show full text]
  • Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
    FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T.
    [Show full text]
  • Top 40 Singles Top 40 Albums Closer Final Song Blonde Dangerous Woman 1 the Chainsmokers Feat
    29 August 2016 CHART #2049 Top 40 Singles Top 40 Albums Closer Final Song Blonde Dangerous Woman 1 The Chainsmokers feat. Halsey 21 M0 1 Frank Ocean 21 Ariana Grande Last week 2 / 4 weeks Disruptor/SonyMusic Last week 24 / 6 weeks SonyMusic Last week - / 1 weeks BoysDon'tCry Last week 26 / 14 weeks Republic/Universal Cold Water Cheap Thrills Suicide Squad OST All Over The World: The Best Of 2 Major Lazer feat. Justin Bieber And... 22 Sia 2 Various 22 ELO Last week 1 / 5 weeks Gold / Because/Warner Last week 23 / 27 weeks Platinum x2 / Inertia/Rhythm Last week 1 / 3 weeks Atlantic/Warner Last week 24 / 19 weeks Gold / SonyMusic Let Me Love You This Girl 25 Lemonade 3 DJ Snake feat. Justin Bieber 23 Kungs And Cookin' On 3 Burners 3 Adele 23 Beyonce Last week 3 / 3 weeks Interscope/Universal Last week 22 / 8 weeks KungsMusic/Universal Last week 4 / 40 weeks Platinum x7 / XL/Rhythm Last week 34 / 18 weeks Gold / Columbia/SonyMusic Heathens Starving Views A Head Full Of Dreams 4 Twenty One Pilots 24 Hailee Steinfeld And Grey feat. Zedd 4 Drake 24 Coldplay Last week 4 / 10 weeks Gold / Atlantic/Warner Last week - / 1 weeks Republic/Universal Last week 3 / 17 weeks CashMoney/Universal Last week - / 33 weeks Gold / Parlophone/Warner Don't Worry Bout It Hurts So Good Blurryface Kaleidoscope World 5 Kings 25 Astrid S 5 Twenty One Pilots 25 The Chills Last week 7 / 7 weeks Gold / ArchAngel/Warner Last week 18 / 5 weeks Universal Last week 2 / 33 weeks Gold / FueledByRamen/Warner Last week - / 11 weeks FlyingNun/FlyingOut One Dance Never Be Like You Poi E: The Story Of Our Song Major Key 6 Drake feat.
    [Show full text]
  • Olivia Rodrigo's
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb.
    [Show full text]
  • Analýza Nejposlouchanějších Skladeb Na Serveru Youtube.Com
    Masarykova univerzita Pedagogická fakulta ANALÝZA NEJPOSLOUCHANĚJŠÍCH SKLADEB NA SERVERU YOUTUBE.COM Bakalářská práce Brno 2017 Autor: Vedoucí bakalářské práce: Jakub Šindelka doc. PhDr. Marek Sedláček, Ph.D. Anotace Název práce: Analýza nejposlouchanějších skladeb na serveru YouTube.com Title: The analysis of the most listened compositions on YouTube.com Tato práce se zabývá analýzou devatenácti nejposlouchanějších hudebních skladeb na serveru YouTube.com, které byly uploadovány v roce 2014 a později. Seznam je aktuální k datu 1. 7. 2016, práce se tedy zabývá skladbami, které byly nejpopulárnější na serveru YouTube od začátku roku 2014 do poloviny roku 2016. U skladeb je zkoumán jejich žánr, délka, tempo, harmonie, struktura a další charakteristiky, práce se zabývá rovněž interprety těchto skladeb a jejich životem, tvorbou a uměleckou kariérou. Závěrečná část práce je věnována vyhodnocení toho, jaké znaky jsou u skladeb nejčastější a nejtypičtější. Okrajově se práce zabývá rovněž historií a principem fungování serveru YouTube. This thesis is focused on the analysis of the nineteen most listened music compositions on YouTube.com, which were uploaded in 2014 or later. The list is relevant to 1. 7. 2016, therefore the point of interest of the thesis are composions, which were the most popular in the period since the beginning of 2014 to the half of 2016. The aspects of compositions which are analyzed are their genre, lenght, tempo, harmony, structure and other characteristics, thesis also tries to comprehend the life, artworks and carrier of interprets of the compositions. The goal of the final part of this thesis is to evaluate which characteristics of the compositions are the most frequent and the most typical ones.
    [Show full text]
  • Issue Date: November 30Th 2020 # Lw Bp Woc Tfo Artist Single 1 2 1 19 18 JOEL CORRY FEAT
    Issue Date: November 30th 2020 # lw bp woc tfo artist single 1 2 1 19 18 JOEL CORRY FEAT. MNEK HEAD & HEART www.joelcorry.com ***back to #1***/***3 weeks at #1*** single (Atlantic - Dancing Bear) 2 1 1 10 10 DAVID GUETTA & SIA LET'S LOVE davidguetta.com single (Parlophone - Dancing Bear) 3 3 2 19 18 MILEY CYRUS MIDNIGHT SKY mileycyrus.com album: Plastic Hearts (RCA - Menart) 4 25 4 7 7 DUA LIPA FEAT. DABABY LEVITATING www.dualipa.com ***greatest gainer TFO*** album: Future Nostalgia (Warner - Dancing Bear) 5 4 4 20 12 NEA SOME SAY twitter.com/neasodahl single (Milkshake - Menart) 6 18 6 10 9 SIGALA & JAMES ARTHUR LASTING LOVER www.sigalamusic.com single (Ministry of Sound - Menart) 7 8 5 13 12 CLEAN BANDIT & MABEL FEAT. 24KGOLDN TICK TOCK www.cleanbandit.co.uk single (Atlantic - Dancing Bear) 8 5 3 12 10 MASTER KG FEAT. BURNA BOY & NOMCEBO ZIKODE JERUSALEMA twitter-com/masterkgsa album: Jerusalema (Elektra France - Dancing Bear) 9 15 9 15 9 AVA MAX WHO'S LAUGHING NOW avamax.com album: Heaven & Hell (Atlantic - Dancing Bear) 10 7 4 17 17 JASON DERULO TAKE YOU DANCING jasonderulo.com single (Atlantic - Dancing Bear) 11 9 1 18 18 KYGO X TINA TURNER WHAT'S LOVE GOT TO DO kygomusic.com single (RCA - Menart) 12 12 9 11 8 JUSTIN BIEBER FEAT. CHANCE THE RAPPER HOLY www.justinbiebermusic.com single (Def Jam - Universal Music) 13 29 13 4 3 ARIANA GRANDE POSITIONS arianagrande.com album: Positions (Def Jam - Universal Music) 14 6 6 9 9 SAM SMITH DIAMONDS samsmithworld.com single (Capitol - Universal Music) 15 10 10 11 9 KYGO X DONNA SUMMER HOT STUFF kygomusic.com single (RCA - Menart) 16 23 16 10 7 24KGOLDN FEAT.
    [Show full text]
  • Bullets High Five
    DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 33 [email protected] · www.trendcharts.de 12.10.2021 Approved for publication on Tuesday, 17.08.2021 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 08 Tyga Ft. Moneybagg Yo Splash Last Kings/Empire 01 02 02 09 Ty Dolla $ign x Jack Harlow x 24kGoldn I Won Atlantic/WMI/Warner 02 03 03 07 Wale Ft. Chris Brown Angles Maybach/Warner/WMI 03 04 04 10 Nicky Jam x El Alfa Pikete Sony Latin/Sony 02 05 09 05 J Balvin x Skrillex In Da Getto Sueños Globales/Universal Latin/UMI/Universal 05 06 NEW Tyga Mrs. Bubblegum Last Kings/Empire 06 07 11 02 Lil Nas X Ft. Jack Harlow Industry Baby Columbia/Sony 07 08 21 03 Pop Smoke Ft. Chris Brown Woo Baby Republic/UMI/Universal 08 09 18 08 Meghan Thee Stallion Thot Shit 300/Atlantic/WMI/Warner 03 10 NEW Skepta Ft. J Balvin Nirvana Boy Better Know 10 11 13 07 Migos Straightenin Quality Control/Motown/UMI/Universal 11 12 19 05 Shirin David Lieben Wir Juicy Money/VEC/Universal 01 13 06 05 Tainy x Yandel DEJA VU NEON16/Y/Roc Nation/Sony 06 14 20 02 HVME Ft. 24kGoldn & Quavo Alright B1/Sony 14 15 NEW badmómzjay Checkst Du? Bad Momz/Vertigo Berlin/VEC/Universal 15 16 05 04 Post Malone Motley Crew Republic/UMI/Universal 05 17 12 04 Maluma Sobrio Sony Latin/Sony 12 18 22 03 Daddy Yankee Ft.
    [Show full text]